Nordic Instrumental Music
For Colleges and Universities
By Title
| Title | Composer Arranger | Ensemble Medium | Country | Publisher_Code | Date | Time | Difficulty | Recommended Level | Comments |
|---|---|---|---|---|---|---|---|---|---|
| A FINNISH MYTH | RAUTAVAARA, EINOJUHANI | STRING ORCHESTRA | Finland | FAZER | 1984 | EST 6+MIN | H | C/U | SEVEN VIOLIN PARTS, 3 VIOLA, 4 CELLO & 3 STRING BASS. SLOW MOVING WITH HARMONIC TENSION. A GOOD SCORE FROM A FINE COMPOSER. |
| A FRENCH CONNECTION | KOMPPA, KARI | STAGE BAND | Finland | ELVIS | 1988 | 7 MIN | M/H | C/U/HS | NEED STRONG BASS AND RHYTHM GUITARISTS. LATIN/BEBOP. IT MOVES - SOLOS. |
| A MOMENT OF PEACE | THORVALDSDOTTIR, ANNA S. | ORCHESTRA | Iceland | ITM | 2002 | 15 MIN | H | C/U | FL,BCL,CBSN,TRB,3PERC,STRINGS DIVISI. NEED A STRONG MARIMBA PLAYER AND MANY STRINGS. PLAYERS ASKED TO DO A NUMBER 0F NONTRADITIONAL THINGS EXPLAINED CLEARLY IN THE SCORE. |
| A PARTY IN HESPERIA PARK | BERGSTROM, HARRY | ORCHESTRA | Finland | FiMIC | 1980 | EST 10+ MIN | M | C/U/HS | PIC,2FL,2CL,2OB,BSN,4HN,2TRPT,3TRB,2PERC,ELECT GUITAR,BASS GUITAR,STRINGS. FOR THE POP MUSIC CONCERT. THIS ONE MOVES ALONG. CROWD PLEASER! RENTAL ONLY. |
| A POEM OF SEVEN STRINGS | ASGEIRSSON, JON | STRING ORCHESTRA | Iceland | ITM | 1968 | 10 MIN 30 SEC | M | C/U | 3VLN,2VLA,CELLO,SB. ONE ON A PART OR STRING ORCHESTRA. USEFUL AND PLAYABLE MATERIAL WITH NO SURPRISES. |
| A REQUIEM IN OUR TIME | RAUTAVAARA, EINOJUHANI | BRASS ENSEMBLE | Finland | KING | 1954 | 10 MIN | H | C/U | 4TRPT,4HN,3TRB,BAR,TBA,TMP,PERC. 1. HYMNS, 2. CREDO ET DUBITO, 3. DIES IRAE, 4. LACRYMOSA. PERHAPS MOST WELL KNOWN IN THE U.S. BY THIS COMPOSER. GREAT SCORE. |
| A SHORT SYMPHONY FOR SYMPHONIC BAND, OP 147 | KARKOFF, MAURICE | BAND | Sweden | SMIC | 1981 | 14 MIN | H | C/U | PIC,FL,4CL,BCL,OB,2BSN,AS,TS,2HN,2COR,2TRPT,2TRB,EUP,TBA,2PERC, TMP,SB. 3 MOVEMENTS. MOVEMENTS 1 & 3 HAVE RHYTHMIC COMPLEXITY. GOOD SCORE. |
| A SMALL TRIO | THORARINSSON, LEIFUR | FLUTE, CELLO & PIANO | Iceland | ITM | 1975 | 10 MIN | H | C/U | A DIFFICULT WORK BUT INTERESTING ENOUGH TO MAKE THE EFFORT. SCORE A BIT MESSY. |
| A SOLDIER'S MASS, OP 40 | RAUTAVAARA, EINOJUHANI | BAND | Finland | FiMIC | 1973 | 11 MIN | M/H | C/U | 2FL,3CL,2OB,2BSN,AS,TS,BS,4HN,4TRPT,4TRB,TBA,2PERC,TMP. 1. THE LORD OF BATTLES, 2. HAVE MERCY ON US, 3. ON THE FIELD OF GLORY, 4. AT DEATH'S DOOR. FINE COMPOSER. RENTAL. |
