Nordic Instrumental Music

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Composer Arranger	Title	Ensemble Medium	Publisher_Code	Date	Time	Difficulty	Recommended Level	Comments
ABERG, THOMAS	MUSIC FOR STRINGS	STRING ORCHESTRA	SMIC	2000	7 MIN	M	C/U/HS	ARRANGED BY EYVIND HALLNAS. STRAIGHT AHEAD MATERIAL WITH LITTLE DIVISI. LOOKS GOOD FOR C/U AND GOOD HS ENSEMBLES.
AGRELL, JOHAN JOACHIM (1701-1765)	OBOEKONSERT	OBOE & STRING ORCHESTRA	BUSCH		EST 9 MIN	M	C/U	NEED CONTINUO INSTRUMENT, THREE MOVEMENTS(FSF). BAROQUE AND PLAYABLE. REVISED 1983 BY BO ERIKSSON.
AHLBERG, GUNNAR	AGITATO	BAND	SMIC	1985	9 MIN	H	C/U/HS	3FL(PIC),3CL,BCL,2OB,2BSN,2AS,TS,BS,4TRPT,4HN,3TRB,EUP,2TBA, 2PERC, TMP, SB. FINE PERCUSSION PARTS. WELL SCORED. A FEW NONTRADITIONAL TECHNIQUES.
AHLBERG, GUNNAR	NATURMUSIK	BRASS ENSEMBLE	SMIC	1974	8 MIN	M	C/U	4HN,6TRPT,6TRB,2TBA,PERC,TIMP(ONE TRUMPET IN Eb). SERENE, MUCH SOFT PLAYING, LOUDEST IS A FORTE. STRAIGHT AHEAD, NO PROBLEMS.
AHLBERG, GUNNAR	OSTINATO	FLUTE & HARP	SMIC	1989		M	C/U/HS	THREE SECTIONS PLAYED ATTACCA: SOSTENUTO, MOBILE & MESTO. COLLEGE RECITAL MATERIAL.
AHLBERG, GUNNAR	PEZZO PER FLAUTO SOLO	FLUTE ALONE	SMIC	1986	4 MIN	M	C/U/HS	GOOD COMPOSER AND PIECE. RECITAL OR STUDY. PLAYABLE MUSIC.
AHLBERG, GUNNAR	SONATA	FLUTE & PIANO	SMIC	1987	13 MIN 20 SEC	M/H	C/U	ONE MOVEMENT MARKED MODERATO TEMOROSO. RHYTHMIC CHALLENGES.
AHLIN, SVEN	NARRATIVES	TROMBONE & ORCHESTRA	SMIC	1989	16 MIN	H	C/U	PIC,2FL,2CL,2HN,2TRB,TMP,STRINGS. DEDICATED TO CHRISTIAN LINDBERG AND CALLS FOR A FINE PERFORMER. LOW, HIGH & HARD! ORCHESTRA PARTS ALSO HAVE BIG NEEDS. ONE MOVEMENT. FOR RENTAL ONLY.
AHLIN, SVEN	NOLHAGA, OP 11	TROMBONE QUARTET	SMIC	1986	4 - 5 MIN	H	C/U	FINE WRITING FOR THE TROMBONE. ONE ON A PART, SOME FREE RHYTHMIC THINGS. SEE OTHER TWO AHLIN QUARTETS.
AHLIN, SVEN	RITUAL FOR HUITZILOPOCHTLI	PERCUSSION ENSEMBLE	SMIC		10 MIN	H	C/U	SIX PLAYERS. HUITZILOPCHTLI WAS AN AZTEC WAR GOD. TUNED & NON-TUNED INSTRUMENTS.
AHLIN, SVEN	SKUNKY FUNK	BRASS QUINTET	SMIC	1993	12 MIN	H	C/U	THREE MOVEMENTS: SKUNKY FUNK, LANGUISH IN A RED MOOD AND IN OTHER WORDS. HARD MUSIC THAT IS FUN TO WORK OUT AND FOR THE AUDIENCE. JUST DO WHAT THE TITLES TO THE MOVEMENTS TELL YOU TO DO!
AHLIN, SVEN	SOUNDING BRASS, OP 10	TROMBONE QUARTET	SMIC	1986	6 MIN	H	C/U	ONE ON A PART - NO DOUBLES. RHYTHMICALLY CHALLENGING, BUT PLAYABLE. GOOD USE OF SLIDE AND F-ATTACHMENTS.
AHLIN, SVEN	SPEECH, OP 12	TROMBONE QUARTET	SMIC	1987	4+MIN	M/H	C/U	ONE ON A PART - NO DOUBLES. UNUSUAL NOTATION, BUT EASILY UNDERSTOOD. REASONABLE TESSITURAS. GOOD MATERIAL & PLAYABLE! MUTES.
ALFVEN, HUGO	DEN FORLORADE SONEN BALETTSVIT	ORCHESTRA	SUECIA	1957	16 - 17 MIN	M	C/U/HS	PIC,3FL,EbCL,2CL,BCL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,3PERC,TMP,EH, CBSN,HARP,STRINGS. SEVEN SECTIONS SOME ATTACCA. NOT ALL MOVEMENTS HAVE FULL INSTRUMENTATION. SCORE FOR SALE, PARTS RENTAL.
ALFVEN, HUGO	NOTTURNO ELEGIACO, OP 5	CELLO & ORGAN	GEHRMANS	1952	EST 6+MIN	M	C/U/HS	A SINGING MELODY BY FAMOUS SWEDISH COMPOSER. ALSO WORKS WELL WITH PIANO.
ALFVEN, HUGO	NOTTURNO ELEGIACO, OP 5	HORN & ORGAN	GEHRMANS	1952	EST 6+MIN	M	C/U/HS	A SINGING MELODY BY FAMOUS SWEDISH COMPOSER. ORIGINALLY FOR CELLO. ALSO WORKS WELL WITH PIANO.
ALFVEN, HUGO	NOTTURNO ELEGIACO, OP 5	TROMBONE & ORGAN	GEHRMANS	1952	EST 6+MIN	M	C/U/HS	A SINGING MELODY BY FAMOUS SWEDISH COMPOSER. COMPOSED FOR CELLO. ALSO WORKS WELL WITH PIANO.
ALFVEN, HUGO	SONAT, OP 1	VIOLIN & PIANO	LUNDQUIST			H	C/U	FOUR MOVEMENTS FROM THE EARLY WORKS OF A LEADING SWEDISH COMPOSER FROM EARLY 20TH CENTURY.
ALFVEN, HUGO	TVA FOLKMELODIER	STRING ORCHESTRA	GEHRMANS	1978	EST 3 1/2 MIN	E	C/U/HS	TWO SHORT FOLK TUNES. SCORE FOR SALE, PARTS RENTAL.
ALFVEN, HUGO/FLOYD E. WERLE	ROSLAGSVAR (SWEDISH POLKA)	BAND	GEHRMANS	1980	3 MIN	E	HS	PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,3COR,2TRPT,3TRB, EUP,2TBA, PERC,TMP,SB. CONDENSED SCORE ONLY. EASY MARCH.
ALFVEN, HUGO/GUNNAR JOHANSSON	FEST-OUVERTURE,OP 29	BAND	SUECIA	1974	7 MIN	M/H	C/U/HS	3FL,EbCL,4CL,ACL,BCL,2OC,2BSN,2AS,TS,BS,2COR,4TRPT,4HN,3TRB,EUP, 2TBA,2PERC,TMP,SB. PROGRAM OPENER, GOOD EXCITEMENT, ALL PARTS DO SOMETHING. SAXOPHONE PARTS OPTIONAL.
ALFVEN, HUGO/STIG GUSTAFSON	ROSLAGSPOLKETTA	BAND	GEHRMANS	1979	3 MIN	E	HS	2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,3COR,2TRPT,4HN,3TRB,EUP,TBA, PERC,TMP,SB. SELECTIONS FROM A BALLET, PLAYABLE BY SMALLER BAND, WORKOUT FOR WW, EASY FOR BRASS & PERCUSSION.
ALFVEN, HUGO/STIG GUSTAFSON	UR "MIDSOMMARVAKA" (SWEDISH RHAPSODY)	BAND	LEMA	1978	5 MIN 30 SEC	M	C/U/HS	2FL,EbCL,4CL,BCL,OB,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP,TBA,PERC, TMP,SB. FINE SWEDISH COMPOSER & EXCELLENT ARRANGER. THIS WILL HAVE FINE AUDIENCE & PLAYER APPEAL!
ANDERSSON, B TOMMY	IMPROMPTU	CLARINET & PERCUSSION	SMIC	1987	3 MIN 45 SEC	M/H	C/U	VIBRAPHONE NEEDS MULTI-STICK TECHNIQUE. VERY HIGH FOR THE CLARINET.
ANDERSSON, B TOMMY	SONAT FOR HORN	CELLO & PIANO	SMIC	1985		M/H	C/U	THREE MOVEMENTS OF STRAIGHT AHEAD MATERIAL. PIANO PART IS HARD. COMPOSER ALSO SUGGESTS FOR CELLO.
ANDERSSON, B TOMMY	SONAT FOR HORN	HORN & PIANO	SMIC	1985		M/H	C/U	THREE MOVEMENTS OF STRAIGHT AHEAD MATERIAL. PIANO PART IS HARD.
ANDERSSON, KJELL	DIVERTIMENTO FOR BLASKVINTETT	WOODWIND QUINTET	SMIC	1987		M/H	C/U/HS	THREE MOVEMENTS OF A WELL CONSTRUCTED PIECE IN CONTEMPORARY STYLE.
ANDERSSON, KJELL	TUKU TUKU	ORCHESTRA	SMIC	1985	11 MIN	M/H	C/U/HS	PIC,2FL,2CL,2OB,2BSN,4HN,3TRPT,2TRB,TBA,3PERC,TMP,HARP,STRINGS. NEED GOOD PERCUSSIONISTS. ONE OF THE CL PARTS IS IN 'A'. GOOD SCORE. FOR RENTAL ONLY.
ANDERSSON, MAGNUS F	BOPBOP	BASSOON QUARTET	SMIC	2002	4 MIN	H	C/U	3 BASSO0NS AND CONTRABASSOON. ALL THREE BASSOON PLAYERS GO BACK FORTH BETWEEN BASS AND TENOR CLEFS. THE SCORE IS FUN TO STUDY AND THE PLAYERS WILL ENJOY THIS CHALLENGE ALSO. BASSOONS CAN HAVE FUN TOO!
ANDERSSON, MAGNUS F.	1397	BAND	SMIC	1996	LESS THAN I MIN	M/H	C/U/HS	2FL(PIC),OB,3CL,BCL,BSN,2AS,TS,BS,3TRPT,2HN,3TRB,EUP,2PERC. A FANFARE LIKE WORK WITH LOTS OF ACTIVITY FOR ALL. DRAMATIC! GOOD INTRODUCTION TO THIS COMPOSERS WORK.
ANDERSSON, MAGNUS F.	CONCERTO: HOUSE OF SEVEN ROOMS	BAND	SMIC	1994	EST 15 MIN	H	C/U	3FL(ALFL,PIC,)EbCL,6CL,BCL,CBCL,2BSN,2AS,TS,BS,3CTRPT,2BbTRPT,4HN,4TRB,EUP,3TBA2STBS,4PERC. SEVEN MOVEMENTS! THIS IS A HUGE WORK, LOTS OF PERCUSSION INSTRUMENTS NEEDED AND GOOD PLAYERS. INTENDED FOR THE LARGE COLLEGE BAND WITH LOTS OF MUSICAL FACILITY.
ANDERSSON, MAGNUS F.	LITEN BOSTAD	BAND	SMIC	1993		M/H	C/U/HS	FL,OB,3CL,BCL,BSN,AS,TS,4TRPT,2HN,3TRB,EUP,TBA,STBS,3PERC. NOT AS FORMIDABLE AS SOME OF THE OTHER WORKS LISTED HERE BY THIS COMPOSER - WOULD BE A NICE INTRODUCTION TO HIM. ALL PARTS PLAYABLE BY THE GOOD HS OR COLLEGE BAND.
ANDERSSON, MAGNUS F.	UNDER RON, UNDER TIDEN = SOUS LE PONT SOUS LE TEMPS	BAND	SMIC	1991	14 MIN	H	C/U	4FL(PIC),3OB,3CL,BCL,2BSN,CBSN,3TRPT,4HN,3TRB,EUP,TBA,3PERC. ANOTHER HUGE WORK BY THIS IMPORTANT COMPOSER. IT IS VERY PLAYABLE BY THE GROUP THAT PAYS ATTENTION TO DETAIL. LOTS OF INTERESTING PERCUSSION. EXCELLENT FOR THE BIG COLLEGE BAND.
ARVEHEIM, MATTIAS	DE LEKTE... (AND SO THEY PLAYED..)	BRASS QUINTET	BLAS-BASEN	2004	EST 3 MIN	M/H	C/U	PIC TRPT IN A,BbTRPT,HN,TRB,TBA. RELATIVELY SHORT, MOVING WORK. THE PICCOLO TRUMPET IS A MUST. FLOWING NOTES PATTERNS TOGETHER. THIS ALSO AVAILABLE BRASS, CLARINET AND SAXOPHONE QUARTET VERSIONS.
ARVEHEIM, MATTIAS	SUITE FOR BRASS	BRASS ENSEMBLE	BLAS-BASEN	2002	EST 8 MIN	M	C/U	MOVEMENTS: KNYPPEL-STINA, THE WALTZ, INTERLUDE, TO YOU. 3 TRP,FLUG,4TRB,TBA. PLAYABLE MUSIC WITH SOME NICE IDEAS. THE THIRD, SHORT MOVEMENT IS FOR ONE TRUMPET, ONE HORN AND ONE TROMBONE AND ATTACCA’S IN TO THE LAST MOVEMENT.
ARVEHEIM, MATTIAS	THE DANCE OF LAKE MAGELUNGEN	BRASS QUARTET	BLAS-BASEN	2002	EST 4 MIN	M	C/U	2BbTRPT,2TRB. FOLK LIKE MUSIC - NEED TO OBSERVE THE COMPOSER’S RECOMMENDED STYLE STATED IN THE MUSIC. NO RANGE, RHYTHM OR TECHNICAL PROBLEMS, JUST TAKE CARE TO PLAY IT IN THE CORRECT STYLE. ALSO AVAILABLE IN A SAXOPHONE QUARTET VERSION.
ARVEHEIM, MATTIAS	THE MILLSTREAM	BRASS QUINTET	BLAS-BASEN	2004	EST 3 MIN 30 SEC	E/M	C/U/HS	USUAL INSTRUMENTATION. SWINGING EIGHTH NOTES IN 3/4 TIME. TUBA PART IS NICE. THIS IS ALSO AVAILABLE IN BRASS AND SAXOPHONE QUARTET VERSIONS.
ATTERBERG, KURT/GOSTA MORBERG	DE FAVITSKA JUNGFRURNA: RAPSODI	BAND	GEHRMANS	1979	9 MIN	M	C/U/HS	3FL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA, TMP,SB,EH. EXCELLENT SCORE, NICE DEVELOPMENT OF A SWEDISH THEME. SOME PARTS QUITE EASY, VERY PLAYABLE.
ATTERBRG, KURT	SONAT, OP 27b	HORN & PIANO	SMIC	1930		H	C/U	ORIGINALLY FOR CELLO. HORN PART ADAPTED BY DOMENICO CECCAROSSI IN 1955. A MAJOR WORK & WORTH WHILE MUSIC.
BACK, SVEN-ERIK	SONATA FOR FLUTE SOLO	FLUTE ALONE	WHANSEN	1959	13 MIN	H	C/U	THREE MOVEMENTS OF CHALLENGE BY A FINE COMPOSER. LOTS OF NOTES!
BARK, JAN & FOLKE RABE	BOLOS	TROMBONE QUARTET	WHANSEN	1962		M/H	C/U	AN EXCELLENT WORK USING NONTRADITIONAL NOTATION. VERY SUCCESSFUL COMPOSITION. AUDIENCE PLEASER. THEATRICAL ASPECTS.
BARTOSCH, CARIN	HAPPINESS IS A G-STRING	VIOLA ALONE	SMIC	1996	EST 4 MIN	H	C/U	THIS IS HARD MUSIC WITH ALL OF THE TECHNIQUES NECESSARY TO GET THE JOB DONE. WE HAVE TO ADMIT THAT THE TITLE CAUGHT OUR ATTENTION, BUT THERE IS MORE HERE THAN JUST A TITLE - LIKE LOTS OF HARD PRACTICE TIME TO MAKE IT GO! INTERESTING!
BELLMAN, CARL MICHAEL/GOSTA MORBERG	BLASEN NU ALLA	BAND	EHRLING	1978	EST.4MIN	E	HS/JHS	2FL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA,PERC, TMP,SB. SCORE IS IN MS. PLAYABLE BY THE YOUNG BAND. MEDLEY OF FOUR SWEDISH TUNES.
BELLMAN, CARL MICHAEL/STIG GUSTAFSON	OPP AMARYLLIS	BAND	LEMA	1984	2 MIN 30 SEC	E/M	C/U/HS	PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB, EUP,TBA,2PERC,TMP,SB. GOOD SCORE OF 19TH CENTURY SWEDISH COMPOSER FROM AN EXCELLENT ARRANGER. CAN BE PLAYED WITH REDUCED INSTRUMENTATION & NOTED IN SCORE CUES.
BENGTSON, PETER	HEKAS!	BAND	SMIC	1992	6MIN	H	C/U	FL,OB,4CL,2BSN,AS,TS,BS,4TRPT,2HN,3TRB,EUP,TBA IN F,STBS,2-3PERC. NEED FINE WW’S. MIXED METER, ALWAYS MOVING FORWARD. SCORE IS INNOCENT ENOUGH, BUT WE EXPECT THE PERFORMANCE OF THIS WORK TO BE HARDER THAN THE SCORE APPEARS. NOTE THE SOMEWHAT UNUSUAL INSTRUMENTATION.
BERG, NATANAEL	ENGELBREKT - FORSPEL	ORCHESTRA	SUECIA	1945	EST 10 MIN	M/H	C/U/HS	PIC,2FL,2CL,BCL,2OB,2BSN,4HN,2TRPT,3TRB,TBA,PERC,TMP,EH,CBSN, STRINGS. TRADITIONAL WORK WITH A FINE SCORE AND VERY PLAYABLE. WILL PUSH A HS SCHOOL ENSEMBLE A BIT! LIKE A OVERTURE. SCORE FOR SALE, PARTS RENTAL.
BERWALD, FRANZ/STIG GUSTAFSON	REVUE-MARSCH	BAND	GEHRMANS	1982	4 MIN	E/M	HS	PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB, EUP,TBA,2PERC,SB. CONCERT MARCH, OPTIONAL SMALLER INSTRUMENTATION, EXCELLENT COMPOSER & ARRANGER.
BJORKLUND, PER	INTRODUCTION & FUGUE	BRASS SEXTET	LEMA	1983	6 MIN 30 SEC	M	C/U/HS	TWO PERCUSSIONISTS NEEDED. SOME CONTEMPORARY IDEAS IN A GOOD SCORE. MUTES & MALLETS.
BJORKLUND, PER	MINIATYR-SVIT	BAND	LEMA	1983	5 MIN	E/M	HS	FL,EbCL,3CL,ACL,BCL,OB,BSN,2AS,TS,BS,4HN,3COR,3TRB,EUP,2TBA,2PERC,SB. 1.PRELUDIUM 2. ROMANS 3. MARSCH, CAN BE PLAYED WITH LESS THAN FULL INSTRUMENTATION.
BJORKLUND, PER	SCHERZO	SAXOPHONE(ALTO) & WOODWIND QUINTET	LEMA	1982	6 MIN	M	C/U/HS	METER-MIXED METER. NOT A SAXOPHONE SOLO - A SEXTET!
BJORKLUND, RUNE	VISA FOR FYRA HORN	HORN QUARTET	EHRLING			E	C/U/HS	SONG WITH MODEST RANGE AND EASY.
BJORKLUND, STAFFAN	VID ALVASTRA KLOSTERRUIN	CELLO & STRING ORCHESTRA	SMIC	1992	12 MIN	H	C/U	RHYTHMICALLY STRAIGHT AHEAD, HOWEVER THERE WILL BE EAR CHALLENGES AS THE HARMONIES DO GET DENSE FROM TIME TO TIME, THUS THE ‘H’ LISTING ABOVE. IT IS REALLY EASIER THAN THAT EXCEPT FOR THE EXPECTATION OF HARMONY AND DISSONANCE.
BLOMBERG, ERIK	BLASKLANG II	BAND	SMIC	1982	5 MIN	E/M	C/U/HS	3FL,3CL,3OB,2BSN,3HN,3TRPT,3TRB,2TBA,CBSN.(TRPTS IN C). THIS ONE DOES PLAY! NOTE INSTRUMENTATION, SUGGEST ONE ON A PART.
BLOMBERG, ERIK	BLASKLANG III	BAND	SMIC	1982	5 MIN	M/H	C/U	3FL,3CL,3OB,2BSN,3HN,3TRPT,3TRB,2TBA,CBSN.(TRPTS IN C). NOTE THE INSTRUMENTATION, BEST PLAYED ONE ON A PART.
BLOMBERG, ERIK	OBSTINATO (1980)	ORCHESTRA	SUECIA	1981	7 MIN	M	C/U/HS	2FL,2CL,2OB,2BSN,2HN,2TRPT,2TRB,PERC,TMP,STRINGS. ONE MOVEMENT OF PLAYABLE WORK AND NEED FOR GOOD BASSOONISTS. SOFT OPENING, BIG MIDDLE, SOFT CLOSING. SCORE FOR SALE, PARTS RENTAL.
BLOMBERG, ERIK	RAPSODISK FORMSTUDIE	CLARINET & PIANO	SMIC	1985	6 MIN	M	C/U/HS	LOTS OF NOTES IN PLAYABLE RANGE. ONE MOVEMENT.
BLOMBERG, ERIK	STUDIE FOR ALTFIOL OCH STRAKORKESTER	VIOLA & STRING ORCHESTRA	SMIC	1996	7 MIN	M/H	C/U	MARGINAL MS. THIS IS VERY PLAYABLE MUSIC BY THE YOUNG ASPIRING VIOLIST OR THE ADULT PERFORMER LOOKING FOR SOMETHING NEW.
BLOMDAHL, KARL-BIRGER	TRIO FOR OBOE, KLARINETT OCH FAGOTT	WOODWIND TRIO	SMIC	1938	15 MIN	M/H	C/U/HS	FOUR MOVEMENTS WITH WORK FOR ALL. OBOE,CLARINET & BASSOON.
BLUM, THOMAS	CANZONA PASTORELLA	CELLO & PIANO	SMIC	1993	7 MIN	M/H	C/U	MARGINAL MS. BUT, THE WORK SHOULD BE PLAYED. THE PIANO PART HAS SOME DIFFICULTIES, SO GET A GOOD ACCOMPANIST. MUSIC FOLLOWS THE TITLE.
BLUM, THOMAS	FRAGMENT UR DEN VITTFARNES AVENTYR	BRASS QUINTET	SMIC	1993	8 MIN.	M/H	C/U	SCORE IS IN GOOD MS, UNFORTUNATELY,THE PARTS GET A LITTLE MESSY. HOWEVER, HAVING PLAYED HIS WORK WE CAN SAY IT IS WORTHWHILE. THE ENSEMBLE WILL ENJOY PLAYING THE PIECE. A NUMBER OF SHORT SECTIONS IN THE WORK.
BOLDEMANN, LACI	MED BLECK OCH MED TRA	BAND	SMIC	1969	5 MIN 30 SEC	M	C/U/HS	2FL,3CL,BCL,OB,BSN,2AS,TS,BS,3HN,2COR,3TRPT,3TRB,EUP,TBA,PERC,TMP,SB, SOLO CLARINET. WITH INCIDENTAL CLARINET SOLO, NICE SCORE, SAX PARTS ARE OPTIONAL.
BOLDEMANN, LACI	SINFONIETTA, OP 11	STRING ORCHESTRA	SMIC		EST 12 MIN	M/H	C/U	THREE MOVEMENTS THAT CAN STAND ALONE. WORK OUT FOR STRINGS. NO COMPLICATIONS. RENTAL ONLY.
BOLDEMANN, LACI	TRUMPETKONSERT, OP 25	TRUMPET & PIANO	SMIC	1968		M/H	C/U	THREE MOVEMENTS WITH MODEST RANGE AND A GOOD SCORE. RECITAL OR STUDY.
BOLZONI, GIOVANNI/STIG GUSTAFSON	MENUETT	WOODWIND ENSEMBLE	LEMA	1981	3 MIN 30 SEC	M	HS	2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,SB. FOR A BAND WOODWIND SECTION.
BORJESSON, LARS-OVE	L-OVE BLUES	STAGE BAND	SMIC	1975		M	C/U/HS	GOOD. ALWAYS NEED MORE BLUES.
BORTZ, DANIEL	FYRA BAGATELLER FOR STRAKAR	STRING ORCHESTRA	GEHRMANS	1985	11 MIN	H	C/U	FOUR MOVEMENTS PLUS A POSTLUDIUM, LOTS OF DIVISI AND CHALLENGE FOR THE C/U STRINGS WITH CONTEMPORARY SOUNDS.
BORTZ, DANIEL	PRELUDE FOR BRASS	BRASS ENSEMBLE	SMIC	1978	6 MIN 40 SEC	H	C/U	4TRPT,4HN,4TRB,TBA. CONTEMPORARY SOUNDS AND APPROACH (LATE '70'S) WITH A LITTLE IVES IN THE WORK. MANY SUSTAINED NOTES WITH HARSH STATEMENTS BY THE TRUMPETS AND HORNS.
BORTZ, DANIEL	SUMMER ELEGY FOR FLUTE AND STRINGS	FLUTE & STRING ORCHESTRA	GEHRMANS	1983	15 MIN	H	C/U	SOLID COMPOSER IN CONTEMPORARY STYLE, SOME NONTRADITIONAL WORK AND A BIG CHALLENGE. SCORE FOR SALE, PARTS RENTAL.
BORTZ, DANIEL	WINTER PIECES: 3	BRASS QUINTET	GEHRMANS	1983	12 MIN	H	C/U	RANGES MODEST, BUT RHYTHMICALLY VERY CHALLENGING. SOME OF IVES IN THIS WORK.
BROMAN, NATANAEL	MELODI	OBOE & PIANO	SMIC		2 1/2 - 3 MIN	M	C/U/HS	FLOWS, NOTHING HARD FOR OBOE BUT PIANIST MUST BE SKILLED!
BROMAN, STEN	STRING QUARTET NO 2, OP 20	STRING QUARTET	SUECIA	1933	EST 15 MIN	M/H	C/U	ONE MOVEMENT, 3/4 ALL THE WAY AND IT MOVES ALONG. NO SURPRISES, JUST STRAIGHT AHEAD.
BROSTROM, TOBIAS	BRIDGING THE WORLD	PERCUSSION ENSEMBLE	SMIC	2004	6 MIN		C/U/HS	THREE PLAYERS: MULTIPLE INSTRUMENTS EACH INCLUDING MARIMBA AND VIBRAPHONE. SOME MIXED METER, BUT GENERALLY STRAIGHT AHEAD AND VERY PLAYABLE BY C/U AND GOOD HS ENSEMBLES. CHECK THE SMIC CATALOG ON LINE FOR MORE ITEM BY THIS COMPOSER AS WELL AS KEYBOARD PERCUSSION PUBLICATIONS BY MARIMBA PUB. P.O.BOX 467, ASBURY PARK, NJ USA 07712 KPP@MOSTLYMARIMBA.COM. WEB SITE SAME AVAILABLE.
BROSTROM, TOBIAS	CRIMSON SKIES	ORCHESTRA	SMIC	2006	8 MIN	H	C/U	FL(PIC),OB,EbCL,CL(BCL),BSN,HN,TRB,CELESTA,PIANO,2PERC,STRINGS. NEED STRONG KEYBOARD AND PERCUSSION. ENDS VERY QUIETLY.
BUCHT, GUNNAR	BLAD FRAN MITT GULSIPPEANGE, NO 1	CLARINET & PIANO	SMIC	1985	12 MIN	M/H	C/U/HS	TWELVE SHORT MOVEMENTS WITH MUCH VARIETY. NOT ALL NEED TO BE PLAYED FOR SUCCESSFUL PERFORMANCE. SOME MOVEMENTS VERY CHALLENGING WHILE OTHERS QUITE ACCESSIBLE.
BUCHT, GUNNAR	MUSICA BOTHNIAE	BAND	SMIC	1983	10 MIN	M	C/U/HS	FL,3CL,BCL,OB,BSN,AS,TS,2HN,4TRPT,2TRB,EUP,TBA,PERC,TMP,SB. NOT HEAVILY SCORED - CHAMBER-LIKE. CONTEMPORARY SOUNDS, CHANGING METER IN A GOOD SCORE.
BUCHT, GUNNAR	STRANGASPEL (PLAY FOR STRINGS)	STRING ORCHESTRA	SUECIA	1965	4 MIN 40 SEC	H	C/U	GOOD SCORE WITH SOUND SURPRISES AND RHYTHMIC CHALLENGES. SCORE FOR SALE, PARTS RENTAL.
BYSTROM, BRITTA	PERSUASION	ORCHESTRA	SMIC	2004	7 MIN	H	C/U	PIC,FL,2OB,EbCL,CL,2BSN,2HN,PICTRPT,TRPT,2PERC,STRINGS. NOTE THE INSTRUMENTATION! PREMIERED BY A PROFESSIONAL ORCHESTRA BUT WE THINK POSSIBLE BY THE GOOD C/U GROUPS. SOME CHANGING METER, BUT FOR THE MOST PART, IT MOVES FORWARD LOGICALLY.
CARLID, GOTE	TRIAD	SAXOPHONE(ALTO) & PIANO	SUECIA	1985	CA 3 MIN	M	C/U/HS	A WELL SCORED WORK WITH SOME HIGH F'S. RECITAL OR CONTEST.
CARLSTEDT, JAN	INTRADA, OP 43	ORCHESTRA	SMIC	1985	EST 4+MIN	M/H	C/U/HS	PIC,FL,2CL,2OB,2BSN,2HN,2TRPT,2TRB,PERC,STRINGS. CONTEMPORARY STYLE WITH RHYTHMIC CHALLENGES. GOOD MUSICAL INTEREST. RENTAL ONLY.
CARLSTEDT, JAN	PENTASTOMOS, OP 27	WOODWIND QUINTET	SMIC			M/H	C/U	THREE MOVEMENTS THAT CAN STAND ALONE. WELL CRAFTED SCORE AND FUN FOR THE PLAYERS.
CRUSELL, BERNHARD (1775-1838)/GUNNAR JOHANSSON	ADAGIO OCH POLONAISE	BAND	LEMA	1985	8 MIN	M/H	C/U/HS	2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,COR,3TRPT,3TRB,EUP, 2TBA,PERC,TMP,SB.(OPT PIANO)SSAX. WELL SCORED AND PLAYABLE BY HIGH SCHOOL ENSEMBLES, BUT WORTHY OF PROFESSIONAL PERFORMANCE.
CRUSELL, BERNHARD/STIG RYBRANT	CONCERT TRIO	WOODWIND TRIO	BUSCH	1978	EST 6+MIN	M/H	C/U	SEVERAL SECTIONS ATTACCA. BASSOON CADENZA. GOOD SCORE AND WORK. HORN, CLAR, BSN.
CRUSELL, BERNHARD/STIG RYBRANT	THREE QUARTETS FOR FOUR HORNS	HORN QUARTET	BUSCH		12 MIN	M	C/U/HS	THREE PLAYABLE MOVEMENTS. INTERESTING FOR EACH PLAYER.
DAFGARD, JORGEN	SERPENT	BASSOON ALONE	SMIC	2001	4 MIN.	M/H	C/U	THREE CONNECTED SECTIONS IN TENOR AND BASS CLEF. MARKED RUBATO GIVING THE PLAYER OPPORTUNITIES TO MAKE THE MOST OF THE NOTES. CAN BE QUITE LYRICAL.
DAHL, VIKING	PASTORALE, OP 3:1	OBOE & PIANO	SMIC		2-3 MIN	M	C/U/HS	CONTEST OR RECITAL.
DAHL, VIKING	PASTORALE, OP 3:1	VIOLIN & PIANO	SMIC		2-3 MIN	M	C/U/HS	CONTEST OR RECITAL.
DAHLQUIST, LASSE/LASSE SAMUELSSON	LITE GRANN FRAN OVAN	STAGE BAND	EHRLING	1978		M	C/U/HS	POP-BOSSA, HIGH FIRST TRB. & TRPT FOR AN EASY CHART. CAN BE OPENED FOR SOLOS. SCORE IS MS AND NOT TOO CLEAR, BUT PARTS FINE.
DAHLQUIST, LASSE/MATS OLSSON	LILLE KLUMPEDUMP	STAGE BAND	EHRLING	1978		M	C/U/HS	MEDIUM BOUNCE, TRUMPET TO HIGH E, TRPT 2 SOLO, SCORE IN MS AND COULD BE CLEANER.
DANIELSSON, CHRISTER	CAPRICCIO DA CAMERA	TUBA & BRASS QUINTET	NORDISKA	1979	6 MIN 45 SEC	M/H	C/U	ONE MOVEMENT SOLO TUBA WITH BRASS QUINTET THAT IS QUITE PLAYABLE.
