Nordic Instrumental Music
For Colleges and Universities
By Composer
| Composer Arranger | Title | Ensemble Medium | Country | Publisher_Code | Date | Time | Difficulty | Recommended Level | Comments |
|---|---|---|---|---|---|---|---|---|---|
| SAARIAHO, KAIJA | CANVAS | FLUTE ALONE | Finland | FiMIC | 1978 | M/H | C/U | THREE MOVEMENTS THAT WOULD BE COMFORTABLE FOR THE GOOD COLLEGE PLAYER. | |
| SAEVERUD, HARALD | 20 SMA VIOLIN DUETTER, OP.32 | VIOLIN DUET | Norway | MUSIKK-HUSET | 1959 | M | C/U/HS | CAN BE PLAYED BY OTHER LIKE PITCHED INSTRUMENTS. | |
| SAEVERUD, HARALD | ANDANTE FUNEBRE, OP 44 | CELLO & PIANO | Norway | MUSIKK-HUSET | 1981 | EST 4 MIN | M | C/U | LYRICAL PIECE AND A GOOD COMPOSER. |
| SAEVERUD, HARALD | BASSOON CONCERTO, OP 44 | BASSOON & ORCHESTRA | Norway | MUSIKK-HUSET | 1987 | 18 MIN | M/H | C/U | 2FL,2CL,2OB,2HN,2TRPT,PERC,TMP,STRINGS. USUAL THREE MOVEMENTS. SCORE FOR SALE AND PARTS ON HIRE. PIANO ACCOMP. AVAILABLE. |
| SAEVERUD, HARALD | BASSOON CONCERTO, OP 44 | BASSOON & PIANO | Norway | MUSIKK-HUSET | 1987 | 18 MIN | M/H | C/U | ORCHESTRA VERSION AVAILABLE - SEE OTHER LISTING. SOLOIST CAN BE GOOD COLLEGE STUDENT. CONSERVATIVE 20TH CENTURY COMPOSER, WORKS WELL AS PEDAGOGICAL MATERIAL. |
| SAEVERUD, HARALD | BLASEKVINTET NO.1 | WOODWIND QUINTET | Norway | MUSIKK-HUSET | 1983 | 14 MIN | H | C/U | GOOD CHALLENGE FROM A FINE COMPOSER. |
| SAEVERUD, HARALD | BLASEKVINTET NO.2 | WOODWIND QUINTET | Norway | MUSIKK-HUSET | 1985 | H | C/U | HARDER THAN NO. 1 SO FOR ONLY THE BEST OF QUINTETS. | |
| SAEVERUD, HARALD | CANTO OSTINATO, OP 9 | ORCHESTRA | Norway | NORSK | 1937 | EST 9 MIN | M/H | C/U | PIC,2FL,2CL,BCL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,2PERC,TMP,CELESTE, HARP,STRINGS. TRADITIONAL MUSIC BY A FINE NORWEGIAN COMPOSER AND VERY PLAYABLE. SCORE FOR SALE, PARTS RENTAL. |
| SAEVERUD, HARALD | ENTRATA REGALE, OP 41 | ORCHESTRA | Norway | MUSIKK-HUSET | 1969 | 7 MINN | M | C/U/HS | PIC,2FL,2CL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,3PERC,TMP,CBSN,STRINGS. PROGRAM OPENER, OVERTURE-LIKE. NO PROBLEMS AND ACCESSIBLE TO ALL. |
| SAEVERUD, HARALD | FANFARE OG HYMNE, OP 48 | ORCHESTRA | Norway | MUSIKK-HUSET | 1974 | CA 5 MINN | M | C/U/HS | PIC,2FL,2CL,BCL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,2PERC,TMP,CBSN, CELESTE,PIANO,STRINGS. TRIPLET RHYTHMNS THROUGHOUT, IE: 6/8, 9/8, 12/8. NO PROBLEMS - SAEVERUD IS ALWAYS ACCESSIBLE. |
| SAEVERUD, HARALD | GALDRESLATTEN, OP 20 | ORCHESTRA | Norway | MUSIKK-HUSET | 1947 | 7 MINN | M | C/U/HS | PIC,2FL,2CL,BCL,2OB,2BSN,4HN,2TRPT,3TRB,TBA,PERC,TMP,HARP,STRINGS. NO PROBLEMS OR SURPRISES AND THIS ONE HAS MUCH AUDIENCE APPEAL. |
| SAEVERUD, HARALD | HER LAST CRADLE SONG, OP 22A | STRING ORCHESTRA | Norway | MUSIKK-HUSET | 1946 | CA 3 MIN | E | C/U/HS | LITTLE SONG WITH SOME DIVISI AND IT SINGS OF COURSE! |
| SAEVERUD, HARALD | KJEMPEVISE - SLATTEN, OP 22A NR 5 | ORCHESTRA | Norway | MUSIKK-HUSET | 1946 | 5 1/2 MIN | M | C/U/HS | 2FL,2CL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,PERC,TMP,HARP,STRINGS. NO PROBLEMS, PLAYABLE BY ALL. NORWEGIAN FLAVOR OF COURSE! |
| SAEVERUD, HARALD | MOZART-MOTTO-SINFONIETTA, OP 50 | ORCHESTRA | Norway | NMIC | EST 8 MIN | M | C/U/HS | 2FL,2CL,2OB,2BSN,2HN,2TRPT,TMP,STRINGS. SMALLER ORCHESTRA IN MOZART STYLE - MOSTLY 3/4 ALLEGRO. | |
| SAEVERUD, HARALD | SYMFONISK DANS, OP 17A | ORCHESTRA | Norway | NORSK | 1947 | 9 MINN | H | C/U | PIC,2FL,2CL,2OB,2BSN,4HN,2TRPT,3TRB,TBA,PERC,TMP,HARP,CELESTE, STRINGS. TRADITIONAL MUSIC BY A FINE COMPOSER. COMFORTABLE FOR THE COMMUNITY AND COLLEGE ORCHESTRAS. SCORE FOR SALE, PARTS RENTAL. |
| SAEVERUD, HARALD/A.OSCAR HAUGLAND | RONDO AMOROSO, OPUS 14 #7 | WOODWIND QUINTET | Norway | MUSIKK-HUSET | 1977 | 4 MIN 30 SEC | H | C/U | ROMANTIC STYLE, MANY NOTES, BUT PLAYABLE. |
| SAGVIK, STELLAN | 2 BIBLISKA FANFARER, OP. 192A | BRASS QUINTET & ORGAN | Sweden | SMIC | 1999 | 2 MIN 20 SEC | M | C/U | FINE COMPOSER AND TWO NICE FANFARES THAT HAVE MUCH MUSICAL INTEREST. EVERYTHING IN PLAYABLE RANGES. GOOD DRAMA IN EACH FANFARE. |
| SAGVIK, STELLAN | CLUSHOES, OVERTURE OP. 187 | ORCHESTRA | Sweden | SMIC | 1996/97 | 9 MIN 30 SEC | H | C/U | 2FL(PIC),2OB,EH,SCL,BCL,2BSN,4HN,3TRPT,3TRB,TBA,5PERC,STRINGS. NEED A LARGE ORCHESTRA WITH AMPLE STRINGS. ALWAYS PAY ATTENTION TO THIS FINE COMPOSER. HIS FINE SCORE MAKES THIS EASIER TO PLAY. |
| SAGVIK, STELLAN | FANFANFARA | BRASS QUINTET | Sweden | SMIC | 1989 | 8 MIN | M/H | C/U | FINE SCORE, RHYTHMIC INTEREST AND PLAYABLE. |
| SAGVIK, STELLAN | SLOTTS-SVIT, OP 82B | BAND | Sweden | SMIC | 1981 | H | C/U | PIC,4CL,2BSN,2AS,TS,2HN,3TRPT,3TRB,TBA,2PERC. 5 SHORT MOVEMENTS BUT CHECK THE INSTRUMENTATION. VERY HIGH TESSITURA FOR TROMBONE I. | |
| SAGVIK, STELLAN | SOLAR PLEXUS, OP. 191 | FLUTE ALONE | Sweden | SMIC | 2000 | 30 MIN. | H | C/U | 11 SHORT MOVEMENTS WITH MANY CHALLENGES. A FINE COMPOSER WITH MUSIC THAT IS INTERESTING FOR THE PLAYER AS WELL AS THE AUDIENCE. |
| SAGVIK, STELLAN | SVENSK (NORRBOTTNISK) CONCERTINO, OP 114 | TROMBONE & STRING ORCHESTRA | Sweden | SMIC | 1983 | 9 MIN | H | C/U | THREE MOVEMENTS. 1ST IS LIKE A CADENZA, 2ND A 3/4 DANS & 3RD 2/4 AND QUICK. SCORE IS MS AND A FEW PROBLEMS WITH LEGIBILITY. FOR RENTAL ONLY. |
| SAGVIK, STELLAN | VIALENNA, OP 167 | VIOLA ALONE | Sweden | SMIC | 1992 | 3 MN | H | C/U | FOR THE BEST C/U STUDENT. DOUBLE AND MORE STOPS, LOTS OF NOTES AND A NEED GO MAKE MUSIC WITH THEM WITHOUT ACCOMPANIMENT. A CONTEMPORARY SETTING AND APPROACH. |
| SAIKKOLA, LAURI | CONCERTINO | CLARINET & STRING ORCHESTRA | Finland | FiMIC | 1968 | M/H | C/U | THREE MOVEMENTS WITH STRING PARTS, VERY PLAYABLE WITH CLARINET SOLO STRAIGHT AHEAD. GOOD LOOKING SCORE. RENTAL ONLY. | |
| SAIKKOLA, LAURI | CONCERTO MINIATURA | VIOLA & STRING ORCHESTRA | Finland | FiMIC | 1979 | 15 MIN | M/H | C/U | ONE MOVEMENT. ORCHESTRA PARTS VERY EASY. MARKED MODERATO & VIVACE. VIOLA PART ACCESSIBLE BY GOOD COLLEGE STUDENT. RENTAL ONLY. |
| SAIKKOLA, LAURI | DIVERTIMENTO, OP 27 | WOODWIND QUINTET | Finland | FiMIC | 1935 | EST 9-10 MIN | M | C/U | FIVE MOVEMENTS INCLUDING A 'POLCA' AND A 'PASTORALE'. CLEAN SCORE AND PARTS. ACCESSIBLE WITH NO SURPRISES. |
| SAIKKOLA, LAURI | KOLME BAGATELLIA | STRING BASS & PIANO | Finland | FiMIC | 1976 | EST 6 MIN | M | C/U/HS | THREE MOVEMENTS OF GOOD STUDY AND RECITAL MATERIAL. |
| SAIKKOLA, LAURI | QUINTETTO | WOODWIND QUINTET | Finland | FiMIC | 1969 | EST 8-10 MIN | M | C/U | FOUR MOVEMENTS, EACH SHORT BUT CAN STAND ALONE. GOOD COMPOSER AND GOOD SOUNDS. |
| SAIKKOLA, LAURI | SINFONIA TRAGICA, OP 22 | ORCHESTRA | Finland | FiMIC | 1976 | 30 MIN | H | C/U | 2FL,2CL,2OB,2BSN,4HN,2TRPT,3TRB,TBA,TMP,HARP,STRINGS. RENTAL ONLY. |
| SAIKKOLA, LAURI | SONATINA | CELLO & PIANO | Finland | FiMIC | 1969 | EST 10 MIN | M/H | C/U | TWO MOVEMENTS. 2ND IS A THEME AND VARIATIONS. MANY KEYS USED. |
| SAIKKOLA, LAURI | SONATINA | VIOLA & PIANO | Finland | FiMIC | 1969 | EST 10 MIN | M | C/U/HS | THREE MOVEMENTS AND EXCELLENT FOR RECITAL AND STUDY. STRAIGHT AHEAD MATERIAL. |
| SAIKKOLA, LAURI | SONATINA, NO 1, OP 35 | VIOLA & PIANO | Finland | FiMIC | 11 MIN | M/H | C/U | TWO MOVEMENTS USING A NUMBER OF KEYS AND MOSTLY STRAIGHT AHEAD. | |
| SALLINEN, AULIS | AT THE PALACE GATES, OP 68A | ORCHESTRA | Finland | NOVELLO | 1999 | 6+ MIN | H | C/U | 2FL(PIC),2OB,2CL(BCL),2BSN,4HN,2BbTRPT,2TRB,3PERC,HARP,STRINGS. FOR HIRE. TAKEN FROM HIS OPERA, ‘THE PALACE’. GOOD WORK TO ACQUAINT C/U ORCHESTRAS WITH THIS WELL KNOWN COMPOSERS WORK USUALLY PLAYED BY PROFESSIONALS. SCORE IS MS. |
