Nordic Instrumental Music
For Colleges and Universities
By Ensemble / Medium
| Ensemble Medium | Composer Arranger | Title | Country | Publisher_Code | Date | Time | Difficulty | Recommended Level | Comments |
|---|---|---|---|---|---|---|---|---|---|
| HORN , TROMBONE AND STRING ORCHESTRA | JOHANSEN, BERTIL PALMAR | CANTILENA FOR URD | Norway | NMIC | 1987/2003 | 10 MIN | M/H | C/U | SLOW TEMPOS, MAY BE HARDER FOR THE STRINGS THAN THE SOLOIST EXCEPT THE HIGH RANGE FOR THE TROMBONE (TO C). |
| HORN (2) & STRING ORCHESTRA | WESSMAN, HARRI | CONCERTO FOR FRENCH HORN AND CHAMBER ORCHESTRA | Finland | FiMIC | 1993 | EST 12+ MIN | M/H | C/U | MOVEMENTS: ALLA PLACCA, INTERMEZZO: SLOW WALTZ, ANDANTINO, INTERMEZZO: FOX TROT, FINALE. 2 HORNS, WITH THE MAIN EMPHASIS ON THE FIRST HORN EXCEPT THE FOX TROT, WHICH IS PLAYED BY THE SECOND HORN W/O THE FIRST. |
| HORN & BAND | MADSEN, TRYGVE | CONCERTINO FOR HORN SOLO & SYMPHONIC BAND | Norway | NMIC | CIR. 2005 | EST 12 MIN | M/H | C/U/HS | 2FL(PIC),EbCL,3CL,BCL,BSN,2AS,TS,BS,2TRPT,2TRB,EUP,TBA,3PERC. MOVEMENTS: INTRADA, CAVATINA, RONDO. THIS IS IN A LEGIBLE MS. ALL PARTS PLAYABLE. GOOD ADDITION TO THE LITERATURE. |
| HORN & BAND | PLAGGE, WOLFGANG | CONCERTO FOR HORN AND WIND ORCHESTRA | Norway | NMIC | 1990/98 | 23 MN | M/H | C/U | OIC,2FL,OB(EH),4CL,BCL,BSN,AS,4TRPT,4HN,3TRB,TBA,4PER. MOVEMENTS: MOLTO MARCATO, ADAGIO, TARANTELLA PERCIPITATO. IN A READABLE MS. ALL PARTS IN GOOD RANGES INCLUDING THE SOLOIST. |
| HORN & BAND | HURUM, HELGE | HORNKONTRASTER | Norway | NMIC | CIR 2000 | ST 8 MIN | M | C/U/HS | FL,OB,3CL,AS,TS,LOW WW,3TRPT,2TRB,EUP,TBA,2PERC. COMES WTH A MODIFIED CONDENSED SCORE THUS THE DECLARED LOW WW’S. AN ADVANCED HORN PLAYER WITH A MODEST REQUIREMENT FOR THE BAND. |
| HORN & CEMBALO | SVEINSSON, ATLI HEIMIR | POESIE, QUI NE CHANTE POINT | Iceland | ITM | 1981 | 10 MIN | H | C/U | A CHALLENGING HORN PART FOR THE VERY BEST PLAYERS. |
| HORN & ORCHESTRA | AGUSTSSON, HERBERT H | CONCERTO FOR HORN AND ORCHESTRA | Iceland | ITM | 1965 | 14 MIN | H | C/U | FL,2CL,2OB,2BSN,TMP,STRINGS. 3 MOVEMENTS IN TRADITIONAL STYLE. |
| HORN & ORCHESTRA | FAGERUDD, MARKUS | THE MESSENGER | Finland | FiMIC | 2006 | EST 10+ MIN | H | C/U | PIC,2FL,OB,EH,CL,BCL,2BSN,2HN,2PERC,STRINGS. PLAYS AS ONE MOVEMENT. FOR THE HORN: LOTS OF NOTES AND MANY OF THEM ABOVE THE STAFF! ORCHESTRA PARTS ARE ACCESSIBLE. |