DANIELSSON, CHRISTER	CASCADE	BRASS QUINTET	SMIC	1986	7 MIN	M/H	C/U	IN MS, GOOD COMPOSER, PLAYABLE.
DANIELSSON, CHRISTER	CONCERTINO FOR TRPT,TRB,WIND ORCH. AND PERC.	BAND	GEHRMANS	1985	15 MIN 40 SEC	H	C/U	PIC,2FL,3CL,BCL,OB,BSN,2AS,TS,BS,2HN,2TRPT,2TRB,EUP,TBA,7PERC,SB. (SOLO TRPT & TRB). THREE MOVEMENTS. SOLOISTS MUST BE STRONG COLLEGE OR BETTER. GOOD SCORE PLAYABLE BY C/U GROUP. SCORE FOR SALE, PARTS RENTAL.
DANIELSSON, CHRISTER	ECHO OF BUGLES	BRASS QUINTET	GEHRMANS	1980	9 MIN	M	C/U	BASED ON BUGLE CALLS OF THE SWEDISH ARMED SERVICES.
DANIELSSON, CHRISTER	FESTIVO FOR BRASS ENSEMBLE AND PERCUSSION	BRASS ENSEMBLE	GEHRMANS	1981	3 MIN	M	C/U	4TRPT,2HN,2TRB,2TBA,2PERC.A FANFARE, TRUMPET 1 TO C AND MUST BE A SOLID PLAYER.
DANIELSSON, CHRISTER	FOUR FANFARES	WOODWIND QUINTET	GEHRMANS	1978	3 MIN 30 SEC	E	C/U/HS	SHORT, PLAYABLE, USEFUL.
DANIELSSON, CHRISTER	FYRA FOLKVISOR	BRASS ENSEMBLE	GEHRMANS	1978		E	C/U/HS	2TRPT,HN,2TRB,TUBA. FOUR SHORT TUNES THAT ARE VERY PLAYABLE.
DANIELSSON, CHRISTER	INTRADA	BAND	GEHRMANS	1988	2 MIN	M	C/U/HS	FL,3CL,OB,BSN,AS,TS,3TRPT,2HN,3TRB,EUP,TBA,4PERC,TMP,SB. FANFARE OR CONCERT OPENER.
DANIELSSON, CHRISTER	KONSERTANT SVIT	BRASS QUINTET	GEHRMANS	1977	14 MIN	M/U	C/U	PROMINENT COMPOSER OF BRASS MUSIC, WHO ALWAYS DESERVES A LOOK.
DANIELSSON, CHRISTER	LITEN SVIT	TROMBONE QUARTET	EHRLING	1972	EST 7-8 MIN	M	C/U/HS	THREE MOVEMENTS: MODERATO, LENTO & SCHERZO. M2 IN Gb AND M3 IN 5/4. SOLID MATERIAL.
DANIELSSON, CHRISTER	SEGNALE SOLENNE	BRASS ENSEMBLE	GEHRMANS	1987	1 MIN 15 SEC	E	C/U/HS	2TRPT,2HN,3TRB,TUBA. PARTS ARE MADE FOR LYRES. SLOW TEMPO.
DANIELSSON, CHRISTER	SUITE NO.3 FOR BRASS & PERCUSSION	BRASS & PERCUSSION	GEHRMANS	1984	11 MIN 30 SEC	M	C/U	4TRPT,4HN,4TRB,2TBA,3PERC. ,3 MOVEMENTS, TRADITIONAL SOUNDS AND APPROACH.
DANIELSSON, CHRISTER	TWO FANFARES	BRASS ENSEMBLE	GEHRMANS	1985	1 MIN	M	C/U	4TRPT,4TRB,TBA,TIMP, PERC, ALTERNATE PARTS PROVIDED. VERY PLAYABLE.
DEAK, CSABA	AD NORDIAM HUNGARICA	ORCHESTRA	SMIC	1991	12 MIN	H	C/U	FL(AFL),OB(EH),CL(BCL),BSN,HN,PIANO,STRINGS. IN BEAUTIFUL MS. DEAK MAKES THE HARD POSSIBLE BY CREATING A VERY CLEAN SCORE WITH APPROPRIATE INSTRUCTIONS. ACQUAINT THE ORCHESTRA WITH THIS FINE COMPOSER.
DEAK, CSABA	ANDANTE & RONDO	WOODWIND QUINTET	REUTER & REUTER	1975	6 MIN	M/H	C/U	WELL CRAFTED WORK FROM EXCELLENT WIND MUSIC COMPOSER.
DEAK, CSABA	ANEMONES DE FELIX	BAND	SMIC	1993	12 MIN	H	C/U	3FL(PIC),OB,BSN,3CL,BCL,AS,TS,BS,4TRPT,3HN,3TRB,EUP,TBA,3PERC. MUSICAL SURPRISES, BUT ALWAYS MUSICAL - THAT IS DEAK. THE WORK WILL TAKE A LOT OF SCORE STUDY BY THE CONDUCTOR AND PRACTICE BY THE PLAYERS TO MAKE WORK. PRODUCT WILL BE WORTHWHILE! KNOW DEAK!
DEAK, CSABA	CONCERTO FOR CLARINET & WIND ORCHESTRA	CLARINET & BAND	SMIC	1992	18 MIN	H	C/U	3FL(1 DBL PIC, 3 DBL ALTO FL) 3 OB (3DBL ENG HN),1 EbCL,3CL,BCL,BbCONTRA CL,3BSN (3 CONTRA),AS,TS,BARS.3TRPT,3HN,3TRB,EUP,2TBA,STRBS,PIANO,HARP,TIMP,3PERC. USUAL THREE MOVEMENTS, BUT NOTHING USUAL ABOUT THIS COMPOSER OR THIS WORK. FOR THOSE WHO MUST HAVE A CHALLENGE FROM A COMPOSER WHO ENJOYS MAKING IT FOR YOU. A MAJOR WORK!
DEAK, CSABA	CONCERTO MAEUTRO (FOR MARIMBA,EUPHONIUM & TRUMPET)	BAND	SMIC	1989	EST 12+MIN	M/H	C/U/HS	3FL,3CL,BCL,OB,BSN,AS,TS,BS,2HN,3TRPT,3TRB,EUP,TBA,2PERC,TMP,SB. THREE MOVEMENTS CONCERTO GROSSO STYLE. TRUMPET, EUPHONIUM AND MARIMBA SOLOISTS. CONTEMPORARY SOUNDS. ALWAYS A FEW SURPRISES WITH DEAK. SOLOIST MUST BE HIGH CALIBER.
DEAK, CSABA	EDEN	BAND	GEHRMANS	1981	8 MIN	H	C/U	PIC,2FL,EbCL,3CL,BCL,OB,BSN,AS,TS,BS,3COR,3TRPT,3TRB,EUP,TBA, 2PERC,TMP,SB. MIXED METER, NONTRADITIONAL NOTATION, WELL SCORED TO MAKE IT PLAYABLE. FINE COMPOSER.
DEAK, CSABA	FIVE SHORT PIECES	BAND	GEHRMANS	1983	10 MIN	H	C/U/HS	PIC,2FL,3CL,BCL,OB,BSN,2AS,TS,BS,2HN,4TRPT,3TRB,EUP,TBA,PERC,TMP, SB. AN EXCELLENT SCORE. NONTRADITIONAL NOTATION IN MOVEMENTS 2, 4, & 5, WITH GOOD EXPLANATIONS. VERY PLAYABLE WORK.
DEAK, CSABA	FUVOLA	FLUTE ALONE	SMIC	2000	6 MIN.	H	C/U	FIRST RATE COMPOSER USING ADVANCED TECHNIQUES AND ALWAYS WORTH THE EFFORT.
DEAK, CSABA	GUSTADOLPHONY	BAND	SMIC	1989	10 MIN	M/H	C/U/HS	PIC,3FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,6HN,6TRPT,6TRB,EUP,2TBA, 5PERC,TMP,SB. SOME NONTRADITIONAL TECHNIQUES IN A PLAYABLE AND ENJOYABLE WORK BY A FINE COMPOSER.
DEAK, CSABA	HERYKON	BRASS QUINTET	SMIC	1981	9 MIN	H	HS/JHS	SOME NONTRADITIONAL MATERIAL, EASY TO UNDERSTAND. CHANGING METER. MUSIC THAT IS FUN FOR PLAYERS AND THE AUDIENCE.
DEAK, CSABA	I 21	BAND	GEHRMANS	1969	10 MIN	H	C/U	PIC,FL,EbCL,3CL,OB,BSN,AS,TS,BS,HN,TRPT,TRB,TBA,3PERC,SB,BASS GUITAR. NONTRADITIONAL NOTATION, LAID OUT VERY WELL. NOTE INSTRUMENTATION. SCORE FOR SALE, PARTS RENTAL.
DEAK, CSABA	MAGIE NOIRE	CLARINET & STRING QUARTET	SMIC	1993	17 MIN	H	C/U	THIS MAY BE FOR THE GOOD GRADUATE CLARINET PLAYER AND STRING QUARTET OR PROFESSIONALS. MUCH INTRICATE MATERIAL. DEAK DEMANDS THAT THE PLAYERS KNOW WHAT THEY ARE DOING, BUT IF THAT ATTENTION IS PAID, REWARDS ARE ABUNDANT.
DEAK, CSABA	MAYINKA	ORCHESTRA	SMIC	1999	14 MIN	H	C/U	3FL(PIC),OB,EH,2CL,BCL,2BSN(CBSN),4HN,3TRPT(PIC),3TRB,TBA,PIANO,4PERC,STRINGS. A BEAUTIFUL MS! ALWAYS INTERESTING, ALWAYS CHALLENGING -- KNOW THIS COMPOSER!
DEAK, CSABA	SAX APPEAL	SAXOPHONE QUARTET	SMIC	1999	EST 8 MIN	H	C/U	SS,AS,TS,BS. COMPOSER WRITES - WE PAY ATTENTION. THE MUSIC IS HARD, MAYBE TOO DIFFICULT FOR MOST C/U STUDENT GROUPS, BUT GET ACQUAINTED WITH THE WORK AND THIS COMPOSER. HE STRUCTURES DIFFICULT PASSAGES SO THAT WITH SOME ATTENTION THEY BECOME PLAYABLE.
DEAK, CSABA	SYMPHONY NO. 2	BAND	SMIC	2001	18 MIN	H	C/U	3FL(DL PIC,AFL),OB,EH,2BSN,EbCL,3CL,BCL,CBCL,SS,AS,TS,BS,4TRPT,4HN,3TRB,EUP,2TBA,STBS,4PERC. LIKE ONE MOVEMENT WITH SECTIONS OF CONTRASTING MATERIAL. PAY ATTENTION TO THIS COMPOSER! THE MUSIC IS HARD, BUT LOGICAL. MUSIC OF TODAY! BE SURE TO LOOK AT OTHER THINGS IN THE SMIC CATALOG BY DEAK.
DEAK, CSABA	THE PIPER'S WEDDING	WOODWIND QUINTET & BAND	SMIC	1979	12 MIN	M/H	C/U/HS	PIC,2FL,3CL,BCL,OB,BSN,AS,TS,BS,3HN,3TRPT,3TRB,EUP,TBA,2PERC,TMP, WOODWIND QUINTET. A GOOD PLAYABLE SCORE, WW QT MUST BE VERY COMPETENT, FINE COMPOSER-GOOD WORK.
DEAK, CSABA	UNGERSKA DANSER	WOODWIND QUINTET	SMIC	1977		M/H	C/U	FINE COMPOSER AND A PLAYABLE PIECE.
DEAK, CSABA	VERBUNK	BRASS SEXTET	SUECIA	1976	8 MIN	M	C/U	2TRPTS IN C,HN,2TRB,TBA. WELL DEVELOPED SCORE. GOOD USE OF METRIC CHANGES. NEEDS RHYTHMIC SECURITY.
DEAK, CSABA	VIVAX	ORCHESTRA	GEHRMANS	1985	20 MIN	H	C/U	PIC,2FL,2CL,BCL,2OB,2BSN,2HN,2TRB,TBA,2PERC,EH,STRINGS. NEED AT LEAST 12 VIOLINS. ONE MOVEMENT CHALLENGE BY A COMPOSER WHO STRETCHES AND PLEASES PERFORMERS AND LISTENERS. SCORE FOR SALE,PARTS RENTAL.
DEGEN, JOHANNES D	CANZONE DEVOTA	SAXOPHONE QUARTET	SMIC	1981	4 MIN 10 SEC	E/M	C/U/HS	TONAL WITH DEVOTION. SLOW.
DEGEN, JOHANNES D	DAGEN SOM GATT, OP 69	FLUTE(ALTO) & ORGAN	SMIC	1986	9 MIN	M	C/U	ONE MOVEMENT IN SLOW TEMPO. WORTH LOOKING AT!
DEGEN, JOHANNES D	DIVERTIMENTI, OP 73	WOODWIND QUINTET	SMIC	1988		M/H	C/U	THREE MOVEMENTS: MARSCH 2. DOLOROSO 3. WALZER. CLEAN SCORE AND PLAYABLE. SCORE FOR SALE, NO PARTS!
DIMITRAKOPOULOS, APOSTOLOS	DIVERTIMENTO	STRING ORCHESTRA	SMIC	1988/94	9 MIN	H	C/U	IN CONCERTO GROSSO FORM WITH A VIOLIN, VIOLA AND CELLO AS ONE GROUP AND THE STRING ORCHESTRA AS THE OTHER. ALL JOIN FORCES ON THE LAST SEGMENT.
DIMITRAKOPOULOS, APOSTOLOS	VOID	BAND	SMIC	1985	6 MIN	M/H	C/U/HS	PIC,FL,EbCL,BCL,OB,2BSN,4HN,4TRPT,2TRB,2TBA,4PERC,TMP,SB,ALTO FLUTE,EH. NOTICE - NO CLARINETS! A GOOD SCORE THAT SHOULD BE ENJOYABLE FOR PLAYER & LISTENER.
DMITRIEV, SERGEI	INTRADA	SAXOPHONE QUARTET	SUECIA	1993	2 MIN	M/H	C/U/HS	2SS,TS,BS. NOTE THE INSTRUMENTATION. HAS A NICE BUILD OF INTENSITY THROUGH SOME MIXED METER AND OTHER RHYTHMIC CHALLENGES.
DMITRIEV, SERGEI	SALVOES	SAXOPHONE QUARTET	SMIC	2000	5 MIN	M/H	C/U	SS,SA,TS,BS. EASIER THAN SOME OTHERS, BUT STILL DEMANDING. METER CHANGES, SOME RANGE CHALLENGES AND MANY NOTES TO HAVE FUN WITH. THE GOOD C/U GROUP CAN PLAY THIS ONE.
ECKERBERG, SIXTEN	PROMENAD	BAND	SMIC	1972		E/M	C/U/HS	2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,2TS,4HN,3COR,2TRPT,3TRB,EUP,TBA, PERC,TMP,SB. THREE MOVEMENTS NOT HEAVILY SCORED. THIN PERCUSSION.
EDEN, MATS	KRAFTHALLING	VIOLIN & ORCHESTRA	SMIC	1989/2005	20 MIN	M	C/U	FL,OB,CL,BSN,HN,TRPT,TRB,PERC,STRINGS. SOME IMPROV FOR THE VIOLIN SOL0IST. FOLK-LIKE WITH A LITTLE SWING. FUN!
EDLUND, LARS	SONATA FOR FLUTE AND PIANO	FLUTE & PIANO	NORDISKA	1986	13 MIN 5 SEC	H	C/U	GOOD SCORE AND PLAYABLE BUT YOU WILL WORK!
EDLUND, SWANTE	CANZONETTA, OP 16	FLUTE & PIANO	SMIC	1989		E/M	C/U/HS	A SHORT PIECE FOR CONTEST OR RECITAL. NO PERFORMANCE PROBLEMS.
EDLUND, SWANTE	CAVATINA, OPUS 48	VIOLA & PIANO	SMIC	1999	5 MIN	M	C/U	A LONG MIDDLE SECTION IN 7/4 AND A LOT OF ATTENTION TO THE UPPER REGISTER. THERE WOULD HAVE TO BE SOME THOUGHT GIVEN TO INTERPRETATION. MORE HELP COULD HAVE BEEN PROVIDED BY THE COMPOSER.
EDLUND, SWANTE	ELEGIE, OP 31	VIOLIN & STRING ORCHESTRA	SMIC	1992	8 MIN	M/H	C/U/HS	THE VIOLINIST SINGS AND THE ORCHESTRA ACCOMPANIES. LOTS OF DIVISI IN THE ORCHESTRA PARTS. SCORE AND PARTS IN DECENT MS.
EDLUND, SWANTE	MESTO	BASSOON & STRING ORCHESTRA	SMIC	1983	10 MIN	M	C/U	ONE MOVEMENT WITH FREQUENT CHANGES OF TEMPO. LAYS WELL FOR THE INSTRUMENT. FOR RENT ONLY.
EHRLING, THORE & OTHERS/LASSE SJOSTEN	REGNTUNGA SKYAR	STAGE BAND	EHRLING	1978		E	C/U/HS	BALLAD. GOOD PIECE, SCORE IS IN FAINT MS, BUT PARTS GOOD. TENOR SOLO.
EK, HANS	FIVE STUDIES	TUBA AND TIMPANI	SMIC	1997/99	7 MN	H	C/U	5 TIMPANI AND TWO WOOD BLOCKS FOR THE PERCUSSION. TO HIGH G FOR THE TUBA AND A COMPLETE LOW REGISTER REQUIRED. HARD , BUT VERY PLAYABLE BY THE ASTUTE UNDERGRAD STUDENTS WHO WANT SOMETHING SPECIAL FOR THE SENIOR RECITAL. INTERESTING MATERIAL.
EKLUND, HANS	4 PEZZI BREVI	CLARINET ALONE	SUECIA	1968		M	C/U	FOUR SHORT MOVEMENTS. NOTES NOT DIFFICULT, BUT MATURE SOUND AND MUSICIANSHIP REQUIRED.
EKLUND, HANS	5 PEZZI PER CLARINETTO SOLO	CLARINET ALONE	SMIC	1988	8 MIN	M	C/U/HS	FIVE MOVEMENTS OF INTERESTING MATERIAL FOR RECITAL, CONTEST OR STUDIO. MOVEMENTS CAN STAND ALONE.
EKLUND, HANS	KONSERT FOR TROMBONE	TROMBONE & BAND	SUECIA	1982	12 MIN	H	C/U	FL,EbCL,3CL,BCL,OB,BSN,2HN,3TRPT,3TRB,TBA,PERC,TMP,SB. THREE MOVEMENTS PLAYABLE BY THE EXCELLENT COLLEGE STUDENT. BAND ACCOMPANIMENT IS HARD BUT PLAYABLE. NOTE THE INSTRUMENTATION.
EKLUND, HANS	L'ESTATE FOR STRING ORCHESTRA	STRING ORCHESTRA	GEHRMANS	1987	EST 10 MIN	H	C/U	COMPOSED FOR THE ÖREBRO CHAMBER ORCHESTRA. ONE MOVEMENT WITH SEVERAL TIME CHANGES. MANY NOTES.
EKLUND, HANS	LITEN SERENAD FOR BLASORKESTER	BAND	SMIC	1974	15 MIN	M	C/U/HS	PIC,2FL,EbCL,3CL,ACL,BCL,OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB, EUP,TBA,3PERC,TMP,SB. 3 MOVEMENTS, A WELL RESPECTED COMPOSER.
EKLUND, HANS	MUSICA DA CAMERA VI	OBOE & PIANO	BUSCH	1972	15 MIN	H	C/U	RECITAL OR CONCERT. ORCHESTRA PARTS AVAILABLE. THREE MOVEMENTS OF A FINE CHALLENGE.
EKLUND, HANS	MUSICA DA CAMERA VII	CLARINET & STRING ORCHESTRA	SMIC	1982	EST 10 MIN	M/H	C/U/HS	THREE MOVEMENTS(FSF), ACCESSIBLE MUSIC. SOLOIST CAN BE A GOOD C/U/HS STUDENT. A HIGHLY RECOMMENDED WORK.
EKLUND, HANS	MUSICA DA CAMERA, OP 10	TRUMPET & STRING ORCHESTRA	SUECIA	1963	EST 10-12 MIN	M/H	C/U	THREE MOVEMENTS. TRUMPET PLAYS LIKE A MEMBER OF THE ORCHESTRA. ALSO NEEDS PIANO, TIMPANI AND PERCUSSION.
EKLUND, HANS	SERENATA PER CINQUE	BRASS QUINTET	SMIC	1979	EST 9-10 MIN	M	C/U	FOUR MOVEMENTS OF STRAIGHT AHEAD MATERIAL. GOOD SCORE.
EKLUND, HANS	VARIAZIONI BREVI	STRING ORCHESTRA	SMIC	1962	EST 12 MIN	M/H	C/U/HS	THEME & 7 VARIATIONS - NOT ALL VARIATIONS HAVE TO BE PLAYED. MANY NOTES, BUT STRAIGHT AHEAD FROM A HIGHLY RESPECTED SWEDISH COMPOSER. RENTAL ONLY.
EKSTROM, LARS	DEN ACCELERERANDE ISBITEN	OBOE ALONE	SMIC	1988	8 MIN	H	C/U	A CHALLENGING AND BEAUTIFULLY SCORED WORK.
EKSTROM, LARS	THE WALL	CLARINET ALONE	SMIC	1989	10 MIN	H	C/U	CHALLENGING, LONG, ONE MOVEMENT.
EKSTROM, LARS	THERE ARE PEOPLE WHO...	FLUTE ALONE	SMIC	1989		M/H	C/U	NO PERFORMANCE SURPRISES.
ELIASSON, ANDERS	IN MEDIAS	VIOLIN ALONE	WARNER/CHAPPELL	1994	4 MIN 30 SEC	H	C/U	A NICE CHALLENGE FOR THE UPPER LEVEL STUDENT. NO SPECIAL PROBLEMS, JUST NEED A THOROUGH KNOWLEDGE OF THE INSTRUMENT.
ELIASSON, ANDERS	OSTACOLI	STRING ORCHESTRA	SMIC		15 MIN	H+	C/U	FITS TOGETHER NICELY, A BIG CHALLENGE FOR C/U ENSEMBLE. RENTAL ONLY.
ENGSTROM, TORBJORN	COL MARE PER ORCHESTRA D’ARCHI	STRING ORCHESTRA	SMIC	1998	19 MIN	M/H	C/U	MOVEMENTS: PRELUDIO, CANTO, UNIVERSO, O NOTTE, MATTINA. WE LIKE THE WAY HE USES THE GLISSANDO EFFECT TO CATCH THE EAR. THERE IS SOME DIVISI. A BEAUTIFUL SCORE! NEED MORE FROM THIS COMPOSER!
ENGSTROM, TORBJORN	CONCERTINO FOR CELLO OCH STRAKORKESTER	CELLO & STRING ORCHESTRA	SMIC	1992	11 MIN	H	C/U	CONTEMPORARY HARMONIES FOR ALL. SOLO PART MUCH HARDER THAN THE STRING ACCOMPANIMENT PARTS, BUT ALL MUST PAY ATTENTION TO TENSION BUILDING NOTES AND HARMONIES. ENGSTROM ALSO HAS A CELLO CONCERTO (CELLOKONSERT) YOU MAY WANT TO LOOK AT.
ENGSTROM, TORBJORN	CRISS FOR TWO PERCUSSIONISTS	PERCUSSION ENSEMBLE	SMIC	1995	6 MIN	M/H	C/U	TWO MULTIPLE PERCUSSIONISTS (NO TUNED INSTRUMENTS) WITH A WELL LAID OUT SCORE MAKING THIS VERY PLAYABLE.
ENGSTROM, TORBJORN	KORALFANTASI	CELLO & STRING ORCHESTRA	SMIC	1995	4 MIN	M	C/U/HS	WELL LAID OUT SCORE THAT DOES NOT COMPETE WITH THE SOLOIST. A SLOW TEMPO ALLOWING THE SOLOIST WORKING IN BASS AND TENOR CLEF TO CONCENTRATE ON THE MUSICAL ASPECTS OF THE COMPOSITION.
ENGSTROM, TORBJORN	MUSIK FOR BLASORKESTER	WIND ENSEMBLE	SMIC	1985	6 MIN 30 SEC	H	C/U	2FL,2CL,2BCL,2OB,2BSN,2HN,2TRPT,2TRB,ALTO FLUTE. BEST PLAYED ONE ON A PART, USE OF 1/4 TONES, PITCH FLUCTUATIONS.
ENGSTROM, TORBJORN	ORKESTERSVIT	ORCHESTRA	SMIC	1996	10 MIN	M	C/U/HS	2FL,2OB,2CL,2BSN,2HN,2TRB,STRINGS. MOVEMENTS: PRELUDIO, SCHERZO,VALS. ALL VERY PLAYABLE IN A WELL CONSTRUCTED SCORE. [SEE ALSO HIS EARLIER WORK(1990) TITLED, ‘SYMPOSION’ FOR SLIGHTLY LARGE ORCHESTRA WITH SCORE IN MS].
ENGSTROM, TORBJORN	SONAT FOR CELLO OCH PIANO	CELLO & PIANO	SMIC	1996	7 MIN 30 SEC	M/H	C/U	MOVEMENTS: INQUIETO, VOCALISE, FEROCE, LENTO. NEEDING NEAR PROFESSIONAL STANDING TO PLAY THIS WELL. BASS AND TENOR CLEF, PLAY THE FULL RANGE OF THE INSTRUMENT AND OTHER CHALLENGES. BUT, THERE IS MUSIC HERE.
ENGSTROM, TORBJORN	SULING - SUNYI	FLUTE(ALTO) ALONE	SMIC	1987	4 MIN 30 SEC	M	C/U	GOOD TO ADD SPICE TO A FLUTE RECITAL. NO PERFORMANCE PROBLEMS.
ENGSTROM, TORBJORN	TEMAN MED VARIATIONER	ORCHESTRA	SMIC	1999/2000	11 MIN	M/H	C/U/HS	FL,AFL,OB,EH,CL,BCL,2BSN,2HN,2TRPT,3TRB,TBA,TIMP,STRINGS. ANOTHER FINE SCORE FROM THIS COMPOSER. WATCH OUT FOR THE ALTO FLUTE- IT IS IMPORTANT. SOME CHANGING AND MIXED METER, BUT ALL WILL PLAY.
ENGSTROM, TORBJORN	TRIQUETRA	VIOLIN & ORCHESTRA	SMIC	1995	10 MIN	M/H	C/U	FL,OB,CL,BSN,HN,TRPT,TRB,STRINGS. NOTE THE CHAMBER SIZE ORCHESTRA. SOLO PART IS MAINLY SINGING, NOT TECHNICAL. SOME OF THE ORCHESTRA INSTRUMENTS HAVE A FEW TRICKY PASSAGES TO WORK OUT. GOOD C/U MATERIAL
ENGSTROM, TORBJORN	VIOLAKONSERT	VIOLA & STRING ORCHESTRA	SMIC	1991	17 MIN	H	C/U	BEAUTIFUL MS! PLAYS AS ONE MOVEMENT. SOME MIXED METER, BUT WILL PLAY FOR THE UNDERGRAD, GRAD STUDENT OR PROFESSIONAL VIOLIST.
ENGSTROM, TORBJORN	WITH HEAD TO THE MUSIC BENT	CLARINET ALONE	SMIC	1985	7 MIN	E/M	C/U/HS	NOTES ARE EASY BUT MAKING MUSIC WITH THE NOTES WILL BE MORE DIFFICULT.
ERICSON, BOBBIE/GOSTA MORBERG	UTSKARGARD	BAND	INTERSONG	1978	EST 5 MIN	E	HS/JHS	2FL,3CL,ACL,BCL,OB,2BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA,2PERC, TMP,SB.(EH OPT) NO TEMPO MARKINGS. ON GREEN PAPER! 3/4 IN F, NO PROBLEMS.
ERICSON,BOBBIE/GOSTA MORBERG	FRAGA MEJ INTE VARFOR(DO NOT ASK ME WHY)	BAND	INTERSONG	1978		E	HS/JHS	2FL,3CL,ACL,BCL,OB,BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA,PERC,TMP,SB.(EH OPT) GOOD WORK. ONE SHORT CHALLENGE FOR FLUTES, 3/4 IN F-Bb-F & ON GREEN PAPER!
ERIKSON, AKE	STRAIGHT OUT	BRASS QUINTET	SMIC	1987	8 MIN	M	C/U	STRAIGHT AHEAD AND PLAYABLE! MUTES, NO SURPRISES. A GOOD LOOKING WORK. SCORE FOR SALE, NO PARTS.
ERIKSSON, MAS-HARRY	JUBILEE - 86 (MARCH)	BAND	LEMA	1986	3 MIN	E/M	HS/JHS	SMALL BAND SETTING. MARCH SIZE. STANDARD INSTRUMENTATION.
ERIKSSON, MAS-HARRY	MOCHELMS BODAR GANGLAT	BAND	LEMA	1986	3 MIN	E	HS/JHS	PLAYABLE BY SMALLER BANDS, NICE SCORE FOR HS CONCERTS. STANDARD INSTRUMENTATION.
ERIXSON, PER-ANDERS	TRE MINIATYRER FöR KLARINETT SOLO, OP 4	CLARINET ALONE	SMIC	1964	7 MIN	H	C/U	THREE MOVEMENTS, DIFFICULT, BUT PLAYABLE.
EYSER, EBERHARD	BURLONI	BAND	SMIC	1985	7 MIN	M	C/U/HS	2FL,3CL,BCL,2OB,2BSN,2AS,TS,BS,3HN,3TRPT,3TRB,EUP,TBA,PERC,SSAX. ONE MOVEMENT, 3 SECTIONS(F-S-F), FINE COMPOSER, MANUSCRIPT MAY BE A LITTLE PROBLEM.
EYSER, EBERHARD	CIRCUITS MAGIGUES	FLUTE & HARP	SMIC	1987		H	C/U	THREE MOVEMENTS FROM A FINE COMPOSER AND WORTH THE EFFORT.
EYSER, EBERHARD	CLOWNERNAS UPPTAG CIRKUS-UVERTYR	WIND ENSEMBLE	SMIC		5 MIN	M/H	C/U	PIC,FL,EbCL,2CL,OB,2BSN,AS,HN,2TRPT,TBA,PERC,SB. BEST ONE ON A PART - NOTE THE INSTRUMENTATION. ENJOYABLE MUSIC FROM A FINE COMPOSER.
EYSER, EBERHARD	COLLOQIUM	SAXOPHONE(TENOR) & PIANO	SMIC	1987	4 MIN	M	C/U	RHYTHMICALLY CHALLENGING, NO BAR LINES. PLAYABLE FROM A FINE COMPOSER. ALTO OR TENOR SAX.
EYSER, EBERHARD	COLLOQUIUM	SAXOPHONE(ALTO) & PIANO	SMIC	1987	4 MIN	M	C/U	RHYTHMICALLY CHALLENGING, NO BAR LINES. ALTO OR TENOR SAX.
EYSER, EBERHARD	DUO 2.D	SAXOPHONE DUET	SMIC	1988	10 MIN	M/H	C/U	ALTO & TENOR SAX. ONE MOVEMENT WITH SOME SURPRISES AND UNUSUAL METER PROBLEMS. WORTHWHILE FROM A GOOD COMPOSER.
EYSER, EBERHARD	LAREST	BAND	SMIC	1985	10 MIN	H	C/U/HS	PIC,2FL,EbCL,3CL IN Bb,CL IN A,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,3TRPT,3TRB,EUP,TBA,4PERC,TMP,SB.AN EXCELLENT SCORE THAT MAKES MUSIC! GOOD MATERIAL!
EYSER, EBERHARD	LITEN SVIT FOR BLASARE	WOODWIND ENSEMBLE	SMIC	1978	10 MIN	M	C/U/HS	2CL,ALCL,BCL,SS,CBCL,HORN(BASSET HORN). THREE MOVEMENTS: MARSCH, ANDANTE & WALTZ. EYSER'S MUSIC HAS A SENSE OF HUMOR.
EYSER, EBERHARD	MACBETH CONCERT OUVERTURE	BAND	SMIC	1982	12 MIN	H	C/U	PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,3HN,2COR,3TRPT,3TRB,2TBA, 3PERC,TMP,SB,2 FLUEGELHORNS. FINE WORK FROM A GOOD COMPOSER.
EYSER, EBERHARD	MISCELLANEAS	BRASS QUINTET	SMIC	1980	8 MIN 45 SEC	M	C/U/HS	FOUR MOVEMENTS OF FUN AND PLAYABLE MATERIAL.
EYSER, EBERHARD	SAXOPHONE QUARTET 2	SAXOPHONE QUARTET	SMIC	1986	15 MIN	H	C/U	SATB. TWO MOVEMENTS OF WORTHY MUSIC FROM A FINE COMPOSER. CHALLENGING.
EYSER, EBERHARD	SAXOPHONE QUARTET 3.(BAGATELLES)	SAXOPHONE QUARTET	SMIC	1987	11 MIN 30 SEC	M/H	C/U	S.A.T.B FOUR MOVEMENTS OF CHALLENGING BUT PLAYABLE MUSIC.
EYSER, EBERHARD	SAXOPHONE QUARTET 4 (DELICIAE SCANIENSES)	SAXOPHONE QUARTET	SMIC	1987	14 MIN	M/H	C/U	S.A.T.B SEVEN MOVEMENTS OF STRAIGHT AHEAD MATERIAL. GOOD INTRODUCTION TO A FINE COMPOSER.