| A WEEPING MYTH | SERMILA, JARMO | FLUTE & PIANO | Denmark | JASEMUSIIKKI | 1982 | 6 MIN | H | C/U | A GOOD INTRODUCTION TO SOME NONTRADITIONAL NOTATION AND TECHNIQUES. EXPLANATIONS FOR PERFORMANCE INCLUDED. |
| A VOCE SOLA | MASSON, ASKELL | VIOLA ALONE | Iceland | BIM | 1984 | 6 MIN | H | C/U | NEED WORK INTO TREBLE CLEF, DOUBLE STOPS AND ABILITY TO MAKE MUSIC OUT OF A LOT OF NOTES. |
| A-NI-TA' | GRANDERT, JOHNNY | BAND | Sweden | SMIC | 1981 | CA 13 MIN | H | C/U | PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,5TRPT,4TRB,EUP,TBA, 2PERC,TMP,SB. DENSE BUT GOOD SCORE, PLAYABLE, LOOKS LIKE FUN. |
| A.S. IN MEMORIAM, OP. 50 | MARTINSSON, ROLF | STRING ORCHESTRA | Sweden | GEHRMANS | 1999 | 12 MIN | H | S | FOR 15 STRINGS: 9VLN,3VLA,2CLO,STBS. A GORGEOUS PIECE OF MUSIC AFTER ARNOLD SCHOENBERG’S ‘VERKLARTE NACHT. HEAR A RECORDING: DAPHNE RECORDS: 1022 - WWW.DAPHNE.SE. HAS THE IMPACT OF THE SAMUEL BARBER, ‘ADAGIO’. ALSO SEE OP. 55 - ‘STRING MOMENTS’. |
| AACHEN HEROS | SIGURBJORNSSON, THORKELL | ORCHESTRA | Iceland | ITM | 1995 | 16 MIN | E/M | C/U/HS | 2FL,OB,2CL,3TRPT,TRB,TBA,PERC,PIANO,STRINGS. FOUR MOVEMENTS FROM A SKILLED COMPOSER THAT PLAYS FOR ANYONE. JUST ONE LITTLE SURPRISE FOR THE STRING BASSES AND OTHERS IN THE 3RD MOVEMENT. |
| AALELAA | SERMLA, JARMO | OBOE & PIANO | Finland | FiMIC | 2001 | 13 MIM | H | C/U | MOVEMENTS: INRODUZIONE, PASTORELLO, MARCIA MALINCONICA, CAPRICCIO. BOTH OBOE AND PIANO PLAYERS AT THE TOP OF THEIR TECHNICAL ABILITY AND WILLING TO REHEARSE TOGETHER TO MAKE THIS GO. |
| ABOUT TIME | PALMER, CATHARINA | VIOLIN ALONE | Sweden | SMIC | 1993 | 16 MIN 20 SEC | H | C/U | THIS IS IN GOOD MS. THE ‘TIME’ REFERRED TO IN THE TITLE IS THE MIXED METER AND OTHER ASPECTS OF THE COUNTING OR RHYTHMIC EXPERIENCE. THREE MOVEMENTS. SUGGEST AS A STUDY TO IMPROVE ONE’S EXPERTISE WITH RHYTHMIC SEQUENCES AND PROBLEMS. |
| AD NORDIAM HUNGARICA | DEAK, CSABA | ORCHESTRA | Sweden | SMIC | 1991 | 12 MIN | H | C/U | FL(AFL),OB(EH),CL(BCL),BSN,HN,PIANO,STRINGS. IN BEAUTIFUL MS. DEAK MAKES THE HARD POSSIBLE BY CREATING A VERY CLEAN SCORE WITH APPROPRIATE INSTRUCTIONS. ACQUAINT THE ORCHESTRA WITH THIS FINE COMPOSER. |
| ADAGIO | BALDVINSSON, TRYGGVI M. | VIOLIN ALONE | Iceland | ITM | 1996 | 6 MIN | H | C/U | SHOW OFF WORK FOR THE ENTERPRISING UPPER DIVISION/GRADUATE VIOLINIST. NOTES AND RHYTHM, BUT PLAYABLE AND THE NOTES MAKE MUSIC. |
| ADAGIO FOR STRINGS, CELESTA AND PERCUSSION | JOHANNSSON, MAGNUS BLONDAL | STRING ORCHESTRA | Iceland | ITM | 1980 | 6 MIN 20 SEC | H | C/U | PERCUSSION NOT USED A LOT. MAINLY A PRETTY WORK WITH A FEW THINGS TO FIGURE OUT. |