| SALLINEN, AULIS | CADENZE | VIOLIN ALONE | Finland | FAZER | 1965 | EST 4 MIN | H | C/U | VERY FREE MUSIC - NO BARS LINES. MATURE TECHNIQUE AND MUSICIANSHIP NEEDED. |
| SALLINEN, AULIS | ELEGIE | CELLO ALONE | Finland | FAZER | 1966 | EST 3 1/2/MIN | M/H | C/U | FINE WORK BY ONES OF FINLAND'S BEST. |
| SALLINEN, AULIS | FANFARE, OP. 59 | BRASS ENSEMBLE | Finland | NOVELLO | 1986 | EST 1+ MIN | H | C/U | 4HN,4TRPT,3TRB,TBA PERC. IN MS - A DRAMATIC FANFARE BY ONE OF FINLAND’S FINEST. NOTHING SPECIAL JUST SOLID WRITING. |
| SALLINEN, AULIS | METAMORFORA | CELLO & PIANO | Finland | FAZER | 1974 | EST 4 MIN | M/H | C/U | CONTEMPORARY SOUNDS & STYLE. NEEDS A FINE PIANIST. FINE COMPOSER AND A GOOD SCORE. |
| SALLINEN, AULIS | QUATRE ETUDES | VIOLIN & PIANO | Finland | FAZER | 1970 | EST 5 MIN | M/H | C/U | FOUR SHORT MOVEMENTS THAT CAN STAND ALONE. A COMFORTABLE CHALLENGE BY ONE OF FINLAND'S MOST FAMOUS COMPOSERS. |
| SALLINEN, AULIS | THE PALACE RHAPSODY, OP. 72 | BAND | Finland | NOVELLO | 1996 | 16 MIN | H | C/U | 3FL(PIC),3OB,3CL(EbCL,TS,BCL,EbALCL),AS,BS,3BS(CBSN),4HN,3TRPT,3TRB,4PERC,HARP,PIANO. A WELL KNOWN COMPOSER FOR ORCHESTRA WITH A WORK FOR BAND. MIXED METER WILL BE THE HARDEST TO OVERCOME, OTHERWISE THIS SHOULD PLAY WELL FOR THE C/U BANDS. |
| SALLINEN, AULIS | VANTAA - FANFAARI | TRUMPET TRIO | Finland | FiMIC | 1971 | 45 SEC | E/M | C/U/HS | A SHORT FANFARE. |
| SALLINEN, AULIS | VARIATIONS FOR ORCHESTRA | ORCHESTRA | Finland | NOVELLO | 1985 | 12 MIN | H | C/U/HS | SORRY, NO INSTRUMENTATION FOR THIS ONE. PLAYABLE BY A GOOD HS ORCHESTRA. SCORE FOR SALE, PARTS RENTAL. |
| SALMENHAARA, ERKKI | CONCERTO PER CORNO ED ORCHESTRA | HORN & PIANO | Finland | FiMIC | 1973 | 17 MIN | M | C/U | MOVEMENTS: SOSTENUTO, LENTO, ALLEGRO MODERATO. FULL ORCHESTRA ACCOMPANIMENT AVAILABLE. THE SCORE IS IN A VERY GOOD MS. THIS IS VERY GOOD, PLAYABLE C/U MATERIAL HORN TO Bb ABOVE THE STAFF. |
| SALMENHAARA, ERKKI | POEMA | CELLO & PIANO | Finland | FAZER | 1983 | EST 7 MIN | M | C/U | SLOW MOVING, INTENSE, MELODIC PIECE FOR VIOLIN, CELLO OR VIOLA. |
| SALMENHAARA, ERKKI | POEMA | STRING ORCHESTRA | Finland | FAZER | 1975 | EST 7 MIN | M | C/U | FOR SOLO VIOLIN, 2 VIOLINS, 3 VIOLAS, 2 CELLOS & STRING BASS. AN INTENSE, SLOW MOVING MELODIC WORK. SOLO VIOLIN MUST BE STRONG, THE REST OF THE PARTS ARE EASIER. |
| SALMENHAARA, ERKKI | POEMA | VIOLA & PIANO | Finland | FAZER | 1983 | EST 7 MIN | M | C/U | SLOW MOVING, INTENSE, MELODIC PIECE FOR VIOLIN, CELLO OR VIOLA. |
| SALMENHAARA, ERKKI | POEMA | VIOLIN & PIANO | Finland | FAZER | 1983 | EST 7 MIN | M | C/U | SLOW MOVING, INTENSE, MELODIC PIECE FOR VIOLIN, CELLO OR VIOLA. |
| SALMENHAARA, ERKKI | PRELUDE, POPTUNE AND FUGUE | FLUTE ALONE | Finland | FAZER | 1967 | EST 9 MIN | H | C/U | THREE MOVEMENTS THAT CAN STAND ALONE. 'POPTUNE' IS THEME AND VARIATIONS. SHOWOFF MUSIC! |
| SALMENHAARA, ERKKI | QUINTET FOR BLASER | WOODWIND QUINTET | Finland | FiMIC | 1964 | 12 MIN | M/H | C/U | THREE MOVEMENTS THAT ARE ACCESSIBLE WITH A FEW INTERESTING SURPRISES THAT SHOULD MAKE THIS FUN FOR PERFORMER AND LISTENER. |
| SALMENHAARA, ERKKI | SONATA | CELLO & PIANO | Finland | FAZER | 1972 | M | C/U | USUAL THREE MOVEMENTS THAT CAN STAND ALONE. COLLEGE RECITAL AND STUDY MATERIAL THAT IS STRAIGHT AHEAD. | |
| SALONEN, ESA-PEKKA | CONCERT ETUDE | HORN ALONE | Finland | CHESTER | 2000 | EST 4+ MIN | H | C/U | THIS COMPOSER SHOWS A GREAT KNOWLEDGE OF THE INSTRUMENT IN THIS WORK. IT IS HARD, (HIGH, RHYTHM, ETC) BUT AN EDUCATION IN WHAT THE HORN CAN DO BY AN IMAGINATIVE COMPOSER. |
| SALONEN, ESA-PEKKA | NACHTLIEDER | CLARINET & PIANO | Finland | FAZER | 1980 | CA 6 MIN | H | C/U | FOUR SHORT MOVEMENTS IN CONTEMPORARY STYLE. SOME NONTRADITIONAL NOTATION AND RHYTHMIC CHALLENGES. |
| SALONEN, ESA-PEKKA | QUINTETTO, OP 25 | WOODWIND QUINTET | Finland | WHANSEN | EST 12-15 MIN | M/H | C/U | FOUR MOVEMENTS WITH CONTEMPORARY SOUNDS. IT SINGS! A VERY GOOD LOOKING SCORE WITH INTEREST IN ALL PARTS. | |
| SAMKOPF, KJELL | INGOMA | PERCUSSION ENSEMBLE | Norway | MUSIKK-HUSET | 1989 | 7 MIN | M | C/U/HS | FIVE PLAYERS, NO MALLET INSTRUMENTS EXCEPT TIMPANI. LOTS OF OTHER PERCUSSION EQUIPMENT NEEDED. |
| SAMKOPF, KJELL | VARIATIONS ON PARANG CHANT | PERCUSSION ENSEMBLE | Norway | MUSIKK-HUSET | 1985 | 10 MIN | M | C/U/HS | SIX PLAYERS, MOSTLY NON MALLET INSTRUMENTS. SOME IMPROVISATION. |
| SAMSON & WILSON/CLAES ROSENDAHL | NATTENS MELODI | STAGE BAND | Sweden | EHRLING | 1978 | E | C/U/HS | SCORE IS MESSY, SOFT SWING, TRPT 2 SOLO AND CAN BE OPENED, NICE CHART. | |
| SANDBERG, LARS | FALL | TROMBONE, CELLO & PIANO | Sweden | SUECIA | 1989 | 9+MIN | H | C/U | MANY RHYTHMIC PROBLEMS. ALL PARTS PLAY FROM A SCORE. |
| SANDE, FILIP | HYMNE | TRUMPET & ORGAN | Norway | NMIC | 2005 | 8 MIN 30 SEC | H | C/U | THIS COULD WORK AS A RECITAL PIECE OR AS A PART OF A CHURCH SERVICE. THE SCORE IS VERY INTERESTING. TRUMPET TO Bb JUST A FEW TIMES. ORGANIST MUST HAVE A STRONG RHYTHMICAL SENSE. LOTS OF NOTES FOR THE ORGANIST. |
| SANDSTROM, JAN | WAHLBERG VARIATIONS | SAXOPHONE QUARTET | Sweden | SMIC | 1993 | 15 MIN | H | C/U | SOP,ALSO,TEN,BAR SAX. COMMISSIONED BY A PROFESSIONAL ENSEMBLE AND MAY NEED THAT LEVEL OF PLAYER. BUT, A TERRIFIC CHALLENGE FOR THE MOST ADVANCED C/U STUDENT. PARTS ARE NOT GRATUITOUSLY DIFFICULT - IT JUST WORKS OUT THAT WAY. THERE IS MUSIC HERE! |
| SANDSTROM, SVEN-DAVID | CLOSE TO | CLARINET & PIANO | Sweden | NORDISKA | 1972 | 6 MIN | H | C/U | ESOTERIC, ONLY THE BEST WILL SURVIVE, BUT THEY WILL HAVE FUN! |
| SANDSTROM, SVEN-DAVID | CLOSENESS | CLARINET ALONE | Sweden | SMIC | 1972 | 7 MIN 45 SEC | H | C/U | NONTRADITIONAL NOTATION AND PERFORMANCE TECHNIQUES. NICE INTRO TO THIS STYLE. |
| SANDSTROM, SVEN-DAVID | CONCERT PIECES FOR TUBA, STRINGS AND PERCUSSION | TUBA & STRING ORCHESTRA | Sweden | KMH | 2003 | 10 MIN | H | C/U | TUBA PLAYER WITH A GREAT UPPER REGISTER OR A EUPHONIUM WITH A STRONG LOW REGISTER. SANDSTROM DOES NOT KNOW THE WORD, ’EASY’. BE PREPARED FOR EVERYTHING! FOUR MOVEMENTS. TWO PERCUSSION PARTS. EVERY PART WILL BE CHALLENGED. GO FOR IT! |
| SANDSTROM, SVEN-DAVID | DISJOINTING | TROMBONE ALONE | Sweden | NORDISKA | 1975 | 8 MIN | H | C/U | NONTRADITIONAL NOTATION FOR THE VERY BEST AND INTERESTED IN CONTEMPORARY CHALLENGES. |
| SANDSTROM, SVEN-DAVID | DISTURBANCES | BRASS QUINTET | Sweden | NORDISKA | 1976 | 10 MIN | H | C/U | SANDSTRÖM ALWAYS HAS SOMETHING TO SAY AND USUALLY QUITE NONTRADITIONAL IN STYLE AND SOUND. |
| SANDSTROM, SVEN-DAVID | DRUMS | PERCUSSION ENSEMBLE | Sweden | NORDISKA | 1984 | 15 MIN | H | C/U | WELL SCORED. FIVE MOVEMENTS FOR TIMPANI AND NON-TUNED INSTRUMENTS. 5 PLAYERS. |
| SANDSTROM, SVEN-DAVID | FOUR PIECES | SAXOPHONE(SOPRANO) & BAND | Sweden | SMIC | 2002 | 12 MIN | H | C/U | 2FL,2OB,2CL,BSCL,2BSN,2HN,2TRPT,3TRB,TUBA,STBS,ELECTBS,2PERC. MIXED METER, HIGH RANGE FOR SOLOIST, IF THERE IS NO CHALLENGE IN THIS ONE IT IS NOT BECAUSE THE COMPOSER DID NOT TRY. PERHAPS THE COLLEGE/UNIVERSITY SAXOPHONE INSTRUCTOR WITH THE SCHOOL BAND. |
| SANDSTROM, SVEN-DAVID | INSIDE | TROMBONE(BASS) & PIANO | Sweden | NORDISKA | 1974 | 7 MIN 45 SEC | H | C/U | NONTRADITIONAL NOTATION, GOOD, BUT HARD WORK. |