EYSER, EBERHARD	SAXOPHONE QUARTET 5.(DIVERTIMENTO)	SAXOPHONE QUARTET	SMIC	1989	17 MIN	M/H	C/U	S.A.T.B SIX MOVEMENTS OF PLAYABLE MUSIC FROM A GOOD COMPOSER. 1.VIGNETTA VENEZIANA 2.BALLATA 3.FUGHETTA 4.SERENADE 5.THE BARD 6.ANTHEM
EYSER, EBERHARD	TOWER MUSIC	BRASS QUARTET	SMIC	1986	1 MIN	E	C/U/HS	2TRPT,2TRB OR 2 HN,2TRB. EASY AND IT WORKS. FLEXIBLE.
EYSER, EBERHARD	TRAGEN VINNER	BAND	SUECIA	1976	7 MIN	M/H	C/U/HS	2FL,2CL,BCL,2OB,2BSN,SSAX,3HN,3TRPT,3TRB,TBA,PERC,SB. FLUTE CADENZA IN SHORT INTERLUDE, MUSIC WITH A SENSE OF HUMOR, FINE COMPOSER, UNUSUAL INSTRUMENTATION.
EYSER, EBERHARD	VARIATIONER OVER ETT TEMA AV BELA BARTOK	WIND ENSEMBLE	SMIC	1974	10 MIN	H	C/U	FL,OB,3CL,BSN,HN,2 TRPT,TBA IN F. FINE COMPOSER, GOOD SCORE AND AVANT-GARDE.
FAHLMAN, FREDRIK	HORISONT	EUPHONIUM & PIANO	SMIC	1999	7 MIN	H	C/U	ESOTERIC. IN 4/8 WITH A SLOW TEMPO. FOR THE EUPHONIUM PLAYER WHO WANTS SOMETHING DIFFERENT AND A PIANIST WHO CAN COUNT AND IS WILLING TO WORK THINGS OUT!
FAHLSTROM, ORJAN	BALKAN BLUES	WIND ENSEMBLE	SMIC	1992	ET 7 MIN	M	C/U	2FL,OB,BSN,3CL,BCL,AS,TS,3TRPT,3HN,3TRB,EUP,TBA,STBS,2ERC. ORIGINALLY FOR MUSCIAL, ‘BERGETS HJARTA’ . RE-ORCHESTRATED FOR BAND IN 2001. NOT LOW DOWN BLUES - IT IS THE CONCERT VARIETY AS KNOWN IN THE BALKANS! (QUARTER NOTE = 190!) HANG ON! WILL LIKE THIS COMPOSER!
FAHLSTROM, ORJAN	BRASS-FEST	BRASS ENSEMBLE	SMIC	1980	27 MIN	H	C/U	3TRPT,3TRBN,HN,TUBA,ELECTRIC PIANO,PERC. FOUR MOVEMENTS. A MAJOR, WORK WITH RHYTHMIC INTEREST AND PROBLEMS. MUCH REHEARSAL FOR SUCCESSFUL PERFORMANCE.
FAHLSTROM, ORJAN	LA MARCIA AZZURRO	BAND	SMIC	2003	EST 8 MIN	M/H	C/U	PIC,2FL,2OB,2BSN,4CL,BCL,2AS,TS,BS,3TRPT,4HN,3TRB,EUP,TBA,STBS,4PERC. VERY PLAYABLE AND FUN MUSIC. SECTIONS LIKE, MEDIUM AND LAID BACK BLUES, BLUES MARCH, A FANFARE, A MARCH, ETC. MOSTLY STRAIGHT AHEAD WITH A FEW TIME SIG THINGS TO MAKE IT INTERESTING. ENJOY!
FAHLSTROM, ORJAN	OSTINATIA	BAND	EHRLING	1981	4 MIN 45 SEC	E/M	C/U/HS	2FL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,2HN,3TRPT,3TRB,EUP,2TBA, 2PERC,TMP,SB. STRAIGHT AHEAD PLAYABLE MATERIAL. MODEST RANGES. MANY PARTS ISSUED WITH THE PUBLICATION.
FAHLSTROM, ORJAN	TANGO EROTIQUE	BAND	SMIC	1992	EST 6 MIN	M	C/U/HS	2FL,OB,BSN,3CL,BCL,AS,TS,3TRPT,3HN,3TRB,TBA,STBS,3PERC. HIS SHOULD BE A LOT OF FUN. IT MOVES ALONG (QUARTER = 156) AND A STRONG TANGO RHYTHMIC FEEL. SOMETHING FOR THE AUDIENCE.
FERNSTROM, JOHN	INTIMA MINIATYRER FOR STRAKORKESTER, OP 2	STRING ORCHESTRA	SMIC	1945	17 MIN 30 SEC	M/H	C/U	1.PRELUDIUM 2.INTERMEZZO 3.LAMENTO(ADAGIETTO 4.RONDINO. STRAIGHT AHEAD - NO PROBLEMS, JUST MAKE MUSIC. FINE SCORE. SCORE FOR SALE, PARTS RENTAL.
FERNSTROM, JOHN	KVINTETT FOR BLASINSTRUMENT	WOODWIND QUINTET	SMIC	1955		M/H	C/U	A WELL CRAFTED 4 MOVEMENT WORK. MOVEMENTS CAN STAND ALONE.
FERNSTROM, JOHN	SINFONIETTA IN FORMA DI SONATA DA CHIESA, OP 51	ORCHESTRA	SMIC	1934	EST 14 MIN	H	C/U	FL,2CL,OB,BSN,2HN,2TRPT,TRB,STRINGS. FOUR MOVEMENTS IN A FINE SCORE OF VERY PLAYABLE MUSIC. FOR RENTAL ONLY.
FERNSTROM, JOHN	SUITE NR 1:NI-SI-PLENG, OP 87B	ORCHESTRA	SMIC	1950		H	C/U	2FL,2CL,BCL,OB,2BSN,2HN,2TRPT,TRB,TBA,PERC,TMP,HARP,CELESTA,EH, PIANO,STRINGS. 1. PRELUDE AND ENTRE-DANS 2. ORIENTALISK FEST MUSIK 3. DEN HELIGA FÅGELNS DANS. STRAIGHT AHEAD MUSIC FROM A FINE COMPOSER. RENTAL ONLY.
FERNSTROM, JOHN	SYMFONI NR 5, OP 27	ORCHESTRA	SMIC	1934	EST 20 MIN	M/H	C/U	2FL,2CL,2OB,2BSN,2HN,2TRPT,3TRB,TBA,PERC,TMP,STRING BASS. THREE MOVEMENTS: VERY QUICK & VERY RHTHMIC, ADAGIO CONSENTIMENTO & ALLEGRO MODERATO. A WELL DEVELOPED SCORE WITH LOTS OF EXCITEMENT IN I & III. RENTAL ONLY.
FRANKE-BLOM, LARS-AKE	APPELL FOR BRASSOKTETT	BRASS ENSEMBLE	SMIC	1988	10 MIN	H	C/U	3TRPT,3TRB,HN,TBA. PLAYABLE, BUT NEEDS RHYTHMIC PRECISENESS AND TIME FOR REHEARSAL.
FRANKE-BLOM, LARS-AKE	EKON FRAN SVUNNEN TID	WIND ENSEMBLE	SMIC	1978	13 MIN	H	C/U	THREE MOVEMENTS, FL,OB,2CL,BSN,2COR,TRPT IN C,EUP,TBA,PERC. BEST ONE ON A PART. SOME NONTRADITIONAL NOTATION. GOOD SCORE.
FRANZEN, OLOV	HEPTYK	SAXOPHONE QUARTET	FAIMO	1987	14 MIN 30 SEC	M	C/U/HS	S.A.T.B. SEVEN MOVEMENTS OF CONTRASTING STYLES, SOME WITH RHYTHMIC COMPLEXITY. MOVEMENTS CAN STAND ALONE.
FRANZEN, OLOV	THE FLUTES ARE SINGING IN 3 PARTS	FLUTE TRIO	FAIMO	1986		E/M	C/U/HS	SIX ARRANGEMENTS AND FIVE COMPOSITIONS FOR 3 FLUTES. VERY PLAYABLE MATERIAL.
FREDIN, THORVALD	CONCERTINO FOR KONTRABAS OCH PIANO	STRING BASS & PIANO	SMIC	1998	10 MIN	M	C/U	MOVEMENTS: SCHERZO, ARIOSO, ALLEGRO. SLIGHTLY MORE DIFFICULT THAN THE OTHER LISTING HERE BY THIS COMPOSER. IN A CLEAN MS. NOTES IN TENOR CLEF AS WELL AS BASS CLEF.
FREDIN, THORVALD	ROMANTISK SVIT	STRING BASS & PIANO	SMIC	1998	10 MIN	M	C/U	THREE MOVEMENTS: DANS, NOCTURNE, RONDO. FOR THE SECOND YEAR STUDENT WHO IS GETTING SERIOUS. SOME DOUBLE STOPS AND IT CAN MOVE ALONG WITH A NUMBER OF NOTES. GOOD MS AND ACCOMPANIMENT.
FREDRIKSSON, LENNART	SONATA SCURA	STRING ORCHESTRA	SMIC	1988/2005	16 MIN 30 SEC	H	C/U	ON THE HIGH END OF STRING ORCHESTRA MATERIAL, MIXED METER, LOTS OF DIVISI, NOTES. ALL IN A FINE SCORE IN FOUR MOVEMENTS.
FRIBERG, TOMAS	PRELUDIUM OCH FUGA	BRASS SEXTET	SMIC	1987	4 MIN	M	C/U/HS	2TRPT,2HN,TRB,TBA. TWO SHORT MOVEMENTS MOSTLY IN 5/8 AND FAST TEMPOS. MUTES. GOOD RHYTHMIC FLOW.
FRIDOLFSON, RUBEN	ELEGI	VIOLIN & PIANO	SMIC	1992	4 MIN 30 SEC	E/M	C/U/HS	IN GOOD MS. A NICE FLOWING LINE WITH SOME HARMONIC TENSION. NICE INTERPLAY BETWEEN THE PIANIST AND VIOLINIST.
FRIDOLFSON, RUBEN	TRE SMA BAGATELLER FOR ORKESTER	ORCHESTRA	SMIC	1978	EST 4 1/2+MIN	M	C/U/HS	3FL,2CL,BCL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,TMP,STRINGS. THREE MOVEMENTS IN A GOOD SCORE USING CLUSTERS AND CONTEMPORARY HARMONIES, YET HIGHLY PLAYABLE MUSIC. RENTAL ONLY.
FRIDOLFSON, RUBEN	TVA INTERMEZZI	ORCHESTRA	SMIC	1978	EST 6 1/2 MIN	M	C/U/HS	2FL,2CL,2OB,2BSN,4HN,3TRPT,3TRB,PERC,TMP,STRINGS. TWO MOVEMENTS WITH DENSE CHORDS, CLUSTERS AND CONTEMPORARY SOUNDS. RHYTHMICALLY NOT DIFFICULT, BUT SOME EXTREME REGISTERS. RENTAL ONLY.
FRIDOLFSON, RUBEN SVIT FOR BRASSENSEMBLE	SVIT FOR BRASSENSEMBLE	BRASS SEXTET	SMIC	1991	8 MIN 30 SEC	M	C/U	2 C TRPT,HN,2TRB,TBA. FOUR SHORT MOVEMENTS IN CLEAN MS. SOME MIXED METER, BUT MOSTLY STRAIGHT AHEAD. SOME INTERESTING HARMONIES. PLAYABLE BY THE C/U STUDENT GROUP.
FRUMERIE, GUNNAR DE	ANDANTE SERIOSO	FLUTE & ORGAN	GEHRMANS	1980	4 MIN	E	C/U/HS	NICE, SHORT PIECE THAT IS MUSICAL.
FRUMERIE, GUNNAR DE	ANDANTE SERIOSO	OBOE & ORGAN	GEHRMANS	1980	4 MIN	E	C/U/HS	NICE SHORT PIECE THAT IS MUSICAL AND PLAYS.
FRUMERIE, GUNNAR DE	ANDANTE SERIOSO	VIOLIN & ORGAN	GEHRMANS	1980	4 MIN	E	C/U/HS	NICE SHORT PIECE THAT IS MUSICAL.
FRUMERIE, GUNNAR DE	DANSSVIT	WIND ENSEMBLE	NILS-GEORGS	1966	6 MIN	E/M	C/U/HS	2FL,3CL,BCL,AS,TS,BS,HN,3TRPT,TRB,TBA,PERC,SB,ALTO HN,PIANO. 4 SHORT MOVEMENTS THAT ARE VERY PLAYABLE. EACH MOVEMENT IS DANCE-LIKE.
FRUMERIE, GUNNAR DE	ELEGISK SVIT, OP 37	CELLO & PIANO	SUECIA	1984	EST 10-12 MIN	M/H	C/U	I. ARIA 2. DANS 3. RECITATIV 4. MARSCH 5. INTERMEZZO 6. FINALE: ALLEGRO FURIOSO. FINE COMPOSER AND GOOD USE OF THE INSTRUMENTS IN A STRAIGHT AHEAD WORK.
FRUMERIE, GUNNAR DE	KONSERT FOR TRUMPET, OP 52	TRUMPET & PIANO	GEHRMANS	1961	18 MIN	H	C/U	THREE MOVEMENTS THAT CAN STAND ALONE. C & Bb PARTS PROVIDED. REASONABLE RANGE, RHYTHMIC. ORCHESTRA PARTS ON RENTAL.
FRUMERIE, GUNNAR DE	KONSERT FOR VALTHORN OCH ORKESTER	HORN & PIANO	GEHRMANS	1974	20 MIN	H	C/U	A MAJOR WORK THAT IS CHALLENGING BUT PLAYABLE. TWO MOVEMENTS. ORCHESTRA PARTS ON RENTAL.
FRUMERIE, GUNNAR DE	PASTORAL SVIT	FLUTE & PIANO	NORDISKA	1944		E/M	C/U/HS	1 .PRELUDIUM 2. GAVOTT 3. SARABAND 4. SICILIANO 5. FINAL: ALLEGRO VIVACE. CONTEST OR RECITAL. ORCHESTRA ACCOMPANIMENT IS SUPPOSED TO BE AVAILABLE, CONTACT NORDISKA MUSIKFÖRLAGET.
FRUMERIE, GUNNAR DE	SONAT FöR TROMBON OCH PIANO, OP 81b	TROMBONE & PIANO	GEHRMANS	1988	23 MINUTES	H	C/U	ORCHESTRA SCORE & PARTS AVAILABLE. COMPOSED FOR CHRISTIAN LINDBERG, EXPECT A CHALLENGE.
FRUMERIE, GUNNAR DE	SUITE IN ANCIENT STYLE FOR SMALL ORCHESTRA, OP 5b	ORCHESTRA	SUECIA	1931	EST 12 MIN	M	C/U/HS	2FL,2CL,ACL,BCL,2OB,2BSN,2COR,TRPT,STRINGS. 1. PRELUDIUM 2. SARABANDE 3. GAVOTTE 4. MUSETTE 5. SICILIENNE 6. GIGUE. SHORT MOVEMENTS AND PLAYABLE BY ALL, BUT WORTHY MUSIC. SCORE FOR SALE, PARTS RENTAL.
FRUMERIE, GUNNAR DE	SVIT FOR BLASKVINTETT, OP 71	WOODWIND QUINTET	GEHRMANS	1976	17 1/2 MIN	H	C/U	1. INTRODUKTION 2. FUGA 3. SARABAND 4. SICILIANO 5. TARENTELLA. GOOD SCORE - GOOD COMPOSER.
FRYMAN AND PADDOCK/LASSE SAMUELSSON	I EN GRONMALAD BAT	STAGE BAND	EHRLING	1978		M	C/U/HS	EASY SWING, TENOR SOLO, MESSY SCORE.
GAFVERT, HANS-AKE/STIG GUSTAFSON	I SVENSK FOLKTON	BAND	EHRLING	1980	EST 6 MIN	E/M	C/U/HS	PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP, 2TBA,PERC,TMP,SB. 4 MOVEMENTS: SLÅTTERTRALL, VALL-LÅT, SKÄN-LÅT, VISA OCH DANS. 2ND MOVE IS CLARINET SOLO. EACH MOVEMENT IN A DIFFERENT KEY. TYPICAL SWEDISH BAND MUSIC. CONDENSED SCORE.
GLASER, WERNER WOLF	ALLEGRO, CADENZA E ADAGIO	SAXOPHONE(ALTO) & PIANO	SUECIA	1950	EST 5-6 MIN	H	C/U	MANY NOTES BUT OPPORTUNITY TO DISPLAY MUSICIANSHIP AS WELL.
GLASER, WERNER WOLF	QUARTETTO PER SASSOFONI	SAXOPHONE QUARTET	SMIC	1984	18 MIN	M/H	C/U	THREE MOVEMENTS IN A MAJOR WORK WITH PLAYABLE RHYTHMIC CHALLENGES.
GLASER, WERNER WOLF	SONATA	OBOE & PIANO	SMIC	1986		M/H	C/U/HS	FOUR MOVEMENTS, THREE QUITE SLOW AND SUSTAINED. ALL CAN STAND ALONE.
GLASER, WERNER WOLF	SONATA	SAXOPHONE(ALTO) & PIANO	SMIC	1986	15 MIN	M/H	C/U	THREE MOVEMENTS THAT ARE IDEAL FOR THE COLLEGE RECITALIST. A COMFORTABLE CHALLENGE.
GOTSKOSIK, OLEG	TWELVE SONGS WITHOUT WORDS	FLUTE ALONE	SMIC	1986	22 MIN	H	C/U	VERY DIFFICULT, 12 SHORT MOVEMENTS.
GRAHN, ULF	ALONE	FLUTE ALONE	SEESAW	1972	8 MIN	H	C/U	NONTRADITIONAL APPROACH, BUT NOTE CENTERED AND PLAYABLE WITH CLEAR EXPLANATIONS. GOOD INTRO TO NONTRADITIONAL NOTATION.
GRAHN, ULF	CONVERSATION	PERCUSSION ENSEMBLE	SMIC	2002	EST 4 MIN 30 SEC	M	C/U	FOUR PERCUSSIONISTS EACH USING 2 WOODBLOCKS/2 DRUMS. IF PITCHED, THE TWO PITCHES SHOULD BE BE LARGER THAN m3. COMPOSER SUGGESTS HAT THE FOUR PERFORMERS SURROUND THE AUDIENCE. SHOULD HAVE GOOD AUDIENCE APPEAL.
GRAHN, ULF	HALLOWEEN	CLARINET ALONE	SEESAW	1970	10 MIN	H	C/U	NONTRADITIONAL APPROACH, BUT NOTE CENTERED AND PLAYABLE. MODEST RANGE REQUIREMENTS.
GRAHN, ULF	OUTSIDE THE WINDOW	TRUMPET ALONE	SEESAW	1976	5 1/2/MIN	H	C/U	NONTRADITIONAL NOTATION WITH CLEAR INSTRUCTIONS. MUTES, RANGE TO HIGH C. GOOD SCORE.
GRAHN, ULF	SIGNALER	BRASS QUARTET	SMIC	1968	7+MIN	E/M	C/U	SIX MOVEMENTS, 4, 5 & 6 USE NONTRADITIONAL TECHNIQUES. 1, 2 & 3 ARE QUITE EASY BUT HAVE UNUSUAL RHYTHMS & SOUNDS.
GRAHN, ULF	TRE MINIATYRER	BASSOON & PIANO	SMIC	2000	5 MIN	M/H	C/U	THREE MOVEMENTS: LENTO, ALLEGRETTO, ADAGIO. THE NOTES ARE NOT TOO HARD, BUT THE HARMONY WILL NEED CAREFUL ATTENTION TO MAKE THIS INTO MUSIC.
GRAHN, ULF	TRIO	WOODWIND TRIO	SEESAW	1967	8 MIN	M/H	C/U	FL,OB,CL. FOUR SHORT MOVEMENTS. 1. HAS MANY METER CHANGES AND 4. IS VERY ENERGETIC. A GOOD SCORE.
GRAHN, ULF	TROMBONE UNACCOMPANIED!?!	TROMBONE ALONE	SEESAW	1977	8 MIN	H	C/U	A WELL CONSTRUCTED SOLO PIECE WITH MULTI-PHONICS AND OTHER NONTRADITIONAL TECHNIQUES.
GRANDERT, JOHNNY	A-NI-TA'	BAND	SMIC	1981	CA 13 MIN	H	C/U	PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,5TRPT,4TRB,EUP,TBA, 2PERC,TMP,SB. DENSE BUT GOOD SCORE, PLAYABLE, LOOKS LIKE FUN.
GRANDERT, JOHNNY	KVARTETT FOR FLOJTER NR. 2	FLUTE QUARTET	SMIC		4 MIN.			3FL,A-FL.
GRANDERT, JOHNNY	KVARTETT FOR FLOJTER NR. 3	FLUTE QUARTET	SMIC		3 MIN. 30 SEC.	M	C/U/HS	3FL,A-FL. NO SURPRISES. FOUR COMPETENT PLAYERS SHOULD BE ABLE TO MAKE MUSIC AND ENJOY DOING IT.
GRANDERT, JOHNNY	KVINTETT FOR FLOJTER NR. 1	FLUTE QUINTET	SMIC		3 MIN. 30 SEC.	M/H		PIC-FL,2FL,A-FL,B-F. STRAIGHT AHEAD MATERIAL, BUT EVEN THE BASS FLUTE HAS TO MOVE THE FINGERS.
GRANDERT, JOHNNY	LES BATEAUX S'EMBRASSENT	WIND ENSEMBLE	SUECIA	1978	10 MIN	H	C/U	PIC,FL,2HN,4TRPT,4TRB,TBA,PERC. SCORE IS A FINE CHALLENGE WITH SOME NONTRADITIONAL NOTATION AND TECHNIQUES. ALL MUST BE ABLE TO COUNT!
GRANDERT, JOHNNY	SKOROGOWORKA	BAND	NORDISKA	1973	7 MIN	H	C/U	PIC,3FL,3CL,BCL,3OB,2BSN,AS,2TS,BS,5HN,5TRPT,4TRB,3TBA,3PERC,TMP, EH,CBSN. NONTRADITIONAL NOTATION IN A LARGE SCORE. RECOMMENDED BY SWEDISH CONDUCTORS. SCORE FOR SALE, PARTS RENTAL.
GRANDERT, JOHNNY	SYMFONI NR 6	BAND	SMIC	1982	19 MIN	H	C/U	PIC,4FL,2CL,BCL,3OB,AS,BS,3COR,5TRPT,4TRB,TBA,2PERC,TMP,SB,EH, CBCL,PIANO,CBSN. ONE MOVEMENT WITH CHANGES IN STYLE AND TEMPO QUITE FREQUENT. DENSE HARMONY, CLUSTERS. ONLY THE BEST WILL SURVIVE THIS FINE SCORE!
GRIMS-LAND, EBBE	INNAN FAGELN LYFTER	VIOLIN & PIANO	SUECIA	1993	7 MIN 30 SEC	H	C/U	(BEFORE THE BIRD TAKES WING) HARD MUSIC, BUT AN INTERESTING SCORE FOR THE ADVANCED STUDENT. MIXED METER AND RHYTHMIC PROBLEMS FOR BOTH INSTRUMENTS.
GRIMS-LAND,EBBE	BLASER-BLUES	WIND ENSEMBLE	SMIC	1979	7 MIN 30 SEC	H	C/U	PIC,CL,OB,BSN,TS,3HN,2TRPT,2TRB,TBA,PERC,TMP. BEST WITH ONE ON A PART. CLARINET CAN DOUBLE THE SAXOPHONE PART.
GRIPPE, RAGNAR	SIX PIECES POUR HAUTBOIS ET CORDES	OBOE & STRING ORCHESTRA	SMIC	1989	CA 6 1/2 MIN	M	C/U/HS	THE SIX SECTIONS ARE ATTACCA. PLAYABLE MUSIC IN A CLEAN SCORE. RENTAL ONLY.
GULLIN, LARS	MAY-DAY	STAGE BAND	SMIC			M/H	C/U	CONCERT STYLE PIECE WITH MANY DOUBLES SUCH AS FLUTE, CLARINET, BASS CLARINET, FLUEGELHORN AND SSAX. TIME SIGNATURE CHANGES BUT MOSTLY IN 3/4.
GULLIN, LARS/LARS SJOSTEN	DYNINGAR	STAGE BAND	SMIC			M	C/U/HS	DOUBLES ON FLUTE, CLARINET. SOLOS FOR TENORS, PIANO & TRUMPET. JAZZ WALTZ. GOOD SCORE.
GULLIN, LARS/LARS SJOSTEN	S.H.T.	STAGE BAND	SMIC			M	C/U	DOUBLES ON FLUTE. SOME TIME AND STYLE CHANGES.
GULLIN, LARS/LARS SJOSTEN	THE HAMBO COMBO	BAND	SUECIA	1982	EST 4 1/2 MIN	M	C/U/HS	PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,TBA, 2PERC,TMP,SB,ELECTRIC BASS. SWINGS IN 3/4 ALL THE WAY, FINE PROGRAM MATERIAL, GULLIN AND SJÖSTEN - 2 GREAT JAZZ MUSICIANS.
GULLIN, PETER	PANORAMA I-II	STAGE BAND	SMIC	1984		H	C/U/HS	IN MS AND A NICE CHALLENGE.
GULLIN, PETER	PICTURES IN BRASS	BRASS QUINTET	SMIC	1983		M/H	C/U	NINE SHORT MOVEMENTS WITH MODEST RANGE REQUIREMENTS.
GUSTAFSON, STIG	FOLKLATAR FOR KLARINETTER	WOODWIND ENSEMBLE	GEHRMANS	1978		E/M	C/U/HS	FL,OB,3CL,BCL,BSN. 5 FOLK TUNES ARRANGED BY ONE OF SWEDEN'S BEST ARRANGERS.
GUSTAFSON, STIG	GOD JUL!	BAND	LEMA	1982	5 1/2 MIN	M	C/U/HS	PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,3TRB,EUP,TBA, 2PERC,SB. 5 CHRISTMAS TUNES OF SWEDEN. NICE BRIDGE WORK BETWEEN TUNES. CAN BE PLAYED WITH LESS THAN FULL INSTRUMENTATION.
GUSTAFSON, STIG	KRING GRANEN	BAND	LEMA	1982	5 1/2 MIN	E/M	C/U/HS	PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3TRPT,3TRB,EUP, TBA,2PERC,SB. A MEDLEY OF SEVEN SWEDISH CHRISTMAS MELODIES. EASY BRIDGE WORK BETWEEN TUNES. CAN BE PLAYED BY LESS THAN FULL INSTRUMENTATION.
GUSTAFSON, STIG	KRISTALLEN DEN FINA	BAND	LEMA	1986	3 MIN 15 SEC	E	HS/JHS	PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB, EUP,TBA,3PERC,SB. A NICE LITTLE 3/4 SONG, CAN BE PLAYED BY A SMALL BAND WITH INCOMPLETE INSTRUMENTATION. ONE OF STIG'S BEST! MARCH SIZE.
GUSTAFSON, STIG	OSTERBOTTNISK SVIT	BAND	LEMA	1985	6 MIN	E	HS	PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,3TRB,EUP,TBA,PERC,TMP,SB. THREE MOVEMENTS BY AN EXCELLENT CONDUCTOR, EDUCATOR, COMPOSER & ARRANGER.
GUSTAFSON, STIG	TRE MELODIER I ADVENT	BAND	GEHRMANS	1979	4 MIN	E	HS/JHS	PIC,FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3TRPT,3TRB,EUP,TBA, 3PERC,TMP,SB. 3 SWEDISH MELODIES FOR THE ADVENT SEASON. EXCELLENT ARRANGER AND WORK!
HAGSTEDT, FREDRIK	IDEA	WIND ENSEMBLE	SMIC	2001 10 MIN	10 MIN	M/H	C/U	FL,OB,BSN,3CL,BCL,3TRPT,2HN,3TRB,EUP,TBA,STBS,TIMP. A SLOW OPENING IN THE WOODWINDS TO A TRANSITION BY THE TROMBONE SECTION AND THEN TO THE FULL ENSEMBLE. GAINS INTENSITY THROUGH THE WORK AND THEN ENDS QUIETLY.
HALLANDER, SVERKER	SONG OF THE SWEDISH FISHERMAN	BAND	GEHRMANS	1979		E/M	HS/JHS	PIC,FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,2TS,BS,4HN,2COR,2TRPT, 4TRB,EUP,2TBA,3PERC,TMP,EbCOR,3 VALVE TRB-OPT. SHORT PLAYABLE PIECE WITH A WELL CRAFTED SCORE.
HALLBERG,BENGT	HALLRISTNINGAR (ROCK-CARVINGS)	WIND ENSEMBLE	NORDISKA	1974	15 MIN	H	C/U	2FL,2CL,2OB,2BSN,AS,TS,2HN,2TRPT,TRB,2PERC,TMP,SB,GUITAR,PIANO. TONE POEM FOR JAZZ SOLOISTS, INTERESTING RHYTHMIC THINGS, CAN OPEN FOR MORE SOLOS, HALLBERG IS A LEADING SWEDISH JAZZ MUSICIAN.
HALLENBERG, HOLGER/STIG GUSTAFSON	MUSIK FOR BLASORKESTER	BAND	LEMA	1988	7 1/2 MIN	M	C/U/HS	PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB, EUP,TBA,2PERC,TMP,SB. PLAYABLE BY A GOOD JHS ENSEMBLE BUT WORTHY OF C/U PERFORMANCE.
HALLNAS, EYVIND	SERENAD FOR STRAKAR	STRING ORCHESTRA	SMIC	2006	3 MIN 50 SEC	M	C/U	SOME DIVISI, BUT A VERY PLAYABLE SCORE. A NICE, SHORT WORK FOR THE STRINGS.
HALLNAS, EYVIND	BLASKVINTETT	WOODWIND QUINTET	SMIC	1985	11 MIN	M	C/U	FL,OB,EH,CL,BCL. NOTE THE INSTRUMENTATION. THREE MOVEMENTS THAT ARE PLAYABLE WITH THIS UNUSUAL INSTRUMENTATION.
HALLNAS, EYVIND	CONCERTINO FOR VALTHORN OCH STRAKORKESTER	HORN & STRING ORCHESTRA	SMIC	1985	10 MIN	M	C/U	A GOOD WORK FOR THE COLLEGE STUDENT. RENTAL ONLY.
HALLNAS, EYVIND	ELEGI	HORN & STRING ORCHESTRA	SMIC	1985	4 MIN 30 SEC	M	C/U	A SONG FOR HORN, NOT TECHNICAL. RENTAL ONLY.
HALLNAS, EYVIND	TRE ARABESKER FOR FYRA VALTHORN	HORN QUARTET	SMIC	1987		E/M	C/U/HS	THREE SHORT MOVEMENTS OF PLAYABLE MATERIAL.
HALLNAS, EYVIND	TRE ORKESTERSTYCKEN	ORCHESTRA	SMIC	1997	8 MIN	M	C/U/HS	PIC,2FL,2OB,2CL,2BSN,4HN,2TRPT,3TRB,TBA,3PERC,STRINGS. MOVEMENTS: ALLEGRO, ALLEGRO MODERATO, ALLEGRO CON BRIO. A NICE, PLAYABLE SCORE FOR MANY ORCHESTRAS, NOT JUST THE C/U ENSEMBLES.
HALLNAS, EYVIND	TRIO	WOODWIND TRIO	SMIC	1985		M	C/U/HS	FL,EH,BCL. NOTE THE INSTRUMENTATION. THREE SHORT MOVEMENTS THAT ARE PLAYABLE.
HALLNAS, HILDING	CONCERTO PER ARCHI, TIMPANI E PERCUSSIONE	STRING ORCHESTRA	SUECIA	1959		M/H	C/U	FOUR MOVEMENTS OF VARYING DIFFICULTY THAT CAN STAND ALONE. ACCESSIBLE MUSIC. SCORE FOR SALE, PARTS RENTAL.
HALLNAS, HILDING	LEGEND	CLARINET & ORGAN	SMIC	1974	7 MIN	M	C/U/HS	ONE MOVEMENT THAT DOES NOT NECESSARILY SAY 'CHURCH' BUT IT PLAYS.
HALLNAS, HILDING	LEGEND	VIOLIN & ORGAN	SMIC	1979	7 MIN	M	C/U/HS	ONE MOVEMENT THAT DOES NOT NECESSARILY SAY 'CHURCH'.
HALLNAS, HILDING	STRAKKVARTETT, OP 32	STRING QUARTET	SUECIA	19449	EST 12-15 MIN	M/H	C/U	THREE MOVEMENTS FROM A FINE COMPOSER WITH STRAIGHT AHEAD MATERIAL AND MUSICAL INTEREST.
HAMBRAEUS, BENGT	CINQUE STUDI CANONICI PER DUE FLAUTI	FLUTE DUET	CANADIAN MUSIC CENTRE	1988	12 MIN	H	C/U	FIVE CHALLENGING MOVEMENTS FROM A FINE COMPOSER WITH ELECTRONIC AND IVESIAN BACKGROUND.