| HORN & ORCHESTRA | KAIPAINEN, JOUNI | CONCERTO FOR HORN AND ORCHESTRA, OP. 61 | Finland | WHANSEN | 2001 | 24+ MIN | H | C/U | 2FL,2OB,2CL,2BSN,2HN,2TRPT,3TRB,3PERC,PIANO,STRINGS. MOVEMENTS: MAESTOSO, LARGHETTO, VIVACE. SOME RANGE PROBLEMS FOR THE HORN AND LOTS OF NOTES. ORCHESTRA WILL NEED REHEARSAL TIME TO GET THE RHYTHMIC THINGS TO WORK OUT |
| HORN & ORCHESTRA | NYSTEDT, KNUT | CONCERTO FOR HORN AND ORCHESTRA | Norway | NORSK | 1990 | 17 MIN | H | C/U | PIC,2FL,2OB,2CL,2BSN,3HN,3TRPT,3TRB,TIMP,PERC,STRINGS. MOVEMENTS: ALLEGRO, ADAGIETTO, ALLEGRO VIVACE. SCORE IS IN VERY GOOD MS. NOT EASY BUT WONDERFUL LITERATURE FROM AN OUTSTANDING COMPOSER. PIANO REDUCTION AVAILABLE. |
| HORN & ORCHESTRA | SCHMIDT, OLE | CONCERTO | Denmark | WHANSEN | 1972 | 16 MIN | M/H | C/U | FL,CL,OB,BSN,TRPT,TRB,3PERC,TMP,HARP,STRINGS. 2 MOVEMENTS FROM A GOOD COMPOSER OF BRASS MUSIC. A FEW SURPRISES TO MAKE IT A LITTLE HARD TO PLAY, BUT INTERESTING! SCORE FOR SALE, PARTS RENTAL. |
| HORN & ORCHESTRA | SIGURBJORNSSON, THORKELL | RUNIR - RUNES | Iceland | ITM | 1994 | EST 12+ MIN | M/H | C/U | PIC,FL,2OB,2CL,2BSN,3HN,3TRPT,2TRB,TBA,2PERC,STRINGS. A ONE MOVEMENT WORK (NINE VARIATIONS ON AN OLD THEME)IN ACCEPTABLE MS. WE SEE NOTHING TO GET IN THE WAY FOR THE HORN AS WELL AS THE ORCHESTRA. |
| HORN & ORCHESTRA | MADSEN, TRYGVE | CONCERTO FOR HORN AND ORCHESTRA, OP 45 | Norway | MUSIKK-HUSET | 1986 | EST 8+MIN | M/H | C/U | 2FL,2CL,2OB,2BSN,TMP,STRINGS. THREE MOVEMENTS PLAYABLE BY A GOOD COLLEGE STUDENT. ORCHESTRA PARTS MEDIUM DIFFICULTY. |
| HORN & ORGAN | ALFVEN, HUGO | NOTTURNO ELEGIACO, OP 5 | Sweden | GEHRMANS | 1952 | EST 6+MIN | M | C/U/HS | A SINGING MELODY BY FAMOUS SWEDISH COMPOSER. ORIGINALLY FOR CELLO. ALSO WORKS WELL WITH PIANO. |
| HORN & ORGAN | ROSELL, LARS-ERIK | BRIDGES | Sweden | REIMERS | 1980 | H | C/U | SOME INTERESTING SURPRISES FOR THE EAR. FITS TOGETHER WELL AND PLAYABLE. | |
| HORN & ORGAN | SYLVAN, SIXTEN | ADAGIO, OP. 12:1 | Sweden | SMIC | 1998 | EST 3+ MIN | M | C/U/HS | VERY GOOD MS. LYRICAL, HORN TO A ABOVE THE STAFF. A CHANCE FOR EXPRESSIVE HORN PLAYING. |