| SANDSTROM, SVEN-DAVID | KROUMATA PIECES | PERCUSSION ENSEMBLE | Sweden | WARNER/CHAPPELL | 1995 | 15 MIN | H | C/U | COMPOSED FOR A PROFESSIONAL PERCUSSION ENSEMBLE IN SWEDEN, BUT 6 HIGH LEVEL C/U MUSICIANS CAN PLAY THIS WITH ENOUGH PRACTICE TIME. SEE OTHER WORKS OF THIS COMPOSER FOR PERCUSSION ENSEMBLE IN THE WARNER/CHAPPELL CATALOG. |
| SANDSTROM, SVEN-DAVID | TRE SATSER FOR BLECKBLASARKVARTETT | BRASS QUARTET | Sweden | SMIC | 1969 | 7 1/2 MIN | H | C/U | 1. INTRADA, 2. ARIA, 3. BURLESK. RHYTHMIC AND HARD BUT FROM AN INTERESTING COMPOSER AND WORTH THE EFFORT. |
| SANDSTROM, SVEN-DAVID | UNDER THE SURFACE | TROMBONE SEXTET | Sweden | SMIC | 1971 | 7 MIN | H | C/U | HIGH LEVEL PLAYERS NEEDED. AVANT-GARDE. |
| SAVERY, FINN | BLAESERTRIO FOR OBOE, CLARINET AND BASSOON | WOODWIND TRIO | Denmark | SAMFUNDET | 1959 | EST 12+MIN | H | C/U | MOVEMENTS: 1/8 = 152, VIVACE, ANDANTE CON VARIAZIONI. MOVE 1 ALTERNATES 7/8 AND 5/8, OTHER MOVEMENTS MORE TRADITIONAL. THE PARTS ARE IN COMFORTABLE RANGES AND PLAYABLE EXCEPT THE MS IS MARGINAL. |
| SAVERY, FINN | LIKE IN EVERYDAY LIFE | PERCUSSION ENSEMBLE | Denmark | SAMFUNDET | 1978 | M | C/U | SIX PLAYERS ON MANY INSTRUMENTS INCLUDING STEEL DRUMS, XYLORIMBA, BASS-MARIMBA, ROT-DRUMS, ETC. FOUR MOVEMENTS OF QUITE STRAIGHT AHEAD MATERIAL. MUCH RHYTHMIC EMPHASIS. | |
| SAVERY, FINN | SONATE FOR KONTRABAS OG KLAVER | STRING BASS & PIANO | Denmark | SAMFUNDET | 1970 | 13 MIN | M/H | C/U | ONE MOVEMENT OF NICE MATERIAL COMFORTABLE FOR THE C/U SERIOUS STUDENT. NEEDS A GOOD PIANIST. |
| SAVERY, FINN | SPIL - RUM - ROCK VIGNET | CELLO ALONE | Denmark | SAMFUNDET | CIR 2000 | EST 10+ MIN | H | C/U | THE MOVEMENTS ARE AS LISTED IN THE TITLE OF THE WORK. A LITTLE SWING TYPE THING IN FIRST MOVE. SECOND IS LIKE A BALLAD AND THE LAST - A LITTLE ROCK. THE TITLES DO NOT MAKE IT EASY - JUST INTERESTING! |
| SAVERY, FINN | STRING QUARTET NO. 3 | STRING QUARTET | Denmark | SAMFUNDET | 1990 | 20 MIN | M/H | C/U | THE THREE MAJOR SECTIONS ARE PLAYED ATTACCA. THE M/H DIFFICULTY NOTED SIMPLY MEANS LESS DIFFICULT THAN MANY DANISH COMPOSERS WORKS. SOME NICE PEDAL POINT AND THE REPEATED OSTINATI IN THE FIRST & LAST SECTIONS PROVIDE INTEREST. IN A GOOD MS. |
| SAVERY, FINN | STRYGEKVARTET NR 2 | STRING QUARTET | Denmark | SAMFUNDET | 1983 | 29 MIN | M/H | C/U | THREE MOVEMENTS THAT CAN STAND ALONE. STRAIGHT AHEAD MATERIAL IN A WELL CRAFTED WORK. |
| SCHAATHUN, ASBJORN | STILLEBEN | CELLO & PIANO | Norway | WHANSEN | 1991/99 | 9 MIN | M/H | C/U | MIXED METER, NEED CLEFS, IN A WELL CONSTRUCTED SCORE THAT SHOULD PLAY OUR READILY FOR THE C/U STUDENT WITH SOME WORK. |
| SCHMIDT, OLE | CONCERTO | HORN & ORCHESTRA | Denmark | WHANSEN | 1972 | 16 MIN | M/H | C/U | FL,CL,OB,BSN,TRPT,TRB,3PERC,TMP,HARP,STRINGS. 2 MOVEMENTS FROM A GOOD COMPOSER OF BRASS MUSIC. A FEW SURPRISES TO MAKE IT A LITTLE HARD TO PLAY, BUT INTERESTING! SCORE FOR SALE, PARTS RENTAL. |
| SCHMIDT, OLE | CONCERTO | TUBA & PIANO | Denmark | WHANSEN | 1977 | EST 10 MIN | H | C/U | THREE MOVEMENTS WITH RANGE TO F#, BUT NOT CONSISTANTLY HIGH. GOOD BRASS COMPOSER. |
| SCHMIDT, OLE | ELEGI | OBOE & STRING ORCHESTRA | Denmark | WHANSEN | 1957 | EST 4+MIN | M | C/U | AN EARLIER DANISH COMPOSER WHO’S WORK PLAY WELL FOR THE C/U STUDENT. THE MS IS JUST OK. THE MUSIC IS PLAYABLE BY ALL - AND ELEGANT! |
| SCHMIDT, OLE | KVINTET FOR MESSINGBLAESERE | BRASS QUINTET | Denmark | SAMFUNDET | 2001 | 26 MIN | H | C/U | USUAL BRASS QUINTET INSTRUMENTATION. MOVEMENTS: ALLEGRO MOLTO, LARGO, ALLEGRO. SOME MIXED METER AND OTHER CONTEMPORARY EFFECTS, MUTES AND MARGINAL MANUSCRIPT! |
| SCHMIDT, OLE | PIECE CONCERTANTE, OP 19 | TRUMPET,TROMBONE & STRING ORCH | Denmark | WHANSEN | 1964 | 10 MIN | M/H | C/U | STRING ORCHESTRA PLUS PERCUSSION, TIMPANI, HARP, CELESTE AND HARP. TRPT IN C TO HIGH D, TROMBONE USES PEDAL REGISTER. ONE MOVEMENT. SCORE FOR SALE, PARTS RENTAL. |
| SCHMIDT, OLE | SUITE, OP 20 | FLUTE & STRING ORCHESTRA | Denmark | WHANSEN | 1964 | 13 MIN | H | C/U | FOUR MOVEMENTS: RONDINO, WALTZER, INTERMEZZO, MARCH. STRINGS PLUS HARP AND PERCUSSION(2). MAJOR WORK FOR FLUTE, FRESH, 2OTH CENTURY SOUNDS. SCORE FOR SALE, PARTS RENTAL. |
| SCHNELZER, ALBERT | THUNDER DANCE | PERCUSSION ENSEMBLE | Sweden | SMIC | 2002 | 10 MIN | H | C/U | TWO PLAYERS, EACH WITH MULTIPLE INSTRUMENTS. CHANGING METER AND A CHALLENGE FOR THE MOST SERIOUS STUDENT. THOSE SERIOUS C/U STUDENTS CAN PLAY THIS. A TEST OF RHYTHMIC SKILL. |
| SCHONBERG, STIG GUSTAV | DIVERTIMENTO FOR STRING ORCHESTRA, OP. 170 | STRING ORCHESTRA | Sweden | SMIC | 2001 | 13 MIN | H | C/U | THIS MAY BE EASIER TO LOOK AT IF IT WERE PRINTED INSTEAD OF BEING IN A MARGINAL MS. WE INCLUDE HERE BECAUSE WE LIKE HIS IDEAS. IN THREE MOVEMENTS. |
| SCHRODER, WALTHER | ANDANTE CANTABILE | TROMBONE & PIANO | Denmark | WHANSEN | 1928 | EST 4 MIN | E/M | C/U/HS | SOME TENOR CLEF, RANGE TO Bb, GOOD USE OF KEY SIGNATURES. |
| SENSTIUS, KAI | CONCERTINO, OP 5 | FLUTE & PIANO | Denmark | SAMFUNDET | 1937 | M/H | C/U/HS | THREE MOVEMENTS WITH A LOT OF PLAYABLE NOTES AND TRADITIONAL APPROACH. | |
| SERMILA, JARMO | A WEEPING MYTH | FLUTE & PIANO | Denmark | JASEMUSIIKKI | 1982 | 6 MIN | H | C/U | A GOOD INTRODUCTION TO SOME NONTRADITIONAL NOTATION AND TECHNIQUES. EXPLANATIONS FOR PERFORMANCE INCLUDED. |
| SERMILA, JARMO | HOMAGE TO EV | BRASS ENSEMBLE | Finland | FiMIC | 1972 | 10 MIN | H | C/U | 2TRPT,3TRB,2HN,XYLOPHONE,TIMPANI. GOOD SCORE AND WORTHY OF PERFORMANCE. |
| SERMILA, JARMO | KANONISOITU PEILIKUVA | WIND ENSEMBLE | Finland | FiMIC | 1980 | EST 9 MIN | H | C/U | 2FL, 2CL, 2OB, 2COR, 2TRPT, 2TRB, 2PERC. CONTEMPORARY SOUNDS AND RHYTHMIC INTEREST. ONE ON A PART FOR BEST RESULTS. |
| SERMILA, JARMO | OTTEITA KILGORE TROUTIN PAIVAKIRJASTA 2 | BRASS QUINTET | Finland | JASEMUSIIKKI | 1988 | 5 MIN | H | C/U | 2TRPT, HN, TRB, TBA. 5 SHORT MOVEMENTS WITH MIXED METER, RHYTHMIC COMPLEXITY AND INTEREST. |
| SERMILA, JARMO | PROLAPSES | FLUTE ALONE | Finland | FAZER | 1973 | EST 5 MIN | M/H | C/U/HS | A GOOD LOOKING WORK WITH ACCESSIBILITY. |
| SERMILA, JARMO | THE MYTHIC MAN | PERCUSSION ENSEMBLE | Finland | FiMIC | 1982 | 12 MIN | H | C/U | NEED FIVE PLAYERS ON A COMPLETE RANGE OF INSTRUMENTS. NON-METRIC NOTATION AND OTHER SURPRISES. |
| SERMILA, JARMO | TROCORTRO FOR TRUMPET, HORN AND TROMBONE | BRASS TRIO | Finland | JASEMUSIIKKI | 1992 | EST 18+ MIN | H | C/U | FOUR MOVEMENTS OF AVANTE GUARDE BRASS TRIO LITERATURE. AS RECORDED BY A FINNISH BASS TRIO. ABOUT AS HARD AS IT GETS - NOT THE NOTES, BUT WHERE TO PUT THE NOTES. IT IS ALL ABOUT ENSEMBLE. HIGHLY ADVANCED ENSEMBLE ONLY! |
| SERMLA, JARMO | AALELAA | OBOE & PIANO | Finland | FiMIC | 2001 | 13 MIM | H | C/U | MOVEMENTS: INRODUZIONE, PASTORELLO, MARCIA MALINCONICA, CAPRICCIO. BOTH OBOE AND PIANO PLAYERS AT THE TOP OF THEIR TECHNICAL ABILITY AND WILLING TO REHEARSE TOGETHER TO MAKE THIS GO. |
| SEVAG, OYSTEIN | SUITE FOR 2 FLUTES | FLUTE DUET | Sweden | LYCHE | 1981 | EST 6 MIN | H | C/U | NOT ALL THE 5 MOVEMENTS ARE DIFFICULT. LOTS OF NOTES, BUT NO SURPRISES. |
| SEVIUS, SVEN | FESTFANFAR 1995 | BRASS & PERCUSSION | Sweden | SMIC | 1995 | 1 MIN. | M | C/U/HS | R TRPT, 3 TRB,TUBA,3 PERC. SOLID, FULL WRITING. TRB 1 TO HIGH Bb OTHERWISE ALL INSTRUMENTS IN A COMFORTABLE RANGE. PERCUSSION: SNARE, TYMPANI AND CYMBALS. |
| SIBELIUS, JEAN | ANDANTE FESTIVO | STRING ORCHESTRA | Finland | FAZER | 1967 | 5 MIN | E | C/U/HS | AN EASY ALLA BREVE PIECE. |
| SIBELIUS, JEAN | RAKASTAVA, OP 14 (THE LOVER) | STRING ORCHESTRA | Finland | FAZER | 1967 | M | C/U/HS | 1. THE LOVER, 2. THE PATH OF THE BELOVED, 3. GOOD NIGHT - FAREWELL. YES, IT IS ROMANTIC. NEED ONE PERCUSSIONIST. A GOOD SCORE, GREAT COMPOSER AND PLAYABLE MUSIC. | |