HAMBRAEUS, BENGT	INVOCATION	BRASS ENSEMBLE	SMIC	1971	8 MIN	H	C/U	2OB,5TRPT,4HN,3TRB,2TBA,3PERC. IVES INFLUENCE, CHALLENGING OBOE PARTS, QUICK NUANCES, MANY SUSTAINED NOTES WITH PERCUSSION OUTBURSTS.
HAMBRAEUS, BENGT	PARADE	BAND	SUECIA	1980	3 MIN	M/H	C/U	PIC,FL,EbCL,CL,4HN,3TRPT,3TRB,EUP,2TBA,3PERC. AN UNUSUAL CONCERT MARCH - TRICKY, COMPLICATED AND MOST INTERESTING. NOTE THE INSTRUMENTATION.
HANSEN, JAN	CONTRO	STRING ORCHESTRA	SMIC	1989	EST 8 MIN	H	C/U	HARMONIC AND RHYTHMIC INTEREST, MUCH DIVISI IN A GOOD SCORE FOR GOOD PERFORMERS. RENTAL ONLY.
HEDWALL, LENNART	PARTITA FOR TRETTON BLASARE	WIND ENSEMBLE	SMIC	1961	16 MIN	H	C/U	PIC,2FL,2CL,2OB,2BSN,2HN,2TRPT,TRB,TBA. 1.INTRODUCTION OCH CIACONA, 2.FUGA, 3.CANZONA, 4.TOCCATA. A GOOD SCORE WITH MUCH MUSICAL INTEREST.
HEDWALL, LENNART	SONATA AUTONNALE	CLARINET ALONE	SUECIA	1991	EST 9 MIN	H	C/U	INTRODUCTION, THEME AND FIVE VARIATIONS FOLLOWED BY AN EPILOGUE. RANGE TO G AN OCTAVE ABOVE THE STAFF. OPPORTUNITY TO SHOW FINGER FACILITY, EMOTION, MUSICALITY. A BIG CHALLENGE FROM A FINE COMPOSER.
HEDWALL, LENNART	SONATA NO.2 (VINTERBILDER - WINTER PICTURES)	BASSOON ALONE	SMIC	1992	13 MIN.	M/H	C/U	IN LEGIBLE MS. FOUR MOVEMENTS. USES THE FULL RANGE OF THE INSTRUMENT WITH REASONABLE MOVEMENT. NEED A SERIOUS COLLEGE/UNIVERSITY STUDENT TO MAKE IT WORK, BUT THE EFFORT WILL BE WORTH IT. GOOD COMPOSER!
HEDWALL, LENNART	VARIATIONER OCH FUGA	FLUTE DUET	NORDISKA	1975	7 MIN	M	C/U	ALSO FOR FLUTE AND OBOE.
HELGE, OLOV	BORERO	ORCHESTRA	SMIC	1996/98	6 MIN 30 SEC	M/H	C/U	2FL(PIC),2OB,CL,BCL,BSN,CBSN,2HN,2TRPT,TIMP,STRINGS. TIMPANI PLAYS AN IMPORTANT, THOUGH NOT DOMINANT ROLE. THE SCORE 1S INVITING AND SHOULD BE PLAYED!
HELGE, OLOV	ELASTIC DREAM	PERCUSSION ENSEMBLE	SMIC	1978/2005	3 MIN 15 SEC	M	C/U/HS	3 PLAYERS, EACH WITH SEVERAL NON-PITCHED INSTRUMENTS. SHORT, WELL LAID OUT FOR EASY LEARNING.
HELGE, OLOV	ETTOLARCO	CELLO ALONE	SMIC	1996	4 MIN 30 SEC	H	C/U	FOR THE ADVANCED CELLIST. DOUBLE AND TRIPLE STOPS LOTS OF USE OF THE GLIZZANDO WITH SPECIAL INSTRUCTIONS.
HENNEBERG, ALBERT	CONCERTINO	BASSOON & STRING ORCHESTRA	SMIC	1958	18 MIN	H	C/U	THREE MOVEMENTS OF STRAIGHT AHEAD MATERIAL. MODEST CHALLENGE FOR THE BASSOONIST. RENTAL ONLY.
HENNEBERG, ALBERT	UVERTYR TO THE OPERA `BOLLA OCH BADIN'	ORCHESTRA	SUECIA	1955	4 MIN	M/H	C/U/HS	PIC,2FL,3CL,ACL,BCL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,PERC,TMP,STRINGS. NEED A SOLID HS ENSEMBLE OR BETTER. ENERGY DISPLAYED AT MM=144 IN 2/4. RENTAL ONLY.
HERMANSON, AKE	ALARME	HORN ALONE	WHANSEN	1971		H	C/U	A FEW DEMANDS MAKE THIS DIFFICULT. IT WILL TAKE A MATURE PLAYER TO MAKE IT GO.
HERMANSON, AKE	FLAUTO DEL SOLE	FLUTE ALONE	WHANSEN	1982	4 1/2 MIN	H	C/U	ONE MOVEMENT WITH MODEST CHALLENGE.
HERMANSON, AKE	NATURE THEME	OBOE ALONE	NORDISKA	1984	5 MIN	M	C/U/HS	NOTES NOT TOO DIFFICULT, THE CHALLENGE IS IN THE MUSIC.
HILLBORG, ANDERS	EXQUISITE CORPSE	ORCHESTRA	PETERS	2002	14 MIN	H	C/U	3FL(PIC),3OB(EH),2CL(BCL)(CBCL),2BSN (CBSN) ,4HN,3TRPT,3TRB,(CHIMBASSO MAY BE PLAYED BY TUBA),5PERC,HARP,PIANO,STRINGS. THIS FOR THE BEST C/U ENSEMBLES. LARGE ORCHESTRA, TIME NEEDED TO PUT TOGETHER. SEE HIS, ‘LIQUID MARBLE’.
HILLBORG, ANDERS	PRELUDE	CLARINET ALONE	SMIC	1998	3 MIN	M/H	C/U	THE NOTES ARE NOT THAT DIFFICULT, HOWEVER TO MAKE THE AUDIENCE LISTEN AND APPRECIATE THIS MUSIC, A MORE MATURE MUSICIAN IS NEEDED. YOU WILL LIKE THE SWEEP AND FLOW OF THE LINE. MAKE MUSIC WITH THIS PIECE!
HOGBERG, FREDRIK	CLOUD BALLOON	CLARINET ALONE	GEHRMANS	1996	EST 2 MIN 30 SEC	E/M	C/U/HS	GOOD FLOWING PIECE, MAY BE FOR THE FIST EXPERIENCE TRYING TO MAKE MUSIC WITHOUT AN ACCOMPANIST. GOOD RANGE FOR THE CLARINET PLAYER TO WORK IN.
HOGBERG, FREDRIK	DANCES FROM THE SOURCES OF HELICON	BRASS QUINTET	GEHRMANS	2000	4 MIN 45 SEC	M/H	C/U	TRUMPETS IN C. THE TUBA PART NEEDS HIGH RANGE (TRY THE BASS TROMBONE OR EUPHONIUM). ALL OTHER INSTRUMENTS PLAY IN COMFORTABLE RANGES. SOME TRICKY RHYTHMS.
HOGBERG, FREDRIK	MELANCHOLY TANGO	BRASS QUINTET	GEHRMANS	2000	EST 7 MIN	H	C/U	FOR FIVE BRASS PLAYERS AND THEIR VOICES. TRPTS IN C. THIS IS MATERIAL WITH COMIC AUDIENCE APPEAL. TRICKY RHYTHMS, AND OTHER PROBLEMS. BUT, THE AUDIENCE WILL ENJOY YOUR HARD WORK TO GET IT TO PERFORMANCE LEVEL.
HOLMGREN,JAN	LASTRINGE GANGLAT	BAND	SUECIA	1984	EST 2+MIN	E	HS/JHS	PIC,FL,EbCL,2CL,OB,2AS,2TS,4HN,2COR,3TRPT,4TRB,EUP,2TBA,3PERC. A NICELY SCORED SWEDISH FOLK MELODY WITH NO SURPRISES! STRAIGHT AHEAD & PLAYABLE.
HULTQVIST, ANDERS	SKOG III	STRING ORCHESTRA	SMIC	1992/93	EST 5+ MIN	M	C/U/HS	NO SURPRISES, JUST PLAY THE NOTES. ACCESSIBLE TO THE GOOD HS STRING PLAYER AND GOOD ENOUGH FOR EVERYONE. ALSO SEE HIS SKOG I AND II. ALL THREE WOULD MAKE A NICE SUITE.
ISAKSSON, MADELEINE	PATAR	CLARINET DUET	SMIC	1986	4 MIN	M/H	C/U	FOR BASS CLARINET & ALTO CLARINET! RHYTHMIC PROBLEMS, BUT PLAYABLE.
JACOBSEN, JULIUS	CIRKUS SUITE	BAND	SUECIA		15 MIN	M/H	C/U/HS	2FL,EbCL,3CL,BCL,2OB,2BSN,AS,TS,BS,3COR,2TRPT,3TRB,EUP,TBA,2PERC. FOUR MOVEMENTS WITH MUCH AUDIENCE APPEAL, FREQUENT METER CHANGES, PLAYABLE AND WELL SCORED!
JACOBSEN, JULIUS	TUBA BUFFO	TUBA & BAND	SMIC		CA 7 MIN	H	C/U	2FL,2CL,2OB,2BSN,4HN,3TRPT,3TBA,2PERC,TMP,PIANO. TRY ALSO WITH EUPHONIUM. PLAYABLE AND WORTHWHILE MUSIC. MODEST RANGE REQUIREMENTS.
JACOBSEN, JULIUS	TUBA BUFFO	TUBA & PIANO	SMIC		CA 7 MIN	H	C/U	BAND ACCOMPANIMENT AVAILABLE. TRY ALSO WITH EUPHONIUM. PLAYABLE AND WORTHWHILE MUSIC. MODEST RANGE REQUIREMENTS.
JANSSON, GUNNAR	AS LONG AS YOU BREATHE	FLUTE ALONE	SMIC	1987		E/M	C/U/HS	SHORT - A GOOD INTRODUCTION TO FLUTE ALONE LITERATURE.
JANSSON, JOHANNES	CONCERTO PER CONTRABBASSO	STRING BASS & ORCHESTRA	SMIC	201	32 MIN	H	C/U	2FL,2OB,2CL,2BSN,4HN,2TRPT,2TRB,HARP,STRINGS. IN GOOD MS. IT IS PLAYED AS ONE MOVEMENT (LONG!), SOMETIMES VERY DENSE WHILE THE SOLOIST IS PLAYING. THE ORCHESTRA PARTS ARE CHALLENGING AS IS THE SOLOIST PART. PROFESSIONAL LEVEL MUSIC.
JANSSON, LEIF A	HOMMAGE	WOODWIND QUINTET	LEMA	1982	4 MIN	E/M	C/U/HS	EACH INSTRUMENT GETS TO HAVE ITS MOMENT. SEVERAL TEMPO CHANGES.
JANSSON, LEIF A	LASSIE	TUBA & BAND	LEMA	1990	7 MIN	M	C/U/HS	PIC,2FL.OB,EbCL,3CL,BCL,BSN,2AS,TS,BS,2HN,3COR,2TRPT,BAR,3TRB,TBA,STRBS,TIMP,2PERC. SOLO FOR FINE COLLEGE OR PROFESSIONAL PLAYER, BAND PART EASIER.
JANSSON, LEIF A	PRESENTATION OCH PROMENAD I SKANE	WOODWIND QUINTET & BAND	LEMA	1982	9 MIN	M	C/U/HS	BAND GETS TO SING ONE CHORUS IF IT WANTS! GOOD CHANGE AND VARIETY IN THE MUSIC, IDEAL FOR CONCERT.
JEVERUD, JOHAN	INTRODUKTION	SAXOPHONE QUARTET	SMIC	1986	4 MIN	M/H	C/U/HS	SOME RHYTHMIC COMPLEXITY IN A NICE SCORE.
JEVERUD, JOHAN	KAMMARMUSIKBOK - FJARDE KAPITLET	VIOLIN & PIANO	SMIC	1996	13 MIN	M/H	C/U	TWO MOVEMENTS IN EXCELLENT MS. NO PARTICULAR PROBLEMS FOR THE PERFORMER, BUT A FEW SECTIONS WILL NEED CONSIDERABLE ATTENTION IN THE PRACTICE ROOM.
JEVERUD, JOHAN	SPEL MED HOGA KLUBBOR	PERCUSSION ENSEMBLE	SMIC	1992	7 MIN 30 SEC	M/H	C/U	SIX PLAYERS, MANY INSTRUMENTS. IN A GOOD MS. GOOD INSTRUCTIONS IN THE SCORE. EASIER THAN SOME AND PLAYABLE. NO SURPISES.
JEVERUD, JOHAN	TWO BALLADS FOR STRINGS	STRING ORCHESTRA	SMIC	1996	17 MIN	M/H	C/U	TWO MOVEMENTS OF PLAYABLE MUSIC. BOTH MOVEMENTS WITH A SONG TO SING PLUS A FEW EXTRA NOTES HERE AND THERE! GOOD SCORE. SEE ALSO THIS COMPOSERS, ’AUBADE FOR STRINGS’. BOTH ARE IN EXCELLENT MS.
JEVERUD, JOHAN	VINTERRESA	ORCHESTRA	SUECIA	2003	7 MIN	E/M	C/U/HS	2FL,2OB,2CL IN A,2BSN,2HN,2TRPT,2TRB,TBA,TIMP,STRINGS. COMPOSED FOR A SWEDISH YOUTH SYMPHONY. IT SKATES THROUGH THE WORK IN A MODERATELY FAST MOVING 3/4.
JOHANSON, SVEN-ERIC	BEAT, BEAT, BEATEN (SLAG I SLAG)	PERCUSSION ALONE	SMIC	1979		H	C/U	A GOOD SCORE OF DIFFICULT MUSIC WITH ONE PERSON PLAYING MANY INSTRUMENTS.
JOHANSSON, BJORN	CONCERTINO PER CINQUE STRUMENTI A FIATO	WOODWIND QUINTET	SMIC		CA 19 MIN	M/H	C/U	FOUR MOVEMENTS THAT CAN STAND ALONE. A MAJOR WORK BY A WELL RESPECTED COMPOSER.
JOHANSSON, GUNNAR	MARCIA SINFONICA	BAND	LEMA	1987	5 + MIN	M	C/U/HS	2FL,EbCL,4CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,2COR,4TRPT,3TRB,EUP, 2TBA,PERC,TMP,SB,SS. CONCERT MARCH ON MATERIAL BY D'ORSI.
JONSSON, JOSEF	FANTASIA ELEGIACA	VIOLA & PIANO	SUECIA	1940	EST 3 MIN	M	C/U	A FLOWING MUSICAL LINE WITH APPROPRIATE PIANO ACCOMPANIMENT. USUAL ALTO CLEF, BUT MOVES TO TREBLE CLEF AND SOME DOUBLE STOPS.
JONSSON, JOSEF	SVIT, OP 53	BAND	SMIC	1950		M/H	C/U	2FL,2CL,2OB,2BSN,2HN,2TRPT,2TRB,PERC,TMP. 1 ALLA MARCIA, 2 ANDANTE ESPRESSIVO, 3 SCHERZO, 4 FUGA. NOTE THE INSTRUMENTATION. STRAIGHT AHEAD MATERIAL AND MOVEMENTS CAN STAND ALONE. NEED STRONG BASSOONS. LIKE A CHAMBER WORK.
JOSJO, MARTEN	PRAECENTIO	ORCHESTRA	SMIC	2003	5 MIN	H	C/U	2FL,2OB,2CL,2BSN,2HN,2TRPT,TMP,STRINGS. CONTEMPORARY SETTING OF THE PRIZE WINNING WORK. A BIG CHALLENGE FOR THE VERY GOOD C/U GROUP.
KALLSTENIUS, EDVIN	DIVERTIMENTO, OP 29	WOODWIND QUINTET	SMIC	1943	15 MIN	M/H	C/U	THREE MOVEMENTS OF PLAYABLE MUSIC WITH NO SURPRISES FROM A GOOD COMPOSER.
KALLSTENIUS, EDVIN	KLARINETT-KVINTETT, OP 17	CLARINET & STRING QUARTET	SUECIA	1930	EST 11-12 MIN	H	C/U	NOT A CLARINET SOLO - EVERYBODY WORKS! THREE MOVEMENTS THAT CAN STAND ALONE.
KALLSTENIUS, EDVIN	SVIT, OP 23	WIND ENSEMBLE	SMIC	1938	12 MIN	M	C/U/HS	2FL,2CL,2OB,2BSN,2HN,2TRPT,2TRB,TMP. 1 MARSCH, 2 POLONAISE, 3 MARCHFUNEBRE, 4 BURLESK. BEST PLAYED ONE ON A PART.
KARKOFF, INGVAR	CHANT	SAXOPHONE AND ORGAN	SMIC	1997	3 MIN	E/M	C/U/HS	AS. NICE, FLOWING LINE FOR THE ALTO SAXOPHONE WITH MILD PUNCTUATION BY THE ORGAN. IN A ROOM WITH GOOD ACOUSTICS, THIS SHOULD BE QUITE A HAUNTING EXPERIENCE.
KARKOFF, INGVAR	CONCERTO FOR TRUMPET & SYMPHONIC BAND	TRUMPET & BAND	SMIC	2002	18 MIN.	H	C/U	2FL (PIC),2OB (ENGHN),EbCL,3CL,BASCL,2BSN,2AS.TS,BS,4HN,4TRB,2TBA,3PERC,PIANO,STRBS. SOLO TRUMPET IN C. ONE LONG PIECE, ACCOMPANIMENT PARTS ARE INTERESTING, THE TRPT SOLO IS VERY PLAYABLE AND THE WORK DESERVES PERFORMANCES.
KARKOFF, INGVAR	DREAM	WIND ENSEMBLE	SMIC	2000	11 MIN, 30 SEC	H	C/U	FL,OB,BSN,3CL,3TRPT,2HN,3TRB,EUP,TBA,SRBS,DRUM SET. INTENDED FOR THE SMALL BAND OR WIND ENSEMBLE. WRITTEN AS MOVIE MUSIC AFTER A ROBERTO CANALES FILM. EPISODIC, WITH SHORT SCENES, ETC.
KARKOFF, INGVAR	MEDITATION I, II, III	VIOLA & PIANO	SMIC	1992	9 MIN	M	HS/JHS	THREE MOVEMENTS. VERSIONS FOR ALTO FLUTE, CLARINET AND ALTO SAXOPHONE. IF YOU WANT TO PLAY THIS WORK, NEED GREAT PIANO PLAYER. THE VIOLA FLOATS ON TOP OF A LOT OF PIANO NOTES IN THE FIRST MOVEMENT, THEN JOINS IN THE FUN IN THE SECOND. THIRD MOVEMENT SLOW AND SERIOUS.
KARKOFF, INGVAR	NATTSTYCKEN (NIGHT PIECES)	FLUTE(ALTO) & HARP	SMIC	1989		H	C/U	FOUR MOVEMENTS FOR AN UNUSUAL COMBINATION. WORK NEEDED BUT NO SPECIAL PROBLEMS.
KARKOFF, INGVAR	PROCESS	BAND	SMIC	1980	12 MIN	H	C/U	PIC,4FL,3CL,2OB,2BSN,3HN,4TRPT,3TRB,TBA,5PERC,PIANO. ESOTERIC WITH SOME NONTRADITIONAL NOTATION, RHYTHMIC CHALLENGES, FINE PERCUSSION PARTS. UNUSUAL INSTRUMENTATION.
KARKOFF, INGVAR	SOMMARMUSIK FOR SAXOFONKVARTETT	SAXOPHONE QUARTET	SMIC	2004	9 MIN 30 SEC	E/M	C/U/HS	SS,AS,TS,BS. THREE CONNECTED MOVEMENTS. PLAYABLE MUSIC BY MOST YOUNG QUARTETS. NO SPECIAL PROBLEMS.
KARKOFF, MAURICE	6 PEZZI BREVI, OP 113	OBOE ALONE	GEHRMANS	1977		M	C/U/HS	SIX SHORT SECTIONS: 1. MEDITAZIONE, 2. PASTORALE, 3. SCHERZETTO, 4. CANZONETTA, 5. CAPRICCIO, 6. CONTEMPLAZIONE. MUSICAL AND PLAYABLE.
KARKOFF, MAURICE	A SHORT SYMPHONY FOR SYMPHONIC BAND, OP 147	BAND	SMIC	1981	14 MIN	H	C/U	PIC,FL,4CL,BCL,OB,2BSN,AS,TS,2HN,2COR,2TRPT,2TRB,EUP,TBA,2PERC, TMP,SB. 3 MOVEMENTS. MOVEMENTS 1 & 3 HAVE RHYTHMIC COMPLEXITY. GOOD SCORE.
KARKOFF, MAURICE	CEREMONIMUSIK NR 1, OP 134	BAND	SMIC	1977	4 MIN	H	C/U	3FL,EbCL,6CL,AS,TS,BS,4HN,6COR,3TRB,2EUP,2TBA,2PERC,TMP. NOTE INSTRUMENTATION! FREQUENT METER CHANGES IN A PLAYABLE SCORE.
KARKOFF, MAURICE	CONCERTO, OP 132	TRUMPET & ORCHESTRA	SMIC	1976	20 MIN	H	C/U	FL,CL,BCL,OB,BSN,2HN,TRB,4PERC,STRINGS. FOUR MOVEMENT WORK FOR THE VERY BEST. STRAIGHT AHEAD AND HARD FOR BOTH SOLOIST AND ORCHRSTRA. RENTAL ONLY.
KARKOFF, MAURICE	KORTA VARIATIONER, OP 9	STRING ORCHESTRA	SUECIA	1963	EST 9 1/2 MIN	M	C/U	EIGHT SHORT MOVEMENTS FOR QUARTET OR STRING ORCHESTRA. MUCH VARIETY AND INTEREST BUT FEW PROBLEMS FOR PERFORMANCE. SCORE FOR SALE, PARTS RENTAL.
KARKOFF, MAURICE	KORTA VARIATIONER, OP 9	STRING QUARTET	SUECIA	1963	EST 9 1/2 MIN	M	C/U	EIGHT SHORT MOVEMENTS FOR QUARTET OR STRING ORCHESTRA. MUCH VARIETY AND INTEREST -- FEW PROBLEMS FOR PERFORMANCE.
KARKOFF, MAURICE	KVARTETT FOR MASSINGSBLASARE, OP 33	BRASS QUARTET	SUECIA	1973	14 MIN	H	C/U	FOUR MOVEMENTS THAT CAN STAND ALONE. MIXED METER. NEEDS REHEARSAL. 2TRPT,HN,TRB. COMFORTABLE CHALLENGE.
KARKOFF, MAURICE	POEM (DROMMERI), OP 165	CLARINET & PIANO	SMIC	1988	17 MIN	H	C/U	A LONG, ONE MOVEMENT WORK WITH CHALLENGES TO GO AROUND. RHYTHMIC COMPLEXITY.
KARKOFF, MAURICE	POEM (DROMMERI), OP 166	SAXOPHONE(ALTO) & PIANO	SMIC	1988	17 MIN	H	C/U	A LONG, ONE MOVEMENT WORK WITH CHALLENGES TO GO AROUND. RHYTHMIC COMPLEXITY.
KARKOFF, MAURICE	POEM (DROMMERI), OP 166	VIOLA & PIANO	SMIC	1988	17 MIN	H	C/U	A LONG, ONE MOVEMENT WORK WITH CHALLENGES TO GO AROUND. RHYTHMIC COMPLEXITY.
KARKOFF, MAURICE	TRE COLORI, OP 142	STRING ORCHESTRA	GEHRMANS	1978	5 MIN	H	C/U	THREE MOVEMENTS, MIXED METER , PARTS PLAYABLE.
KARLSSON, SVANTE/STIG GUSTAFSON	MALM-GUTTEN (MARCH)	BAND	LEMA	1986	2 MIN 40 SEC	E/M	HS/JHS	GOOD SCORING FOR INCOMPLETE BANDS, 6/8 MARCH, CLEAN SCORE. PARTS ARE MARCH SIZE. STANDARD INSTRUMENTATION.
KEMPE, HARALD	SERENAD	OBOE & PIANO	SMIC	1945	11 1/2 MIN	M	C/U/HS	1. MARCIETTA, 2. ARIA, 3. CANZONETTA QUASI MINUETTO, 4. MARCIA BURLESKA. MOVEMENTS CAN STAND ALONE. STRAIGHT AHEAD MATERIAL.
KOCH, ERLAND VON	AUDA	BRASS QUINTET	PEER	1981	10 MIN	M	C/U	THREE MOVEMENTS THAT CAN STAND ALONE. ITS STRAIGHT AHEAD.
KOCH, ERLAND VON	CANTILENA - VIVO	SAXOPHONE QUARTET	GEHRMANS	1978	4 1/2 MIN	E/M	C/U/HS	S.A.T.B. CONTEST, RECITAL OF PLAYABLE AND GOOD MATERIAL.
KOCH, ERLAND VON	CANTILENA E MARCIA POPULARE NO.1	STRING ORCHESTRA	GEHRMANS	1978	5 MIN	E	C/U/HS	GOOD COMPOSER OF MUSIC THAT IS PLAYABLE AND WORTHWHILE FOR SCHOOL ENSEMBLES.
KOCH, ERLAND VON	CAPRICIETTO	FLUTE & PIANO	SMIC	1992	est. 2 min	M	C/U/HS	OTHER THAN SOME VERY HIGH REGISTER PLAYING, THIS IS VERY PLAYABLE MUSIC. PIANO ACCOMPANIMENT IS NOT HARD, BUT APPROPRIATE.
KOCH, ERLAND VON	DANS NO 2	CELLO & PIANO	NORDISKA	1938	CA 3 MIN	M/H	C/U	STRAIGHT AHEAD RECITAL TYPE PIECE.
KOCH, ERLAND VON	DANS NO 2	VIOLIN & PIANO	NORDISKA	1938	CA 3 MIN	M/H	C/U	STRAIGHT AHEAD RECITAL TYPE PIECE.
KOCH, ERLAND VON	FESTMARSCH	ORCHESTRA	SMIC	1974	4 1/2 MIN	M/H	C/U/HS	PIC,2FL,2CL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,PERC,TMP,STRINGS. A SLOW CONCERT MARCH MARKED MM=80. GOOD SCORE. RENTAL ONLY.
KOCH, ERLAND VON	FOLKLIG MARSCH NR 2	STRING ORCHESTRA	SMIC	1983	EST 3 MIN	E	C/U/HS	FOLK TUNE & STRAIGHT AHEAD. VLN 3 SUB FOR VIOLA IF NEEDED. NICE AND EASY. RENTAL ONLY.
KOCH, ERLAND VON	MELO-RITMO	BRASS QUINTET	GEHRMANS	1980	6 MIN	M/H	C/U	IT WORKS AND IS VERY PLAYABLE. TWO MOVEMENTS.
KOCH, ERLAND VON	MELODI	FLUTE & PIANO	SMIC	I992	est. 2 min 15 sec	E/M	C/U/HS	THE COMPOSER SUGGESTS THAT THE WORK MAY BE PLAYED BY ANY TREBLE CLEF INSTRUMENT. HE ALSO WRITES THAT IT CAN BE PLAYED SUCCESSFULLY WITHOUT PIANO ACCOMPANIMENT.
KOCH, ERLAND VON	"MINIATYRER" FOR SAXOPHONE QUARTET	SAXOPHONE QUARTET	BREITKOPF & HÄRTEL	1970		M/H	C/U/HS	S.A.T.B. FOUR MOVEMENTS OF VERY PLAYABLE MATERIAL IN GOOD RANGES FOR THE INSTRUMENTS.
KOCH, ERLAND VON	MONOLOG NR 1	FLUTE ALONE	GEHRMANS	1977	6 MIN	M/H	C/U/HS	TWO MOVEMENTS OF PLAYABLE CHALLENGE BY A GOOD COMPOSER.
KOCH, ERLAND VON	MONOLOG NR 11	PERCUSSION ALONE	GEHRMANS	1978		M/H	C/U	MANY INSTRUMENTS AND EXCELLENT FOR RECITAL.
KOCH, ERLAND VON	MONOLOG NR 15	VIOLIN ALONE	GEHRMANS	1978	5 1/2 MIN	M/H	C/U/HS	RECITAL OR STUDIO MATERIAL. GOOD UNDERSTANDING OF THE INSTRUMENT DISPLAYED BY THE COMPOSER.
KOCH, ERLAND VON	MONOLOG NR 2	OBOE ALONE	GEHRMANS	1977	6 MIN	M	C/U/HS	TWO MOVEMENTS OF PLAYABLE, STRAIGHT AHEAD MATERIAL.
KOCH, ERLAND VON	MONOLOG NR 3	CLARINET ALONE	GEHRMANS	1977	6 MIN	M	C/U	TWO MOVEMENTS OF MODEST CHALLENGE BY A GOOD COMPOSER. ALSO FOR Eb CLARINET AND BASS CLARINET.
KOCH, ERLAND VON	MONOLOG NR 4	SAXOPHONE ALONE	GEHRMANS	1977	5 1/2 MIN	M	C/U/HS	TWO MOVEMENTS OF MODEST CHALLENGE BY A GOOD COMPOSER AND DEDICATED TO SIGRUD RACSHER.
KOCH, ERLAND VON	MONOLOG NR 6	HORN ALONE	GEHRMANS	1977	6 MIN	H	C/U	TWO MOVEMENTS USING EXTREME RANGES. MOVEMENT 1 IS EXPRESSIVE AND 2 MOVES.
KOCH, ERLAND VON	MONOLOG NR 7	TRUMPET ALONE	GEHRMANS	1977	5 MIN	M	C/U	TWO MOVEMENTS USING MODEST RANGE. MUSICALLY CHALLENGING.
KOCH, ERLAND VON	MONOLOG NR 8	TROMBONE ALONE	GEHRMANS	1977	6 MIN	H	C/U	STUDY MATERIAL OR FIRST SOLO ALONE. 2 MOVEMENTS, TO HIGH C.
KOCH, ERLAND VON	MONOLOG NR 9	TUBA ALONE	GEHRMANS	1977	2 1/2 MIN	M/H	C/U/HS	TWO MOVEMENTS WITH HIGH TESSITURA, BUT OSSIA PARTS AVAILABLE.
KOCH, ERLAND VON	PIANO CONCERTO NR 3 (VERSION B)	BAND & PIANO	SMIC	1970	14 MIN	M/H	C/U	PIC,2FL,4CL,BCL,2OB,2BSN,AS,2TS,2HN,2COR,2TRPT,3TRB,EUP,TBA,3PERC,TMP,SB. THREE MOVEMENT OPPORTUNITY FOR THE FACULTY PIANIST OR TOP STUDENT PERFORMER. BAND DEMANDS ARE MODEST.
KOCH, ERLAND VON	RONDO	SAXOPHONE(ALTO) & STRING ORCH	DORN PUBLICATIONS	1983	CA 4 MIN	M	C/U/HS	VERY PLAYABLE BY A GOOD COMPOSER.
KOCH, ERLAND VON	RONDO	ALTO SAXOPHONE & STRING ORCHESTRA	SMIC	1983	CA 4 MIN	M	C/U/HS	VERY PLAYABLE BY A GOOD COMPOSER. RENTAL ONLY.
KOCH, ERLAND VON	SAXOPHONIA	SAXOPHONE QUARTET & BAND	DORN PUBLICATIONS	1976	18 MIN	M	C/U/HS	PIC,2FL,2CL,BCL,2OB,2BSN,AS,TS,BS,2TRPT,2TRB,EUP,TBA,3PERC,TMP,SB,SS. THREE MOVEMENTS COMPOSED FOR THE RASCHER QUARTET. NO SURPRISES.
KOCH, ERLAND VON	TROMBONIA	TROMBONE & ORGAN	SMIC	1983	CA 5 MIN	H	C/U	ONE MOVEMENT, MODERATO, SOME HIGH REGISTER. STRING ORCHESTRA PARTS AVAILABLE.
KOCH, ERLAND VON	TUBA CONCERTO	TUBA & STRING ORCHESTRA	GEHRMANS	1978	14 MIN	H	C/U	THREE MOVEMENTS AND PLAYABLE. SUGGEST ALSO FOR EUPHONIUM. SCORE FOR SALE, PARTS RENTAL.
KOCH, ERLAND VON	TUBA CONCERTO	TUBA & PIANO	GEHRMANS	1978	14 MIN	H	C/U	THREE MOVEMENTS AND PLAYABLE. SUGGEST ALSO FOR EUPHONIUM. STRING ORCHESTRA PARTS AVAILABLE.
KOCH, ERLAND VON	TUBANIA	TUBA & PIANO	SMIC	1983		H	C/U	EXTREME HIGH REGISTER FOR TUBA. IT LAYS WELL FOR THE EUPHONIUM. GOOD SCORE. ONE MOVEMENT.
KOCH, ERLAND VON/ERNST KALLBERG	RYTMISKA STRAKBAGATELLER`FYRA STYCKEN FOR RHTHMISK	STRING ORCHESTRA	GEHRMANS	1979	10 MIN	M	C/U/HS	THREE MOVEMENTS FROM 'FYR STYCKEN FUR RHTMISKA FOR PIANO.' LOTS OF DIVISI.
KOCH, ERLAND VON/GOSTA MORBERG	EN SOMMARLAT	WOODWIND ENSEMBLE	GEHRMANS	1979		M	C/U	2 FL, 2 OB, 2CL, 2 HN, 2 BSN. MOSTLY STRAIGHT AHEAD MATERIAL.