| HORN & PIANO | ANDERSSON, B TOMMY | SONAT FOR HORN | Sweden | SMIC | 1985 | M/H | C/U | THREE MOVEMENTS OF STRAIGHT AHEAD MATERIAL. PIANO PART IS HARD. | |
| HORN & PIANO | ATTERBRG, KURT | SONAT, OP 27b | Sweden | SMIC | 1930 | H | C/U | ORIGINALLY FOR CELLO. HORN PART ADAPTED BY DOMENICO CECCAROSSI IN 1955. A MAJOR WORK & WORTH WHILE MUSIC. | |
| HORN & PIANO | BENTZON, NIELS VIGGO | SONATA, OP 47 | Denmark | WHANSEN | 1950 | EST 12 MIN | H | C/U | THREE MOVEMENTS, REASONABLE RANGE REQUIREMENTS. RHYTHMICALLY COMPLICATED, BUT ACCESSIBLE. RECITAL MATERIAL. |
| HORN & PIANO | BORRESEN, HAKON | SERENADE | Denmark | SAMFUNDET | 1943 | 14 MIN | E/M | C/U/HS | THREE MOVEMENTS OF VERY ACCESSIBLE MUSIC FOR THE STUDENT RECITAL. LYRICAL ALTHOUGH THERE ARE A LOT OF NOTES. |
| HORN & PIANO | FRUMERIE, GUNNAR DE | KONSERT FOR VALTHORN OCH ORKESTER | Sweden | GEHRMANS | 1974 | 20 MIN | H | C/U | A MAJOR WORK THAT IS CHALLENGING BUT PLAYABLE. TWO MOVEMENTS. ORCHESTRA PARTS ON RENTAL. |
| HORN & PIANO | KORTEKANGAS, OLLI | THRENODY | Finland | JASEMUSIIKKI | 1985 | EST 3 MIN | M | C/U/HS | ANDANTE, MULTI PHONICS AND NONTRADITIONAL TUNING FOR HORN. INTERESTING AND PLAYABLE. |
| HORN & PIANO | KVANDAL, JOHAN | INTRODUCTION AND ALLEGRO, OP 30 | Norway | NORSK | 1970 | M | C/U/HS | INTRO IN 4/4, ALLEGRO MOSTLY IN 6/8. MODEST RANGE REQUIREMENTS. | |
| HORN & PIANO | LARSSON, LARS-ERIK | CONCERTINO, OP 45 NR 5 | Sweden | GEHRMANS | 1957 | 13 MIN | M/H | C/U | THREE MOVEMENTS OF MATERIAL TO GIVE THE MOZART SONATAS A LITTLE REST. |
| HORN & PIANO | LUNDIN, DAG | INVOCATIO FROM FJORTON SOLOSTYCKEN | Sweden | SMIC | 2003 | EST 4 MIN | M | C/U/HS | CLEAN MS OF GOOD RECITAL OR HS CONTEST MATERIAL. CONTRASTING STYLES IN A SHORTER WORK. RANGE TO G ABOVE STAFF. PLAYABLE MUSIC AND NICE FOR THE LISTENER. |
| HORN & PIANO | LUNDQUIST, TORBJORN IWAN | LANDSCAPE (SEA ROOM) | Sweden | SMIC | 1978 | 16 MIN | H | C/U | ALSO AVAILABLE FOR TUBA. OPTIONAL STRING PARTS AVAILABLE. A MAJOR WORK FOR THIS INSTRUMENT. |
| HORN & PIANO | MADSEN, TRYGVE | SONATA FOR HORN AND PIANO, OP. 24 | Norway | MUSIKK-HUSET | 1979 | H | C/U | HARD BUT USEABLE AT ADVANCED LEVEL. | |
| HORN & PIANO | MARTTINEN,TAUNO & PENTTI RAITIO | MUSIC FOR FRENCH HORN | Finland | ASSOCIATION OF FINNISH MUSIC | 1973 | E | C/U/HS | FOR STUDY AND CASUAL PERFORMANCE. 4 SOLOS, 4 DUETS, 1 TRIO. | |