| SIBELIUS, JEAN | SOUVENIR, OP 79 NR 1 | VIOLIN & PIANO | Finland | FAZER | 1922 | EST 3 MIN | M/H | C/U | ROMANTIC PIECE FOR THE MATURE MUSICIAN. |
| SIGTRYGGSSON, EIRIKUR ARNI | CLARINET CONCERTO | CLARINET & ORCHESTRA | Iceland | ITM | 1994 | 30 MIN | H | C/U | PIC,2FL,2OB,EH,AS,2BSN,CBSN,4HN,3TRPT,3TRB,TBA,3PERC,STRINGS. THIS COMPOSER LETS THE SOLOIST DO THEIR THING AND FOR THE MOST PART KEEPS THE ORCHESTRA OUT OF THE WAY. SOLOIST WILL WORK MUCH HARDER THAN THE ORCHESTRA. |
| SIGTRYGGSSON, EIRIKUR ARNI | CONCERTINO FOR CLARINET AND CHAMBER ORCHESTRA | CLARINET & ORCHESTRA | Iceland | ITM | 2001 | 16 MIN | M/H | C/U | FL,OB,BSN,HN,TPT,TRB,TBA,PERC,STRINGS. INTERESTING INTERPLAY BETWEEN THE CLARINET AND PERCUSSIONIST. THE ORCHESTRA STAYS OUT OF THE WAY MOST OF THE TIME. CLARINET WORKS! |
| SIGTRYGGSSON, EIRIKUR ARNI | MY LILJA | ORCHESTRA | Iceland | ITM | 2005 | 17 MIN | M/H | C/U | PIC,2FL,2OB,EH,2CL,BCL,2BSN,CBSN,2HN,2TRPT,2TRB,TBA,4PERC,HARP,STRINGS. SOME VERY SPARSE SCORING FOR MUCH OF THE WORK. WITH THE WINDS PROVIDING A SERIES OF NOTES HERE AND THERE IN AN INTERESTING SETTING. |
| SIGTRYGGSSON, ERIKUR ARNI | STRING QUARTET I | STRING QUARTET | Iceland | ITM | 1999 | EST 10+ MIN | H | C/U | NICE USE OF TENSION AN RELEASE IN THIS WELL CONSTRUCTED QUARTET. THERE ARE A FEW RHYTHMIC THINGS TO WORK ON, BUT PLAYABLE BY THE GOOD C/U ENSEMBLE. |
| SIGTRYGGSSON, ERIKUR ARNI | TROMBONE QUARTET I | TROMBONE QUARTET | Iceland | ITM | 2004 | 3 MIN | M | C/U/HS | RANGE TO G. MOSTLY STRAIGHT AHEAD MUSIC. NO PROBLEMS! |
| SIGURBJORNSSON, HRODMAR INGI | CLARINET QUARTET | CLARINET QUARTET | Iceland | ITM | 1985 | 10 MIN | H | C/U | A LONG ONE MOVEMENT WORK WITH FREQUENT METER CHANGES. FOR THE RHYTHMICALLY SECURE CLARINETISTS! |
| SIGURBJORNSSON, HRODMAR INGI | MUSIK FYRIR KLARINETT | CLARINET ALONE | Iceland | ITM | 1984 | H | C/U | A WELL CONSTRUCTED AND CHALLENGING WORK. MULTI PHONICS, EXTREME REGISTER CHANGES. | |
| SIGURBJORNSSON, HRODMAR INGI | SINFONIA | ORCHESTRA | Iceland | ITM | 2002 | 20 MIN | H | C/U | PIC,2FL,2OB,3CL,3BSN,5HN,3TRPT,3TRB,5PERC, AN UNUSUAL THREE MOVEMENT SCORE THAT WILL TAKE A LITTLE STUDY BECAUSE OF THE WAY THE COMPOSER LAYS IT OUT. BUT THIS IS PLAYABLE BY STRONG C/U ENSEMBLES. |
| SIGURBJORNSSON, HRODMAR INGI | VARIOUS PLEASING STUDIES | VIOLIN ALONE | Iceland | ITM | 1986 | H | C/U | TECHNICAL CHALLENGES AND INTERESTING MUSIC BY A RESPECTED COMPOSER. | |
| SIGURBJORNSSON, THORKELL | 28 PIECES OF WEDDING CAKE (KRANSAKOKNBLILAR) | FLUTE & VIOLIN | Iceland | ITM | M | C/U | STUDIO FUN OR FOR INTIMATE PERFORMANCE. 28 VARIATIONS ON A SHORT THEME. | ||
| SIGURBJORNSSON, THORKELL | AACHEN HEROS | ORCHESTRA | Iceland | ITM | 1995 | 16 MIN | E/M | C/U/HS | 2FL,OB,2CL,3TRPT,TRB,TBA,PERC,PIANO,STRINGS. FOUR MOVEMENTS FROM A SKILLED COMPOSER THAT PLAYS FOR ANYONE. JUST ONE LITTLE SURPRISE FOR THE STRING BASSES AND OTHERS IN THE 3RD MOVEMENT. |
| SIGURBJORNSSON, THORKELL | BELGABESK | WOODWIND QUINTET | Iceland | ITM | 1979 | M/H | C/U | GOOD SCORE WITH SOME RHYTHMIC PROBLEMS FROM MANY METER CHANGES. | |
| SIGURBJORNSSON, THORKELL | COLUMBINE | FLUTE & PIANO | Iceland | NORSK | 1992/98 | EST 15+ MIN | H | C/U | USUAL THREE MOVEMENTS ALA SONATA. ONE OF ICELAND’S BEST COMPOSERS WITH SOME MIXED METER AND NOTES, BUT A GOOD ADDITION TO THE LITERATURE. ALSO AVAILABLE WITH STRINGS. FOR A MORE COMPLICATED WORK FOR FLUTE AND PIANO SEE HIS ‘EURIDICE’. |
| SIGURBJORNSSON, THORKELL | COPENHAGEN QUARTET | STRING QUARTET | Iceland | ITM | 1979 | 14 MIN 40 SEC | H | C/U | ONE MOVEMENT. COMMISSIONED BY THE COPENHAGEN STRING QUARTET. |
| SIGURBJORNSSON, THORKELL | DIAPHONY | ORCHESTRA | Iceland | ITM | 1984 | 14 MIN 45 SEC | H | C/U | PIC,FL,2OB,CL,BCL,2BSN,2HN,2TRPT,TRB,TBA,PERC,STRINGS. THIS IS A LARGER AND MORE COMPLICATED THAN SOME OTHER ORCH WORKS BY THIS COMPOSER. THE GOOD C/U ORCHESTRA WILL HAVE FEW PROBLEMS PLAYING THIS WORK. |
| SIGURBJORNSSON, THORKELL | FOUR ICELANDIC FOLK SONGS | CLARINET & PIANO | Iceland | NORSK | 1986 | 7 MIN 5 SEC | E/M | C/U/HS | GOOD USE OF THE INSTRUMENT. MUSIC THAT CAN SING AND DANCE. |
| SIGURBJORNSSON, THORKELL | GIGJULEIKUR FOR STRINGS | STRING ORCHESTRA | Iceland | ITM | 1978 | E/M | C/U/HS | FOUR SHORT MOVEMENTS. FREQUENT METER CHANGES AND SOME NONTRADITIONAL NOTATION. PLAYABLE AND GOOD MUSIC! | |
| SIGURBJORNSSON, THORKELL | HAPPY MUSIC | BRASS ENSEMBLE | Iceland | ITM | 1971 | 7 MIN | H | C/U | 3TRPT,2TRB,2HN,TBA. POLYRHYTHMS, MIXED METER, CHALLENGING WORK. |
| SIGURBJORNSSON, THORKELL | HRÆRA (SCRAMBLE) | WOODWIND QUINTET | Iceland | ITM | 1985 | 12 MIN 35 SEC | M/H | C/U | ONE MOVEMENT WITH FREQUENT METER CHANGES & KEY SIGNATURE CHANGES. GOOD WORK BY A FINE COMPOSER. |
| SIGURBJORNSSON, THORKELL | LITILL KVARTETT LEIKUR SER | STRING QUARTET | Iceland | ITM | 1995 | 4 MIN 30 SEC | E/M | C/U/HS | A NICE ICELANDIC FOLK SONG TO BE PLAYED BY MANY. FAST PACED AND FUN. |
| SIGURBJORNSSON, THORKELL | LJOTI ANDARUNGINN | ORCHESTRA | Iceland | ITM | 1981 | E/M | C/U/HS | 3VLN, STB, TIMP, PIANO, XYL, BELLS. UNUSUAL INSTRUMENTATION. FOUR MOVEMENTS WITH SOME NONTRADITIONAL WORK. MOVEMENTS HAVE VARYING LEVELS OF DIFFICULTY. | |
| SIGURBJORNSSON, THORKELL | OREITHYIA | FLUTE & BAND | Iceland | ITM | 1994 | EST 7+ MIN | M/H | C/U/HS | PIC,2FL,2OB,2BSN,4CL,2AS,TS,BS,3TRPT,5HN,4TRB,EUP,TBA,3PERC. A LOT OF CHANGING METER. BAND PARTS TEND TO BE SPARSE. HIGH LEVEL FLUTE PLAYER! |
| SIGURBJORNSSON, THORKELL | OSLO REEL (OSLARRÆLL) | FLUTE & PIANO | Iceland | ITM | M | C/U | ENCORE MATERIAL FOR RECITAL. RHYTHMICALLY CHALLENGING AND FUN. | ||
| SIGURBJORNSSON, THORKELL | RA'S DOZEN | FLUTE ENSEMBLE | Iceland | ITM | 1980 | H | C/U | FOR 12 OR MORE FLUTES, NONTRADITIONAL NOTATION MAKES IT APPEAR HARDER THAN IT REALLY IS. CLEVER EXCHANGES AND SURPRISES. | |
| SIGURBJORNSSON, THORKELL | REK (DRIFT) | CLARINET & PIANO | Iceland | ITM | 1988 | EST 5 MIN | H | C/U | SOME FREE RHYTHM BECOMING MORE RHYTHMIC WITH UNEVEN MEASURE LENGTH, IE (3+2), (3+4), ETC. ADVANCED RECITAL MATERIAL. |
| SIGURBJORNSSON, THORKELL | RUNIR - RUNES | HORN & ORCHESTRA | Iceland | ITM | 1994 | EST 12+ MIN | M/H | C/U | PIC,FL,2OB,2CL,2BSN,3HN,3TRPT,2TRB,TBA,2PERC,STRINGS. A ONE MOVEMENT WORK (NINE VARIATIONS ON AN OLD THEME)IN ACCEPTABLE MS. WE SEE NOTHING TO GET IN THE WAY FOR THE HORN AS WELL AS THE ORCHESTRA. |
| SIGURBJORNSSON, THORKELL | SIX ICELANDIC FOLK SONGS | FLUTE, VIOLIN & CELLO | Iceland | ITM | 1988 | M | C/U | PLAYED IN ONE MOVEMENT. NO EXTREME PROBLEMS AND PLAYABLE WITH REASONABLE PREPARATION. | |
| SIGURBJORNSSON, THORKELL | SIX ICELANDIC FOLK SONGS | VIOLA & PIANO | Iceland | ITM | 1969 | 11 MIN 40 SEC | M | C/U | SIX SHORT WORKS THAT CAN SING. |
| SIGURBJORNSSON, THORKELL | SUMARTONAR - A LITTLE SUMMER MUSIC | ORCHESTRA | Iceland | ITM | 2006 | 12 MIN | M/H | C/U/HS | PIC,2FL,2OB,EbCL,CL,BCL,AS,2BSN,CBSN,4HN,3TRPY,3TRB,TBA,3PERC,PIANO,HARP,STRINGS. MOVEMENTS: PLAYGROUND, THE RIGHTNESS, PLAYGROUND II, CIRCUS AND FESTIVITIES. A GET SCORE BY A FINE COMPOSER - EXCELLENT FOR C/U ORCHESTRAS, HS FESTIVALS, ETC. |
| SIGURBJORNSSON, THORKELL | THE PIED PIPER (ROTTUFANGARINN) | FLUTE & STRING ORCHESTRA | Iceland | ITM | 1977 | EST 5 MIN | M/H | C/U/HS | TWO MOVEMENTS. 1.'IN THE HAPPY TOWN OF HAMELN', SOME RHYTHMIC & ADVANCED NOTATION. 2.'THE PIED PIPER ARRIVES', STRAIGHT AHEAD. CAN BE DONE WITH ANNOUNCER AND MIME. |