KRAFT, ALVAR & ARNE PARSON/MATS OLSSON	EN FATTIG TRUBADUR	BAND	EHRLING	1978	EST 3 MIN	E	HS/JHS	2FL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA,PERC, TMP,SB. SOME SCORE PROBLEMS. HIGH NOTES IN THE TROMBONE PART.
LARSSON GOTHE, MATS	CIELO	ORCHESTRA	SMIC	2003	12 MIN	H	C/U	2FL(PIC),2OB,EH,2CL,BCL,2BSN,CBSN,4HN,3TRPT,3TRB,TBA,4PERC,CELESTA,HARP,STRINGS. SEVERAL MUTES FOR THE BRASS. COMPOSED FOR THE ROYAL STOCKHOLM PHILHARMONIC ORCH. PROFESSIONAL MUSIC POSSIBLE BY FINE C/U GROUPS.
LARSSON GOTHE, MATS	CLOCKWORKS	BRASS QUINTET & BAND	SMIC	1992	10 MIN. 30 SEC	H	C/U	HARD FOR THE BAND AS WELL AS THE QUINTET. MANY CHANGES OF METER FROM THIS IMPORTANT SWEDISH COMPOSER. BOTH QUINTET AND BAND WILL HAVE TO WORK TO MAKE THIS PRESENTABLE. BUT, THE AUDIENCE WILL BE REWARDED. BIG WORK!
LARSSON GOTHE, MATS	GOPAK	SAXOPHONE QUARTET	REIMERS	1994	EST 8 MIN	H	C/U	SS,AS,TS,,BS. ANOTHER FINE SWEDISH COMPOSER WHO WRITES FOR THE SAXOPHONE QUARTET AND WRITES VERY WELL. THIS IS VERY HARD, BUT LOGICAL AND PLAYABLE WITH ATTENTION TO DETAIL MIXED METER, ETC. GOOD WORK!
LARSSON GOTHE, MATS	HILLBORG-VARIATIONERNA	BRASS QUINTET	SMIC	1996	12 MIN	H	C/U	USUAL INSTRUMENTATION - TRUMPETS IN C. ONE LONG PIECE WITH NUMEROUS CHANGES OF TEMPO AND STYLE. FINE COMPOSER WHO WROTE THIS FOR A PROFESSIONAL ENSEMBLE. MUTES NEEDED FOR TRUMPET AND TROMBONE.
LARSSON GOTHE, MATS	LAST CALL BEFORE CLOSING	TROMBONE ALONE	SMIC	1993	4 MIN.	M/H	C/U	A CHANCE FOR THE TROMBONIST TO SHOW HIS INTERPRETIVE AND MUSICAL SKILLS. DYNAMICS, RHYTHMIC ACCENTS, SOME MIXED METER, A NICE BIG PEDAL Bb ONE TIME AND A FEW OTHER THINGS TO MAKE IT INTERESTING FOR PLAYER AND AUDIENCE.
LARSSON GOTHE, MATS	LUNAIRE FOR STRING ORCHESTRA	STRING ORCHESTRA	SMIC	1999/2000	15 MIN	H	C/U	THIS IS AS THE UPPER END OF THE DIFFICULTY LEVEL FOR THE C/U GROUPS. A LOT OF DIVISI AND NOTES FROM AN EXCELLENT SWEDISH COMPOSER. BE SURE TO CHECK OUT ANYTHING HE COMPOSES!
LARSSON GOTHE, MATS	PAESAGGI DI WAHLBERG	SAXOPHONE QUARTET	SMIC	2000	16 MIN	H	C/U	SS,AS,TS,BS. DIFFICULT!! GREAT SAX QUARTETS IN SWEDEN, SO THE DEMANDS BY THE COMPOSERS IS HIGH. 6 MOVEMENTS: CITY LANDSCAPE, GREY INTERIOR, EVENING LANDSCAPE, FANTASY LANDSCAPE AND MAGIC MUFFLER’S FIAT. NOT IMPOSSIBLE BY THE HIGHEST LEVEL SAXOPHONE QUARTET.
LARSSON GOTHE, MATS	CONCERTO FOR CELLO AND WIND INSTRUMENTS	CELLO & WIND ENSEMBLE	SMIC	1999	23 MIN	H	C/U	PIC),2OB,2CL,2BSN,2HN,2TRPT,2TRB,TBA,MARIMBA. MUTES FOR ALL BRASS. WE LIKE THIS SCORE! NO REAL MOVEMENTS, JUST A FEW BREAKS, USUALLY WHILE THE CELLIST IS PLAYING A CADENZA. THE WORK OPENS WITH A LONG CADENZA. SOME EXCELLENT COMPOSITIONAL IDEAS HERE!
LARSSON GOTHE, MATS	CONCERTO FOR VIOLIN AND WIND INSTRUMENTS	VIOLIN AND BAND	SMIC	2000/2001	20 MIN	H	C/U	2FL,OB,EH,2CL,2BSN,2HN,2TRPT(C),2TRB,TBA,TIMP,GLOCK. THEME AND VARIATIONS. PLAYABLE BY BEST C/U SMALL BANDS OR WIND ENSEMBLES AND VIOLINIST WILLING TO LEARN THE SOLO PART. THIS COMPOSER PRODUCES A BEAUTIFUL, LOGICAL AND DIFFICULT SCORE. YOU WILL LIKE.
LARSSON, CURT	MARCIETTA	BAND	LEMA	1982	5 MIN 40 SEC	E/M	HS/JHS	GOOD CROSS SCORING, NICE 6/8 MARCH. STANDARD INSTRUMENTATION.
LARSSON, HAKAN	AUBADE - NOTTURNO PER 10 CELLI	CELLO ENSEMBLE	SMIC	2001	10 MIN	H	C/U	YES, TEN CELLOS! AND, THEY MUST BE VERY GOOD PLAYERS. EVERYONE GETS IN THE ACT. THERE AR A NUMBER OF CELLO ENSEMBLE PIECES IN THE SMIC LIBRARY NEEDING A VARIETY OF NUMBERS OF CELLOS.
LARSSON, HAKAN	DROMSKARVOR (FRAGMENTS OF DREAMS)	ORCHESTRA	SMIC	2004	15 MIN	H	C/U	PIC,2FL,2OB,2CL,BCL,2BSN,CBSN,4HN,3TRPT,3TRB,TBA,3PERC,HARP,PIANO,STRINGS. DIFFICULT, BUT PLAYABLE FOR C/U ORCHESTRAS. A SUBDUED ENDING, NOT AT THE END OF A CONCERT. COMPOSER HAS OTHER LISTING IN SMIC IN DUBIOUS MS - IF HE PUTS THEM N PRINT, GET THEM! THIS ONE IS PRINT!
LARSSON, HAKAN	LITEN SVIT	STRING BASS & PIANO	SMIC	1991	14 MIN	M/H	C/U	MOVEMENTS: POLKA,INTERMEZZO, VALS, INTERMEZZO II, GIGUE. THE MS IS MARGINAL, IF YOU HAVE AN AVERSION TO READING MS, STAY AWAY. THIS IS A GOOD COMPOSER AND THE SUPPLY OF GOOD MATERIALS FOR THE STRING BASS PLAYER IS LIMITED.
LARSSON, HAKAN	TOCCATA FOR TWO VIOLINS AND STRING ORCHESTRA	VIOLIN & STRING ORCHESTRA	SMIC	2000	6 MIN	M/H	C/U	IT IS MAINLY FOR THE TWO VIOLINIST. THE ACCOMPANIMENT PART IS JUST THAT. JUST LET THE TWO SOLOISTS DO IT! CONTEMPORARY HARMONIES.
LARSSON, LARS-ERIK	CONCERTINO FOR TROMBONE, OP 45 NR 7	TROMBONE & PIANO	GEHRMANS	1957	11 MIN	H	C/U	STANDARD LITERATURE FOR COLLEGE TROMBONE PLAYER, STRING ORCHESTRA PARTS AVAILABLE.
LARSSON, LARS-ERIK	CONCERTINO, OP 45 NR 1	FLUTE & PIANO	GEHRMANS	1957	10 MIN	M/H	C/U	THREE MOVEMENTS WITH STRING ORCHESTRA PARTS AVAILABLE. WORTHY MUSIC.
LARSSON, LARS-ERIK	CONCERTINO, OP 45 NR 1	FLUTE & STRING ORCHESTRA	GEHRMANS	1957	10 MIN	M/H	C/U	THREE MOVEMENTS. EXCELLENT COMPOSER AND MOST WORTHY MUSIC.
LARSSON, LARS-ERIK	CONCERTINO, OP 45 NR 10	CELLO & PIANO	GEHRMANS	1957	11 MIN	M/H	C/U	THREE MOVEMENTS WITH STRING ORCHESTRA PARTS AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT.
LARSSON, LARS-ERIK	CONCERTINO, OP 45 NR 10	CELLO & STRING ORCHESTRA	GEHRMANS	1957	11 MIN	M/H	C/U	THREE MOVEMENTS WITH PIANO REDUCTION AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT.
LARSSON, LARS-ERIK	CONCERTINO, OP 45 NR 11	STRING BASS & PIANO	GEHRMANS	1957	12 MIN	H	C/U	THREE MOVEMENTS WITH STRING ORCHESTRA PARTS AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT.
LARSSON, LARS-ERIK	CONCERTINO, OP 45 NR 11	STRING BASS & STRING ORCHESTRA	GEHRMANS	1957	12 MIN	H	C/U	THREE MOVEMENTS WITH PIANO REDUCTION AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT.
LARSSON, LARS-ERIK	CONCERTINO, OP 45 NR 2	OBOE & PIANO	GEHRMANS	1957	9 1/2 MIN	M/H	C/U	THREE MOVEMENTS WITH STRING ORCHESTRA PARTS AVAILABLE. WORTHY MUSIC.
LARSSON, LARS-ERIK	CONCERTINO, OP 45 NR 2	OBOE & STRING ORCHESTRA	GEHRMANS	1957	9 MIN 30 SEC	M/H	C/U	THREE MOVEMENTS WITH PIANO REDUCTION AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT.
LARSSON, LARS-ERIK	CONCERTINO, OP 45 NR 3	CLARINET & PIANO	GEHRMANS	1957	12 1/2 MIN	M/H	C/U	THREE MOVEMENTS, STRING ORCHESTRA PARTS AVAILABLE FOR ACCOMP. RECITAL OR CONCERT. GOOD MATERIAL.
LARSSON, LARS-ERIK	CONCERTINO, OP 45 NR 3	CLARINET & STRING ORCHESTRA	GEHRMANS	1957	12 1/2 MIN	M/H	C/U	THREE MOVEMENTS, STRING ORCHESTRA PARTS AVAILABLE FOR ACCOMP. RECITAL OR CONCERT. GOOD MATERIAL.
LARSSON, LARS-ERIK	CONCERTINO, OP 45 NR 4	BASSOON & PIANO	GEHRMANS	1957	11 MIN	M/H	C/U	THREE MOVEMENTS ARE ATTACCA. STRING ORCHESTRA PARTS AVAILABLE. RECITAL OR CONCERT. GOOD MATERIAL.
LARSSON, LARS-ERIK	CONCERTINO, OP 45 NR 4	BASSOON & STRING ORCHESTRA	GEHRMANS	1957	11 MIN	M/H	C/U	THREE MOVEMENTS WITH PIANO REDUCTION AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT.
LARSSON, LARS-ERIK	CONCERTINO, OP 45 NR 5	HORN & PIANO	GEHRMANS	1957	13 MIN	M/H	C/U	THREE MOVEMENTS OF MATERIAL TO GIVE THE MOZART SONATAS A LITTLE REST.
LARSSON, LARS-ERIK	CONCERTINO, OP 45 NR 5	HORN & STRING ORCHESTRA	GEHRMANS	1957	11 MIN	M/H	C/U	THREE MOVEMENTS WITH PIANO REDUCTION AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT.
LARSSON, LARS-ERIK	CONCERTINO, OP 45 NR 6	TRUMPET & STRING ORCHESTRA	GEHRMANS	1957	8 MIN	M	C/U	THREE MOVEMENTS WITH PIANO REDUCTION AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT. BAND ACCOMPANIMENT ALSO AVAILABLE.
LARSSON, LARS-ERIK	CONCERTINO, OP 45 NR 7	TROMBONE & STRING ORCHESTRA	GEHRMANS	1957	11 MIN	H	C/U	THREE MOVEMENTS WITH PIANO REDUCTION AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT. BAND ACCOMPANIMENT ALSO AVAILABLE.
LARSSON, LARS-ERIK	CONCERTINO, OP 45 NR 8	VIOLIN & PIANO	GEHRMANS	1957	12 1/2 MIN	M/H	C/U	THREE MOVEMENTS WITH STRING ORCHESTRA PARTS AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT.
LARSSON, LARS-ERIK	CONCERTINO, OP 45 NR 8	VIOLIN & STRING ORCHESTRA	GEHRMANS	1957	12 MIN 30 SEC	M/H	C/U	THREE MOVEMENTS WITH PIANO REDUCTION AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT.
LARSSON, LARS-ERIK	CONCERTINO, OP 45 NR 9	VIOLA & PIANO	GEHRMANS	1957		M/H	C/U	THREE MOVEMENTS WITH STRING ORCHESTRA PARTS AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT.
LARSSON, LARS-ERIK	CONCERTINO, OP 45 NR 9	VIOLA & STRING ORCHESTRA	GEHRMANS	1957		M/H	C/U	THREE MOVEMENTS WITH PIANO REDUCTION AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT.
LARSSON, LARS-ERIK	GUSTAVIANSK SVIT, OP 28	STRING ORCHESTRA	SMIC			E/M	C/U/HS	FIVE MOVEMENTS THAT ARE ACCESSIBLE AND PLAYABLE. RENTAL ONLY.
LARSSON, LARS-ERIK	IN MEMORIAM	STRING ORCHESTRA	GEHRMANS	1969	6 MIN	M	C/U/HS	A CONTEMPLATIVE PIECE BY A FINE COMPOSER. PLEASANT CHALLENGE FOR THE STRINGS.
LARSSON, LARS-ERIK	SONATIN	VIOLIN & PIANO	GEHRMANS	1984		M/H	C/U	THREE MOVEMENTS. IDEAL FOR THE COLLEGE RECITAL OR CONCERT.
LARSSON, LARS-ERIK	STRAKKVARTETT NR 1, OP 31	STRING QUARTET	MUSIKALISKA KONSTFORENINGEN	1956		M/H	C/U	THREE MOVEMENTS. IDEAL FOR THE COLLEGE RECITAL OR CONCERT.
LARSSON, LARS-ERIK/MARK F. WALKER	CONCERTINO FOR TROMBONE, OP 45 NR 7	TROMBONE & BAND	GEHRMANS	1979	11 MIN	M	C/U	3CL,BCL,OB,2BSN,4HN,3TRPT,3TRB,EUP,2TBA,CONTRA CL IN Eb OR SB. FINE SCORING OF THIS EXCELLENT SOLO MAKES THIS VERY PLAYABLE AND USEABLE.
LARSSON, LARS-ERIK/OWE GREEN	MELODI	BAND	EHRLING	1980	EST 3+MIN	M	C/U/HS	2FL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA,2PERC, SB. A 3/4 MELODY. FINE COMPOSER AND ARRANGER. SCORE IS IN MS PARTS PRINTED. HAS THAT 'SWEDISH' FEEL.
LARSSON, LARS-ERIK/STIG GUSTAFSON	CONCERTINO FOR TRUMPET, OP 45 NR 6	TRUMPET & BAND	GEHRMANS	1979	8 MIN	M	C/U	2FL,3CL,BCL,OB,2BSN,AS,TS,BS,4HN,3COR,3TRB,EUP,TBA,2PERC,TMP,SB. GOOD ARRANGEMENT BY LEADING SWEDISH ARRANGER OF A FINE TRUMPET SOLO.
LARSSON, LARS-ERIK/STIG GUSTAFSON	INTERMEZZO AND EPILOGUE (FROM THE WINTER'S TALE)	BAND	GEHRMANS	1978		M	C/U/HS	PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP, 2TBA,2PERC,TMP,SB. TWO NICE PIECES FROM A FINE COMPOSER AND ARRANGER.
LARSSON, LARS-ERIK/STIG GUSTAFSON	ROMANS FROM PASTORAL SUITE	BAND	GEHRMANS	1988	5 MIN	E/M	C/U/HS	PIC,2FL,EbCL,3CL,ACL,BCL,2OB,BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB, EUP,TBA,PERC,SB. PLAYABLE BY THE SMALLER, INCOMPLETE BAND. FINE COMPOSER & EXCELLENT ARRANGER.
LEVITT, VLADIMIR	CONCERTO FOR STRING ORCHESTRA	STRING ORCHESTRA	SMIC	2002	19 MIN	M	C/U	IN TWO MOVEMENTS. GOOD MS TO READ. NO GREAT PROBLEMS TO MAKE THIS SOUND. NO DIVISI, BUT THE COMPOSER RECOMMENDS 6 - 5 - 4 - 3 - 1 PEOPLE FOR THE PARTS, VIOLIN I - STRING BASS. ALSO SEE THIS COMPOSER’S CONCERTO GROSSO NO. 3 FOR STRING ORCHESTRA.
LILJA, BERNHARD	LITEN HUMORESK	WOODWIND QUARTET	SMIC		EST 3+MIN	E	C/M/HS	A LITTLE PIECE, A LITTLE FUN, NO PROBLEMS. FL,OB,CL,BSN.
LILJEFORS, RUBEN (1871-1936)	OUVERTURE	ORCHESTRA	SMIC			M	C/M/HS	2FL,2CL,2OB,2BSN,4HN,2TRPT,3TRB,TMP,STRINGS. EXCELLENT FOR THE HS OR COLLEGE ORCHESTRA. SCORE IS MS BUT READABLE. PARTS LAY WELL. RENTAL ONLY.
LILJEHOLM, THOMAS	ADJACENT TRACKS	VIOLIN AND BAND	SMIC	2004	18 MIN	H	C/U	PIC,2FL,2OB,EbCL,3CL,BCL,2BS, (BSN),4HN,4TRPT,4TRB,2TBA,4PERC. FOR THE C/U BAND AND A STUDENT VIOLINIST OR GUEST SOLOIST. PLAYABLE, WE LIKE PARTS FEATURING FOUR HORNS. PERCUSSION HAS A LOT OF NICE PLAY. ONE MOVE. IN GOOD MS WITH MIXED METER.
LILJEQUIST, BJORN	FANTASY FOR PERCUSSION ENSEMBLE	PERCUSSION ENSEMBLE	BUSCH	1984	CA 6 MIN	H	C/U	WELL LAID OUT FOR TIMPANI AND NON-TUNED INSTRUMENTS. 5 PLAYERS.
LILJEQUIST, BJORN	IL CALAMARO	PERCUSSION ALONE	BUSCH	1986		H	C/U	FOR THE OUTSTANDING COLLEGE PERCUSSIONIST!
LILJEQUIST, BJORN	THREE AFRICAN DANCES	PERCUSSION ENSEMBLE	BUSCH	1988	EST 6 MIN	E/M	C/U/HS	FOUR OR MORE PERCUSSIONISTS. THREE MOVEMENTS: NAIROBI, WEDDING DANCE OF THE PYGMIES, FESTIVAL DANCE FROM THE CONGO - ANGOLA. SOME`HOME MADE' INSTRUMENTS AND OTHER UNUSUAL INSTRUMENTS.
LINDBERG, NILS	BALLAD FRAN MOCKFJARD	TRUMPET & STRING ORCHESTRA	NORDISKA	1974	EST 6 MIN	M	C/U	FOLK TUNE SOUNDED BY THE TRUMPET, FOLLOWED BY STRINGS IN HARMONY, THEN TRUMPET IMPROVISATION WITH DRUM SET & STRINGS.
LINDBERG, NILS	BLUES FOR BILL	STAGE BAND	NORDISKA	1980		M	C/U/HS	LOTS OF PLACE FOR IMPROVISATION, WRITES WELL FOR THE SAXOPHONES.
LINDBERG, NILS	CONCERTO FOR TRUMPET, TROMBONE AND ORCHESTRA	TRUMPET, TROMBONE & ORCHESTRA	GEHRMANS	1991	15 MIN	H	C/U	2FL,2OB,2CL,2BSN,2HN,3TRPT,3TRB,MUCH PERCUSSION,PIANO,STRINGS AND JAZZ BASS. THIS IS JAZZ. IMPROVISATION FOR THE TWO SOLOISTS AND THE PIANO PLAYER. IN ONE MOVEMENT. SHOULD BE A LOT OF FUN FROM A FINE COMPOSER/ MUSICIAN.
LINDBERG, NILS	FAR AWAY STAR	STAGE BAND	NORDISKA	1984		M	C/U/HS	VOCAL - OR CAN BE AN INSTRUMENTAL SOLO. BALLAD. FINE TUNE!
LINDBERG, NILS	GANGLAT FRAN VASTERDALARNA	ORCHESTRA	NORDISKA	1974	EST 7 MIN	M/H	C/U	PIC,2FL,2CL,CL SOLO,BCL,2OB,EH,2BSN,4HN,3TRPT,3TRB,TBA,PERC, TMP,GUITAR,STRINGS. MARCHING TUNE. CLARINET AND PIANO SOLOS. IMPROVISATION, SWING SECTION, FOLK TUNE. SCORE FOR SALE, PARTS RENTAL.
LINDBERG, NILS	OLD WEDDING TUNE FROM AHL	STAGE BAND	NORDISKA	1985		E/M	C/U/HS	EXCELLENT SCORE OF AN OLD WEDDING MARCH FROM THE AREA OF ÅHL. SOME GOOD BUT TRICKY SAXOPHONE WORK.
LINDBERG, NILS	POLSKA WITH A TRUMPET	STAGE BAND	NORDISKA	1983		M/H	C/U/HS	USUAL INSTRUMENTATION PLUS 2 FLUTES & 2 HORNS. SOLO TRUMPET WRITTEN AND IMPROVISATION. FINE ARRANGER.
LINDBERG, NILS	ROLF BILLBERG IN MEMORIUM	STAGE BAND	NORDISKA	1985		H	C/U/HS	LONG CHART, CONCERT FEATURE, TRPT 2 AND PIANO SOLOS, SPECIAL RHYTHMIC PROBLEMS IN A VERY SLOW TEMPO.
LINDBERG, NILS	TORN ERIK'S SONG	STAGE BAND	NORDISKA	1984		M	C/U/HS	BALLAD BASED ON SWEDISH FOLK MELODY. 3/4. SOLOS FOR PIANO, TRPT 2 AND GUITAR.
LINDBERG, NILS	TRUMPET SONG (VISA MED TRUMPET)	STAGE BAND	NORDISKA	1980		M	C/U/HS	A TRUMPET SOLO BASED IN A LARGE PART ON IMPROVISATION.
LINDBERG, NILS & RED MITCHELL	AS YOU ARE (PETRA)	STAGE BAND	NORDISKA	1980		M	C/U/HS	VERY NICE SLOW BALLAD.
LINDBERG, NILS(TRADITIONAL)	SOMETIMES I FEEL LIKE A MOTHERLESS CHILD	STAGE BAND	NORDISKA	1985		M	C/U/HS	VOCALIST NEEDS A GOOD EAR, MUCH WORK WITHOUT BACKUP. NICE CHART.
LINDBERG, OSKAR	GAMMAL FABODPSALM FRAN DALARNA	CELLO & PIANO	NORDISKA	1950	CA 3 MIN	E/M	C/U/HS	SWEDEN'S MOST FAMILIAR FOLK TUNE AND A BEAUTIFUL MELODY!
LINDBERG, OSKAR	GAMMAL FABODPSALM FRAN DALARNA	VIOLIN & PIANO	NORDISKA	1950	CA 3 MIN	E/M	C/U/HS	SWEDEN'S MOST FAMILIAR FOLK TUNE AND A BEAUTIFUL MELODY!
LINDBERG, OSKAR/MOGENS ANDERSEN	GAMMAL FABODPSALM(AN OLD TUNE FROM DALECARLIA)	BRASS QUINTET	NORDISKA	1986	EST 4 MIN	M	C/U	ONE OF SWEDEN'S MOST BEAUTIFUL AND FAMILIAR FOLK SONGS, WELL SCORED.
LINDBERG, OSKAR/STIG GUSTAFSON	GAMMAL FABODPSALM	BAND	LEMA	1979	4 MIN	E/M	C/M/HS	2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP,TBA, SB. ONE OF SWEDEN'S MOST FAMILIAR FOLK MELODIES. WELL SCORED.
LINDE, BO	KONSERTANT MUSIK FOR ORKESTER, OP 27	ORCHESTRA	SMIC	1963	EST 20+MIN	H	C/U	PIC,2FL,2CL,2OB,2BSN,2COR,2TRPT,TRB,PERC,TMP,STRINGS. A WELL RESPECTED SWEDISH COMPOSER IN A THREE MOVEMENT WORK. LINDE LIKES THINGS RHYTHMIC. RENTAL ONLY.
LINDE, BO	LITEN KONSERT, OP 35	WOODWIND QUINTET & STRING ORCH	SMIC	1967	EST 12+MIN	H	C/U	FOUR MOVEMENTS WITH LINDE'S USUAL RHYTHMIC INTEREST. RENTAL ONLY.
LINDE, BO	MINIATUR-SUITE (IN MODO BAROCCO)	OBOE & PIANO	BUSCH	1974	10 MIN 15 SEC	M	C/U	FOUR MOVEMENTS: INTRADA, BOURÉE, ARIA, GIGUE. ALSO AVAILABLE WITH STRING ORCHESTRA.
LINDE, BO	MINIATUR-SUITE (IN MODO BAROCCO)	OBOE & STRING ORCHESTRA	BUSCH	1974	10 MIN 15 SEC	M	C/U	FOUR MOVEMENTS: INTRADA, BOURÉE, ARIA, GIGUE. ALSO AVAILABLE WITH PIANO REDUCTION.
LINDE, BO	PRELUDIO E FINALE, OP 16	STRING ORCHESTRA	SMIC	1955	EST 7+MIN	H	C/U	A MAJOR WORK FROM A FINE COMPOSER. LARGE NUMBERS ARE NOT NEEDED FOR SUCCESSFUL PERFORMANCE. LISTENER INTEREST. SOME METRIC MANIPULATIONS. RENTAL ONLY.
LINDE, BO	SONATE	VIOLIN & PIANO	BUSCH	1972	25 MIN	H	C/U	THREE MOVEMENTS THAT ARE A COMFORTABLE MUSICAL AND TECHNICAL CHALLENGE.
LINDE, BO	SUITE BOULOGNE	ORCHESTRA	SMIC	1966	12 MIN 40 SEC	M/H	C/U	PIC,FL,CL,OB,BSN,HN,TRPT,TRB,PERC,PIANO, STRINGS. SIX SHORT MOVEMENTS OF PLEASING MUSIC FOR THE LISTENER AND PERFORMER. RENTAL ONLY.
LINDGREN, OLOF	DE TRE TRUMPEDORERNA - CONCERT POLKA	TRUMPET TRIO & BAND	BLAS-BASEN	1997	5 MN	M	C/U/HS	A CHANCE FOR THE TRUMPETS TO SHOW OFF IN A COMFORTABLE SETTING. RANGE FOR TRUMPET I TO C AT THE END, OTHERWISE EASILY PLAYABLE RANGES. A GREAT FEATURE WORK. BAND PART IS ACCESSIBLE FOR THE GOOD HS OR COLLEGE BAND.
LINDGREN, OLOF	KONSERTSTYCKE FOR FAGOTT OCH STRAKORKESTER	BASSOON & STRING ORCHESTRA	SMIC	1986	10 MIN	M	C/U/HS	THREE MOVEMENTS OF GOOD MATERIAL THAT ARE PLAYABLE AND ENJOYABLE. RENTAL ONLY.
LINDHOLM AND OTHERS/GUNNAR SVENSSON	FLOTTANS KAVALJERER	STAGE BAND	EHRLING	1978		E/M	C/U/HS	SWING, SCORE IS MESSY, TENOR SOLO AND CAN BE OPENED, HIGH TRB 1 & 2 FOR E/M CHART.
LINDSTEN, RUNE	CONCERTINO FOR TRUMPET	TRUMPET & ORGAN	SMIC	1996	10 MIN	E/M/H	C/U/HS	GOOD MS. THREE MOVEMENTS. THE ADVANCED HS PLAYER SHOULD BE ABLE TO MAKE MUSIC WITH THESE NOTES (TRUMPET TO B ABOVE THE STAFF INFREQUENTLY). THE NATURE OF THE ORGAN PART SUGGESTS THAT IT MAY WORK WITH PIANO ALSO.
LOFBERG, MARIA	DAGSVIT FOR CELLO OCH ORGEL	CELLO & ORGAN	SMIC	2005	EST 8:00	E/M	C/U	MOVEMENTS: MORGON, DAGVISA, AFTON, NATT. GOOD MATERIAL FOR THE CELLIST WITH AN ORGAN ACCOMPANIST AVAILABLE. GOOD LINES FOR THE CELLIST. NO SURPRISES. A NICE ‘DAY SUITE’.
LOFGREN, ALBERT/BIRGER JARL	DANSLATAR FRAN VASTERGOTLAND	BAND	INTERSONG	1982		E/M	HS	2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,2COR,3TRPT,3TRB,EUP, TBA,PERC,SB. 3 MOVEMENTS, LOTS OF NOTES THAT LAY WELL FOR THE INSTRUMENTS. NICE SCORE.
LOFGREN, ALBERT/BIRGER JARL	YRHATTAN/DIAPHONY (THE WHIRLWIND)	BAND	INTERSONG	1982	EST 3 MIN	E/M	HS/JHS	2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,2COR,3TRPT,3TRB,EUP, TBA,PERC,SB. WELL ARRANGED. 2/4 AND IN Bb. VERY PLAYABLE.
LOFGREN, ALBERT/STIG GUSTAFSON	ALVSBORGSLATAR	BAND	GEHRMANS	1981	CA 9 MIN	E/M	C/U/HS	2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP,2TBA, PERC,TMP,SB. GOOD SCORE AND BALANCE, 8 SHORT MOVEMENTS. SOME PARTS OPTIONAL.
LUMBYE, H.C./STIG GUSTAFSON	COLUMBINE POLKA-MAZURKA	BAND	GEHRMANS	1978		E	HS	STANDARD INSTRUMENTATION. FINE ARRANGER. BUT NO FULL SCORE.
LUNDEN-WELDEN,GUNNAR	4 SMABITAR FOR 6 TRABLASARE	WOODWIND ENSEMBLE	SUECIA	1987	EST 6 MIN	M	C/U	3FL, 2CL, 1BSN. FOUR VERY SHORT MOVEMENTS.
LUNDIN, DAG	ARIOSO FROM FJORTON SOLOSTYCKEN	OBOE & PIANO	SMIC	2003	EST 4 MIN	E/M	C/U/HS	FLOWING WORK WITH NICE ACCOMPANIMENT. NO TECHNICAL PROBLEMS TO GET IN THE WAY OF MAKING MUSIC. IF YOU LIKE THIS ONE TRY LUNDIN’S FRAN FRU MUSICAS TRADGARD. A LONGER WORK, BUT VERY GOOD!
LUNDIN, DAG	BOURREE BURLESQUE FROM FJORTON SOLOSTYCKEN	TUBA & PIANO	SMIC	2003	EST 2 MIN	E	C/M/HS	GOOD MANUSCRIPT WITH SUPPORTIVE ACCOMPANIMENT FOR THE YOUNGER SOLOIST. RANGE TO A ON TOP LINE FOR THE BASS CLEF FOR THE TUBA PLAYER.
LUNDIN, DAG	EN LITEN VIOLINKONSERT	VIOLIN & STRING ORCHESTRA	SMIC	2000	EST 14 MIN	M	C/U/HS	MOVEMENTS: APPASSIONATO, SICILIANO, ENERGICO. THIS IS MATERIAL FOR THE ADVANCED HS STUDENT AND ASPIRING C/U STUDENT. SOLO PART IS HIGHLY PLAYABLE AS ARE THE ORCHESTRA PARTS. GOOD STUDENT MATERIAL.
LUNDIN, DAG	FYRA MINIATYRER	SAXOPHONE QUARTET	SMIC	1995	8 MIN 30 SEC	E	C/M/HS	2AS,TS,BA. FOUR SHORT MOVEMENTS THAT ARE VERY PLAYABLE. STARTING WTH A LITTLE MARCH, THEN A GAVOTTE, SICILIANO AND FINALE. THIS COMPOSER SPECIALIZES IN STUDENT MATERIALS THAT ARE TEACHING YET INTERESTING. GOOD MS.
LUNDIN, DAG	INVOCATIO FROM FJORTON SOLOSTYCKEN	HORN & PIANO	SMIC	2003	EST 4 MIN	M	C/U/HS	CLEAN MS OF GOOD RECITAL OR HS CONTEST MATERIAL. CONTRASTING STYLES IN A SHORTER WORK. RANGE TO G ABOVE STAFF. PLAYABLE MUSIC AND NICE FOR THE LISTENER.