| HORN & PIANO | NIELSEN, CARL | CANTO SERIOSO | Denmark | WHANSEN | 1944 | EST 4 MIN | M | C/U/HS | ALSO SCORED FOR CELLO AND PIANO. EMPHASIS ON LOW HORN RANGE. OPENING IS A LOW MELODY, MIDDLE AN ADAGIO WITH A LOT OF NOTES, END IS MELODIC AGAIN. |
| HORN & PIANO | PLAGGE, WOLFGANG | SONATA, OP 88 | Norway | MUSIKK-HUSET | 2000 | 21 MIN | H | C/U | 3 MOVEMENTS. RANGE TO B ABOVE STAFF. GOOD PIANIST NEEDED. A MAJOR OFFERING, IDEAL FOR SENIOR OR GRADUATE RECITAL. SEE OTHER WORKS BY THIS COMPOSER FOR HORN AND PIANO AS WELL AS OTHER INSTRUMENTS AT: WWW.2L.NO. DOWNLOAD THE MUSIC. |
| HORN & PIANO | SALMENHAARA, ERKKI | CONCERTO PER CORNO ED ORCHESTRA | Finland | FiMIC | 1973 | 17 MIN | M | C/U | MOVEMENTS: SOSTENUTO, LENTO, ALLEGRO MODERATO. FULL ORCHESTRA ACCOMPANIMENT AVAILABLE. THE SCORE IS IN A VERY GOOD MS. THIS IS VERY GOOD, PLAYABLE C/U MATERIAL HORN TO Bb ABOVE THE STAFF. |
| HORN & PIANO | SYLVAN, SIXTEN | SONAT FOR HORN OCH PIANO, OP 7 | Sweden | SMIC | 1963 | M / | C/U/HS | THREE MOVEMENTS OF A WELL SCORED WORK FOR RECITAL, CONTEST OR CONCERT. | |
| HORN & PIANO | VAKKILAINEN, ARI | SONATA FOR HORN AND PIANO | Finland | FiMIC | 2005 | EST 10+ MIN | H | C/U | TO B ABOVE THE STAFF AND HE LIKES THE LOW NOTES! LOTS OF NOTES TO PLAY IN A CONTEMPORARY SETTING. LAID OUT WELL AND PLAYS FOR THE C/U ADVANCED STUDENT. |
| HORN & PIANO | WENSTROM-LEKARE, LENNART | CHEERS | Sweden | SMIC | 1996 | EST 4 MIN | M | C/U/HS | THREE SHORTER MOVEMENTS IN CLEAR MS. NO TECHNICAL PROBLEMS, GOOD RECITAL MATERIAL. THIS COMPOSER HAS A LONGER WORK LIKE THIS TITLED, DIVERTIMENTO. SO, IF YOU LIKE THIS ONE TRY THAT. |
| HORN & PIANO | WESSMAN, HARRI | SONATA | Finland | FiMIC | 1988 | EST 10 MIN | M/H | C/U | TWO MOVEMENTS WITH MODEST RANGE REQUIREMENTS. (TO C ONCE AND LOW A FEW TIMES.) |
| HORN & PIANO | WESSMAN, HARRI | TOPICS | Finland | MODUS | 1993 | EST 8+ MIN | M/H | C/U | SECTIONS CONNECTED TO B FOR THE HORN. PIANO PART IS EASIER, CONTEMPORARY HARMONIES! |
| HORN & STRING ORCHESTRA | AGUSTSSON, HERBERT H | ANDANTE FOR HORN AND STRINGS | Iceland | ITM | 1950 | 5 MIN | M | C/U/HS | THE HORN SINGS IN A MODEST RANGE AND STRING PARTS PLAYABLE BY A COMPETENT HIGH SCHOOL STRING SECTION. |