| ADAGIO OCH POLONAISE | CRUSELL, BERNHARD (1775-1838)/GUNNAR JOHANSSON | BAND | Sweden | LEMA | 1985 | 8 MIN | M/H | C/U/HS | 2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,COR,3TRPT,3TRB,EUP, 2TBA,PERC,TMP,SB.(OPT PIANO)SSAX. WELL SCORED AND PLAYABLE BY HIGH SCHOOL ENSEMBLES, BUT WORTHY OF PROFESSIONAL PERFORMANCE. |
| ADAGIO OG FUGE, OP 43 | MORTENSEN, FINN | HORN ENSEMBLE | Norway | NMIC | 1976 | EST 6 MIN | H | C/U | SIXTEEN PARTS! AND FOR FINE PLAYERS! WORK WILL FIT EASILY IF THE PLAYERS ARE CAPABLE. |
| ADAGIO RELIGIOSO | BREVIK, TOR | HORN ALONE | Norway | MUSIKK-HUSET | 1980 | EST 4 MIN | M | C/U | EMPHASIS ON LOW REGISTER. FREE WITH NO BAR LINES. |
| ADAGIO, OP 6 | BRAEIN, EDVARD FLIFLET | STRING ORCHESTRA | Norway | MUSIKK-HUSET | 1969 | 7 MIN | M/H | C/U | MUCH DIVISI - UP TO 6 DIVISIONS OF BOTH VIOLIN I & II. WELL SCORED. |
| ADAGIO, OP. 12:1 | SYLVAN, SIXTEN | HORN & ORGAN | Sweden | SMIC | 1998 | EST 3+ MIN | M | C/U/HS | VERY GOOD MS. LYRICAL, HORN TO A ABOVE THE STAFF. A CHANCE FOR EXPRESSIVE HORN PLAYING. |
| ADJACENT TRACKS | LILJEHOLM, THOMAS | VIOLIN AND BAND | Sweden | SMIC | 2004 | 18 MIN | H | C/U | PIC,2FL,2OB,EbCL,3CL,BCL,2BS, (BSN),4HN,4TRPT,4TRB,2TBA,4PERC. FOR THE C/U BAND AND A STUDENT VIOLINIST OR GUEST SOLOIST. PLAYABLE, WE LIKE PARTS FEATURING FOUR HORNS. PERCUSSION HAS A LOT OF NICE PLAY. ONE MOVE. IN GOOD MS WITH MIXED METER. |
| AGITATO | AHLBERG, GUNNAR | BAND | Sweden | SMIC | 1985 | 9 MIN | H | C/U/HS | 3FL(PIC),3CL,BCL,2OB,2BSN,2AS,TS,BS,4TRPT,4HN,3TRB,EUP,2TBA, 2PERC, TMP, SB. FINE PERCUSSION PARTS. WELL SCORED. A FEW NONTRADITIONAL TECHNIQUES. |
| AGORA | LYYTIKAINEN, PASI | TUBA ALONE | Finland | Uusinta | 1999 | 3 MIN 45 SEC | H | C/U | TRY THIS ONE AS SOMETHING YOU WORK ON IN THE PRACTICE ROOM TO EXPAND YOUR ABILITY THEN, WHEN READY, SHOW OFF IN A RECITAL. HARD+. NOT IN HIGH RANGE, JUST A LOT OF NOTES AND RHYTHMIC THINGS. |
| AIR FOR BRASS, OP 18/3 | ALMILA, ATSO | BRASS ENSEMBLE | Finland | ELVIS | 1982 | EST 4-5 MIN | M | C/U/HS | COR IN Eb,2TRPT,2HN IN Eb,2TRB,2EUP,2TBA,PERC. PIANO SCORE. MELODIC AND PLAYABLE, SUGGEST FLUEGELHORN FOR Eb CORNET PART. |
| AIR I | SLETTHOLM, YNGVE | CLARINET ALONE | Norway | NMIC | 1991 | 9 MIN | H | C/U | NO BAR LINES - JUST INTERPRET AND MAKE MUSIC. EXTREME RANGES AND MUSICAL ACROBATICS. SHOW OFF WORK. |
| AIR POUR BASSOON | MAROS, MIKLOS | BASSOON ALONE | Sweden | NORDISKA | 1973 | 4 MIN | H | C/U | NONTRADITIONAL NOTATION, FOR THE TOP C/U STUDENTS. |