LUNDIN, DAG	LOFOT - SUITE FOR ORCHESTRA	ORCHESTRA	SMIC	1999	EST 20+ MIN	M/H	C/U	PIC,2FL,3OB(EH),2CL,BCL,2BSN,4HN,4TRPT,3TRB,TBA,4PERC,HARP,(SOLO VIOLIN), STRINGS. MOVEMENTS: DOWN BY THE SEA, FIDDLERS TUNE, THE ABANDONED CHURCHYARD BY THE SEA, COAST FISHING. THE TITLES OF THE MOVEMENTS GIVE THE IDEA. EXCELLENT PROGRAM MATERIAL - SCORE IS IN A GOOD MS.
LUNDIN, DAG	MANSVIT NR. 3	CELLO & PIANO	SMIC	2005	EST 7 MIN	M/H	C/U	EXCELLENT MS WITH PLAYABLE PARTS FOR BOTH PARTIES. GET ACQUAINTED WITH THIS COMPOSER FOR MANY OTHER WORKS FOR ALL OF THE INSTRUMENTS WITH MATERIAL LIKE THIS VERY USEABLE WORK.
LUNDIN, DAG	RUSTICO FOR KONTRABAS OCH PIANO	STRING BASS & PIANO	SMIC	2003	EST 2 MIN	E/M	C/U/HS	GOOD EARLY RECITAL MUSIC FOR THE YOUNG STRING BASS PLAYER OR FOR INCIDENTAL MUSIC ON THE PROGRAM OF A MORE ADVANCED PERFORMER. PLAYABLE AND WORKABLE.
LUNDIN, DAG	SIX VARIATIONS ON A SORMLANDSK VALLVISA	TUBA ALONE	SMIC	1994	8 MIN 30 SEC.	M/H	C/U	IN GOOD MS. THEME AND 6 VARIATIONS. RANGE TO C ABOVE THE STAFF. WILL TAKE MUSICIANSHIP AS WELL AS TECHNIQUE TO MAKE THIS HAPPEN. ENJOY!
LUNDIN, DAG	SONAT FOR EN UNG VIOLINIST	VIOLIN & PIANO	SMIC	1999	EST 12 MIN	M	C/U/HS	CLEAN MS. COMPOSER SPECIALIZES IN THIS TYPE OF LITERATURE FOR DEVELOPING PERFORMER. FOUR MOVEMENTS OF INTERESTING MATERIAL WITH NO PARTICULAR SET OF PROBLEMS. SEARCH OF THE SMIC LIBRARY FOR MORE OF THIS COMPOSERS COMPOSITIONS FOR ALL INSTRUMENTS.
LUNDIN, DAG	SONATA CLASSICA	STRING BASS & PIANO	SMIC	2001	EST 6 MIN	M	C/U	FOUR MOVEMENTS: INTRADA, SCHERZO, SERENATA, RONDINO. IN AN AREA WHERE THERE IS A SHORTAGE OF MATERIAL FOR THE UNDERGRADUATE STRING BASS PLAYER ,THIS SELECTION SHOULD BE OF GREAT VALUE. NO SURPRISES, STRAIGHT AHEAD AND MAKE MUSIC!
LUNDIN, DAG	SONATA DUO CONCERTANTE	CLARINET & PIANO	SMIC	1996	29 MIN	M/H	C/U	4 MOVEMENTS THAT CAN STAND ALONE: APPASSIONATO,SCHERZO, CANZONETTA, GIOCOSO. PLAYABLE MUSIC FOR THE ADVANCED STUDENT CLARINETIST. A GOOD COMPOSER AND COMPOSITION FOR THE SENIOR RECITAL. MOSTLY STRAIGHT AHEAD, BUT OPPORTUNITIES FOR MUSICALITY.
LUNDIN, DAG	SONATIN FROM FJORTON SOLOSTYCKE NO. 8	TROMBONE & PIANO	SMIC	2003	EST 7 MIN	M	C/U/HS	THREE MOVEMENTS IN GOOD MS. VERY PLAYABLE MUSIC WITH NO RANGE PROBLEMS. PIANO ACCOMPANIMENT IS AT THE SAME LEVEL. HS OR EARLY COLLEGE MATERIAL.
LUNDIN, DAG	TILL STRAKORKESTERNS LOV	STRING ORCHESTRA	SMIC	1994	EST 12+ MIN	M	C/U/HS	MOVEMENTS: OSTINATO, LAMENTOSO, GIOCOSO. STRONG WRITING FOR THE YOUNGER ORCHESTRA OR ANYONE WHO WANTS A WELL COMPOSED PIECE OF MUSIC TO PLAY IN A MORE TRADITIONAL STYLE.
LUNDIN, DAG	VALSE SERIEUSE FOR VIOLA OCH PIANO	VIOLA & PIANO	SMIC	2003	EST 4 MIN 30 SEC	E/M	C/U/HS	VERY PLAYABLE MUSIC FOR THE GOOD STUDENT. ACCOMPANIMENT IS SUPPORTIVE OF THE LINE. THIS COMPOSER SPECIALIZES IN MUSIC FOR THE ASPIRING PLAYER/STUDENT. THIS IS FROM FOURTEEN SUCH COMPOSITIONS FOR MANY INSTRUMENTS.
LUNDIN, DAG	VINTERBALETT	ORCHESTRA	SMIC	2003	10 MIN	M/H	C/U/HS	2FL,2OB,2CL,2BSN,2HN,2TRPT,2TRB,5PERC,STRINGS. STARTS OUT N 6/8 IN TWO PATTERN THAT DEVELOPS IN TO A 3/4 LATER. A FINE SCORE FROM A COMPOSER WHO GETS PLAYED! SEE ALSO LUNDIN’S, ‘LAGERSBERGS-SVIT’ (IN GOOD MS).
LUNDIN, DAG	VIOLONCELLKONSERT	FLUTE & ORCHESTRA	SMIC	1998	EST 25 MIN	H	C/U	2FL,2OB,2CL,2BSN,4HN,3PERC,STRINGS. MOVMENTS: ELEGIACO APPASSIONATO, NOTTURNO,FINALE:ENTHUSIASTICO. VERY CLEAN MS. THIS COMPOSER ALWAYS PRESENTS A CLEAN, GOOD LOOKING SCORE AND READILY PLAYABLE MUSIC. IT IS NOT EASY, BUT HIGHLY ACCESSIBLE. IDEAL FOR C/U/STUDENTS.
LUNDKVIST, PER	SKANSEN-SVIT	BAND	SUECIA	1985	13 MIN	M	C/U/HS	PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,2COR,3TRPT,3TRB, EUP,2TBA,PERC,TMP,SB. FOLK LIKE, IN THREE MOVEMENTS. WELL SCORED FOR FULL BAND AND PLAYABLE.
LUNDQUIST, TORBJORN IWAN	AL FRESCO	FLUTE & PIANO	SMIC	1976	8 MIN	H	C/U	A MAJOR WORK WITH RHYTHMIC CHALLENGE. IT FITS TOGETHER NICELY.
LUNDQUIST, TORBJORN IWAN	ARKTIS	BAND	SMIC	1984	9 MIN	H	C/U	PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,3TRPT,3TRB, EUP,2TBA,2PERC,TMP,SB. GOOD WORK WITH RHYTHMIC INTEREST & EXCITEMENT. NICE SCORE.
LUNDQUIST, TORBJORN IWAN	KOPPARSTICK	BRASS SEXTET	SMIC	1974	7 MIN	M	C/U	2TRPT, HN, 2TRB, TBA. 5 SHORT MOVEMENTS. TRPTS IN C - TRPT ONE TO D FOR A SOLID PLAYER.
LUNDQUIST, TORBJORN IWAN	LANDSCAPE (SEA ROOM)	HORN & PIANO	SMIC	1978	16 MIN	H	C/U	ALSO AVAILABLE FOR TUBA. OPTIONAL STRING PARTS AVAILABLE. A MAJOR WORK FOR THIS INSTRUMENT.
LUNDQUIST, TORBJORN IWAN	SCANDINAVIAN MUSIC	BRASS QUINTET	SMIC	1978	8 MIN	H	C/U	MANY CHANGES OF METER, MODEST RANGES. BASED ON MATERIAL FROM "ARKTIS", A WORK FOR BAND.
LUNDQUIST, TORBJORN IWAN	SEA ROOM	TUBA & PIANO	SMIC	1976	16 MIN	H	C/U	ALSO AVAILABLE FOR HORN. OPTIONAL STRING PARTS AVAILABLE.
LUNDQUIST, TORBJORN IWAN	SISU	PERCUSSION ENSEMBLE	SUECIA	1989	8 MIN	M/H	C/U/HS	RECORDED BY KROUMATA. SIX PLAYERS PLAYING MANY INSTRUMENTS. GOOD SCORE AND WORK.
LUNDQUIST, TORBJORN IWAN	TRUMPET MUSIC	TRUMPET & PIANO	SMIC	1980	EST 12 MIN	H	C/U	THREE MOVEMENTS WRITTEN FOR BO NILSSON. FLUEGELHORN, PICCOLO TRUMPET AND LOTS OF NOTES. WOULD LIKE TO SEE A FEW MORE RESTS.
LUNDQUIST, TORBJORN IWAN	VINDKRAFT (WINDPOWER)	BAND	SMIC	1978	18 MIN	M/H	C/U/HS	FL,4CL,OB,BSN,AS,TS,BS,2HN,4TRPT,TRB,EUP,2TBA,2PERC,SB,(I TRPT IN C, 3 IN Bb). A MAJOR WORK! SCORE IS INTERESTING. SUGGEST ONE ON A PART.
LUNDSTEN, RALPH/CLAUDE GENETAY	NORDIC NATURE SYMPHONY NO 4,"A SUMMER SAGA" OP 257	ORCHESTRA	GEHRMANS	1983	17 MIN	E	C/U/HS	PIC,FL,CL,OB,BSN,2HN,STRINGS. SCORE PUBLISHED - PARTS HIRE. FOR SMALL ORCHESTRA - NOTE INSTRUMENTATION. 1. OUT IN THE WIDE WORLD, 2. CLOUD DREAMS, 3. SUMMER LONGING. SCORE FOR SALE, PARTS RENTAL.
LYNE, PETER	INCANTATION	VIOLIN & ORCHESTRA	SMIC	2004	7 MIN	H	C/U	2FL,2OB,2CL,2BSN,2HN,2TRPT,2TRB,4PERC,PO,STRINGS. GREAT SCORE. SOFT, BUT DRAMATIC OPENING. SOME MIXED METER, MOSTLY STRAIGHT AHEAD MATERIAL. CONTEMPORARY HARMONY.
MALMBORG WARD, PAULA AF	YAKUZI	SAXOPHONE QUARTET	SMIC	1993	6 MIN 30 SEC	M/H	C/U	SS,AS,TS,BS. THE WORK MOVES ALONG WITH TIGHT ENSEMBLE NEEDED, THEN GETS A LITTLE TRICKY, BUT NOTHING THE GOOD C/U ENSEMBLE CANNOT HANDLE. MUCH ATTENTION TO ACCENTS AND DYNAMICS!
MALMLOF-FORSSLING, CARIN	SONATA SVICKEL	FLUTE ALONE	SMIC			M	C/U	MEDIUM LENGTH AND DIFFICULTY WITH NO SURPRISES.
MAROS, MIKLOS	AIR POUR BASSOON	BASSOON ALONE	NORDISKA	1973	4 MIN	H	C/U	NONTRADITIONAL NOTATION, FOR THE TOP C/U STUDENTS.
MAROS, MIKLOS	CAUSERIE	FLUTE & PIANO	NORDISKA	1976	6 MIN 30 SEC	H		NONTRADITIONAL NOTATION ALL THE WAY!
MAROS, MIKLOS	ETUDES FOR TUBA (ETYDER FÖR TUBA)	TUBA ALONE	NORDISKA	1976	6 MIN 30 SEC	H	C/U	ONLY FOR THE MOST ABLE PLAYERS WHO ARE INTERESTED IN AN AVANT-GARDE CHALLENGE.
MAROS, MIKLOS	INTRODUZIONE E MARCIA	BAND	SMIC	1986	7 MIN 30 SEC	M/H	C/U/HS	PIC,FL,3CL,BCL,BSN,AS,TS,BS,HN,2TRPT,TRB,EUP,TBA,3PERC,SB. NOTE THE INSTRUMENTATION. SOME NONTRADITIONAL NOTATION AND TECHNIQUES. WELL SCORED.
MAROS, MIKLOS	KONZERT FUR POSAUNE	TROMBONE & ORCHESTRA	SUECIA	1987		H	C/U	2FL,2CL,2OB,2BSN,2HN,2TRPT,TRB,PERC,TMP,STRINGS. THREE MOVEMENTS COMPOSED FOR CHRISTIAN LINDBERG. MULTI-PHONICS, NONTRADITIONAL NOTATION FOR THE VIRTUOSO TROMBONIST AND A FINE ORCHESTRA! SCORE & SOLO PART FOR SALE, PARTS RENTAL.
MAROS, MIKLOS	MUSICA DA CACCIA	SAXOPHONE QUARTET	SMIC	1997	9 MIN.	M	C/U	SS,AS,TS,BS. TIGHT ENSEMBLE PLAYING NEEDED WITH MOVING PATTERNS AND CONTRASTING STYLES WITHIN THE WORK. STRAIGHT AHEAD MATERIAL - SHOULD BE NO PROBLEMS FOR THE SOLID C/U ENSEMBLE.
MAROS, MIKLOS	RIPPLE	FLUTE QUARTET	SMIC	2002	6 MIN.	M/H	C/U/HS	SOME MIXED METER AND OTHER RHYTHMIC PROBLEMS TO SOLVE. FOR ADVANCED PLAYERS WHO ENJOY A MODEST CHALLENGE.
MAROS, MIKLOS	SYMPHONIE NR 2	BAND	SMIC	1979	14 MIN	H	C/U	PIC,3FL,4CL,BCL,3OB,4HN,4TRPT,4TRB,TBA,4PERC. THREE MOVEMENTS - NOTE THE INSTRUMENTATION. NICE PERCUSSION WRITING. SOME NONTRADITIONAL TECHNIQUES.
MAROS, MIKLOS	WINDINGS	SAXOPHONE QUARTET & BAND	SMIC	2006	15 MIN	H	C/U	2FL,2OB,2CL,2BSN,2HN,2TRPT,2TRB,TBA,2PERC. SOLO INSTRUMENTS: 2AS,TS,BS. THERE ARE SEVERAL CONTRASTING SECTIONS THAT ARE CONNECTED. THE SAXOPHONE SECTION WILL WORK FOR THIS ONE, BUT THE BAND HAS IT A LITTLE EASIER. GOOD COMPOSER AND INTERESTING MUSIC.
MARTINSSON, ROLF	A.S. IN MEMORIAM, OP. 50	STRING ORCHESTRA	GEHRMANS	1999	12 MIN	H	S	FOR 15 STRINGS: 9VLN,3VLA,2CLO,STBS. A GORGEOUS PIECE OF MUSIC AFTER ARNOLD SCHOENBERG’S ‘VERKLARTE NACHT. HEAR A RECORDING: DAPHNE RECORDS: 1022 - WWW.DAPHNE.SE. HAS THE IMPACT OF THE SAMUEL BARBER, ‘ADAGIO’. ALSO SEE OP. 55 - ‘STRING MOMENTS’.
MARTINSSON, ROLF	CAPRICCIO FOR SOLOVIOLIN, OP. 29	VIOLIN ALONE	SMIC	1991	10 MN	H	C/U	IN CLEAN MS. ADVANCED TECHNIQUE REQUIRED. VIOLINIST MUST HAVE GREAT COMMAND OF HE INSTRUMENT. AT TIMES QUITE DRAMATIC!
MARTINSSON, ROLF	FLAMES	WOODWIND QUARTET	SMIC	2003	11 MIN	H	C/U	FL,CL,HN,BSN. IN FOUR CONNECTED SECTIONS. OPENS WITH A DRAMATIC FLUTE CADENZA LIKE SECTION THEN TO ENSEMBLE PROBLEMS WITH INTEREST FOR ALL. REHEARSAL TIME WILL BE NEEDED. BUT, THE SCORE IS VERY INTERESTING. FROM A FINE COMPOSER.
MARTINSSON, ROLF	OPEN MIND, OP. 71	ORCHESTRA	GEHRMANS	2005	10 MIN	H	C/U	2FL(PIC),2OB(EH),2CL(BCL),2BSN,(CBSN),4HN,2TRPT,3TRB,3PERC,STRINGS. STARTS BIG, ENDS QUIETLY. NOTES FOR EVERYONE FROM A FINE COMPOSER. EXCELLENT SCORE.
MARTINSSON, ROLF	SHIMMERING BLUE - FLUTE CONCERTO NO. 1	FLUTE & ORCHESTRA	SMIC	2005	25 MIN	H	C/U	2FL(PIC),2OB(EH),2CL(BCL),2BSN(CBSN),2HN,2TRPT,TRB,PERC,STRINGS. ONE LONG MOVEMENT WITH MUSIC FOR THE MOST PRACTICED PLAYERS AS SOLOIST AND ORCHESTRA MUSICIANS. NICE USE OF VIBRAPHONE. HARMON MUTES IN THE TRUMPETS.
MARTINSSON, ROLF	SOLOBRIDGE	TRUMPET ALONE	SMIC	1998	4 MIN.	H	C/U	THIS IS THE CADENZA FROM THE COMPOSER’S CONCERTO NO. 1 OP 47 COMPOSED FOR HAKEN HARDENBERGER. BRING YOUR BEST STUFF -- HARD, CHALLENGING.
MARTINSSON, ROLF	TRIPTYK	CLARINET(BASS) & PIANO	BUSCH	1989	12 MIN	H	C/U	THREE MOVEMENTS TO ADD TO THE CLARINET RECITAL.
MARTINSSON, ROLF	WIND LAYERS	BAND	SMIC	2002	11 MIN	M/H	C/U	PIC,2FL,2OB,2BSN,EbCL,3CL,BCL,2AS,TS,BS32TRPT,2COR,4HN,3TRB,EUP,2TBA,STBS,4PERC. A THREE MOVEMENT WORK THAT HAS MUCH INTEREST FOR PLAYER AND LISTENER. MOSTLY STRAIGHT FORWARD WITH A FEW RHYTHMIC PROBLEMS TO SOLVE. BEAUTIFUL SCORE.
MELCHERS, H M	ELEGI, OP 17	STRING ORCHESTRA	SUECIA	1945	EST 7 1/2 MIN	M/H	C/U	ALTERNATING TONAL & RHYTHMIC SECTIONS. SOME DIVISI. GENERALLY SOFT AND REFLECTIVE. RENTAL ONLY.
MELCHERS, H M	STRAKKVARTETT, OP 17	STRING QUARTET	SUECIA	1945		M/H	C/U	FOUR MOVEMENTS OF STRAIGHT AHEAD MATERIAL. QUITE TRADITIONAL IN STYLE.
MELIN, STEN	BOUBOU	TROMBONE QUARTET	SMIC	1987	EST 6 MIN	H	C/U	EXCELLENT USE OF THE SLIDE, INTRICATE RHYTHMS AND FREQUENT TEMPO CHANGES. ONE ON A PART, NO DOUBLES.
MELIN. STEN	SONORA	TRUMPET & PIANO	SMIC	1985	4 MIN	H	C/U	PROVOCATIVE, DIFFICULT, AN ANTIDOTE TO THE BAROQUE FOR THE PICCOLO TRUMPET IN Bb. RHYTHMICALLY FREE.
MELLNAS, ARNE	BESVSMICARJELSER	BAND	SMIC	1978	11 MIN	H	C/U/HS	2PIC,2FL,4CL,2AS,2TS,BS,3HN,4TRPT,4TRB,2EUP,2TBA,4PERC. NOTE UNUSUAL INSTRUMENTATION. THREE MOVEMENTS THAT LOOK VERY GOOD AND PLAYABLE.
MELLNAS, ARNE	BLOW	BAND	SMIC	1974	12 MIN	M/H	C/U	PIC,FL,EbCL,3CL,OB,BSN,AS,TS,3HN,4TRPT,3TRB,EUP,TBA,2PERC,SB. SOME NONTRADITIONAL TECHNIQUES THAT ARE WELL SET OUT. MIXED METER. SOME FUN AS WELL AS MUSICAL INTEREST HERE FROM A FINE COMPOSER.
MELLNAS, ARNE	NO ROSES FOR MADAME F.	SAXOPHONE QUARTET	SUECIA	1991	3 MIN	H	C/U	SS.AS,TS,BS. SHORT AND PLAYABLE FOR THE TALENTED ENSEMBLE. EXHIBIT TIGHT ENSEMBLE WITH SWEEPING PATTERNS OF NOTES AND STOCCATO MOTIFS. EXAMINE 0THER WORKS BY THIS FINE COMPOSER.
MELLNAS, ARNE	SONAT FOR OBOE OCH PIANO	OBOE & PIANO	SMIC			M/H	C/U	THREE MOVEMENTS FROM A GOOD COMPOSER.
MELLNAS, ARNE	STAMPEDE	SAXOPHONE QUARTET	REIMERS	1985	7 MIN	M/H	C/U	ONE MOVEMENT WITH INTERESTING RHYTHMIC PROBLEMS. COMPOSED FOR THE RASCHER QUARTET. A FEW UNUSUAL DEMANDS ON THE PERFORMERS. PERFORMANCE SCORE FOR SALE.
MILLER, PHILIP	CONCERTO PER CONTRABASSO E ORCHESTRA DA CAMERA	STRING BASS & ORCHESTRA	SMIC	1998	20 MIN	H	C/U	FL(PIC),OB,CL(BCL),BASN(CBSN),HN,TRPT,TRB,PERC.STRINGS. ONLY THE HIGHEST LEVEL PERFORMERS MAY APPLY FOR THIS DIFFICULT WORK. MIXED METER ALL THE WAY ON THIS ONE MOVEMENT COMPOSITION. VERY CLEAN MS. CHALLENGE FOR ALL!
MODEER, HJALMAR/BIRGER JARL	GOTA LEJON (MARCH)	BAND	LEMA	1986	3 MIN 15 SEC	E/M	HS/JHS	MARCH SIZE, PLAYABLE BY SMALLER BAND. ALLA BREVE MARCH. STANDARD INSTRUMENTATION.
MODEER, HJALMAR/BIRGER JARL	SCOUTING (MARCH)	BAND	LEMA	1985	3 MIN 15 SEC	E/M	HS/JHS	SIX FLATS, ALLA BREVE MARCH, CAN BE PLAYED BY THE SMALL INCOMPLETE BAND. MARCH SIZE. STANDARD INSTRUMENTATION.
MORBERG, GOSTA	BRUDMARSCH FRAN DELSBO	BAND	GEHRMANS	1977	3 MIN	E	HS/JHS	2FL,3CL,ACL,BCL,OB,2BSN,2AS,TS,BS,2HN,3TRPT,3TRB,EUP,2TBA,SB,EH. CONDENSED SCORE, SLOW MARCH, TRADITIONAL SWEDISH FOLK MUSIC.
MORBERG, GOSTA	GAMMAL FABODPSALM	BAND	GEHRMANS	1977	CA 2'30"	E	HS/JHS	2FL,4CL,ACL,BCL,OB,2BSN,2AS,2TS,BS.2HN,3TRPT,3TRB,EUP,2TBA,SB,EH. CONDENSED SCORE, SWEDEN’S MOST FAMILIAR FOLK SONG. BEAUTIFUL AND PLAYABLE BY ALL!
MORBERG, GOSTA	GANGLAT FRAN APPELBO	BAND	EHRLING	1978	3 MIN 30 SEC	E	HS/JHS	SCORE IS NOT CLEAR. NOT BOUND. KEYS OF G, C, F. STANDARD INSTRUMENTATION.
MORBERG, GOSTA	GANGLAT FRAN UPPLAND	BAND	GEHRMANS	1978	3 MIN 30 SEC	E	HS/JHS	2FL,5CL,ACL,BCL,OB,2BSN,2AS,2TS,BS,2HN,2TRPT,3TRB,EUP,2TBA,PERC, TMP,SB,EH. CONDENSED SCORE, KEY OF C, 4/4 STRAIGHT AHEAD SWEDISH FOLK TUNE.
MORBERG,GOSTA	VISA FRAN RATTVIK	BAND	GEHRMANS	1978	2 MIN 30 SEC	E	HS/JHS	3FL,4CL,ACL,BCL,OB,2BSN,2AS,TS,BS,2HN,2TRPT,3TRB,EUP,2TBA,TMP,SB, EH. CONDENSED SCORE, EASY SINGING TRADITIONAL MELODY OF SWEDEN AND WELL ARRANGED.
MORTHENSON, JAN W	ARIA	BRASS QUINTET	REIMERS	1983	12 MIN	H+	C/U	A HIGHLY UNUSUAL WORK WITH MOST OF IT IN NONTRADITIONAL NOTATION AND STYLE. A GOOD SCORE THAT DESERVES ATTENTION. TRPT IN C & Bb,HN,TRB,TBA. PERFORMANCE SCORE FOR SALE.
MORTHENSON, JAN W	ENERGIA I	BAND	REIMERS	1984	CA 8 MIN	H	C/U	4FL,4CL,BCL,2OB,3AS,2TS,2BS,4HN,4TRPT,3TRB,TBA,3PERC,ELECTRIC PIANO, SYNTHESIZER. NOTE THE INSTRUMENTATION. HIGHLY RECOMMENDED BY SWEDISH CONDUCTORS. SCORE FOR SALE, PARTS RENTAL.
NAESSEN, RAY	AMAVI	BRASS QUINTET	SMIC	2004	12 MIN	M/H	C/U	WE LIKE THIS COMPOSER, BUT WE ARE RELUCTANT TO INCLUDE HIS WORKS ON THIS LIST BECAUSE OF THE MS. SHOULD THIS WORK EVER APPEAR IN GOOD PRINT FORM, IT WILL GET A LOT OF PLAY. FOUR MOVEMENTS AND INTERESTING MATERIAL, BUT YOU ARE WARNED!
NAESSEN, RAY	AMOROSO V	BASSOON ALONE	SMIC	1996	6 MIN. 30 SEC	M/H	C/U	RELUCTANTLY THIS IS INCLUDED BECAUSE IT IS GOOD MUSIC, BUT THE MS IS TERRIBLE! IN BASS AND TENOR CLEF AND TWO MOVEMENTS. YOU ARE WARNED ABOUT THE MS!
NAESSEN, RAY	KONSERT FOR BASSOON AND BLASORKESTER	BASSOON & BAND	SMIC	2000	17 MIN	M/H	C/U	FL,OB,3CL,BSN,AS,TS,3TRPT,HN,2TRB,EUP,STRBS,2PERC. USUAL 3 MOVEMENTS. INCLUDED BECAUSE THE LACK OF THIS TYPE OF MATERIAL. RELUCTANCE COMES FROM QUALITY OF THE MS. NOT GOOD, BUT READABLE. SOME MIXED METER, PLAYABLE. GET ACQUAINTED WITH THIS COMPOSER!
NAESSEN, RAY	SONATA HUMANIATA	CLARINET & PIANO	SMIC	2001	EST 8 MIN	M	C/U	A COMPOSER WHO’S WORKS WOULD BE PLAYED MUCH MORE IF BETTER MS. HE UNDERSTANDS C/U TYPE STUDENTS. THIS ONE FOR YOUR SECOND YEAR COLLEGE PLAYER. NO SURPRISES OR SPECIAL DEMANDS. THE MUSIC WORKS! FOUR MOVEMENTS IN THE USUAL CONTRASTING TEMPOS AND STYLES.
NAESSEN, RAY	SONATA LEVATA	TRUMPET & PIANO	SMIC	2000	17 MIN. 30 SEC.	M/H	C/U	TRUMPET IN C. MS IS NOT GOOD, BUT THE COMPOSER IS! THESE THREE MOVEMENTS SHOULD BE WORTH THE EFFORT IN SPITE OF THE MS. SOME MIXED METER. RANGE TO C#.
NAESSEN, RAY I DEN LANGO VANTANS SKOG	IN DEN LANGA VANTANS SKOG	STRING ORCHESTRA	SMIC	2001	4 MIN	M	C/U/HS	6 VIOLIN PARTS, 2 VIOLA, 2 CELLO, STRING BASS. THIS COMPOSER HAS SOMETHING TO SAY, BUT IN A MESSY MS! WE CHOSE ONE TO LET YOU KNOW - IF YOU CAN GET BY THE MS, YOU WILL FIND MANY OTHER GOOD WORKS FOR STRING AND FULL ORCHESTRA THAT HAVE GREAT MERIT.
NELSON, DANIEL	ASHES	VIOLIN & ORCHESTRA	SMIC	1997	20 MIN	M/H	C/U	FL,CL,BSN,PO,STRINGS. THREE MOVEMENTS IN FAST-SLOW-FAST FORMAT. EVERYONE WORKS, ESPECIALLY THE SOLOIST. A GREAT SCORE AND SHOULD WORK FOR THE C/U ADVANCED VIOLINIST WITH THE SCHOOL ORCHESTRA. SEE OTHER WORKS BY THIS COMPOSER IN THE SMIC ONLINE CATALOG.
NELSON, DANIEL	BOOK OF BEAT	SAXOPHONE QUARTET & BAND	SMIC	2003	16 MIN, 30 SEC	M	C/U	2FL(PIC),2OB,3CL,BCL,2BSN,2HN,3TRPT,3TRB,TBA,ELECTBASS,PO,2PERC. THE SOLO INSTRUMENTS:2 AS (1 DBL SOP),TS,BS. FIVE MOVEMENTS THAT CAN STAND ALONE. SOME MIXED METER AND RHYTHMIC PROBLEMS, BUT PLAYABLE MUSIC BY THE SAXOPHONE SECTION OF MOST COLLEGE BANDS.
NELSON, DANIEL	BOUNCE	BAND	SMIC	2003	6 MIN 30 SEC	M/H	C/U	PIC,2FL,2OB,2BSN,3CL,BCL,2AS,TS,BS,3TRPT,2COR,4HN,3TRB,EUP,2TBA,STBS,4PERC. IN THE DANCE BAND WORLD THIS WAS CALLED, MEDIUM BOUNCE. THAT IS WHAT IT IS WITH SOME SOPHISTICATION. LIKE A 6/4 SECTION. AUDIENCE APPEAL.
NELSON, DANIEL	CLARINET CONCERTO	CLARINET & ORCHESTRA	SUECIA	2000	19 MIN	M/H	C/U	2FL(PIC),2OB,2CL,2BSN,2HN,2TRPT,PIANO/CELESTA,2PERC,STRINGS. EACH OF THE WINDS HAS A WINE GLASS FILLED TO A CERTAIN PITCH WITH LIQUID TO PLAY. DO NOT LET THAT SCARE YOU, A SERIOUS COMPOSER WITH GREAT THINGS TO SAY IN THREE MOVEMENTS. BUT, IT IS ABOUT THE CLARINET!
NELSON, DANIEL	DANCES & AIR	VIOLIN & ORCHESTRA	SMIC	2003	10 MIN			2FL(PIC),2OB,2CL(BCL),2BSN,2HN,2TRPT,PERC,PO,STRINGS. M0VEMENTS: DANCE I, AIR, DANCE II. FIRST DANCE HAS A LOT OF MOVING NOTES STRAIGHT AWAY FOR THE STRINGS AND SOLOIST. THIRD MOVEMENT DOES IT WITH MIXED METER. AIR IS SHORTER, SLOW AND LETS THE VIOLINIST SING.
NELSON, DANIEL	NEON-O-MATIC	ORCHESTRA	SMIC	1997	8 MIN 30 SEC	H	C/U	FL,OB,BSN,HN,TRPT,TRB,STRINGS. A WW QUARTET AND BRASS TRIO WITH STRINGS. THIS ONE IS A LITTLE HARDER THAN SOME OTHER WORKS BY THIS COMPOSER. GLISSANDOS IN THE STRINGS, MORE INTRICATE RHYTHMS, ETC. BUT NO TROUBLE FOR THE GOOD C/U SMALL ORCHESTRA.
NELSON, DANIEL	ROMANTACHYCARDIA	ORCHESTRA	SMIC	2004	8 MIN 30 SEC	M/H	C/U/HS	PIC,2FL,3OB(EH),2CL,BCL,3BSN(CBSN),4HN,3TRPT,3TRB,TBA,4PERC,HARP,PIANO,STRINGS. THIS COMPOSER HAS A FEEL FOR THE UPBEAT, CONTEMPORARY STYLE OF WRITING. HE USES SOME MIXED METER IN THIS ONE TO MAKE IT EVEN MORE INTERESTING.
NELSON, DANIEL	RONDO NEUROICA	STRING ORCHESTRA	SMIC	1994	7 MIN	E/M	C/U/HS	AN EASIER NELSON COMPOSITION THAT KEEPS THE STANDARDS THAT HE HAS IN HIS MORE COMPLICATED WORKS. WE TRUST HIM TO MAKE THE MUSIC WORTH WHILE AND INTERESTING.
NELSON, DANIEL	YABA-MM-BOP	ORCHESTRA	SMIC	1998	6 MIN	M	C/U/HS	2FL,2OB,2CL,2BSN,2HN,2TRPT,2TRB,3PERC,PIANO,STRINGS. A LIGHTER PIECE FOR THE LIGHTER MOMENTS. SO WELL SCORED! EVERYONE WILL ENJOY!
NELVIG, BENGT	CAPRICCIO	VIOLIN & PIANO	GEHRMANS	2000	EST 4 MIN	M/H	C/U	NICE LAYOUT OF THE PARTS AND INTERPLAY BETWEEN THE TWO PERFORMERS. LOTS OF NOTES, BUT VERY PLAYABLE!