| HORN & STRING ORCHESTRA | AGUSTSSON, HERBERT H | RONDO FOR HORN & STRINGS | Iceland | ITM | 1973 | 9 MIN | M | C/U/HS | HORN PART PLAYABLE BY A FINE HS HORN PLAYER. STRING PARTS ALSO BY COMPETENT HS STRINGS. MOSTLY STRAIGHT AHEAD WITH SOME RHYTHMIC INTEREST. |
| HORN & STRING ORCHESTRA | EEROLA, LASSE | N-SARJA (N-SUITE) | Finland | FiMIC | 1992 | ST 19+ MIN | M | C/U/HS | 8 SHORT, STAND ALONE MOVEMENTS. THE LAST ONE HAS SOME MIXED. CONTEMPORARY HARMONY. HE ALSO HAS A WORK TITLED, MUSIC FOR HORN AND ORCHESTRA THAT IS VERY HARD, BUT GOOD! PIANO REDUCTION AVAILABLE. THIS IS AVAILABLE FOR ALL INSTRUMENTS. |
| HORN & STRING ORCHESTRA | HALLNAS, EYVIND | CONCERTINO FOR VALTHORN OCH STRAKORKESTER | Sweden | SMIC | 1985 | 10 MIN | M | C/U | A GOOD WORK FOR THE COLLEGE STUDENT. RENTAL ONLY. |
| HORN & STRING ORCHESTRA | HALLNAS, EYVIND | ELEGI | Sweden | SMIC | 1985 | 4 MIN 30 SEC | M | C/U | A SONG FOR HORN, NOT TECHNICAL. RENTAL ONLY. |
| HORN & STRING ORCHESTRA | KAYSER, LEIF | CONCERTO | Denmark | DMIC | 1951 | 25 MIN | M/H | C/U | SECTIONS ATTACCA - NO STOPS! DIFFICULT FOR HORN, MEDIUM FOR ORCHESTRA. A MAJOR WORK AND WORTHY. |
| HORN & STRING ORCHESTRA | LARSSON, LARS-ERIK | CONCERTINO, OP 45 NR 5 | Sweden | GEHRMANS | 1957 | 11 MIN | M/H | C/U | THREE MOVEMENTS WITH PIANO REDUCTION AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT. |
| HORN & STRING ORCHESTRA | OLSEN, SPARRE | CONCERTINO FOR HORN AND STRINGS, OP 63 | Norway | LYCHE | 1978 | 11 MIN | E/M | C/U/HS | ONE MOVEMENT THAT IS MOSTLY LYRICAL. MODEST DEMANDS ON THE HORN AND EASY ACCOMPANIMENT. |
| HORN & STRING ORCHESTRA | RABE, FOLKE | NATUREN, FLOCKEN OCH SLAKTEN | Sweden | REIMERS | 1991 | EST 10 MIN PLUS | H | C/U | THREE CONNECTED MOVEMENTS (SEE CADENZA PUBLISHED ALSO SEPARATELY AS A SOLO). RABE IS NEVER EASY. HIS MUSIC TAKES A MATURE PLAYER TO MAKE MUSIC WITH HIS NOTES, BUT THE REWARD IS GOOD! |
| HORN & STRING ORCHESTRA | UGLAND, JOHAN VAREN | KAMMERKONSERT | Norway | NMIC | 1998 | EST 12 + MIN | M/H | C/U | MOVEMENTS: ALLEGRO MODERATO, ADAGIO MA NON TROPPO, ALLEGRO GIOCOSO. NICELY SCORED AND SHOULD PLAY WELL. ORCH ACCOMPANIMENT IS VERY REASONABLE. NICE ADDITION TO THE LITERATURE FOR THIS MEDIUM. |