| AIR, OP 46 NR 2 | KVAM, ODDVAR S | CLARINET & PIANO | Norway | MUSIKK-HUSET | 1981 | EST 4 1/2 MIN | E/M | C/U/HS | LYRICAL PIECE WITH C & Bb PARTS PROVIDED. GOOD PIECE. |
| AIR, OP 46 NR 2 | KVAM, ODDVAR S | FLUTE & PIANO | Norway | MUSIKK-HUSET | 1981 | EST 4 1/2 MIN | E/M | C/U/HS | LYRICAL PIECE WITH C & Bb PARTS PROVIDED. GOOD PIECE. |
| AIR, OP 46 NR 2 | KVAM, ODDVAR S | SAXOPHONE(TENOR) & PIANO | Norway | MUSIKK-HUSET | 1981 | EST 4 1/2 MIN | E/M | C/U/HS | LYRICAL PIECE WITH C & Bb PARTS PROVIDED. GOOD PIECE. |
| AIR, OP 46 NR 2 | KVAM, ODDVAR S | VIOLIN & PIANO | Norway | MUSIKK-HUSET | 1981 | EST 4 1/2 MIN | E/M | C/U/HS | LYRICAL PIECE WITH C & Bb PARTS PROVIDED. |
| AL FRESCO | LUNDQUIST, TORBJORN IWAN | FLUTE & PIANO | Sweden | SMIC | 1976 | 8 MIN | H | C/U | A MAJOR WORK WITH RHYTHMIC CHALLENGE. IT FITS TOGETHER NICELY. |
| ALADDIN - OUVERTURE | HORNEMAN, C F E | ORCHESTRA | Denmark | SAMFUNDET | 1951 | M/H | C/U | 2FL,2CL,2OB,2BSN,2HN,2TRPT,3TRB,TMP,HARP,STRINGS. ONE MOVEMENT, STRAIGHT AHEAD, PLAYABLE GOOD SCORE. | |
| ALARME | HERMANSON, AKE | HORN ALONE | Sweden | WHANSEN | 1971 | H | C/U | A FEW DEMANDS MAKE THIS DIFFICULT. IT WILL TAKE A MATURE PLAYER TO MAKE IT GO. | |
| ALBEROBELLO | HAMEENNIEMI, EERO | BASSOON & PIANO | Finland | FiMIC | 2002 | EST 3+ MIN | M/H | C/U | THE BETTER YOUNG C/U PLAYER CAN PLAY THIS SOME MIXED METER, AND A FEW PLACES WHERE THE NOTES ARE THICK, AND THERE IS SOME TREBLE CLEF. PIANO PART STAYS OUT OF THE WAY. |
| ALDRIG NACKEN | SJOSTEN, LARS | BRASS QUARTET | Sweden | BLAS-BASEN | 1995 | 4 MIN 30 SEC | H | C/U | FOR 2 EUP,2 TBA AND RHYTHM SECTION (DRUMS,OPT.GUITAR,PIANO,BASS). PIANO THE FOUR SOLO INSTRUMENTS HAVE OPPORTUNITY TO IMPROVISE. EUP I TO HIGH C. TUBA I CAN BE PLAYED BY EUP. FINE MUSICIAN/ARRANGER. IT SWINGS - HAVE FUN! |
| ALELA | HAMEENNIEMI, EERO | TROMBONE ALONE | Finland | FIMIC | 1997 | EST 5 MIN | M/H | C/U | RHYTHMICALLY A CHALLENGE, BUT LOTS OF RUBATO AND OPPORTUNITIES TO MAKE MUSIC. GOOD USE OF THE TRB GLIZZ. FOR SOME REASON COMPOSER GOES BRIEFLY TO TREBLE CLEF, BUT JUST TO Bb. |
| ALKUSOITTO "1971" | BASHMAKOV, LEONID | BAND | Finland | FiMIC | 1971 | 10 MIN | H | C/U/HS | PIC,2FL,3CL,BCL,OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP,2TBA, 2PERC,TMP. A GOOD COMPOSER, SOMEWHAT MESSY SCORE. USES THE INSTRUMENTS VERY WELL. |
