Research and Repertoire Sessions
On most days from early in the morning until early afternoon, attendees could take in a wide variety of enriching sessions. To read reviews of these sessions (or session abstracts when no review was given), click on the links at right, which are available from all pages within Sessions. If you prefer a listing by presenter (as shown below), click on the Sessions button at top to return to this page.
Sessions by Presenter / Participant
Michael Ball — Considerations in Writing for Voices and Winds
Bastiaan Blomhert — Wind Chamber Music
City of Brampton Concert Band — Repertoire Session 5
Rob Buckland — Repertoire for Saxophone and Wind Orchestra
Martin Bussey — Considerations in Writing for Voices and Winds
Fergal Carroll — Composing wind music for an international constituency
Jim Cochran — Repertoire Sessions
Dublin Concert Band — Repertoire Session 1
Tom Duffy — Composing wind music for an international constituency
Evelyn Glennie — Performance Masterclass
Evelyn Glennie — Presentation on Percussion
Adam Gorb — Considerations in Writing for Voices and Winds
Michael Haithcock — Considerations in Writing for Voices and Winds
Pete Harrison — Music for Wind Dectet
Kenneth Hesketh — Composing wind music for an international constituency
Gary Hill — The Wind Band: Dynamic System or Static Institution?
No. 1 Band of the Irish Defence Forces — Repertoire Session 4
Keith Kinder — Considerations in Writing for Voices and Winds
Keith Kinder — Music for Wind Ensemble and Chorus
Odd Terje Lysebo — Composing wind music for an international constituency
Odd Terje Lysebo w/Nanset WE — The Unknown Wind Music of Shostakovich
Gerhard Markson w/IYWO — Conducting Masterclass
Gerhard Markson w/IYWO — IYWO Open Rehearsal
Nagoya University of Arts Wind Orchestra, Japan — Repertoire Session 3
Erica Neidlinger — Laban Technique in Conducting
Joseph Phibbs — Considerations in Writing for Voices and Winds
James Ripley — Transcribing Greatness: Brahms’ Begräbnisgesang
Timothy Reynish — Considerations in Writing for Voices and Winds
Timothy Reynish — New Music for Wind Band 2005–2007
Colleen Richardson — Varèse and Duchamp: Different Mediums, Similar Inspiration
Phillip Scott — Considerations in Writing for Voices and Winds
University of Cincinnati CCM Chamber Players — Repertoire Session 2
Oliver Waespi — Composing wind music for an international constituency
Ian Wilson — Young Composers’ Workshop
Guy Woolfenden — Composing wind music for an international constituency
©2007 WASBE and/or the contributing author/photographer