| HORN & STRING ORCHESTRA | WESSMAN, HARRI | CONCERTINO FOR HORN AND STRING ORCHESTRA | Finland | MODUS | 1995 | EST 7+ MIN | M | C/U/HS | MOVEMENTS: MODERATO, ANDANTE MA NON TROPPO, ALLEGRO. (ALL HAVING TO DO WITH RAIN). ACCESSIBLE BY THE LESS EXPERIENCED PLAYER AND HAS PIANO REDUCTION AVAILABLE. |
| HORN & TUBA | MADSEN, TRYGVE | DIVERTIMENTO, OP 43 | Norway | MUSIKK-HUSET | 1986 | EST 8 MIN | H | C/U | TUBA PART IN F FOR FUN WITH AN UNUSUAL COMBINATION. |
| HORN ALONE | ALMILA, ATSO | UNICORNO, OP 14 | Finland | FAZER | 1976 | 8 MIN | H | C/U | FOUR MOVEMENTS WITH 3 & 4 ATTACCA. NONTRADITIONAL TECHNIQUES BUT LAID OUT WELL. CIRCULAR BREATHING OPTIONAL. RANGE DEMANDS MODEST. |
| HORN ALONE | BERGE, SIGURD | HORN CALL | Norway | NORSK | 1973 | EST 4 MIN | H | C/U | REASONABLE RANGE, BUT MANY NOTES AND MUSICAL CHALLENGES. |
| HORN ALONE | BERGE, SIGURD | HORN SOLO 2000 | Norway | NMIC | 1999/2000 | 7 MIN | H | C/U | JUST A LITTLE UPPER REGISTER WORK. BERGE LIKES TO DWELL AT THE LOWER PARTS OF THE HORN RANGE. WILL TAKE MUSICAL MATURITY AND PREVIOUS EXPERIENCE WITH HORN ALONE TO MAKE THIS ONE GO. |
| HORN ALONE | BREVIK, TOR | ADAGIO RELIGIOSO | Norway | MUSIKK-HUSET | 1980 | EST 4 MIN | M | C/U | EMPHASIS ON LOW REGISTER. FREE WITH NO BAR LINES. |
| HORN ALONE | BUJANOVSKI, VITALI | SONATA NO 2 "FINNISH" | Finland | FAZER | 1984 | EST 10+MIN | H | C/U | THREE MOVEMENTS THAT CAN STAND ALONE. RHYTHMIC & MELODIC COMPLEXITY WITH MODEST RANGE DEMANDS. |
| HORN ALONE | HAAPANEN, PERTTU | PRISM | Finland | FIMIC | 2004 | EST 5+ MIN | H | C/U | EASIER THAN SOME, BUT STILL A CHALLENGE FOR THE ADVANCED C/U STUDENT. RANGE WILL NOT BE A PROBLEM, IT DOES HAVE GLIZZANDOS, AND RHYTHMIC PROBLEMS. |
| HORN ALONE | HERMANSON, AKE | ALARME | Sweden | WHANSEN | 1971 | H | C/U | A FEW DEMANDS MAKE THIS DIFFICULT. IT WILL TAKE A MATURE PLAYER TO MAKE IT GO. | |
| HORN ALONE | KILPIO, LAURI | BLACK JOY | Finland | Uusinta | 2002 | EST 4 MIN | H | RANGE, RHYTHM, QUICK HAND STOPS, AND OTHER PROBLEMS TO SOLVE, BUT THE SCORE IS CLEAN AND PLAYABLE BY THE TOPE LEVEL C/U STUDENT | |
| HORN ALONE | KOCH, ERLAND VON | MONOLOG NR 6 | Sweden | GEHRMANS | 1977 | 6 MIN | H | C/U | TWO MOVEMENTS USING EXTREME RANGES. MOVEMENT 1 IS EXPRESSIVE AND 2 MOVES. |