| ALKUSOITTO (LUSTSPIELOUVERTURE) | KLAMI, UUNO | ORCHESTRA | Finland | FAZER | 1936 | 9 MIN | M | C/U/HS | PIC,2FL,2CL,2OB,2BSN,2COR,2TRPT,TMP,STRINGS. MOSTLY IN 2/4. PROGRAM OPENER. FUN FOR THE PERFORMERS AND INTERESTING FOR THE AUDIENCE. RENTAL ONLY. |
| ALKUSOITTOFANTASIA, OP 69 | MADETOJA, LEEVI/TEUVO LAINE | BAND | Finland | STM | 1967 | M/H | C/U/HS | PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,2COR,2TRPT,3TRB, EUP,2TBA,PERC,TMP,SB. AN OVERTURE WITH CHANGING METER & TEMPOS, OTHERWISE QUITE STRAIGHT AHEAD. | |
| ALLEGRO NERVOSO | SLETTHOLM, YNGVE | BRASS QUINTET | Norway | NMIC | 1989 | EST 7 MIN | M/H | C/U | LOTS OF DOUBLE TONGUE AND FUN! IT JUST KEEPS GOING! |
| ALLEGRO, CADENZA E ADAGIO | GLASER, WERNER WOLF | SAXOPHONE(ALTO) & PIANO | Sweden | SUECIA | 1950 | EST 5-6 MIN | H | C/U | MANY NOTES BUT OPPORTUNITY TO DISPLAY MUSICIANSHIP AS WELL. |
| ALONE | GRAHN, ULF | FLUTE ALONE | Sweden | SEESAW | 1972 | 8 MIN | H | C/U | NONTRADITIONAL APPROACH, BUT NOTE CENTERED AND PLAYABLE WITH CLEAR EXPLANATIONS. GOOD INTRO TO NONTRADITIONAL NOTATION. |
| ALTIPLANO | RABE, FOLKE | BAND | Sweden | REIMERS | 1982 | CA 7 MIN | H | C/U | PIC,2FL,4CL,BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA,2PERC, 2FLUEGELHORN,TENOR HN. IN NONTRADITIONAL STYLE FROM A CREATIVE COMPOSER. HIS MUSIC IS USUALLY WORTH THE EFFORT. SCORE FOR SALE, PARTS RENTAL. |
| ALVSBORGSLATAR | LOFGREN, ALBERT/STIG GUSTAFSON | BAND | Sweden | GEHRMANS | 1981 | CA 9 MIN | E/M | C/U/HS | 2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP,2TBA, PERC,TMP,SB. GOOD SCORE AND BALANCE, 8 SHORT MOVEMENTS. SOME PARTS OPTIONAL. |
| AMAVI | NAESSEN, RAY | BRASS QUINTET | Sweden | SMIC | 2004 | 12 MIN | M/H | C/U | WE LIKE THIS COMPOSER, BUT WE ARE RELUCTANT TO INCLUDE HIS WORKS ON THIS LIST BECAUSE OF THE MS. SHOULD THIS WORK EVER APPEAR IN GOOD PRINT FORM, IT WILL GET A LOT OF PLAY. FOUR MOVEMENTS AND INTERESTING MATERIAL, BUT YOU ARE WARNED! |
| AMETISTI | BERGSTROM, HARRY | ORCHESTRA | Finland | FiMIC | 1980 | EST 10+ MIN | M/H | C/U/HS | PIC,2FL,2CL,OB,BSN,4HN,2TRPT,2TRB,TIMP,STRINGS,PIANO SOLO. THE 'HEAVY' NUMBER FOR THE SPRING POPS CONCERT. RENTAL ONLY. |
| AMOROSO V | NAESSEN, RAY | BASSOON ALONE | Sweden | SMIC | 1996 | 6 MIN. 30 SEC | M/H | C/U | RELUCTANTLY THIS IS INCLUDED BECAUSE IT IS GOOD MUSIC, BUT THE MS IS TERRIBLE! IN BASS AND TENOR CLEF AND TWO MOVEMENTS. YOU ARE WARNED ABOUT THE MS! |
| ANDANTE & RONDO | DEAK, CSABA | WOODWIND QUINTET | Sweden | REUTER & REUTER | 1975 | 6 MIN | M/H | C/U | WELL CRAFTED WORK FROM EXCELLENT WIND MUSIC COMPOSER. |