NILSSON, ANDERS	SYMPHONIC DANCES NO. 1	ORCHESTRA	SMIC	2000	11 MIN 30 SEC	H	C/U	3FL(PIC),3OB(EH),3CL(BCL),2BSN,CBSN,4HN,3TRPT,3TRB,TBA,4PERC,PIANO,HARP,STRINGS. CONTEMPORARY SETTING, SO EXPECT SOME NEW THINGS, BUT IT ALL WRKS IN THIS STRONG SCORE AND IDEALLY SUITED FOR THE GOOD C/U ENSEMBLE.
NILSSON, BO	ARCTIC AIR	ORCHESTRA	SUECIA	2004	5 MIN			2FL,2OB,2CL,2BSN,PIANO,STRINGS. NICE, FLOWING LINES THAT SPEAK TO THE QUIET OF THE FROZEN NORTH. THE PIANO ENTERS AT THE VERY END AS THE ICE BREAKS! (IS IT SPRING?) NICE!
NILSSON, BO	CARTE POSTALE à STEN FRYKBERG	BRASS QUINTET	SMIC	1985	EST 4 MIN	M/H	C/U	TRPT I DOUBLES PICCOLO TRPT. FREQUENT METER CHANGES IN A VERY INTERESTING SCORE.
NILSSON, BO	KVARTETT FOR TRABLASARE	WOODWIND QUARTET	ALMQVIST & WIKSELL	1978		E	C/U/HS	FL, OB, CL, BSN. THREE MOVEMENTS THAT ARE HIGHLY PLAYABLE.
NILSSON, GOSTA	MUSIKSKOLANS MARSCH	BAND	LEMA	1986	2 MIN 40 SEC	E	HS/JHS	PLAYABLE BY SMALLER BANDS, 2/4 CONCERT MARCH. STANDARD INSTRUMENTATION.
NILSSON, TORSTEN	CONCERTINO PER TROMBONE ALTO ED ORGANO, OP 93	TROMBONE(ALTO) & ORGAN	REIMERS	1986		H	C/U	RECORDED BY CHRISTER TORGE, LAYS WELL FOR THE INSTRUMENT.
NILSSON, TORSTEN	CONCERTINO PER TROMBONE ED ORGANO, OP 81	TROMBONE & ORGAN	REIMERS	1978	EST 6 MIN	H	C/U	SOME HIGH TESSITURA. LYRICAL WITH FREQUENT METER CHANGES. COMPOSED FOR CHRISTER TORGE.
NILSSON, TORSTEN	ON THE THRESHOLD	BAND & PIANO	REIMERS	1975		M/H	C/U	PIC,2FL,2EbCL,2CL,BCL,OB,BSN,AS,TS,3HN,3TRPT,3TRB,EUP,TBA,PERC, TMP,SB. THREE MOVEMENTS WITH NONTRADITIONAL NOTATION WORK FOR BOTH PARTIES. SOME IMPROVISATION FOR BAND AS A GROUP. SCORE FOR SALE, PARTS RENTAL.
NILSSON, TORSTEN	RONDO PER ALTO TROMBONE SOLO, OP 94	TROMBONE(ALTO) ALONE	REIMERS	1987		M/H	C/U	FREQUENT METER CHANGES. LAYS WELL FOR ALTO TROMBONE.
NILSSON, TORSTEN	RONDO SUEZIAE, OP 116	TROMBONE(ALTO) & PIANO	SMIC	1987		M/H	C/U	RANGE IS MODERATE, CAN BE PLAYED ON TENOR TROMBONE. MUCH RHYTHMIC INTEREST AND A FINE PIANIST NEEDED. ONE MOVEMENT.
NISSILA, ALLAN	ASPECTS ON A MIDSUMMER NIGHT	TUBA & BAND	SMIC	1994	3 MIN 30 SEC	M	C/U/HS	3FL(PIC),2OB,4CL,2BSN,AS,TS,BS,4HN,2CNT,2TPT,3TRB,EUP,PERC. STRAIGHT AHEAD PIECE AS A FIRST SOLO FOR THE ASPIRING TUBA PLAYER. RANGE TO C ABOVE THE STAFF. THIS COMPOSER GREAT FOR THIS TYPE OF WORK. PLAYABLE! ALSO SUGGEST FOR EUPHONIUM.
NISSILA, ALLAN	COLOURS FOR ORCHESTRA - METAMORPHOSES	ORCHESTRA	SMIC	2004	6 MIN 15 SEC	M/H	C/U/HS	2FL,2OB(EH),2CL,2BSN,3HN,2TRPT,2TRB,3PERC.STRINGS. MUST HAVE EXCELLENT MARIMBA AND XYLOPHONE PLAYERS. SOME STRING DIVISI. ENDS IN A SHORT RUSH!
NISSILA, ALLAN	CONCERTINO	TRUMPET & BAND	SMIC	2004	8 MIN 30 SEC	M/H	C/U	PIC,2FL,2OB,2BSN,EbCL,3CL,ACL,AS,TS, BS,4HN,3COR,2TRPT,3TRB,EUP,TBA,3PERC. THE C TRUMPET SOLO IS NOT TOO DIFFICULT, THE BAND PARTS INTERESTING AND WE LIKE THIS COMPOSER. GOOD MATERIAL.
NISSILA, ALLAN	CONCERTO FOR TUBA AND ORCHESTRA	TUBA & ORCHESTRA	SMIC	2002	7 MIN 30 SEC	M/H	C/U	2FL(PIC),2OB,2BSN,2CL,ACL,2TRPT,4HN,2TRB,3PERC,STRINGS. THERE IS A SHORTAGE OF THIS TYPE OF MATERIAL AND THIS IS A GOOD ONE TO ADD TO WHAT WE KNOW OF THIS LITERATURE. A GOOD C/U UNDERGRAD TUBA STUENT CAN PLAY THE SOLO AND THE C/U ORCHESTRA CAN PLAY THE ACCOMPANIMENT.
NISSILA, ALLAN	MATRIMONIO	TRUMPET & ORGAN	SMIC	2004	1 MIN.	E/M	C/U/HS	FOR THOSE TIRED OF THE USUAL TRUMPET MUSIC FOR WEDDINGS. STRAIGHT FORWARD MUSIC (TRUMPET IN C) WITH NICE RANGE FOR THE PLAYER.
NISSILA, ALLAN	NO MORE BELLS FOR VIBRAPHONE AND MARIMBA	PERCUSSION ENSEMBLE	SMIC	2002	6 MIN 30 SEC	M/H	C/U	3 MOVEMENTS WITH MIXED METER AND THE USUAL PROBLEMS FOR THE PERCUSSIONIST. GOOD C/U MATERIAL
NISSILA, ALLAN	PASI’S POLKA	TRUMPETS(2) & BAND	SMIC	2002	EST 4-5 MIN	E/M	C/U/HS	IN THE STYLE OF THE CONCERT IN THE PARK MUSIC. GOOD COMPOSER WITH STRAIGHT AHEAD MUSIC. NO PROBLEMS FOR THE TWO SOLOISTS, IN COMFORTABLE RANGES, SOME TRIPLE TONGUE, AND EASY MUSIC TO LISTEN TO!
NISSILA, ALLAN	RIVER MOUTH QUINTETTO	BRASS QUINTET	SMIC	2002	7 MN 30 SEC.	H	C/U	THREE MOVEMENT WORK THAT SHOULD BE IN MANY BRASS QUINTET LIBRARIES. SOME MIXED METER, TRIPLE TONGUE FOR MOST AND ATTENTION GETTING MUSIC. ENJOY!
NISSILA, ALLAN	RUOTSINSALMI - THREE POEMS FOR ORCHESTRA	ORCHESTRA	SMIC	2002	12 MI 30 SEC	M/H	C/U/HS	PIC,2FL,2OB(EH),3CL,2BSN,4HN,4TRPT,4TRB,TBA,2-3PERC,STRINGS. THE THREE POEMS ARE CONNECTED. SOME STRING DIVISI. SOME NICE PLACES FOR THE PERCUSSION. SOME BIG BLOWS IN THE PIECE, BUT ENDS QUIETLY.
NISSILA, ALLAN	RUOTSINSALMI (SVENSKSUND)	BAND	SMIC	2006	12 MIN 30 SEC	M/H	C/U	2FL,OB,2BSN,EbCL,3CL,BCL,AS,TS,BS,4TRPT,4HN,3TRB,EUP,TBA,STBS,3PERC. A THREE MOVEMENT WORK PLAYABLE BY MOST C/U ENSEMBLES. WITH EACH OF NISSILA’S WORKS THERE IS SOMETHING UNIQUE, MAYBE EVEN INVENTIVE, BUT EASILY UNDERSTOOD. SHOULD HAVE AUDIENCE APPEAL.
NISSILA, ALLAN	THE MARCH OF THE DOLPHINS	BAND	SMIC	2005	EST 4 MIN	M	C/U/HS	PIC,2FL,2OB,2BSN,EbCL,3CL,AS,TS,BS,3COR,4HN,3TRB,EUP,TBA,3PERC. A EUROPEAN TEMPO MARCH (QUARTER NOTE = 102). THIS WOULD BE A GOOD INTRODUCTION TO THIS COMPOSER’S STYLE OF ARRANGING. HE HAS MANY GOOD WORKS IN THE SMIC CATALOG.
NISSILA, ALLAN	VALSE FESTEVOLE	BAND	SMIC	2003	EST 6 MIN	M	C/U/HS	PIC,2FL,2OB,2BSN,EbCL,3CL,ACL,BCL,AS,TS,BS,2TRPT,3COR,4HN,3TRB,EUP,TBA,4PERC. A 6/8 OPENING IN SIX MARKED, ANDANTE MEDIATIVO AND THEN THE STRAUSS LIKE WALTZ WITH ALL THE REPEATS. PARK CONCERT OR THE LIKE. GOOD C0MPOSER/ARRANGER
NYSTROEM, GOSTA	CONCERTO FOR VIOLA AND ORCHESTRA	VIOLA & PIANO	SUECIA	1989	18 MIN.	H	C/U	IN BEAUTIFUL MS. ORCHESTRA ACCOMPANIMENT AVAILABLE FROM THE SAME PUBLISHER. SUGGEST FOR THE ADVANCED UNDERGRAD OR GRAD STUDENT. THE MUSIC IS PLAYABLE AND REWARDING. FROM A HIGHLY REGARDED SWEDISH COMPOSER.
NYSTROEM, GOSTA	PARTITA	FLUTE & PIANO	SUECIA	1956		H	C/U	FIVE MOVEMENTS IN A MAJOR WORK. STRAIGHT AHEAD FOR RECITAL. AVAILABLE ALSO WITH HARP & STRING ORCHESTRA.
NYSTROEM, GOSTA	TEATERSVIT NR 4 FROM THE MERCHANT OF VENICE	ORCHESTRA	SUECIA	1947	EST 18 MIN	M/H	C/U	FL,CL,OB,BSN,TRPT,4PERC,TMP,CEMBALO, MANDOLIN, ELECTRIC GUITAR. 4 SECTIONS. MANDOLIN ONLY IN FIRST SECTION. GUITAR IN LAST. PLENTY TO WORK WITH - GOOD AUDIENCE APPEAL. SCORE FOR SALE, PARTS RENTAL.
OLSON, LARS JERGEN	FEM SANGER OM KARLEK (FIVE SONGS OF LOVE)	CELLO & PIANO	SMIC	2003	8 MIN	E/M	C/U/HS	RATHER EASY SONGS FOR THE STUDENT TO DEMONSTRATE THE ABILITY TO PLAY PRETTY. THIS IS GOOD MUSIC FOR ANY LEVEL PERFORMER. SENSITIVE ACCOMPANIMENT PART FOR THE PIANIST.
OLSON, LARS JERGEN	TRES NOCHES EN LA HABANA OP. 12	VIOLIN & PIANO	SMIC	2003	8 MIN	M/H	C/U	THREE MOVEMENTS. ACCESSIBLE BY THE YOUNGER PLAYER WITH A GOOD BACKGROUND. JUST A FEW RHYTHMIC PROBLEMS TO SOLVE. SHOULD BE ABLE TO CONCENTRATE ON MAKING MUSIC WITH THIS WORK.
OLSSON, STURE	DIVERTIMENTO FOR BLASARE OCH SLAGVERK	BAND	SMIC	1974	10 MIN	M/H	C/U/HS	PIC,3FL,3CL,BCL,2OB,2BSN,2HN,2TRPT,3TRB,TBA,2PERC,TMP. THREE MOVEMENTS, WITH A GOOD SCORE. EMPHASIS UPON PERCUSSION.
ÖJEBO, PAR/STIG GUSTAFSON	FOLKTONSRAPSODI (THE FOLK TUNE RHAPSODY)	BAND	LEMA	1985	12 MIN 30 SEC	E/M	C/U/HS	2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,3TRB,EUP,2TBA,PERC, TMP,SB. FINE ONE MOVEMENT WORK WITH SOLO CELLO AND OBOE. GOOD WAY TO FEATURE OUTSTANDING STUDENTS. SOME RHYTHMIC PROBLEMS.
PALMER, CATHARINA	ABOUT TIME	VIOLIN ALONE	SMIC	1993	16 MIN 20 SEC	H	C/U	THIS IS IN GOOD MS. THE ‘TIME’ REFERRED TO IN THE TITLE IS THE MIXED METER AND OTHER ASPECTS OF THE COUNTING OR RHYTHMIC EXPERIENCE. THREE MOVEMENTS. SUGGEST AS A STUDY TO IMPROVE ONE’S EXPERTISE WITH RHYTHMIC SEQUENCES AND PROBLEMS.
PALMER, CATHARINA	IMPRESSIONS - IMAGINATIONS	PERCUSSION ALONE	SMIC	2000	10 MIN	H	C/U	ONE PERSON, LOTS OF PERCUSSION INSTRUMENTS, SO THE SETUP WILL BE A PROBLEM. IF THAT IS DONE SUCCESSFULLY, THIS WORK IS VERY PLAYABLE. VERY GOOD MS.
PALMER, CATHARINA	SEEDS OF LIGHT	STRING ORCHESTRA	SMIC	1999	9 MIN	H	C/U	LOT OF DIVISI, FEATURES A SOLO FIRST AND SECOND VIOLINIST. A SOLID AND WELL CONSTRUCTED SCORE WITH ENOUGH PROBLEMS TO KEEP THE C/U ORCHESTRA INTERESTED.
PETERSON-BERGER, WILHELM	SONATE	VIOLIN & PIANO	LUNDQUIST	1887		M/H	C/U	FOUR MOVEMENTS IN ROMANTIC STYLE. VERY PLAYABLE WORK.
PETERSON-BERGER, WILHELM/STIG GUSTAFSON	DANSLEK	BAND	EHRLING	1907	EST 3 MIN	E/M	C/U/HS	2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA, PERC,TMP,SB. EASY 3/4 TEMPO SELECTION. SCORE IS FULL, BUT IN MS AND SKETCHY, PARTS GOOD.
RABE, FOLKE	ALTIPLANO	BAND	REIMERS	1982	CA 7 MIN	H	C/U	PIC,2FL,4CL,BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA,2PERC, 2FLUEGELHORN,TENOR HN. IN NONTRADITIONAL STYLE FROM A CREATIVE COMPOSER. HIS MUSIC IS USUALLY WORTH THE EFFORT. SCORE FOR SALE, PARTS RENTAL.
RABE, FOLKE	BASTA	TROMBONE ALONE	REIMERS	1982		H	C/U	A VIRTUOSO PIECE BY AN INVENTIVE COMPOSER. MULTI-PHONICS, ETC. RECORDED BY CHRISTIAN LINDBERG.
RABE, FOLKE	DIVERTIMENTO FOR SOLO KLARINETT	CLARINET ALONE	SMIC	1958		M	C/U	A FOUR MOVEMENT EARLY WORK OF RABE. THIS ONE IS VERY PLAYABLE.
RABE, FOLKE	ESCALATIONS	BRASS QUINTET	REIMERS	1988	8 MIN	M/H	C/U	SOME NONTRADITIONAL NOTATION. EASY RANGES WITH THE USUAL RABE CRAFTSMANSHIP AND HUMOR.
RABE, FOLKE	NATUREN, FLOCKEN OCH SLAKTEN	HORN & STRING ORCHESTRA	REIMERS	1991	EST 10 MIN PLUS	H	C/U	THREE CONNECTED MOVEMENTS (SEE CADENZA PUBLISHED ALSO SEPARATELY AS A SOLO). RABE IS NEVER EASY. HIS MUSIC TAKES A MATURE PLAYER TO MAKE MUSIC WITH HIS NOTES, BUT THE REWARD IS GOOD!
RABE, FOLKE	SHAZAM	TRUMPET ALONE	REIMERS	1984	6 MIN	H	C/U	A MUSICAL CHALLENGE AND WELL WORTH THE EFFORT. FROM A VERY CREATIVE COMPOSER.
RABE, FOLKE	SVIT FOR TVA KLARINETTER	CLARINET DUET	SMIC	1958	5 MIN 10 SEC	M/H	C/U/HS	THREE MOVEMENTS OF VERY INTERESTING AND UNUSUAL MATERIAL FROM A VERY CREATIVE COMPOSER.
RABE, FOLKE	VUOLLE	HORN ALONE	REIMERS	1992	4 MIN.	H	C/U	AN INVENTIVE COMPOSER WITH A WORK FOR SOREN HERMANSSON, A PROFESSIONAL PLAYER. MUCH HAND STOPPING OF HE HORN. IT ACTUALLY IS THE CADENZA FROM THE COMPOSER’S CONCERTO FOR HORN AND STRING ORCHESTRA ALSO IN THESE LISTINGS.
REHNQVIST, KARIN	WINGS	FLUTE ALONE	SMIC	1998	10 MIN	H	C/U	A THREE MOVEMENT WORK WITH CHALLENGES FOR THE SERIOUS STUDENT. THE COMPOSER USES QUICK DYNAMIC CHANGE AS WELL AS ADVANCED TECHNIQUES TO MAKE THIS INTERESTING MUSIC.
RIDDERSTROM, BO	SAXOFONKVARTETT	SAXOPHONE QUARTET	SMIC	1984	10 MIN	H	C/U	ALLEGRO, MODERATO, CADENZA, ANDANTE CON MOTO, CADENZA, ALLEGRO MOLTO. IN MS FOR S, A, T, & B SAXOPHONES.
RIEDEL, GEORG	DIALOGER	WOODWIND QUINTET & JAZZ ENSEMBLE	SMIC	1974	18 MIN	H	C/U	WW QUINTET WITH AS, TS, FLUTE AS A DOUBLE, GUITAR, PO, BASS, DRUMS. IN QUINTET, FLUTE DOUBLES ALTO FLUTE AND OBOE DOUBLES ENGLISH HORN.
RIEDEL, GEORG	DIALOGER	WOODWIND QUINTET & JAZZ ENSEMB	SMIC	1974	18 MIN	H	C/U	WW QUINTET WITH AS, TS, FLUTE AS A DOUBLE, GUITAR, PO, BASS, DRUMS. IN QUINTET, FLUTE DOUBLES ALTO FL AND OBOE DOUBLES ENG HN.
RIEDEL, GEORG	FEM MINIMALER	BRASS QUINTET & JAZZ ENSEMBLE	SMIC	1978	7 MIN	H	C/U	INTERESTING COMBINATION BY A HIGHLY RESPECTED SWEDISH COMPOSER. JAZZ ENSEMBLE: AS,TS,GUIT,PO,BASS,DRUMS.
ROMAN, JOHAN HELMICH	SINFONIA, A-DUR	STRING ORCHESTRA	BUSCH	1740	8 MIN	M/H	C/U	NEEDS A CONTINUO INSTRUMENT. THREE MOVEMENTS(FSF). EXCELLENT BAROQUE MATERIAL. REVISED HERE BY LENNART HEDWALL.
ROMAN, JOHAN HELMICH (1694-1758)	CONCERTO	VIOLIN & PIANO	NORDISKA	1961		M/H	C/U	THREE MOVEMENTS EDITED BY HILDING ROSENBERG. CLASSICAL IN APPROACH, ORCHESTRA ACCOMPANIMENT IS AVAILABLE.
ROMAN, JOHAN HELMICH/ANDERS OHRWALL	SINFONIA DA CHIESA	STRING ORCHESTRA	GEHRMANS	1987	3 MIN 30 SEC	M	C/U/HS	FINE COMPOSER AND SCORED WELL, STRINGS PLUS CEMBALO AND OPTIONAL OBOES AND BASSOON.
ROMAN, JOHAN HELMICH/CLAUDE GENETAY	DROTTNINGHOLMSMUSIKEN	ORCHESTRA	GEHRMANS	1987		E/M	C/U/HS	2FL,2CL,2OB,BSN,2TRPT,TRB,TMP,STRINGS. EIGHT MOVEMENTS IN BAROQUE STYLE. EXCELLENT EARLY MUSIC, LIKE HANDEL. SCORE FOR SALE, PARTS RENTAL.
ROMAN, JOHAN HELMICH/PER OLOF GILLBLAD	KONSERT D-DUR	OBOE & PIANO	GEHRMANS	1986		M/H	C/U	THREE MOVEMENTS FROM AN 18TH CENTURY SWEDISH COMPOSER. ORCHESTRA PARTS AVAILABLE ON HIRE.
ROSELL, LARS-ERIK	BRIDGES	HORN & ORGAN	REIMERS	1980		H	C/U	SOME INTERESTING SURPRISES FOR THE EAR. FITS TOGETHER WELL AND PLAYABLE.
ROSENBERG, HILDING	ETT LITET STYCKE	CELLO & PIANO	SUECIA	1976	EST 3 MIN	M	C/U/HS	GOOD SCORE FROM A FINE COMPOSER. STRING QUARTET ACCOMPANIMENT AVAILABLE.
ROSENBERG, HILDING	ETT LITET STYCKE	VIOLA & PIANO	SUECIA	1976	EST 3 MIN	M	C/U/HS	GOOD SCORE FROM A FINE COMPOSER. STRING QUARTET ACCOMPANIMENT AVAILABLE.
ROSENBERG, HILDING	RESA TILL AMERIKA - SVIT FOR ORKESTER	ORCHESTRA	SUECIA	1939		H	C/U	2FL,2CL,2OB,2BSN,4COR,3TRPT,3TRB,TBA,2PERC,TMP,SAXOPHONES,HARP, STRINGS. THREE MOVEMENTS OF STRAIGHT AHEAD MATERIAL AND PLAYABLE. SCORE FOR SALE & PARTS RENTAL.
ROSENBERG, HILDING	SONAT NR 2	VIOLIN & PIANO	NORDISKA	1941		H	C/U	THREE MOVEMENTS FROM A GOOD COMPOSER AND STRAIGHT AHEAD.
ROSENBERG, HILDING	SONATA PER FLAUTO SOLO	FLUTE ALONE	SUECIA	1965		H	C/U	TWO MOVEMENTS FROM ONE OF SWEDEN'S LEADING COMPOSERS OF THE RECENT PAST.
ROSENBERG, HILDING	SONATA PER VIOLINO SOLO NR 1	VIOLIN ALONE	SUECIA	1921	CA 4-5 MIN	H	C/U	TWO MOVEMENTS OF RECITAL MATERIAL FROM A FINE COMPOSER.
ROSENBERG, HILDING	SONATA PER VIOLINO SOLO NR 3	VIOLIN ALONE	SUECIA	1963		H	C/U	CHALLENGING AND PLAYABLE FOR RECITAL OR STUDY.
ROSENBERG, HILDING	SYMPHONIE FUR BLASER UND SCHLAGZEUG	BAND	NORDISKA	1966	18 MINMIN	H	C/U	PIC,2FL,CL,BCL,OB,BSN,3TRPT,3TRB,2PERC,TMP,EH,CBSN. SPECIAL INSTRUMENTATION! A HARD ONE MOVEMENT WORK WITH SOME RHYTHMIC CHALLENGES. ONE OF SWEDEN'S MOST NOTED COMPOSERS.
RYBRANT, STIG	DEEP BRASS JOKE	TROMBONE QUINTET	BUSCH	1975		M	C/U	ENJOYABLE MUSIC AND PLAYABLE.
RYDBERG, SAM/GOSTA MORGERG	VIVU ESPERANTO (MARCH)	BAND	INTERSONG	1983	EST 3'30"	E/M	HS/JHS	2FL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA,PERC, SB. MARCH SIZE, ON HARD-STIFF PAPER FOR LYRES - GOOD FOR MARCHING UNITS.
RYDELL, THOMAS	TARAR AV BLOD	OBOE & PIANO	SMIC	1995	3 MIN.	E	C/U/HS	A FLOWING WORK IN 6/8 WITH NO TECHNICAL PROBLEMS. NICE OPPORTUNITY TO JUST MAKE MUSIC.
SAGVIK, STELLAN	2 BIBLISKA FANFARER, OP. 192A	BRASS QUINTET & ORGAN	SMIC	1999	2 MIN 20 SEC	M	C/U	FINE COMPOSER AND TWO NICE FANFARES THAT HAVE MUCH MUSICAL INTEREST. EVERYTHING IN PLAYABLE RANGES. GOOD DRAMA IN EACH FANFARE.
SAGVIK, STELLAN	CLUSHOES, OVERTURE OP. 187	ORCHESTRA	SMIC	1996/97	9 MIN 30 SEC	H	C/U	2FL(PIC),2OB,EH,SCL,BCL,2BSN,4HN,3TRPT,3TRB,TBA,5PERC,STRINGS. NEED A LARGE ORCHESTRA WITH AMPLE STRINGS. ALWAYS PAY ATTENTION TO THIS FINE COMPOSER. HIS FINE SCORE MAKES THIS EASIER TO PLAY.
SAGVIK, STELLAN	FANFANFARA	BRASS QUINTET	SMIC	1989	8 MIN	M/H	C/U	FINE SCORE, RHYTHMIC INTEREST AND PLAYABLE.
SAGVIK, STELLAN	SLOTTS-SVIT, OP 82B	BAND	SMIC	1981		H	C/U	PIC,4CL,2BSN,2AS,TS,2HN,3TRPT,3TRB,TBA,2PERC. 5 SHORT MOVEMENTS BUT CHECK THE INSTRUMENTATION. VERY HIGH TESSITURA FOR TROMBONE I.
SAGVIK, STELLAN	SOLAR PLEXUS, OP. 191	FLUTE ALONE	SMIC	2000	30 MIN.	H	C/U	11 SHORT MOVEMENTS WITH MANY CHALLENGES. A FINE COMPOSER WITH MUSIC THAT IS INTERESTING FOR THE PLAYER AS WELL AS THE AUDIENCE.
SAGVIK, STELLAN	SVENSK (NORRBOTTNISK) CONCERTINO, OP 114	TROMBONE & STRING ORCHESTRA	SMIC	1983	9 MIN	H	C/U	THREE MOVEMENTS. 1ST IS LIKE A CADENZA, 2ND A 3/4 DANS & 3RD 2/4 AND QUICK. SCORE IS MS AND A FEW PROBLEMS WITH LEGIBILITY. FOR RENTAL ONLY.
SAGVIK, STELLAN	VIALENNA, OP 167	VIOLA ALONE	SMIC	1992	3 MN	H	C/U	FOR THE BEST C/U STUDENT. DOUBLE AND MORE STOPS, LOTS OF NOTES AND A NEED GO MAKE MUSIC WITH THEM WITHOUT ACCOMPANIMENT. A CONTEMPORARY SETTING AND APPROACH.
SAMSON & WILSON/CLAES ROSENDAHL	NATTENS MELODI	STAGE BAND	EHRLING	1978		E	C/U/HS	SCORE IS MESSY, SOFT SWING, TRPT 2 SOLO AND CAN BE OPENED, NICE CHART.
SANDBERG, LARS	FALL	TROMBONE, CELLO & PIANO	SUECIA	1989	9+MIN	H	C/U	MANY RHYTHMIC PROBLEMS. ALL PARTS PLAY FROM A SCORE.
SANDSTROM, JAN	WAHLBERG VARIATIONS	SAXOPHONE QUARTET	SMIC	1993	15 MIN	H	C/U	SOP,ALSO,TEN,BAR SAX. COMMISSIONED BY A PROFESSIONAL ENSEMBLE AND MAY NEED THAT LEVEL OF PLAYER. BUT, A TERRIFIC CHALLENGE FOR THE MOST ADVANCED C/U STUDENT. PARTS ARE NOT GRATUITOUSLY DIFFICULT - IT JUST WORKS OUT THAT WAY. THERE IS MUSIC HERE!
SANDSTROM, SVEN-DAVID	CLOSE TO	CLARINET & PIANO	NORDISKA	1972	6 MIN	H	C/U	ESOTERIC, ONLY THE BEST WILL SURVIVE, BUT THEY WILL HAVE FUN!
SANDSTROM, SVEN-DAVID	CLOSENESS	CLARINET ALONE	SMIC	1972	7 MIN 45 SEC	H	C/U	NONTRADITIONAL NOTATION AND PERFORMANCE TECHNIQUES. NICE INTRO TO THIS STYLE.
SANDSTROM, SVEN-DAVID	CONCERT PIECES FOR TUBA, STRINGS AND PERCUSSION	TUBA & STRING ORCHESTRA	KMH	2003	10 MIN	H	C/U	TUBA PLAYER WITH A GREAT UPPER REGISTER OR A EUPHONIUM WITH A STRONG LOW REGISTER. SANDSTROM DOES NOT KNOW THE WORD, ’EASY’. BE PREPARED FOR EVERYTHING! FOUR MOVEMENTS. TWO PERCUSSION PARTS. EVERY PART WILL BE CHALLENGED. GO FOR IT!
SANDSTROM, SVEN-DAVID	DISJOINTING	TROMBONE ALONE	NORDISKA	1975	8 MIN	H	C/U	NONTRADITIONAL NOTATION FOR THE VERY BEST AND INTERESTED IN CONTEMPORARY CHALLENGES.
SANDSTROM, SVEN-DAVID	DISTURBANCES	BRASS QUINTET	NORDISKA	1976	10 MIN	H	C/U	SANDSTRÖM ALWAYS HAS SOMETHING TO SAY AND USUALLY QUITE NONTRADITIONAL IN STYLE AND SOUND.
SANDSTROM, SVEN-DAVID	DRUMS	PERCUSSION ENSEMBLE	NORDISKA	1984	15 MIN	H	C/U	WELL SCORED. FIVE MOVEMENTS FOR TIMPANI AND NON-TUNED INSTRUMENTS. 5 PLAYERS.
SANDSTROM, SVEN-DAVID	FOUR PIECES	SAXOPHONE(SOPRANO) & BAND	SMIC	2002	12 MIN	H	C/U	2FL,2OB,2CL,BSCL,2BSN,2HN,2TRPT,3TRB,TUBA,STBS,ELECTBS,2PERC. MIXED METER, HIGH RANGE FOR SOLOIST, IF THERE IS NO CHALLENGE IN THIS ONE IT IS NOT BECAUSE THE COMPOSER DID NOT TRY. PERHAPS THE COLLEGE/UNIVERSITY SAXOPHONE INSTRUCTOR WITH THE SCHOOL BAND.
SANDSTROM, SVEN-DAVID	INSIDE	TROMBONE(BASS) & PIANO	NORDISKA	1974	7 MIN 45 SEC	H	C/U	NONTRADITIONAL NOTATION, GOOD, BUT HARD WORK.
SANDSTROM, SVEN-DAVID	KROUMATA PIECES	PERCUSSION ENSEMBLE	WARNER/CHAPPELL	1995	15 MIN	H	C/U	COMPOSED FOR A PROFESSIONAL PERCUSSION ENSEMBLE IN SWEDEN, BUT 6 HIGH LEVEL C/U MUSICIANS CAN PLAY THIS WITH ENOUGH PRACTICE TIME. SEE OTHER WORKS OF THIS COMPOSER FOR PERCUSSION ENSEMBLE IN THE WARNER/CHAPPELL CATALOG.
SANDSTROM, SVEN-DAVID	TRE SATSER FOR BLECKBLASARKVARTETT	BRASS QUARTET	SMIC	1969	7 1/2 MIN	H	C/U	1. INTRADA, 2. ARIA, 3. BURLESK. RHYTHMIC AND HARD BUT FROM AN INTERESTING COMPOSER AND WORTH THE EFFORT.
SANDSTROM, SVEN-DAVID	UNDER THE SURFACE	TROMBONE SEXTET	SMIC	1971	7 MIN	H	C/U	HIGH LEVEL PLAYERS NEEDED. AVANT-GARDE.
SCHNELZER, ALBERT	THUNDER DANCE	PERCUSSION ENSEMBLE	SMIC	2002	10 MIN	H	C/U	TWO PLAYERS, EACH WITH MULTIPLE INSTRUMENTS. CHANGING METER AND A CHALLENGE FOR THE MOST SERIOUS STUDENT. THOSE SERIOUS C/U STUDENTS CAN PLAY THIS. A TEST OF RHYTHMIC SKILL.
SCHONBERG, STIG GUSTAV	DIVERTIMENTO FOR STRING ORCHESTRA, OP. 170	STRING ORCHESTRA	SMIC	2001	13 MIN	H	C/U	THIS MAY BE EASIER TO LOOK AT IF IT WERE PRINTED INSTEAD OF BEING IN A MARGINAL MS. WE INCLUDE HERE BECAUSE WE LIKE HIS IDEAS. IN THREE MOVEMENTS.