| SIGURBJORNSSON, THORKELL | TOWER MUSIC | TRUMPET & PIANO | Iceland | ITM | 1988 | M/H | C/U | TRPT IN C, MODEST RANGE, MUTES, AND MUCH RHYTHMIC EMPHASIS - CHANGE OF TEMPOS, ETC. | |
| SIGURDSSON, JON | DUO (ETUDE FOR 2 DOUBLE BASSES) | STRING BASS DUO | Iceland | ITM | 1956 | M | C/U | FUN IN THE STUDIO OR RECITAL. | |
| SIMAI, PAVOL | CLARISSON | CLARINET | Sweden | SUECIA | 1996 | H | C/U | THIS WORK OFFERS ALL OF THE CHALLENGES: MIXED METER, RANGE, MOVING NOTES, PLAYING TOGETHER WITH THE ACCOMPANIST,ETC. TWO MOVEMENTS: 1. IS BURLESCAMENT 2. IS RONDO. FOR THE HIGHLY COMPETENT PLAYER WITH A FINE ACCOMPANIST, A CHANCE TO SHOW OFF! | |
| SIMAI, PAVOL | SUNSET ON CAPRI | SAXOPHONE AND ORGAN | Sweden | SMIC | 1995 | 15 MIN | H | C/U | ALTO SAX. THIS MAY BE CALLED ESOTERIC, BUT WE LIKE THE SCORE. TONE CLUSTERS ON THE ORGAN WITH ALMOST IMPROV LIKE PASSAGES BY THE NON SUSTAINING PART, THEN STRICT RHYTHM. THIS IS PLAYABLE AND SHOULD BE VERY EFFECTIVE IN A ROOM WITH GOOD ACOUSTICS. |
| SIPILA, EERO | PARTITA | WOODWIND QUINTET | Finland | FiMIC | 1955 | EST 8-9 MIN | M | C/U/HS | FIVE SECTIONS IN TRADITIONAL STYLE (A LA BAROQUE). |
| SJOBERG, BIRGER/MIFF GORLING | PA DANSBANAN | BAND | Sweden | EHRLING | 1978 | EST 3 MIN | E | HS/JHS | 2FL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA,PERC, TMP,SB. LIKE A POLKA, IN 2/4, FOLK LIKE, SCORE IS NOT CLEAN. SCORE FOR SALE, PARTS RENTAL. |
| SJOBERG, BIRGER/STIG GUSTAFSON | FRIDA-SVIT | BAND | Sweden | GEHRMANS | 1980 | 8 MIN | E | HS/JHS | PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3TRPT,3TRB,EUP,TBA, 2PERC,SB. 5 MOVEMENTS, CONDENSED SCORE, PLAYABLE BY ALL, GOOD WORK. |
| SJOBERG, JOHAN-MAGNUS | MEDITATION | CLARINET & ORGAN | Sweden | SMIC | 2005 | 4 MIN 30 SEC. | M | C/U | THIS WILL TAKE SOME MATURITY BY THE Bb CLARINET PLAYER. MIXED METER, BUT THE LINE IS ALWAYS MOVING. NICE USE OF THE LOWER REGISTER WITH JUST A LITTLE WORK ABOVE THE STAFF. |
| SJOBERG, JOHAN-MAGNUS | ROTATE FOR SYMPHONY ORCHESTRA | ORCHESTRA | Sweden | SMIC | 1994 | 10 MIN | M | C/U/HS | 2FL,2OB,2CL,2BSN2HN,2TRPT,2TRB,TBA,2PERC.STRINGS. A LOT OF GOOD WORK FOR THE PERCUSSIONISTS. OTHERWISE THIS SHOULD PLAY BY MANY GROUPS, CIVIC, C/U AND SOME HS ENSEMBLES. |
| SJOBERG, JOHAN-MAGNUS | SONG | TRUMPET & ORGAN | Sweden | SMIC | 1997 | 7 MIN. | E/M | C/U/HS | TRUMPET IN Bb. SLOW SINGING MATERIAL IN A COMFORTABLE RANGE. THREE SHORT CADENZAS. |
| SJOBLOM, HEIMER | CONCERTINO SPEL | FLUTE & STRING ORCHESTRA | Sweden | SMIC | 1975 | 17 MIN | H | C/U | THREE MOVEMENTS THAT CAN STAND ALONE AND PLAYABLE. RENTAL ONLY. |
| SJOBLOM, HEIMER | FESTIVO POMPOSO | BAND | Sweden | SMIC | 1976 | 6 MIN | M | C/U/HS | PIC,FL,3CL,OB,BSN,AS,TS,2HN,3TRPT,2TRB,TBA,2PERC,SB. WELL LAID OUT SCORE, NOTE THE INSTRUMENTATION. |
| SJOBLOM, HEIMER | LITEN SVIT I SPELMANSTON, OP 36B | WIND ENSEMBLE | Sweden | SMIC | 1976 | 13 MIN | M | C/U | PIC, FL, 3CL, OB, BSN, HN, TRPT, TRB, TBA, SB. FOUR SHORT MOVEMENTS BEST PLAYED ONE ON A PART. SWEDISH TUNES. |
| SJOGREN, KIM | 3 VARIATIONSETUDER | VIOLIN ALONE | Denmark | ENGSTROM & SODRING | 1988 | EST 7 MIN | H | C/U | FIRST VARIATION IS 'OH, SUSANNA'. LOTS OF NOTES TO DISPLAY YOUR TECHNIQUE. |
| SJOSTEN, LARS | ALDRIG NACKEN | BRASS QUARTET | Sweden | BLAS-BASEN | 1995 | 4 MIN 30 SEC | H | C/U | FOR 2 EUP,2 TBA AND RHYTHM SECTION (DRUMS,OPT.GUITAR,PIANO,BASS). PIANO THE FOUR SOLO INSTRUMENTS HAVE OPPORTUNITY TO IMPROVISE. EUP I TO HIGH C. TUBA I CAN BE PLAYED BY EUP. FINE MUSICIAN/ARRANGER. IT SWINGS - HAVE FUN! |
| SJOSTEN, LARS | TALE OF TWO TREES | BRASS ENSEMBLE | Sweden | BLAS-BASEN | 1996 | 6 MIN 30 SEC | M/H | C/U | 4TRPTS,HN,3TRB,TBA OR SUB HN FOR TRPT 4, TRB FOR HN AND HN FOR TRB. TRT4 ASKS FOR FLUGELHORN. SJOSTEN IS A JAZZ PIANIST - EXPECT SOME RESERVED SWING ON THIS SELECTION AS IN HIS OTHER PUBLICATIONS BY THIS COMPANY. |
| SJOSTEN, LARS | THE CHAMBERS OF A GOLDEN HEART | BRASS SEXTET | Sweden | SMIC | 1989 | M | C/U | LAID BACK AND IT SWINGS. GOOD SCORE. | |
| SJOSTEN, LARS | THE LOVELY LADY'S LABOUR | BRASS QUINTET & BAND | Sweden | SMIC | 1981 | 16 MIN | M/H | C/U | PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA, 3PERC,DRUM SET,ELECTBASS,BRASS QUINTET. INTRODUCTION, 1. MED BOUNCE, 2. SLOW BLUES(3/4), 3. MEDIUM FAST. GOOD FEATURE ON CONCERT. |
| SJOSTEN, LARS | THE TWO CHAMBERS OF A GOLDEN HEART | BRASS SEXTET | Sweden | BLAS-BASEN | 1989/1995 | EST 4 MIN | M/H | C/U | 2 TRPT,HN,2TRB,TBA (TRB SUB FOR HN). A RELAXED SWING PIECE. SEE OTHERS LIKE THIS IN THE BLAS-BASEN CATALOG. |
| SJOSTEN, LARS | UTSIKT FRAN ETT PEPPARKAKSHUS | STAGE BAND | Sweden | SMIC | 1985 | 17 MIN | H | C/U/HS | LONG CHART BY A GREAT SWEDISH JAZZ PIANIST. CONCERT FEATURE. |
| SKJELBRED, BJORN BOLSTAD | CYCLES | CLARINET QUARTET | Norway | NMIC | 2002 | 6 MIN | M/H | C/U | 3BbCL,BCL. MORE MODERN SETTING WITH A BIT OF UNUSUAL TECHNIQUE CONSIDERED, BUT WELL LAID OUT. a GOOD INTRODUCTION TO CONTEMPORARY LITERATURE. THIS IS ALSO SCORED FOR SAXOPHONE QUARTET. |
| SKOG, B ARNE | I NORDEN | BAND | Sweden | LEMA | 1984 | 10 MIN | M | C/U/HS | PIC,2FL,EbCL,3CL,BCL,OB,2BSN,2AS,TS,BS,4HN,2COR,3TRPT,3TRB,EUP, TBA,PERC,TMP,SB. 9 FOLK TUNES OF NORDIC ORIGIN. SCORED FOR SCHOOL USE AND SUMMER CONCERTS IN THE PARK. CAN BE PLAYED BY BANDS WITH LESS THAN FULL INSTRUMENTATION. |
| SKOG, YLVA | TERRA INCOGNITA | ORCHESTRA | Sweden | SMIC | 2001 | 8 MIN 30 SEC | H | C/U | PIC,2FL,2OB,2CL,BSN,4HN,2TRPT,TRB,TBA,2PERC,STRINGS. CHANGING AND MIXED METER WILL BE THE PROBLEM HERE IN A CLEAN SCORE. PERCUSSIONISTS WITH A LOT OF INSTRUMENTS. GOOD C/U GROUPS AND ADULT AMATEUR ORCHESTRA MATERIAL. COMMISSIONED BY A PROFESSIONAL GROUP. |
| SKOG, YLVA | VIBRACELL FOR VIBRAPHONE AND MARIMBA | PERCUSSION ENSEMBLE | Sweden | SMIC | 2002/2003 | 7 MIN | H | C/U | HARD, BUT PLAYABLE. EXCELLENT FOR C/U RECITALS. CLEAN SCORE, BUT LOTS OF PAGES TO MANIPULATE. |
| SKOLD, YNGVE | PASSACAGLIA - FROM SINFONIA DA CHIESA, OP 38 | BAND | Sweden | SMIC | 1939 | M | C/U/HS | PIC,FL,2CL,OB,2BSN,4HN,2TRPT,3TRB,TBA,TMP,EH,CBSN. NOTE THE SMALL INSTRUMENTATION. GOOD SCORE AND PLAYABLE MUSIC. | |
| SKOLD, YNGVE | PASSACAGLIA FROM SINFONIA DA CHIESA, OP 38 | ORCHESTRA | Sweden | SMIC | 1939 | CA 9 MIN | M | C/U/HS | PIC,FL,2CL,2OB,2BSN,2HN,2TRPT,TRB,TMP,STRINGS. SLOW MOVING WORK WITH EXTRA STRING VOICES IN DIVISI FROM TIME TO TIME. RENTAL ONLY. |
| SKOLD, YNGVE | SINFONIA DA CHIESA, OP 38 | ORCHESTRA | Sweden | SMIC | 1938 | H | C/U | PIC,2FL,2CL,2OB,2BSN,2HN,2TRPT,TRB,TMP,ORGAN,STRINGS. FOUR MOVEMENTS IN A GOOD SCORE AND PLAYABLE. RENTAL ONLY. | |
| SKOLD, YNGVE | SONATINA, OP 57 | FLUTE & PIANO | Sweden | SUECIA | 1961 | 17 MIN | M | C/U/HS | FOUR MOVEMENTS THAT CAN STAND ALONE. LOTS OF NOTES BUT STRAIGHT AHEAD AND PLAYABLE. CONCERT OR RECITAL MATERIAL. |
| SKOLD, YNGVE | VIOLINKONSERT, OP 40 | VIOLIN & PIANO | Sweden | SUECIA | 1945 | H | C/U | THREE MOVEMENTS OF A WORK CHOSEN BY SWEDISH COMPOSERS FOR PUBLICATION. | |
| SLETTHOLM, YNGVE | AIR I | CLARINET ALONE | Norway | NMIC | 1991 | 9 MIN | H | C/U | NO BAR LINES - JUST INTERPRET AND MAKE MUSIC. EXTREME RANGES AND MUSICAL ACROBATICS. SHOW OFF WORK. |
| SLETTHOLM, YNGVE | ALLEGRO NERVOSO | BRASS QUINTET | Norway | NMIC | 1989 | EST 7 MIN | M/H | C/U | LOTS OF DOUBLE TONGUE AND FUN! IT JUST KEEPS GOING! |