| HORN ALONE | KVAM, ODDVAR S. | MONFONI FOR HORN, OP 43 #1 | Norway | MUSIKK-HUSET | 1978 | 2 MIN | M | C/U | SOLO CAN BE PLAYED ALONE OR IN SEQUENCE WITH A WW QUINTET. |
| HORN ALONE | KVANDAL, JOHAN | SALMETONE - HYMN TUNE | Norway | NORSK | 1985 | 3 MIN 15 SEC | M | C/U | GOOD COMPOSER - HYMN TUNE THAT IS VERY TONAL. |
| HORN ALONE | LINJAMA, JYRKI | CHIARO | Finland | SULASOL | 2004 | EST 3+ MIN | H | C/U | HARD, BUT PLAYABLE BY THE C/U STUDENT OF HIGH LEVEL. USUAL ISSUES TO SOLVE LIKE RHYTHM - NO RANGE PROBLEM. A WELL LAID OUT SCORE. |
| HORN ALONE | LUND, GUDRUN | 3 PIECES FOR HORN | Denmark | LUND | 1997 | EST 6 MIN | M/H | C/U | MOVEMENTS: MODERATO - STRICTLY RHYTHMICAL, LIKE A MARCH, QUASI RECITATIVO, ALLEGRO GIOCOSO. RANGE NOT PROBLEM FOR THE GOOD PLAYER. SOME MIXED METER AND NEED TO CAREFULLY FOLLOW THE ARTICULATION MARKINGS. |
| HORN ALONE | MADSEN, TRYGVE | THE DREAM OF THE RHINOCEROS | Norway | MUSIKK-HUSET | 1994 | EST 2 MIN 30 SEC | M/H | C/U | RANGE TO G ABOVE THE STAFF. NO MAJOR PROBLEMS TO KEEP ONE FROM INTERPRETING AND MAKING MUSIC ALONE. SEE OTHER WORKS BY THIS COMPOSER! |
| HORN ALONE | MERILAINEN, USKO | GRANDFATHER BENNO'S NIGHT MUSIC | Finland | FAZER | 1976 | EST 3+MIN | M | C/U | SOME RHYTHMIC CHALLENGE. HIGH NOTE IS Ab, BUT MUCH LOW HORN WORK IN A GOOD SCORE. |
| HORN ALONE | NYSTEDT, KNUT | CANTO | Norway | NORSK | 1990 | 4 MIN 30 SEC | M/H | C/U | THE NOTES ARE NOT HARD - TO B ABOVE THE STAFF. FROM ONE OF NORWAY’S FINEST COMPOSERS. YOU WILL WANT TO TRY THIS ONE. |
| HORN ALONE | OLSEN, SPARRE | SKUMRINGSTONE, OP 64 NR 2 | Norway | NORSK | 1979 | EST 1 1/2 MIN | E/M | C/U/HS | LYRICAL PIECE FOR HORN ALONE WITH RANGE TO G. |
| HORN ALONE | RABE, FOLKE | VUOLLE | Sweden | REIMERS | 1992 | 4 MIN. | H | C/U | AN INVENTIVE COMPOSER WITH A WORK FOR SOREN HERMANSSON, A PROFESSIONAL PLAYER. MUCH HAND STOPPING OF HE HORN. IT ACTUALLY IS THE CADENZA FROM THE COMPOSER’S CONCERTO FOR HORN AND STRING ORCHESTRA ALSO IN THESE LISTINGS. |
| HORN ALONE | SALONEN, ESA-PEKKA | CONCERT ETUDE | Finland | CHESTER | 2000 | EST 4+ MIN | H | C/U | THIS COMPOSER SHOWS A GREAT KNOWLEDGE OF THE INSTRUMENT IN THIS WORK. IT IS HARD, (HIGH, RHYTHM, ETC) BUT AN EDUCATION IN WHAT THE HORN CAN DO BY AN IMAGINATIVE COMPOSER. |