| ANDANTE CANTABILE | SCHRODER, WALTHER | TROMBONE & PIANO | Denmark | WHANSEN | 1928 | EST 4 MIN | E/M | C/U/HS | SOME TENOR CLEF, RANGE TO Bb, GOOD USE OF KEY SIGNATURES. |
| ANDANTE FESTIVO | SIBELIUS, JEAN | STRING ORCHESTRA | Finland | FAZER | 1967 | 5 MIN | E | C/U/HS | AN EASY ALLA BREVE PIECE. |
| ANDANTE FOR HORN AND STRINGS | AGUSTSSON, HERBERT H | HORN & STRING ORCHESTRA | Iceland | ITM | 1950 | 5 MIN | M | C/U/HS | THE HORN SINGS IN A MODEST RANGE AND STRING PARTS PLAYABLE BY A COMPETENT HIGH SCHOOL STRING SECTION. |
| ANDANTE FUNEBRE, OP 44 | SAEVERUD, HARALD | CELLO & PIANO | Norway | MUSIKK-HUSET | 1981 | EST 4 MIN | M | C/U | LYRICAL PIECE AND A GOOD COMPOSER. |
| ANDANTE FUNEBRE, OP 60 NR 2 | OLSEN, SPARRE | STRING ORCHESTRA | Norway | LYCHE | 1983 | 3 MIN 40 SEC | E | C/U/HS | STRAIGHT AHEAD AND IT SINGS. |
| ANDANTE SERIOSO | FRUMERIE, GUNNAR DE | FLUTE & ORGAN | Sweden | GEHRMANS | 1980 | 4 MIN | E | C/U/HS | NICE, SHORT PIECE THAT IS MUSICAL. |
| ANDANTE SERIOSO | FRUMERIE, GUNNAR DE | OBOE & ORGAN | Sweden | GEHRMANS | 1980 | 4 MIN | E | C/U/HS | NICE SHORT PIECE THAT IS MUSICAL AND PLAYS. |
| ANDANTE SERIOSO | FRUMERIE, GUNNAR DE | VIOLIN & ORGAN | Sweden | GEHRMANS | 1980 | 4 MIN | E | C/U/HS | NICE SHORT PIECE THAT IS MUSICAL. |
| ANEMONES DE FELIX | DEAK, CSABA | BAND | Sweden | SMIC | 1993 | 12 MIN | H | C/U | 3FL(PIC),OB,BSN,3CL,BCL,AS,TS,BS,4TRPT,3HN,3TRB,EUP,TBA,3PERC. MUSICAL SURPRISES, BUT ALWAYS MUSICAL - THAT IS DEAK. THE WORK WILL TAKE A LOT OF SCORE STUDY BY THE CONDUCTOR AND PRACTICE BY THE PLAYERS TO MAKE WORK. PRODUCT WILL BE WORTHWHILE! KNOW DEAK! |
| ANTIGONE | HVOSLEF, KETIL | ORCHESTRA | Norway | NORSK | 1982 | 21 MIN | M/H | C/U | PIC,3FL,3CL,BCL,4OB,3BSN,4HN,4TRPT,3TRB,TBA,PERC,TMP,CBSN,PIANO, HARP,STRINGS. SYMPHONIC VARIATIONS. GOOD LOOKING SCORE WITH NOTES AND INTEREST FOR ALL. SCORE FOR SALE, PARTS RENTAL. |
| APERITIF | NORDENSTEN, FRANK TVEOR | BAND | Norway | NMIC | 1986 | 8 MIN | M | C/U/HS | PIC,2FL,3CL,BCL,OB,BSN,2AS,TS,BS,2HN,3COR,2TRPT,3TRB,EUP,2TBA, 4PERC,TMP. FINE SCORE. GOOD PERCUSSION AND SAXOPHONE PARTS. |
| APPELL FOR BRASSOKTETT | FRANKE-BLOM, LARS-AKE | BRASS ENSEMBLE | Sweden | SMIC | 1988 | 10 MIN | H | C/U | 3TRPT,3TRB,HN,TBA. PLAYABLE, BUT NEEDS RHYTHMIC PRECISENESS AND TIME FOR REHEARSAL. |
| ARABESQUE I & II | NORBY, ERIK | FLUTE ALONE | Denmark | ENGSTROM & SODRING | 1987 | 7 MIN | H | C/U | TWO STUDIES THAT CHALLENGE RHYTHMICALLY, ALSO SOME MULTI-PHONICS. |