| SLETTHOLM, YNGVE | BRIGADEMUSIKK | BAND | Norway | NMIC | 1986 | 19 MIN | H | C/U | PIC,FL,EbCL,3CL,BCL,OB,BSN,2AS,TS,BS,4HN,2TRPT,3TRB,EUP,TBA,3PERC,TMP,Eb CORNET,2FLUEGELHORN,3TENORHORNS IN Bb. SOME NONTRADITIONAL NOTATION. 3 MOVEMENTS. HARMONIC DENSITY AND RHYTHMICALLY STRAIGHT AHEAD. |
| SLETTHOLM, YNGVE | DEJA VU FOR SYMPHONIC BAND | BAND | Norway | NMIC | 1997-98 | 8 MIN 35 SEC | H | C/U | PIC,2FL,OB,EbCL,3CL,BCL,BSN,2AS,TS,BS,3TRPT,2COR,4HN,3TRB,EUP,TBA,5PERC. TO LOOK AT THIS SCORE IS TO WANT TO CONDUCT IT! IT IS HARD, MIXED METER, AND A LOT OF OTHER FUN RHYTHMIC SITUATIONS TO FIGURE OUT. FOR THE ENTERPRISING CONDUCTOR WITH A FINE BAND! |
| SLETTHOLM, YNGVE | FIRE PROFILER (FOUR PROFILES) | SAXOPHONE ALONE | Norway | LYCHE | 1982 | 14 MIN | M | C/U/HS | FOR ANY SAXOPHONE. FOUR MOVEMENTS. NOT EASY BUT PLAYABLE AND GOOD STUDY/RECITAL MATERIAL. MOVEMENTS CAN STAND ALONE. |
| SLETTHOLM, YNGVE | HOS GUD ER EVIG GLEDE | BAND | Norway | FROST | 1986 | EST 3 1/2 MIN | E | HS | FL,2CL,AS,TS,HN,2COR,2TRB,EUP,2TBA,3PERC,TMP. NOTE THE INSTRUMENTATION! SOME NONTRADITIONAL NOTATION, BUT EASILY DONE. FOLK TUNE. GOOD FOR THE SMALL BAND. |
| SLETTHOLM, YNGVE | HYMNER FOR KORPS | BAND | Norway | NMIC | 1981 | 19 MIN | E/M | C/U/HS | PIC,FL,3CL,BCL,OB,BSN,AS,TS,BS,2HN,2TRPT,3TRB,EUP,TBA,3PERC,TMP. 4 MOVEMENTS OF STRAIGHT AHEAD MATERIAL. SOME DRAMATIC DYNAMICS AND EXTENDED SOFT SECTIONS. |
| SLETTHOLM, YNGVE | NETTENE FINNES | SAXOPHONE(ALTO) & ORCHESTRA | Norway | NMIC | 1998/2000 | 22 MIN | H | C/U | PIC,2FL,2OB,EH,2CL,AS,2BSN,4HN,3TRPT,3TRB,TBA,PO,3PERC,STRINGS. ONE MOVEMENT. MIXED METER, LOTS OF NOTES, NEED FOR A VERY GOOD ORCHESTRA AND CONDUCTOR! SUGGEST FOR THE GRADUATE STUDENT OR PROFESSIONAL PLAYER. IMPORTANT COMPOSER. |
| SLETTHOLM, YNGVE | SED SPES EST | BAND | Norway | NMIC | 1982 | 14'30" | M/H | C/U/HS | PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,AS,TS,BS,4HN,3COR,3TRPT,3TRB,EUP, TBA,4PERC,TMP,SSAX,(I TRPT IN D,2 IN Bb). NO PERFORMANCE PROBLEMS. LONG ONE MOVEMENT BUT INTERESTING ENOUGH TO SUSTAIN ITSELF. |
| SLETTHOLM, YNGVE | SIGMA | BAND | Norway | NMIC | 1980 | M/H | C/U | SS,AS,TS,BS,4HN,2COR,3TRPT,3TRB,2EUP,2TBA,5PERC,TMP. NOTE THE INSTRUMENTATION. LOTS OF PERCUSSION. SOME RHYTHMIC TRICKINESS AND SOME NONTRADITIONAL NOTATION. IT PLAYS! | |
| SLETTHOLM, YNGVE | WIE EIN HAUCH | SAXOPHONE QUARTET | Norway | NMIC | 1989 | 16 MIN 15 SEC | H | C/U | SATB. RHYTHMICALLY COMPLEX. A FORMIDABLE CHALLENGE FOR THE ESTABLISHED ENSEMBLE. |
| SMEDEBY, SUNE | DOLOROSO | OBOE ALONE | Sweden | SMIC | 1997 | 4 MIN | E/M | C/U/HS | VERY LEGATO STYLE THROUGH MOST OF THE WORK WITH A FEW CHANCES FOR CONTRAST. MAKE IT SING. |
| SODERBERG, HANS | 15.00 | BAND | Sweden | SMIC | 1986 | CA 12-15 MIN | H | C/U | 8FL,8CL,OB,2BSN,2AS,7HN,8TRPT,3TRB,TBA,3PERC. NONTRADITIONAL TECHNIQUES, NOTE THE INSTRUMENTATION, PERCUSSION EMPHASIS, NICE HORN OPENING. |
| SODERBERG, HANS | BRASS IN ACTION | BRASS ENSEMBLE | Sweden | SMIC | EST 12+ MIN | H | C/U | 4TRPT,4HN,3TRB,EUP,TBA,3PERC. ONE MOVEMENT USING NONTRADITIONAL TECHNIQUES AND WELL LAID OUT. THIS IS 'NOW' MUSIC. | |
| SODERBERG, HANS | KONSERT FOR SLAGVERKSGRUPP OCH SYMFONIORKESTER | ORCHESTRA | Sweden | SMIC | 1985 | CA 14 MIN | M/H | C/U | PIC,2FL,2CL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,4PERC,TMP,HARP,PIANO, CELESTE,STRINGS. HARD PERCUSSION PARTS, EASIER FOR OTHERS. A MOST INTERESTING WORK! RENTAL ONLY. |
| SODERBERG, HANS | KVINTETT FOR KLARINETTER | CLARINET QUINTET | Sweden | SMIC | 1986 | 13 MIN | M/H | C/U | 4BbCL, BCL. SOME NONTRADITIONAL NOTATION WELL LAID OUT AND PLAYABLE. NICE SCORE. |
| SODERLIND, RAGNAR | FESTFANFARE | BRASS ENSEMBLE | Norway | NORSK | 1971 | CA 2 MIN | M | C/U | 3TRPT IN C,3HN,3TRB,TBA,3PERC. STRONG WORK THAT IS PLAYABLE AND VERY INTERESTING. |
| SODERLIND, RAGNAR | FRA SOR OG NORD (FROM SOUTH AND NORTH) | BAND | Norway | NMIC | 1967 | 4 MIN | M | C/U/HS | PIC,FL,EbCL,3CL,OB,BSN,2AS,TS,BS,4HN,3COR,3TRB,EUP,TBA,3PERC,(HNS IN Eb). CONCERT MARCH, STRAIGHT AHEAD WITH A SOLID SCORE. |
| SODERLIND, RAGNAR | TRAUERMUSIK, OP 12 | ORCHESTRA | Norway | NORSK | 1968 | 8 MIN 30 SEC | M/H | C/U | 3FL ALL DOUBLE PIC,EbCL,2CL,2OB,2BSN,4HN,3TRPT,3TRB,3PERC,ORGAN,HARP, STRINGS. DRAMATIC PIECE WITH A FEW PERFORMANCE PROBLEMS BUT INTERESTING AND ACCESSIBLE. SIX VIOLIN PARTS, 3 VIOLA AND 2 CELLO. SCORE FOR SALE, PARTS RENTAL. |
| SODERLUNDH, LILLE BROR | DALAMUSIK-SVIT FOR KLARINETT(Bb) OCH STRAKORKESTER | CLARINET & STRING ORCHESTRA | Sweden | SMIC | 1945 | EST 8 MIN | M | C/U/HS | SEVEN SHORT MOVEMENTS. THIS IS NOT A CLARINET SOLO, JUST A MEMBER OF THE ORCHESTRA. CL DOES NOT PLAY ON 2 MOVEMENTS. GOOD SCORE. RENTAL ONLY. |
| SODERLUNDH, LILLE BROR | IDEA 1 & 2 | SAXOPHONE QUARTET | Sweden | BUSCH | 1987 | E/M | C/U/HS | A.S.T.B. OR S.S.T.B. FOR CONTEST OR RECITAL. 2 MOVEMENTS. | |
| SODERLUNDH, LILLE BROR | LITEN SVIT | CLARINET & PIANO | Sweden | BUSCH | 1987 | 8 MIN | E/M | C/U/HS | FOUR MOVEMENTS FOR RECITAL OR HIGH SCHOOL CONTEST. |
| SODERMAN, AUGUST/STIG GUSTAFSON | BROLLOPSMARSCH | BAND | Sweden | GEHRMANS | 1978 | 3 MIN 30 SEC | E | HS/JHS | 2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,2EUP, TBA,PERC,TMP,SB. CONDENSED SCORE. GOOD ARRANGER FOR HS BANDS. |
| SODERMAN, AUGUST/STIG GUSTAFSON | SVENSKA FOLKVISOR OCH DANSER | BAND | Sweden | LEMA | 1984 | 9 MIN | E/M | HS | PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,3TRB,EUP,TBA, PERC,TMP,SB. 8 SHORT FOLK SONGS AND DANCES OF SWEDEN. EACH CAN STAND ALONE. WELL SCORED AND USEFUL MUSIC. |
| SOININEN, ANTTI | SUITE FOR STRINGS | STRING ORCHESTRA | Finland | SULASOL | 1998 | EST 12+ MIN | M | C/U/HS | MOVEMENTS: NAPOLEONIN MARSSI, KLAPPA, MENUETT, FINGERPOLSKA, POLKKA. A WELL LAID OUT SCORE WITH JUST A FEW PROBLEMS TO WORK OUT. |
| SOMMERFELDT, OISTEIN | DIVERTIMENTO, OP 21 | TRUMPET ALONE | Norway | NORSK | 1970 | M/H | C/U | THREE MOVEMENTS FOR TRPT IN Bb. RANGE TO C. GOOD WORK. | |
| SOMMERFELDT, OISTEIN | ELEGY, OP 27 | TRUMPET & ORGAN | Norway | NORSK | 1973 | EST 3 MIN | M | C/U/HS | SLOW, SINGING PIECE FOR TRPT IN C. |
| SOMMERFELDT, OISTEIN | LITEN OUVERTURE | ORCHESTRA | Norway | MUSIKK-HUSET | 1968 | 3 MIN 30 SEC | E/M | C/U/HS | PIC,2FL,2CL,2OB,2BSN,4HN,3TRPT,2TRB,TBA,3PERC,TMP,STRINGS. STRAIGHT AHEAD IN 2/4 AT 132. NOTES AND FUN FOR EVERYONE! CONCERT OPENER. |
| SOMMERFELDT, OISTEIN | MONOLOGI | STRING BASS ALONE | Norway | NORSK | 2004 | 7 MIN | M/H | C/U | MOVEMENTS: MOLTO RUBATO, VIVACE, ADAGIO. GOOD ADDITION TO THE LITERATURE AND VERY PLAYABLE BY THE SERIOUS C/U STUDENT. |
| SOMMERFELDT, OISTEIN | MONOLOGI, OP 45 | CELLO ALONE | Norway | NORSK | 1976 | 7 MIN | H | C/U | THREE MOVEMENTS WITH HARMONIC AND TECHNICAL CHALLENGES AND PLAYABLE BY THE GOOD COLLEGE STUDENT. |
| SOMMERFELDT, OISTEIN | SONATA, OP 22 | VIOLIN & PIANO | Norway | NORSK | 1972 | EST 8 MIN | M | C/U | THREE MOVEMENTS ATTACCA. SOME RHYTHMIC COMPLEXITY AND TIME CHANGES. WELL LAID OUT FOR STUDY AND RECITAL. |
| SOMMERFELDT, OISTEIN | TORSTEINEN, OP.68, CONCERT MARCH | BAND | Norway | NMIC | 1985 | EST 4 MIN | M | C/U/HS | PIC,2FL,EbCL,3CL,BCL,OB,BSN,2AS,TS,BS,4HN,3COR,3TRPT,3TRB,EUP,TBA,4PERC,TMP. SOMETHING OF 'VALDRES' IN THIS ONE. SCORE IS A BIT MESSY. |
| SONNINEN, AHTI | CANTATE CANTICA SOCII | STRING ORCHESTRA | Finland | FAZER | 1979 | EST 5 MIN | E | C/U/HS | THREE MELODIES FROM 'PIAE CANTIONES', 1582. EARLY STYLE. |
| SONNINEN, AHTI | FIVE NORDIC MELODIES | STRING ORCHESTRA | Finland | FAZER | 1981 | EST 12 MIN | M | C/U/HS | ONE FOLK TUNE FROM EACH OF THE FIVE NORDIC COUNTRIES. THEY ALL FLOW BUT ICELAND'S IS IN MIXED METER! |