SEVAG, OYSTEIN	SUITE FOR 2 FLUTES	FLUTE DUET	LYCHE	1981	EST 6 MIN	H	C/U	NOT ALL THE 5 MOVEMENTS ARE DIFFICULT. LOTS OF NOTES, BUT NO SURPRISES.
SEVIUS, SVEN	FESTFANFAR 1995	BRASS & PERCUSSION	SMIC	1995	1 MIN.	M	C/U/HS	R TRPT, 3 TRB,TUBA,3 PERC. SOLID, FULL WRITING. TRB 1 TO HIGH Bb OTHERWISE ALL INSTRUMENTS IN A COMFORTABLE RANGE. PERCUSSION: SNARE, TYMPANI AND CYMBALS.
SIMAI, PAVOL	CLARISSON	CLARINET	SUECIA	1996		H	C/U	THIS WORK OFFERS ALL OF THE CHALLENGES: MIXED METER, RANGE, MOVING NOTES, PLAYING TOGETHER WITH THE ACCOMPANIST,ETC. TWO MOVEMENTS: 1. IS BURLESCAMENT 2. IS RONDO. FOR THE HIGHLY COMPETENT PLAYER WITH A FINE ACCOMPANIST, A CHANCE TO SHOW OFF!
SIMAI, PAVOL	SUNSET ON CAPRI	SAXOPHONE AND ORGAN	SMIC	1995	15 MIN	H	C/U	ALTO SAX. THIS MAY BE CALLED ESOTERIC, BUT WE LIKE THE SCORE. TONE CLUSTERS ON THE ORGAN WITH ALMOST IMPROV LIKE PASSAGES BY THE NON SUSTAINING PART, THEN STRICT RHYTHM. THIS IS PLAYABLE AND SHOULD BE VERY EFFECTIVE IN A ROOM WITH GOOD ACOUSTICS.
SJOBERG, BIRGER/MIFF GORLING	PA DANSBANAN	BAND	EHRLING	1978	EST 3 MIN	E	HS/JHS	2FL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA,PERC, TMP,SB. LIKE A POLKA, IN 2/4, FOLK LIKE, SCORE IS NOT CLEAN. SCORE FOR SALE, PARTS RENTAL.
SJOBERG, BIRGER/STIG GUSTAFSON	FRIDA-SVIT	BAND	GEHRMANS	1980	8 MIN	E	HS/JHS	PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3TRPT,3TRB,EUP,TBA, 2PERC,SB. 5 MOVEMENTS, CONDENSED SCORE, PLAYABLE BY ALL, GOOD WORK.
SJOBERG, JOHAN-MAGNUS	MEDITATION	CLARINET & ORGAN	SMIC	2005	4 MIN 30 SEC.	M	C/U	THIS WILL TAKE SOME MATURITY BY THE Bb CLARINET PLAYER. MIXED METER, BUT THE LINE IS ALWAYS MOVING. NICE USE OF THE LOWER REGISTER WITH JUST A LITTLE WORK ABOVE THE STAFF.
SJOBERG, JOHAN-MAGNUS	ROTATE FOR SYMPHONY ORCHESTRA	ORCHESTRA	SMIC	1994	10 MIN	M	C/U/HS	2FL,2OB,2CL,2BSN2HN,2TRPT,2TRB,TBA,2PERC.STRINGS. A LOT OF GOOD WORK FOR THE PERCUSSIONISTS. OTHERWISE THIS SHOULD PLAY BY MANY GROUPS, CIVIC, C/U AND SOME HS ENSEMBLES.
SJOBERG, JOHAN-MAGNUS	SONG	TRUMPET & ORGAN	SMIC	1997	7 MIN.	E/M	C/U/HS	TRUMPET IN Bb. SLOW SINGING MATERIAL IN A COMFORTABLE RANGE. THREE SHORT CADENZAS.
SJOBLOM, HEIMER	CONCERTINO SPEL	FLUTE & STRING ORCHESTRA	SMIC	1975	17 MIN	H	C/U	THREE MOVEMENTS THAT CAN STAND ALONE AND PLAYABLE. RENTAL ONLY.
SJOBLOM, HEIMER	FESTIVO POMPOSO	BAND	SMIC	1976	6 MIN	M	C/U/HS	PIC,FL,3CL,OB,BSN,AS,TS,2HN,3TRPT,2TRB,TBA,2PERC,SB. WELL LAID OUT SCORE, NOTE THE INSTRUMENTATION.
SJOBLOM, HEIMER	LITEN SVIT I SPELMANSTON, OP 36B	WIND ENSEMBLE	SMIC	1976	13 MIN	M	C/U	PIC, FL, 3CL, OB, BSN, HN, TRPT, TRB, TBA, SB. FOUR SHORT MOVEMENTS BEST PLAYED ONE ON A PART. SWEDISH TUNES.
SJOSTEN, LARS	ALDRIG NACKEN	BRASS QUARTET	BLAS-BASEN	1995	4 MIN 30 SEC	H	C/U	FOR 2 EUP,2 TBA AND RHYTHM SECTION (DRUMS,OPT.GUITAR,PIANO,BASS). PIANO THE FOUR SOLO INSTRUMENTS HAVE OPPORTUNITY TO IMPROVISE. EUP I TO HIGH C. TUBA I CAN BE PLAYED BY EUP. FINE MUSICIAN/ARRANGER. IT SWINGS - HAVE FUN!
SJOSTEN, LARS	TALE OF TWO TREES	BRASS ENSEMBLE	BLAS-BASEN	1996	6 MIN 30 SEC	M/H	C/U	4TRPTS,HN,3TRB,TBA OR SUB HN FOR TRPT 4, TRB FOR HN AND HN FOR TRB. TRT4 ASKS FOR FLUGELHORN. SJOSTEN IS A JAZZ PIANIST - EXPECT SOME RESERVED SWING ON THIS SELECTION AS IN HIS OTHER PUBLICATIONS BY THIS COMPANY.
SJOSTEN, LARS	THE CHAMBERS OF A GOLDEN HEART	BRASS SEXTET	SMIC	1989		M	C/U	LAID BACK AND IT SWINGS. GOOD SCORE.
SJOSTEN, LARS	THE LOVELY LADY'S LABOUR	BRASS QUINTET & BAND	SMIC	1981	16 MIN	M/H	C/U	PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA, 3PERC,DRUM SET,ELECTBASS,BRASS QUINTET. INTRODUCTION, 1. MED BOUNCE, 2. SLOW BLUES(3/4), 3. MEDIUM FAST. GOOD FEATURE ON CONCERT.
SJOSTEN, LARS	THE TWO CHAMBERS OF A GOLDEN HEART	BRASS SEXTET	BLAS-BASEN	1989/1995	EST 4 MIN	M/H	C/U	2 TRPT,HN,2TRB,TBA (TRB SUB FOR HN). A RELAXED SWING PIECE. SEE OTHERS LIKE THIS IN THE BLAS-BASEN CATALOG.
SJOSTEN, LARS	UTSIKT FRAN ETT PEPPARKAKSHUS	STAGE BAND	SMIC	1985	17 MIN	H	C/U/HS	LONG CHART BY A GREAT SWEDISH JAZZ PIANIST. CONCERT FEATURE.
SKOG, B ARNE	I NORDEN	BAND	LEMA	1984	10 MIN	M	C/U/HS	PIC,2FL,EbCL,3CL,BCL,OB,2BSN,2AS,TS,BS,4HN,2COR,3TRPT,3TRB,EUP, TBA,PERC,TMP,SB. 9 FOLK TUNES OF NORDIC ORIGIN. SCORED FOR SCHOOL USE AND SUMMER CONCERTS IN THE PARK. CAN BE PLAYED BY BANDS WITH LESS THAN FULL INSTRUMENTATION.
SKOG, YLVA	TERRA INCOGNITA	ORCHESTRA	SMIC	2001	8 MIN 30 SEC	H	C/U	PIC,2FL,2OB,2CL,BSN,4HN,2TRPT,TRB,TBA,2PERC,STRINGS. CHANGING AND MIXED METER WILL BE THE PROBLEM HERE IN A CLEAN SCORE. PERCUSSIONISTS WITH A LOT OF INSTRUMENTS. GOOD C/U GROUPS AND ADULT AMATEUR ORCHESTRA MATERIAL. COMMISSIONED BY A PROFESSIONAL GROUP.
SKOG, YLVA	VIBRACELL FOR VIBRAPHONE AND MARIMBA	PERCUSSION ENSEMBLE	SMIC	2002/2003	7 MIN	H	C/U	HARD, BUT PLAYABLE. EXCELLENT FOR C/U RECITALS. CLEAN SCORE, BUT LOTS OF PAGES TO MANIPULATE.
SKOLD, YNGVE	PASSACAGLIA - FROM SINFONIA DA CHIESA, OP 38	BAND	SMIC	1939		M	C/U/HS	PIC,FL,2CL,OB,2BSN,4HN,2TRPT,3TRB,TBA,TMP,EH,CBSN. NOTE THE SMALL INSTRUMENTATION. GOOD SCORE AND PLAYABLE MUSIC.
SKOLD, YNGVE	PASSACAGLIA FROM SINFONIA DA CHIESA, OP 38	ORCHESTRA	SMIC	1939	CA 9 MIN	M	C/U/HS	PIC,FL,2CL,2OB,2BSN,2HN,2TRPT,TRB,TMP,STRINGS. SLOW MOVING WORK WITH EXTRA STRING VOICES IN DIVISI FROM TIME TO TIME. RENTAL ONLY.
SKOLD, YNGVE	SINFONIA DA CHIESA, OP 38	ORCHESTRA	SMIC	1938		H	C/U	PIC,2FL,2CL,2OB,2BSN,2HN,2TRPT,TRB,TMP,ORGAN,STRINGS. FOUR MOVEMENTS IN A GOOD SCORE AND PLAYABLE. RENTAL ONLY.
SKOLD, YNGVE	SONATINA, OP 57	FLUTE & PIANO	SUECIA	1961	17 MIN	M	C/U/HS	FOUR MOVEMENTS THAT CAN STAND ALONE. LOTS OF NOTES BUT STRAIGHT AHEAD AND PLAYABLE. CONCERT OR RECITAL MATERIAL.
SKOLD, YNGVE	VIOLINKONSERT, OP 40	VIOLIN & PIANO	SUECIA	1945		H	C/U	THREE MOVEMENTS OF A WORK CHOSEN BY SWEDISH COMPOSERS FOR PUBLICATION.
SMEDEBY, SUNE	DOLOROSO	OBOE ALONE	SMIC	1997	4 MIN	E/M	C/U/HS	VERY LEGATO STYLE THROUGH MOST OF THE WORK WITH A FEW CHANCES FOR CONTRAST. MAKE IT SING.
SODERBERG, HANS	15.00	BAND	SMIC	1986	CA 12-15 MIN	H	C/U	8FL,8CL,OB,2BSN,2AS,7HN,8TRPT,3TRB,TBA,3PERC. NONTRADITIONAL TECHNIQUES, NOTE THE INSTRUMENTATION, PERCUSSION EMPHASIS, NICE HORN OPENING.
SODERBERG, HANS	BRASS IN ACTION	BRASS ENSEMBLE	SMIC		EST 12+ MIN	H	C/U	4TRPT,4HN,3TRB,EUP,TBA,3PERC. ONE MOVEMENT USING NONTRADITIONAL TECHNIQUES AND WELL LAID OUT. THIS IS 'NOW' MUSIC.
SODERBERG, HANS	KONSERT FOR SLAGVERKSGRUPP OCH SYMFONIORKESTER	ORCHESTRA	SMIC	1985	CA 14 MIN	M/H	C/U	PIC,2FL,2CL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,4PERC,TMP,HARP,PIANO, CELESTE,STRINGS. HARD PERCUSSION PARTS, EASIER FOR OTHERS. A MOST INTERESTING WORK! RENTAL ONLY.
SODERBERG, HANS	KVINTETT FOR KLARINETTER	CLARINET QUINTET	SMIC	1986	13 MIN	M/H	C/U	4BbCL, BCL. SOME NONTRADITIONAL NOTATION WELL LAID OUT AND PLAYABLE. NICE SCORE.
SODERLUNDH, LILLE BROR	DALAMUSIK-SVIT FOR KLARINETT(Bb) OCH STRAKORKESTER	CLARINET & STRING ORCHESTRA	SMIC	1945	EST 8 MIN	M	C/U/HS	SEVEN SHORT MOVEMENTS. THIS IS NOT A CLARINET SOLO, JUST A MEMBER OF THE ORCHESTRA. CL DOES NOT PLAY ON 2 MOVEMENTS. GOOD SCORE. RENTAL ONLY.
SODERLUNDH, LILLE BROR	IDEA 1 & 2	SAXOPHONE QUARTET	BUSCH	1987		E/M	C/U/HS	A.S.T.B. OR S.S.T.B. FOR CONTEST OR RECITAL. 2 MOVEMENTS.
SODERLUNDH, LILLE BROR	LITEN SVIT	CLARINET & PIANO	BUSCH	1987	8 MIN	E/M	C/U/HS	FOUR MOVEMENTS FOR RECITAL OR HIGH SCHOOL CONTEST.
SODERMAN, AUGUST/STIG GUSTAFSON	BROLLOPSMARSCH	BAND	GEHRMANS	1978	3 MIN 30 SEC	E	HS/JHS	2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,2EUP, TBA,PERC,TMP,SB. CONDENSED SCORE. GOOD ARRANGER FOR HS BANDS.
SODERMAN, AUGUST/STIG GUSTAFSON	SVENSKA FOLKVISOR OCH DANSER	BAND	LEMA	1984	9 MIN	E/M	HS	PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,3TRB,EUP,TBA, PERC,TMP,SB. 8 SHORT FOLK SONGS AND DANCES OF SWEDEN. EACH CAN STAND ALONE. WELL SCORED AND USEFUL MUSIC.
SORENSON, TORSTEN	BROKIGA BLAD	STRING ORCHESTRA	GEHRMANS	1981	21 MIN	M	C/U/HS	NINE MOVEMENTS THAT ARE VERY PLAYABLE WITH NO SURPRISES.
SORENSON, TORSTEN	QUINTET FOR BRASS	BRASS QUINTET	SMIC	1970	CA 7 MIN	M	C/U	FOUR MOVEMENTS, WELL SCORED, PARTS IN GOOD RANGES AND STRAIGHT AHEAD.
STENHAMMAR, WILHELM	SERENADE, OP 31	ORCHESTRA	SUECIA	1936	EST 25 MIN	H	C/U	2FL,2CL,2OB,2BSN,4HN,2TRPT,3TRB,2PERC,TMP,EH,STRINGS. FIVE MOVEMENTS AND ONE OF THIS COMPOSERS BEST WORKS. SCORE FOR SALE, PARTS RENTAL.
STENHAMMAR, WILHELM	SONATE, OP 19	VIOLIN & PIANO	SMIC	SMIC		M	C/U/HS	THREE MOVEMENTS FROM A FINE EARLY 20TH CENTURY COMPOSERS. FOR RECITAL OR STUDY.
STENHAMMAR, WILHELM	STRAKKVARTETT NR 2, OP 14	STRING QUARTET	SUECIA	1968	EST 15 MIN	H	C/U	FOUR MOVEMENTS AND PLAYABLE BY A COMPETENT COLLEGE ENSEMBLE. LOTS OF STRAIGHT AHEAD WORK.
STENHAMMAR, WILHELM	TWO SENTIMENTAL ROMANCES, OP 28 NR 1	VIOLIN & PIANO	NORDISKA	1970	EST 15 MIN	M/H	C/U/HS	TWO PLAYABLE PIECES FROM A FINE COMPOSER.
STORM, STAFFAN	SONATIN	FLUTE & ORGAN	SMIC	2001	12 MIN	M	C/U/HS	THREE MOVEMENTS WITH MODERATELY GOOD MANUSCRIPT. THIS IS VERY PLAYABLE MUSIC THAT SHOULD ALSO BE PLAYABLE WITH PIANO ACCOMPANIMENT.
STRINDBERG, HENRIK	HJARTATS SLAG (HEART BEATS)	FLUTE & SAXOPHONE QUARTET	SMIC	1986	6 MIN 30 SEC	M/H	C/U	S.A.T.B, GRADUAL AND QUICK METER CHANGES. SOME TONE MANIPULATION AND NONTRADITIONAL TECHNIQUES.
STRINDBERG, HENRIK	TREDJE ANDNINGEN (THIRD BREATH)	TROMBONE QUARTET	SMIC	1985	9 MIN	H	C/U	PROVOCATIVE, CHALLENGING, INTERESTING! 3 TENOR TRBS AND BASS TRB.
SUND, ROBERT	GANGLAT FRAN MOCKFJARD	BAND	GEHRMANS	1978	13 MIN	M	C/U/HS	PIC,2FL,3CL,BCL,OB,2BSN,2AS,TS,BS,4HN,2COR,3TRPT,3TRB,EUP,TBA, 2PERC,SB. SWEDISH WORDS ARE IN THE SCORE TO SING ALONG! LIKE A THEME AND VARIATIONS.
SUND, ROBERT	PER SPELMAN	WOODWIND QUINTET	GEHRMANS	1975		M/H	C/U	SOME RHYTHMIC COMPLEXITY BUT PLAYABLE.
SUND, ROBERT	TRE ETYDER	BAND	SUECIA	1984	9 MIN	H	C/U/HS	PIC,2FL,EbCL,4CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,3TRPT,3TRB,EUP, TBA,5PERC,TMP,SB,SSAX,(1 CL IN A, 3 IN Bb). THREE MOVEMENTS, A FEW PROBLEMS TO WORK OUT IN THE SCORE, GOOD PERCUSSION PARTS.
SYLVAIN, JULES & DIX DENNIE/MATS OLSSON	BEATE-CHRISTINE	STAGE BAND	EHRLING	1978		E/M/	C/U/HS	3/4 BALLAD, TRPT PART TO C, TRB 1 SOLO.
SYLVAIN, JULES & KARL-EWERT/CLAES ROSENDAHL	RAKNA DE LYCKLIGA STUNDERNA BLOTT	STAGE BAND	EHRLING	1978		E	C/U/HS	SLOW WALTZ, MESSY SCORE, TRPT 1 SOLO, CAN BE OPENED FOR MORE SOLOS. GOOD MATERIAL.
SYLVAIN, JULES & N.G.GRANATH/LENNART FORS	DANSEN GAR PA ALLA BRYGGORNA	BAND	EHRLING	1978		E	HS/JHS	CONCERT MUSIC FOR THE YOUNG BAND. EASY & PLAYABLE. STANDARD INSTRUMENTATION.
SYLVAIN, JULES & OTHERS/LENNART FORS	HAR DEN ARAN	BAND	EHRLING	1978	EST 4 MIN	E	HS/JHS	2FL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA,PERC, TMP,SB. SCORE IS NOT BOUND. PARTS ARE MS BUT GOOD. THIS MEDLEY OF SWEDISH TUNES INCLUDES THE BIRTHDAY SONG, 'JA MÅ HAN LEVA'.
SYLVAIN, JULES & SS WILSON/LASSE SJOSTEN	NAR EN STJARNA FRAN HIMLEN FALLER	STAGE BAND	EHRLING	1978		E	C/U/HS	SCORE IN MS AND MESSY BUT GOOD MATERIAL. ALTO AND TENOR SOLOS.
SYLVAIN, JULES/MATS OLSSON	JAG VET ETT LITET HOTELL	STAGE BAND	EHRLING	1978		E/M/	C/U/HS	MESSY SCORE IN MS, TANGO, LOTS OF MUTING IN BRASS, NEED STRONG PIANO FOR SOLO.
SYLVAIN,JULES & AKE SODERBLOM/GUNNAR SVENSSON	TANGOKAVALJEREN	STAGE BAND	EHRLING	1978		M	C/U/HS	SCORE IS IN MS AND MESSY, TROMBONE SECTION FEATURE, TRB 1 & 2 QUITE HIGH, GOOD MATERIAL.
SYLVAN, SIXTEN	ADAGIO, OP. 12:1	HORN & ORGAN	SMIC	1998	EST 3+ MIN	M	C/U/HS	VERY GOOD MS. LYRICAL, HORN TO A ABOVE THE STAFF. A CHANCE FOR EXPRESSIVE HORN PLAYING.
SYLVAN, SIXTEN	KVINTETT FOR BLASARE	WOODWIND QUINTET	SMIC	1949		H	C/U	CL DOUBLES BASS CLARINET. THREE MOVEMENTS STRAIGHT AHEAD.
SYLVAN, SIXTEN	SONAT FOR HORN OCH PIANO, OP 7	HORN & PIANO	SMIC	1963		M /	C/U/HS	THREE MOVEMENTS OF A WELL SCORED WORK FOR RECITAL, CONTEST OR CONCERT.
SöDERLUNDH, LILLE BROR	CONCERTINO	OBOE & PIANO	BUSCH	1944	13 MIN 25 SEC	M/H	C/U	PIANO REDUCTION. THREE MOVEMENTS(FSF). MAJOR CADENZA IN 2ND MOVEMENT. NO SPECIAL DEMANDS, JUST A LOT OF NOTES.
TAUBE, EVERT/STIG GUSTAFSON	SA SKIMRANDE VAR ALDRIG HAVET	BAND	LEMA	1981	3 MIN 15 SEC	E	HS	2FL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,3TRB,EUP,TBA,PERC,TMP,SB. TAUBE WAS A COMPOSER OF POPULAR SONGS (1890-1976). GOOD TREATMENT OF ONE OF HIS TUNES BY STIG.
TAUBE,EVERT/STIG EKLUND	RONNERDALS POLKA	BAND	INTERSONG	1982		E/M	HS/JHS	GOOD DEVELOPMENT, PLAYABLE. STANDARD INSTRUMENTATION.
THEORIN, HAKAN	CANTO	FLUTE & ORGAN	SMIC	1987		E	C/U/HS	EASY, TONAL, SUSTAINED WORK.
THEORIN, HAKAN	SAXOFONCONCERTINO	SAXOPHONE(ALTO) & BAND	SMIC	1987	12 MIN	E/M	C/U/HS	FL,EbCL,3CL,BCL,OB,BSN,2AS,TS,BS,3HN,3TRPT,3TRB,EUP,TBA,PERC,CBSN. A WELL SCORED WORK PLAYABLE BY A GOOD HS SAXOPHONIST. THE ACCOMPANIMENT IS ALSO INTERESTING.
TRAULSEN, PALMER	THREE HUMOROUS ANIMAL PICTURES	TROMBONE DUET	BUSCH	1979		H	C/U	HARD, CHALLENGING AND FUN!
TUBIN, EDUARD	SONAT FOR SOLO VIOLIN	VIOLIN ALONE	SUECIA	1962		M/H	C/U	RECITAL OR STUDIO MATERIAL IN A GOOD SCORE.
TUBIN, EDUARD	SONATE	SAXOPHONE(ALTO) & PIANO	SMIC	1951		M/H	C/U/HS	THREE MOVEMENTS FOR COLLEGE RECITAL THAT PLAYS OUT WELL.
TUBIN, EDUARD	SUITE FROM THE BALLET KRATT	ORCHESTRA	SUECIA	1980	25 MIN	H	C/U	PIC,2FL,2CL,OB,BSN,2HN,2TRPT,2TRB,PERC,TMP,EH,PIANO,STRINGS. THREE SECTIONS THAT CAN STAND ALONE. MUSICAL INTEREST AND VARIETY IN EACH SECTION. SCORE FOR SALE, PARTS RENTAL.
TUULSE, TOOMAS	MENUETT	WOODWIND ENSEMBLE	SMIC	1976		M	C/U	2FL, 2OB, 2CL, BCL, 2HN, 2BSN. FLOWING AND EASY. HORN PART IS HIGH AND STAYS THERE.
TYBONI, BORJE	ROMANZA	FLUTE ALONE	SMIC	2000	3 MIN.	E/M	C/M/HS	SUGGEST YOU PLAY WITH SAME COMPOSER’S VAGEN. SHOULD BE GOOD AS A FIRST EXPERIENCE WITH SOLO ALONE PLAYING.
TYBONI, BORJE	VAGEN	FLUTE ALONE	SMIC	1996	3 MIN.	E/M	C/M/HS	SUGGEST TO PLAY WITH SAME COMPOSER’S ROMANZA. THE TWO TOGETHER WILL MAKE A NICE ADDITION TO A RECITAL EVEN FOR THE ADVANCED PLAYER.
UDDEN, AKE	STRAKKVARTETT NR 1 (1940)	STRING QUARTET	SUECIA	1967	24 MIN	H	C/U	WELL CONSTRUCTED 4 MOVEMENT WORK. NOTES FOR EVERYONE, BUT STRAIGHT AHEAD. IT WORKS!
VALKARE, GUNNAR	BLOPARK	BAND	SMIC	1982		M	C/U/HS	PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,2HN,2COR,2TRPT,2TRB,EUP, TBA,5PERC. FEATURES THE PERCUSSION SECTION. PLAYABLE WITH NO SURPRISES.
WAHLBERG, RUNE	DANSPOEM	CLARINET & PIANO	SMIC	1992	3 MIN 25 SEC	M/H	C/U/HS	YES, DANCE LIKE. GOOD USE OF THE VARIOUS RANGES FOR THE CLARINET. NEED CONTROL IN THE UPPER REGISTER. PIANO PART DOES NOT GET IN THE WAY. THE LINE IS ALWAYS MOVING FORWARD. TWO SECTIONS CONNECTED: ALLEGRETTO GRAZIOSO AND SCHERZANDO. IN GOOD MS.
WAHLBERG, RUNE	PRISMA	SAXOPHONE QUARTET	SMIC	1961	12 MIN 30 SEC	M	C/U/HS	FOUR MOVEMENTS OF GOOD WRITING AND A FINE SCORE.
WAHLBERG, RUNE	ROMANS	VIOLIN & ORCHESTRA	SMIC	1935/1992	EST 11 MIN	M	C/U/HS	2FL,2CL(A),2BSN,2HN,STRINGS. A BEAUTIFUL LINE FOR THE SOLOIST TO SING OUT. ORCHESTRA PARTS ARE SUPPORTIVE, BUT DO NOT GET IN THE WAY.
WALLIN, PETER	TRE STAMNINGAR	CLARINET & MARIMBA	SMIC	1995	EST 3 MIN 30 SEC	M	C/U	THREE SHORT MOVEMENTS: 1 MEDITATION, 2 UPPSLUPPENHET (LIGHT IN FEELING) 3. DEPRESSION. CLARINET IN Bb. VERY PLAYABLE.
WELANDER, WALDEMAR	DIVERTIMENTO FOR OBOE, KLARINETT OCH FAGOTT	WOODWIND TRIO	SMIC		EST 4-5 MIN	M	C/U	OB, CL, BSN. FOUR MOVEMENTS MOSTLY STRAIGHT AHEAD WITH A FEW CHALLENGES. STUDIO OR RECITAL.
WENSTROM-LEKARE, LENNART	CHEERS	HORN & PIANO	SMIC	1996	EST 4 MIN	M	C/U/HS	THREE SHORTER MOVEMENTS IN CLEAR MS. NO TECHNICAL PROBLEMS, GOOD RECITAL MATERIAL. THIS COMPOSER HAS A LONGER WORK LIKE THIS TITLED, DIVERTIMENTO. SO, IF YOU LIKE THIS ONE TRY THAT.
WESTBERG, ERIC	LUSTPELSUVERTYR	ORCHESTRA	SUECIA	1931	EST 8 MIN	M/H	C/U/HS	PIC,2FL,2CL,2OB,2BSN,2HN,2TRPT,3TRB,TBA,PERC,TMP,STRINGS. A DELIGHTFUL OVERTURE, GREAT CONCERT OPENER. NO SURPRISES, JUST STRAIGHT AHEAD. SCORE FOR SALE, PARTS RENTAL.
WESTBERG, ERIC	NENIA	STRING ORCHESTRA	SUECIA	1945	EST 8 MIN	M/H	C/U	ADAGIO IN ONE MOVEMENT. 3 VIOLINS, 3 VIOLAS, 3 CELLOS, STRING BASS. SCORE FOR SALE, PARTS RENTAL.
WESTERBERG, CONNY	GANGLAT FRAN DALSLAND	BAND	LEMA	1986	3 MIN	E	HS/JHS	2FL,EbCL,3CL,ACL,BCL,OB,2BSN,2AS,TS,BS,3HN,3COR,3TRB,EUP,TBA,PERC,SB. FLEXIBLE INSTRUMENTATION, SLOW MARCH, HAS 3 VIOLIN PARTS OPT.
WESTMAN, LENNART	FANFARE	BAND	SMIC	2006	1 MIN 35 SEC	M		PIC,FL,OB,CL,BSN,SS,AS,BS,HN,2TRPT,3TRB,TBA,STBS,2PERC. SHORT, DRAMATIC FANFARE, SEEMS THAT DOUBLINGS WOULD WORK WELL. YOU WILL LIKE!
WIDQUIST, VIKTOR/GOSTA MORBERG	MALARDROTTNINGENMARSCH	BAND	INTERSONG	1983	4 MIN	E/M	HS/JHS	3FL,4CL,ACL,BCL,2OB,2BSN,2AS,2TS,BS,4HN,4TRPT,3TRB,EUP,2TBA,PERC, SB. CONCERT MARCH. MANY NOTES FOR THE UPPER WW'S OTHERWISE NOT DIFFICULT.
WIDQUIST, VIKTOR/GOSTA MORBERG	UNDER BLAGUL FANA (MARCH)	BAND	EHRLING	1942		E/M	C/U/HS	3FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA, 2PERC,SB. MOST FAMILIAR SWEDISH MARCH! THIS IS AN ARRANGEMENT, BUT MUCH EASIER TO READ THAN THE ORIGINAL.
WIKLUND, ADOLF	SONG TO THE SPRING FROM LITEN SVIT	ORCHESTRA	SUECIA	19447	7 MIN	H	C/U	2FL,2CL,2OB,2BSN,4HN,2TRPT,3TRB,PERC,TMP,HARP, STRINGS. GOOD HARP NEEDED, STRING PARTS A CHALLENGE. NOT EASY, BUT WELL LAID OUT AND A POTENTIAL MUSIC MAKER. SCORE FOR SALE, PARTS RENTAL.
WILHELMI, TOBIAS	GITANJALI SANG 20	ORCHESTRA	SMIC	1915	EST 4 MIN	M/H	C/U	3FL,2CL,2OB,2BSN,4HN,2TRPT,3TRB,PERC,TMP,EH,HARP,STRINGS. AN OLD SCORE IN MS. WELL RESPECTED COMPOSER. MARKED POCO ADAGIO, MOLTO TRANQUILLO. RENTAL ONLY.
WILHELMI, TOBIAS	LITEN SVIT	OBOE & PIANO	SMIC	1929	EST 7 MIN	M/H	C/U	FOUR MOVEMENTS IN A GOOD SCORE. AVAILABLE WITH ORCHESTRA ALSO. GOOD ORCHESTRA SCORE OF STRAIGHT AHEAD MATERIAL. FL, 2CL, 2BSN, 2HN, 2TRPT, TRB, STRINGS.
WILHELMI, TOBIAS	OSTERGOTLAND SVIT FOR ORKESTER	ORCHESTRA	SMIC	1930	EST 20+MIN	M/H	C/U/HS	2FL,2CL,2OB,2BSN,2HN,2TRPT,TRB,TMP,STRINGS. FOUR MOVEMENTS WORTHY OF PROFESSIONAL PERFORMANCE BUT ACCESSIBLE BY SCHOOL ENSEMBLES. EXCELLENT SCORE. RENTAL ONLY.
WILHELMI, TOBIAS	SYMPHONI NO 2	ORCHESTRA	SMIC	1927	EST 25+MIN	H	C/U	2FL,2CL,2OB,2BSN,4HN,3TRPT,3TRB,PERC,TMP,STRINGS. FOUR MOVEMENTS IN A GOOD SCORE. GREAT FOR COLLEGE OR COMMUNITY ORCHESTRAS. RENTAL ONLY.
WIREN, DAG	CONCERTINO, OP 44	FLUTE & PIANO	GEHRMANS	1974	14 MIN	M/H	C/U	THREE MOVEMENTS OF STRAIGHT AHEAD MATERIAL WITH EMPHASIS ON THE UPPER REGISTER. ORCHESTRA ACCOMPANIMENT PARTS AND SCORE AVAILABLE.
WIREN, DAG	SONATIN, OP 1	CELLO & PIANO	SUECIA	1945	EST 8 MIN	M/H	C/U	ONE MOVEMENT IN THREE PARTS(FSF). MOSTLY TENOR CLEF. COMFORTABLE CHALLENGE FOR COLLEGE STUDENT.
ZWEDBERG, TOMMY	BRASSKVINTETT	BRASS QUINTET	SMIC	1989	7 MIN	H	C/U	A HARD PIECE BECAUSE OF THE RHYTHMIC PROBLEMS. RANGES REASONABLE AND 4/4 ALL OF THE WAY. NEEDS ACCURATE COUNTING.
ZWEDBERG, TOMMY	BRASSKVINTETT	BRASS QUINTET	SMIC	1989	7 MIN	H	C/U	A HARD PIECE BECAUSE OF HE RHYTHMIC DEMANDS. RANGES ARE REASONABLE AND 4/4 ALL THE WAY. NEED ACCURATE COUNTING.

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©1991, 2007 Mark Lammers

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