| ARCTIC AIR | NILSSON, BO | ORCHESTRA | Sweden | SUECIA | 2004 | 5 MIN | 2FL,2OB,2CL,2BSN,PIANO,STRINGS. NICE, FLOWING LINES THAT SPEAK TO THE QUIET OF THE FROZEN NORTH. THE PIANO ENTERS AT THE VERY END AS THE ICE BREAKS! (IS IT SPRING?) NICE! | ||
| ARCTIC LANDSCAPE | AAGAARD-NILSEN, TORSTEIN | BAND | Norway | NMIC | 1992 | 16 MIN 30 SEC | H | C/U | FL,OB,BSN,3CL,BCL,AS,TS,3TRPT,3HN,3TRB,EUP,TBA,3PERC A LONG WORK - SKILL TO SUSTAIN THE INTEREST. SLOW OPENING SECTION FOLLOWED BY A LONGER AGITATO SECTION, THEN SLOW WITH A FLOURISH AT THE END. TEST THE SKILL OF YOUR GROUP IN MAKING THIS THE ARCTIC LANDSCAPE! |
| ARHUS ETUDE NO 10 | LYLLOFF, BENT | PERCUSSION ENSEMBLE | Denmark | WHANSEN | 1970 | 2 MIN | E/M | C/U/HS | SIX PLAYERS, TRIANGLE, TAMBOURINE, SNARE, CYMBALS & BASS DRUM, TIMPANI. SOME MIXED METER, BUT VERY PLAYABLE. |
| ARHUS ETUDE NO 11 | LYLLOFF, BENT | PERCUSSION ENSEMBLE | Denmark | WHANSEN | 1970 | 2 MIN | M | C/U/HS | FOUR PLAYERS, SLIGHTLY MORE DIFFICULT THAN OTHERS IN THIS SERIES, BUT NO PROBLEM FOR THE COMPETENT PERCUSSIONIST. |
| ARHUS ETUDE NO 2 | LYLLOFF, BENT | PERCUSSION ENSEMBLE | Denmark | WHANSEN | 1970 | 1 MIN | E | C/U/HS | SNARE, STREET DRUM, CYMBALS, BASS DRUM, TIMP. EASY, FAST MOVING - COULD BE A STREET BEAT. 5 PLAYERS. |
| ARHUS ETUDE NO 4 | LYLLOFF, BENT | PERCUSSION ENSEMBLE | Denmark | WHANSEN | E | C/U/HS | FOUR PLAYERS. TRIANGLE, SNARE, CYMBALS & BASS DRUM. EASY AND FAST MOVING. | ||
| ARHUS ETUDE NO 5 | LYLLOFF, BENT | PERCUSSION ENSEMBLE | Denmark | WHANSEN | 1970 | 2 MIN 15 SEC | E/M | C/U/HS | THREE PLAYERS, EACH PLAYING AT LEAST 3 INSTRUMENTS. SOME TRICKY RHYTHMS. SUGGEST MEDLEY WITH OTHER LYLLOFF PIECES. |
| ARHUS ETUDE NO 6 | LYLLOFF, BENT | PERCUSSION ENSEMBLE | Denmark | WHANSEN | 1970 | 2 MIN | E/M | C/U/HS | THREE PLAYERS, 2 PLAYING MISCELLANEOUS PERCUSSION INSTRUMENTS AND ONE TIMPANI. MARKED ADAGIO WITH SOME TRICKY RHYTHMS BUT VERY PLAYABLE. |
| ARHUS ETUDE NO 7 | LYLLOFF, BENT | PERCUSSION ENSEMBLE | Denmark | WHANSEN | 1970 | 2 MIN | E/M | C/U/HS | FIVE PLAYERS, 4 PLAYING MISCELLANEOUS PERCUSSION INSTRUMENTS AND ONE TIMPANI. FREQUENT METER CHANGES, QUICK TEMPO. |
| ARHUS ETUDE NO 8 | LYLLOFF, BENT | PERCUSSION ENSEMBLE | Denmark | WHANSEN | 1970 | 2 MIN | E/M | C/U/HS | FIVE PLAYERS, ALL PLAYING AT LEAST 2 INSTRUMENTS, MOSTLY MEMBRANOPHONES - ONE VIBRAPHONE. LARGHETTO IN 12/8. |
| ARHUS ETUDE NO.3 | LYLLOFF, BENT | PERCUSSION ENSEMBLE | Denmark | WHANSEN | 1970 | 2 MIN | E | C/U/HS | SHORT AND EASY, BUT WORTHY. FOUR PLAYERS. |