| SONSTEVOLD, GUNNAR | BLASEKVINTETT NR 2 | WOODWIND QUINTET | Norway | NMIC | 14 MIN 20 SEC | M/H | C/U | CONTEMPORARY HARMONIES, STRUCTURAL IDEAS AND SOME RHYTHMIC COMPLEXITY. | |
| SONSTEVOLD, MAJ | DEN GAMLE MAJORS FORUNDERLIGE DROMME | ORCHESTRA | Norway | NMIC | 1969 | 10 MIN | M/H | C/U/HS | PIC,2FL,2CL,2OB,2BSN,2HN,2TRPT,2TRB,2PERC,HARP,PIANO OR CELESTE,BANJO,ELECT GUITAR,STRINGS. LIGHTER MUSIC PERHAPS FOR THE POPS CONCERT. MOVES ALONG WITH INTEREST FOR ALL. SCORE IS JUST PASSABLE M.S. |
| SONSTEVOLD, MAJ | FEST-OUVERTURE | ORCHESTRA | Norway | NMIC | 1983 | EST 10 MIN | M/H | C/U/HS | 2FL,2CL,2OB,2BSN,4HN,4RPT,3TRB,TBA,PERC,TMP,HARP,CELESTE,STRINGS. ONE MOVEMENT AND VERY PLAYABLE. SCORE IS IN FINE MS. |
| SORENSEN, BENT | THE BELLS OF VINETA | TROMBONE ALONE | Denmark | WHANSEN | 1995 | 7 MIN | H | C/U | DEDICATED TO CHRISTIAN LINDBERG. MULTI-PHONICS, AND EVERYTHING YOU HAVE EVER HEARD CHRISTIAN DO -- HARD AND MOST CHALLENGING. |
| SORENSEN, ERLING INGEMANN | CONCERTINO, OP 7 | CLARINET & STRING ORCHESTRA | Denmark | DMIC | 1978 | 14 MIN | M | C/U | THREE MOVEMENTS OF COMFORTABLE CHALLENGE FOR THE CLARINET AND ACCESSIBLE FOR THE STRINGS. |
| SORENSEN, ERLING INGEMANN | SENSOMMER, OP 10 | TUBA & STRING ORCHESTRA | Denmark | DMIC | 1981 | 10 MIN | M | C/U | GOOD WORKABLE RANGE FOR THE TUBA. IN SEVERAL SECTIONS PLAYED ATTACCA. STRING PARTS QUITE EASY. |
| SORENSON, TORSTEN | BROKIGA BLAD | STRING ORCHESTRA | Sweden | GEHRMANS | 1981 | 21 MIN | M | C/U/HS | NINE MOVEMENTS THAT ARE VERY PLAYABLE WITH NO SURPRISES. |
| SORENSON, TORSTEN | QUINTET FOR BRASS | BRASS QUINTET | Sweden | SMIC | 1970 | CA 7 MIN | M | C/U | FOUR MOVEMENTS, WELL SCORED, PARTS IN GOOD RANGES AND STRAIGHT AHEAD. |
| SPEIGHT, JOHN A | LITTLE MUSIC | CLARINET & ORCHESTRA | Iceland | ITM | 1977 | E | C/U | 2FL, 2CL, STRINGS. THREE MOVEMENTS OF A GOOD SCORE WITH STRAIGHT AHEAD MATERIAL. | |
| SPEIGHT, JOHN A | TRIO | VIOLIN, CELLO & PIANO | Iceland | ITM | 1978 | M | C/U | THREE MOVEMENTS. A GOOD SCORE OF PLAYABLE, STRAIGHT AHEAD MATERIAL. | |
| SPEIGHT, JOHN A | TRIO | VIOLIN, CELLO & PIANO | Iceland | ITM | 1978 | M | C/U | THREE MOVEMENTS. A GOOD SCORE OF PLAYABLE, STRAIGHT AHEAD MATERIAL. | |
| SPEIGHT, JOHN A | VIER STUCKE | FLUTE & PIANO | Iceland | ITM | 1977 | 3 MIN 30 SEC | M | C/U | RHYTHMICALLY CHALLENGING WORK THAT NEEDS MUCH COORDINATION FOR ENSEMBLE. THREE MOVEMENTS FOR THE GOOD COLLEGE STUDENT. |
| STEFANSSON, FINNUR TORFI | MOVEMENTS ‘01 FOR FLUTE AND PIANO | FLUTE & PIANO | Iceland | ITM | 2001 | EST 9+ MIN | H | C/U | RHYTHMICALLY INTRICATE. THE WHOLE RANGE OF THE FLUTE IS USED. CHANGING METER AND OTHER PROBLEMS IN A WELL SCORED CONTEMPORARY WORK. |
| STEFANSSON, FINNUR TORFI | MOVEMENTS ‘98 | STRING QUARTET | Iceland | ITM | 1998 | 12 MIN | H | C/U | FOR THE ADVANCED C/U ENSEMBLE THAT HAS BEEN PLAYING TOGETHER FOR A WHILE AND WANT A CHALLENGE. COMPOSER HAS TWO OTHER QUARTETS IN THE ITM ONLINE LIST. |
| STEFANSSON, FINNUR TORFI | PIECE FOR FLUTE & CLARINET IN C | FLUTE & CLARINET | Iceland | ITM | 1987 | 6 MIN | M | C/U/HS | CAN BE PLAYED BY EITHER INSTRUMENT ALONE OR USE ANOTHER C INSTRUMENT FOR THE CLARINET. THE INSTRUMENTS PLAY IN UNISON. |
| STEFANSSON, FINNUR TORFI | PIECE I/II | WIND ENSEMBLE | Iceland | ITM | 1987 | 7 MIN | M/H | C/U | FL, CL, BCL, TRPT, HN, TRB. WELL SCORED AND MUSICAL. REQUIRES A CONDUCTOR. |
| STEFANSSON, FINNUR TORFI | SED EST TANTI | ORCHESTRA | Iceland | ITM | 2002 | 10 MIN | H | C/U | 2FL,2OB,EH,2CL,BCL,2BSN,CBSN,4HN,2TRPT,2TRB,TBA,2PER,STRINGS. A NICE SCORE THAT IS PLAYABLE WITH SOME CONCENTRATED EFFORT. TIME CHANGES AND NEED FOR PRECISE RHYTHMS. |
| STEFANSSON, FINNUR TORFI | SONATA | VIOLIN & PIANO | Iceland | ITM | 1985 | 9 MIN 30 SEC | H | C/U | ONE MOVEMENT MARKED ADAGIO. FREQUENT METER CHANGES. |
| STEFANSSON, FINNUR TORFI | TRIO FOR VIOLIN, CELLO & PIANO | VIOLIN, CELLO & PIANO | Iceland | ITM | 1989 | 7 MIN | H+ | C/U | LOADED WITH RHYTHMIC PROBLEMS. FREQUENT METER CHANGES AND A CONTEMPORARY SOUND. |
| STEFANSSON, FINNUR TORFI | TRIO FOR VIOLIN, VIOLA & CELLO | STRING TRIO | Iceland | ITM | 1985 | M | C/U | MUSICALLY INTERESTING SCORE AND PARTS. SCORE IS A BIT HARD TO READ. | |
| STEFANSSON, FINNUR TORFI | TWO MOVEMENTS | STRING QUARTET | Iceland | ITM | 1987 | 8 MIN | H | C/U | PLAYABLE BY A SERIOUS AND COMPETENT COLLEGE ENSEMBLE OR PROFESSIONALS. MESSY SCORE BUT GOOD PARTS. |
| STEFANSSON, FJOLNIR | SEXTETT | STRING SEXTET | Iceland | ITM | 1983 | 5 MIN 50 SEC | M/H | C/U | FL, CL, BSN, HN, VLN, CELLO. BEAUTIFUL SCORE WITH PLAYABLE RHYTHMIC PROBLEMS. NEEDS A CONDUCTOR. |
| STENHAMMAR, WILHELM | SERENADE, OP 31 | ORCHESTRA | Sweden | SUECIA | 1936 | EST 25 MIN | H | C/U | 2FL,2CL,2OB,2BSN,4HN,2TRPT,3TRB,2PERC,TMP,EH,STRINGS. FIVE MOVEMENTS AND ONE OF THIS COMPOSERS BEST WORKS. SCORE FOR SALE, PARTS RENTAL. |
| STENHAMMAR, WILHELM | SONATE, OP 19 | VIOLIN & PIANO | Sweden | SMIC | SMIC | M | C/U/HS | THREE MOVEMENTS FROM A FINE EARLY 20TH CENTURY COMPOSERS. FOR RECITAL OR STUDY. | |
| STENHAMMAR, WILHELM | STRAKKVARTETT NR 2, OP 14 | STRING QUARTET | Sweden | SUECIA | 1968 | EST 15 MIN | H | C/U | FOUR MOVEMENTS AND PLAYABLE BY A COMPETENT COLLEGE ENSEMBLE. LOTS OF STRAIGHT AHEAD WORK. |
| STENHAMMAR, WILHELM | TWO SENTIMENTAL ROMANCES, OP 28 NR 1 | VIOLIN & PIANO | Sweden | NORDISKA | 1970 | EST 15 MIN | M/H | C/U/HS | TWO PLAYABLE PIECES FROM A FINE COMPOSER. |
| STORM, STAFFAN | SONATIN | FLUTE & ORGAN | Sweden | SMIC | 2001 | 12 MIN | M | C/U/HS | THREE MOVEMENTS WITH MODERATELY GOOD MANUSCRIPT. THIS IS VERY PLAYABLE MUSIC THAT SHOULD ALSO BE PLAYABLE WITH PIANO ACCOMPANIMENT. |
| STOYVA, NJAL GUNNAR | THE SMELL OF WILD FLOWERS | CLARINET & PIANO | Norway | NMIC | 1999 | 10 MIN | M/H | C/U | THREE FLOWING MOVEMENTS. EVEN WHEN THE NOTES GO BY QUICKLY THE KEEP FLOWING. NICE COMPLIMENTARY WORK FOR A RECITAL. |
| STRINDBERG, HENRIK | HJARTATS SLAG (HEART BEATS) | FLUTE & SAXOPHONE QUARTET | Sweden | SMIC | 1986 | 6 MIN 30 SEC | M/H | C/U | S.A.T.B, GRADUAL AND QUICK METER CHANGES. SOME TONE MANIPULATION AND NONTRADITIONAL TECHNIQUES. |
| STRINDBERG, HENRIK | TREDJE ANDNINGEN (THIRD BREATH) | TROMBONE QUARTET | Sweden | SMIC | 1985 | 9 MIN | H | C/U | PROVOCATIVE, CHALLENGING, INTERESTING! 3 TENOR TRBS AND BASS TRB. |
| SUND, ROBERT | GANGLAT FRAN MOCKFJARD | BAND | Sweden | GEHRMANS | 1978 | 13 MIN | M | C/U/HS | PIC,2FL,3CL,BCL,OB,2BSN,2AS,TS,BS,4HN,2COR,3TRPT,3TRB,EUP,TBA, 2PERC,SB. SWEDISH WORDS ARE IN THE SCORE TO SING ALONG! LIKE A THEME AND VARIATIONS. |
| SUND, ROBERT | PER SPELMAN | WOODWIND QUINTET | Sweden | GEHRMANS | 1975 | M/H | C/U | SOME RHYTHMIC COMPLEXITY BUT PLAYABLE. | |
| SUND, ROBERT | TRE ETYDER | BAND | Sweden | SUECIA | 1984 | 9 MIN | H | C/U/HS | PIC,2FL,EbCL,4CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,3TRPT,3TRB,EUP, TBA,5PERC,TMP,SB,SSAX,(1 CL IN A, 3 IN Bb). THREE MOVEMENTS, A FEW PROBLEMS TO WORK OUT IN THE SCORE, GOOD PERCUSSION PARTS. |
| SUNDBO, GEIR | CONTRASTS, THREE EPISODES FOR SYMPHONIC BAND | BAND | Norway | NMIC | 2005 | 7 MIN 30 SEC. | H | C/U | PIC,2FL,2OB,3CL,BCL,2BSN,2AS,TS,BS,3TRPT,4HN,3TRB,EUP,TBA,4PERC. PRESENTABLE MS. MIXED METER, HARMONICS NUANCES, AND INTERESTING ALL THE WAY. FOR THE BETTER CONDUCTOR AND C/U ENSEMBLE. SEE OTHER GOOD SCORES BY THIS COMPOSER IN THE NMIC CATALOG ONLINE. |