| HORN ENSEMBLE | MORTENSEN, FINN | ADAGIO OG FUGE, OP 43 | Norway | NMIC | 1976 | EST 6 MIN | H | C/U | SIXTEEN PARTS! AND FOR FINE PLAYERS! WORK WILL FIT EASILY IF THE PLAYERS ARE CAPABLE. |
| HORN QUARTET | ALMILA, ATSO | PIENI SARJA NELJAILE KAYRATORVELLE | Finland | FiMIC | 1987 | 7 MIN 40 SEC | M/H | C/U | THREE MOVEMENTS WITH SOME RHYTHMIC CHALLENGE. GOOD SCORE AND FINE COMPOSER. "LITTLE SUITE FOR HORN QUARTET". |
| HORN QUARTET | BENTZON, NIELS VIGGO | EVERYDAY FANFARES (HVERDAGSFANFARER) | Denmark | SAMFUNDET | 1978 | 11 MIN | M | C/U | THREE MOVEMENTS: 1. ON NATURAL HORN (NO FINGERS!) 2.SLOW 3. LOTS OF NOTES. PLAYABLE WITH NO RANGE PROBLEMS. |
| HORN QUARTET | BJORKLUND, RUNE | VISA FOR FYRA HORN | Sweden | EHRLING | E | C/U/HS | SONG WITH MODEST RANGE AND EASY. | ||
| HORN QUARTET | CRUSELL, BERNHARD/STIG RYBRANT | THREE QUARTETS FOR FOUR HORNS | Sweden | BUSCH | 12 MIN | M | C/U/HS | THREE PLAYABLE MOVEMENTS. INTERESTING FOR EACH PLAYER. | |
| HORN QUARTET | HALLNAS, EYVIND | TRE ARABESKER FOR FYRA VALTHORN | Sweden | SMIC | 1987 | E/M | C/U/HS | THREE SHORT MOVEMENTS OF PLAYABLE MATERIAL. | |
| HORN QUARTET | LIUKKO. EINO | QUARTETTO PER CORNI | Finland | FiMIC | H | C/U | THREE MOVEMENTS WITH SOME RHYTHMIC COMPLEXITY BUT PLAYABLE. SCORE IN C. | ||
| HORN QUARTET | NICOTRA, ALFREDO | HORNKVARTETT | Norway | NMIC | 1994 | 6+ MIN | E/M | C/U/HS | MOVEMENTS: FEBDEL BLA, INFANTE, TIL ASUNCION, JEG HUSKER “ASTOR” PIAZZOLA. FOUR INTERESTING LITTLE MOVEMENTS. THE LAST OFFERS THE OPPORTUNITY FOR HORN 1 TO IMPROVISE ALTHOUGH A PART IS WRITTEN OUT. |
| HORN QUARTET | OLSEN, SPARRE | RELIGIOUS FOLKTUNE FROM LOM | Norway | NORSK | 1978 | 2 MIN | E/M | C/U/HS | NO PROBLEMS, STRAIGHT AHEAD AND LYRICAL. |
| HORN TRIO | BERGE, SIGURD | HORN TRIO | Norway | NMIC | 1987 | EST 11 MIN | M/H | C/U/HS | FOUR MOVEMENTS OF VARYING LENGTH, STYLE AND DIFFICULTY. EACH MOVEMENT CAN STAND ALONE. |
| HORN, TUBA & PIANO | TOMASSON, JONAS | SONATA XVII | Iceland | ITM | 1987 | M/H | C/U | SIX MOVEMENTS OF FUN IN AN UNUSUAL COMBINATION. NOT ALL MOVEMENTS HAVE TO BE PLAYED FOR FORMAL PERFORMANCE. |
©1991, 2007 Mark Lammers
This Edition ©2005, 2007 WASBE — Content used with permission