| SVEINBJORNSSON, SVEINBJORN | LYRISKE STYKKER | VIOLIN & PIANO | Iceland | ITM | EST 2+ MIN | M | C/U/HS | A NICE, SHORT MELODIC WORK ALSO SUGGESTED FOR FLUTE. | |
| SVEINSSON, ATLI HEIMIR | FANTASTIC RONDOS | CLARINET,TROMBONE,CELLO & PO | Iceland | ITM | 1980 | H | C/U | PLAYERS WHISPER, SPEAK, CLAP HANDS, SNAP FINGERS & STOMP FEET AS WELL AS PLAY THE INSTRUMENTS. RHYTHMICALLY CHALLENGING, BUT SHOULD BE FUN! | |
| SVEINSSON, ATLI HEIMIR | FUGLINN I FJORUNNI - BIRD ON THE BEACH | ORCHESTRA | Iceland | ITM | 1937/1998 | EST 1+ MIN | E/M | C/U/HS | FL,CL,TRPT,PIANO,STRINGS. AN EASIER, FAST MOVING, LIGHT HEARTED PIECE IN 2/4 ALL THE WAY. A GOOD FIRST EXPERIENCE IN ICELANDIC MUSIC. IT IS IN MARGINAL MS. BASED UPON AN EARLIER WORK BY JON THORARINSSON. |
| SVEINSSON, ATLI HEIMIR | INTERMEZZO | FLUTE & PIANO | Iceland | WHANSEN | 1982 | EST 2+ MIN | M | C/U/HS | A NICE, FLOWING WORK WITH FREQUENT TIME CHANGE THAT SHOULD NOT BOTHER MAKING MUSIC WITH THIS NICE PIECE OF MUSIC. |
| SVEINSSON, ATLI HEIMIR | JUBILUS II | TROMBONE & BAND | Iceland | ITM | 1986 | 21 MIN | H | C/U | 2FL,2CL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,3PERC,EH,CBSN,TAPE. THREE MOVEMENTS PLAYED BY CHRISTIAN LINDBERG. NONTRADITIONAL NOTATION AND SCORING. FOR PROFESSIONAL SOLOIST WITH AN EXCELLENT BAND. |
| SVEINSSON, ATLI HEIMIR | POESIE, QUI NE CHANTE POINT | HORN & CEMBALO | Iceland | ITM | 1981 | 10 MIN | H | C/U | A CHALLENGING HORN PART FOR THE VERY BEST PLAYERS. |
| SVEINSSON, ATLI HEIMIR | POSTLUDIUM | TRUMPET DUET | Iceland | ITM | 1986 | 5 MIN | M | C/U | A CHALLENGING CONCERT DUET FOR THE RECITAL OR STUDIO FUN. |
| SVEINSSON, ATLI HEIMIR | RIMNADANSLOG II - FOLK DANCES | ORCHESTRA | Iceland | ITM | 1998 | EST 2+ MIN | M | C/U/HS | FL,CL,TRPT,PIANO,STRINGS. BASED UPON EARLIER WORK BY JON LEIFS OF ICELAND. IT IS FAST MOVING (QT = 138) WITH FREQUENT TIME SIGNATURE CHANGES THAT WILL NOT GET IN THE WAY. IN A PASSABLE MS. |
| SVEINSSON, GUNNAR R | BLUES IN D | JAZZ ENSEMBLE | Iceland | ITM | 1983 | M | C/U | FL, DRUMS, SB, GUITAR, VIBES. CONCERT STYLE HEAD WITH CHANGES. | |
| SVEINSSON, GUNNAR R | DANCING IN THE GRAVE YARD | JAZZ ENSEMBLE | Iceland | ITM | 1985 | E | C/U | TS, DRUMS, SB, GUITAR, VIBES, PIANO. SWING HEAD WITH CHANGES FOR IMPROVISATIONAL SOLOS. | |
| SVEINSSON, GUNNAR R | DEPARTED PAPERBIRDS | WOODWIND QUINTET | Iceland | ITM | 1981 | 10 MIN 35 SEC | M | C/U | THREE MOVEMENTS OF STRAIGHT AHEAD MUSIC THAT IS VERY PLAYABLE. |
| SVEINSSON, GUNNAR R | ELFRHYME (ALFARIMA) | JAZZ ENSEMBLE | Iceland | ITM | 1977 | 14 MIN 50 SEC | H | C/U | TS,TRPT,DRUMS,SB,VIBES,VOICE. 5/4 A LA 'TAKE FIVE'. VOICE PART IS LIKE ANOTHER INSTRUMENT. SECOND SECTION IS JAZZ WALTZ. A NUMBER OF MOOD CHANGES. |
| SVEINSSON, GUNNAR R | GOD GAVE ME AN EAR | JAZZ ENSEMBLE | Iceland | ITM | M | C/U | VIOLIN, DRUMS, SB, GUITAR, VIBES. BLUES IN C, SWINGS, HEAD AND CHANGES. | ||
| SVEINSSON, GUNNAR R | LIFID ER STUTT (VITA BREVE-ARS LONGA) | JAZZ ENSEMBLE | Iceland | ITM | 1978 | M | C/U | AS, DRUMS, SB, VIBES. IT SWINGS. | |
| SVEINSSON, GUNNAR R | MUSIC FOR SCHOOL STRINGS | STRING ORCHESTRA | Iceland | ITM | E | HS | VIOLINS AND CELLOS ONLY! SIX SHORT MOVEMENTS THAT CAN BE PLAYED BY SMALL OR LARGE GROUPS OF STRINGS. | ||
| SVEINSSON, GUNNAR R | NET TO CATCH THE WINDS (NET TIL AD VEIDA VINDINN) | STRING QUARTET | Iceland | ITM | 1984 | M | C/U | FOUR MOVEMENTS: 1. SOLO VIOLIN ALONE 2. VIOLIN DUET 3.& 4. QUARTET. PLAYABLE MUSIC! | |
| SVEINSSON, GUNNAR R | OLAFUR LILJUROS | JAZZ ENSEMBLE | Iceland | ITM | 1984 | E | C/U | STRING BASS, MARIMBA & GUITAR. RECITAL MATERIAL FOR COLLEGE MARIMBA SOLOIST. | |
| SVEINSSON, GUNNAR R | ON VALHUSAHÆD | JAZZ ENSEMBLE | Iceland | ITM | M | C/U | FL, TS, BS, TRPT, DRUMS, BASS, VIB. SOME HARD CHORD CHANGES. SWINGS. | ||
| SVEINSSON, GUNNAR R | ONE HAS NOW... | JAZZ ENSEMBLE | Iceland | ITM | M | C/U | TS, DRUMS, SB, GUITAR, VIBES, PIANO. SWING HEAD AND CHANGES. | ||
| SVEINSSON, GUNNAR R | PENDULATIONS (SVEIFLUR) | FLUTE, CELLO & PERCUSSION | Iceland | ITM | 1966 | 4 MIN 25 SEC | H+ | C/U | FOUR PERCUSSIONISTS. INTRICATE AND DELICATE - HARD TO PUT TOGETHER, NEEDS CONDUCTOR. GOOD CHALLENGE. |
| SVEINSSON, GUNNAR R | SEARCH FOR SANDRA | JAZZ ENSEMBLE | Iceland | ITM | 1983 | M | C/U | TS, DRUMS, SB, GUITAR, MARIMBA, PIANO. LATIN SWING HEAD WITH CHANGES. | |
| SVEINSSON, GUNNAR R | SONATA | CLARINET & PIANO | Iceland | ITM | 1960 | 11 MIN | E/M | C/U/HS | THREE MOVEMENTS WITH A GOOD LOOKING SCORE. MOVEMENTS CAN STAND ALONE. NO PROBLEMS. |
| SVEINSSON, GUNNAR R | SONATA | JAZZ ENSEMBLE | Iceland | ITM | 1982 | M/H | C/U | SS, AS, DRUMS, SB, MARIMBA, VIBES. THREE MOVEMENTS: 1.FUGHETTA (ALTO SAX ALONE), 2.ELEGIE (SOPSAX, VIBES, BASS & DRUMS), 3.ETUDE (AS, MARIMBA, BASS & DRUMS). 1 PLAYER FOR VIBES & MARIMBA, 1 PLAYER FOR SS & AS. | |
| SVEINSSON, GUNNAR R | THE NIGHT IS FOR CRYING | JAZZ ENSEMBLE | Iceland | ITM | M | C/U | AS, TS, HN, DRUMS, SB, GUITAR, VIBES, PIANO, VOICE. SLOW BLUESEY AND FUN! | ||
| SVEINSSON, GUNNAR R | VARIATIONS ON AN ICELANDIC FOLK SONG | JAZZ ENSEMBLE | Iceland | ITM | 1984 | E | C/U | STRING BASS, VIBES & GUITAR. EASY AND MUSICAL. | |
| SYLVAIN, JULES & DIX DENNIE/MATS OLSSON | BEATE-CHRISTINE | STAGE BAND | Sweden | EHRLING | 1978 | E/M/ | C/U/HS | 3/4 BALLAD, TRPT PART TO C, TRB 1 SOLO. | |
| SYLVAIN, JULES & KARL-EWERT/CLAES ROSENDAHL | RAKNA DE LYCKLIGA STUNDERNA BLOTT | STAGE BAND | Sweden | EHRLING | 1978 | E | C/U/HS | SLOW WALTZ, MESSY SCORE, TRPT 1 SOLO, CAN BE OPENED FOR MORE SOLOS. GOOD MATERIAL. | |
| SYLVAIN, JULES & N.G.GRANATH/LENNART FORS | DANSEN GAR PA ALLA BRYGGORNA | BAND | Sweden | EHRLING | 1978 | E | HS/JHS | CONCERT MUSIC FOR THE YOUNG BAND. EASY & PLAYABLE. STANDARD INSTRUMENTATION. | |
| SYLVAIN, JULES & OTHERS/LENNART FORS | HAR DEN ARAN | BAND | Sweden | EHRLING | 1978 | EST 4 MIN | E | HS/JHS | 2FL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA,PERC, TMP,SB. SCORE IS NOT BOUND. PARTS ARE MS BUT GOOD. THIS MEDLEY OF SWEDISH TUNES INCLUDES THE BIRTHDAY SONG, 'JA MÅ HAN LEVA'. |
| SYLVAIN, JULES & SS WILSON/LASSE SJOSTEN | NAR EN STJARNA FRAN HIMLEN FALLER | STAGE BAND | Sweden | EHRLING | 1978 | E | C/U/HS | SCORE IN MS AND MESSY BUT GOOD MATERIAL. ALTO AND TENOR SOLOS. | |
| SYLVAIN, JULES/MATS OLSSON | JAG VET ETT LITET HOTELL | STAGE BAND | Sweden | EHRLING | 1978 | E/M/ | C/U/HS | MESSY SCORE IN MS, TANGO, LOTS OF MUTING IN BRASS, NEED STRONG PIANO FOR SOLO. | |
| SYLVAIN,JULES & AKE SODERBLOM/GUNNAR SVENSSON | TANGOKAVALJEREN | STAGE BAND | Sweden | EHRLING | 1978 | M | C/U/HS | SCORE IS IN MS AND MESSY, TROMBONE SECTION FEATURE, TRB 1 & 2 QUITE HIGH, GOOD MATERIAL. | |
| SYLVAN, SIXTEN | ADAGIO, OP. 12:1 | HORN & ORGAN | Sweden | SMIC | 1998 | EST 3+ MIN | M | C/U/HS | VERY GOOD MS. LYRICAL, HORN TO A ABOVE THE STAFF. A CHANCE FOR EXPRESSIVE HORN PLAYING. |
| SYLVAN, SIXTEN | KVINTETT FOR BLASARE | WOODWIND QUINTET | Sweden | SMIC | 1949 | H | C/U | CL DOUBLES BASS CLARINET. THREE MOVEMENTS STRAIGHT AHEAD. | |
| SYLVAN, SIXTEN | SONAT FOR HORN OCH PIANO, OP 7 | HORN & PIANO | Sweden | SMIC | 1963 | M / | C/U/HS | THREE MOVEMENTS OF A WELL SCORED WORK FOR RECITAL, CONTEST OR CONCERT. | |
| SöDERLUNDH, LILLE BROR | CONCERTINO | OBOE & PIANO | Sweden | BUSCH | 1944 | 13 MIN 25 SEC | M/H | C/U | PIANO REDUCTION. THREE MOVEMENTS(FSF). MAJOR CADENZA IN 2ND MOVEMENT. NO SPECIAL DEMANDS, JUST A LOT OF NOTES. |
©1991, 2007 Mark Lammers
This Edition ©2005, 2007 WASBE — Content used with permission