| ARIA | MORTHENSON, JAN W | BRASS QUINTET | Sweden | REIMERS | 1983 | 12 MIN | H+ | C/U | A HIGHLY UNUSUAL WORK WITH MOST OF IT IN NONTRADITIONAL NOTATION AND STYLE. A GOOD SCORE THAT DESERVES ATTENTION. TRPT IN C & Bb,HN,TRB,TBA. PERFORMANCE SCORE FOR SALE. |
| ARIA | NYHUS, ROLF | TRUMPET & PIANO | Norway | MUSIKK-HUSET | 1972 | EST 3 1/2 MIN | E/M | C/U/HS | FLOWING LINES AND LONG PHRASES. ALSO WORKS WITH ORGAN. |
| ARIA-MINUETTO-BOURREE | JOHANSSON, BENGT | VIOLIN & PIANO | Finland | FAZER | 1947 | EST 5+MIN | E/M | C/U | AN UPDATED BAROQUE PIECE WITH MODERN SOUNDS. |
| ARIA, CADENZA E FINALE, OP 24 | KVANDAL, JOHAN | VIOLIN & PIANO | Norway | MUSIKK-HUSET | 1964 | EST 7 MIN | H | C/U | NEEDS A FINE PIANIST WITH CHALLENGE ALSO FOR THE VIOLINIST. AN ACCESSIBLE STYLE OF MUSIC FROM A FINE COMPOSER. |
| ARIOSO FROM FJORTON SOLOSTYCKEN | LUNDIN, DAG | OBOE & PIANO | Sweden | SMIC | 2003 | EST 4 MIN | E/M | C/U/HS | FLOWING WORK WITH NICE ACCOMPANIMENT. NO TECHNICAL PROBLEMS TO GET IN THE WAY OF MAKING MUSIC. IF YOU LIKE THIS ONE TRY LUNDIN’S FRAN FRU MUSICAS TRADGARD. A LONGER WORK, BUT VERY GOOD! |
| ARISE (RISUPP) | THORKELSDOTTIR, MIST | TRUMPET TRIO | Iceland | ITM | 1988 | M | C/U/HS | SHORT AND ACCESSIBLE FOR COLLEGE & HS PLAYERS. SOME CLUSTERS. 'FANFARE-LIKE' AND PLAYABLE. | |
| ARKTIS | LUNDQUIST, TORBJORN IWAN | BAND | Sweden | SMIC | 1984 | 9 MIN | H | C/U | PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,3TRPT,3TRB, EUP,2TBA,2PERC,TMP,SB. GOOD WORK WITH RHYTHMIC INTEREST & EXCITEMENT. NICE SCORE. |
| ARTEMIS, OP. 54 | KYLLONEN, TIMO-JUHANI | CLARINET ALONE | Finland | FiMIC | 2000 | 1+ MIN | H | C/U | A SHORT CHALLENGE THAT IS EASIER THAN SOME OTHERS. THIS IS WELL WITHIN THE REACH OF THE GOOD C/U STUDENT. |
| ARTEMIS, OP. 54 | KYLLONEN, TIMO-JUHANI | CLARINET ALONE | Finland | FiMIC | 1999 | 1 MIN | M/H | C/U | PRACTICE STAND MUSIC AN SHOW OFF AT THE RECITAL. MARKED, ANDANTE UN POCO RUBATO AD LIBITUM. |
| AS IN A DREAM, OP 21 | NORDGREN, PEHR HENRIK | CELLO & PIANO | Finland | FiMIC | 1974 | 13 MIN | H | C/U | ONE MOVEMENT PLAYABLE BY HIGHLY QUALIFIED COLLEGE STUDENTS THAT WANT A NICE CHALLENGE. |
| AS LONG AS YOU BREATHE | JANSSON, GUNNAR | FLUTE ALONE | Sweden | SMIC | 1987 | E/M | C/U/HS | SHORT - A GOOD INTRODUCTION TO FLUTE ALONE LITERATURE. | |
| AS YOU ARE (PETRA) | LINDBERG, NILS & RED MITCHELL | STAGE BAND | Sweden | NORDISKA | 1980 | M | C/U/HS | VERY NICE SLOW BALLAD. | |
| ASHES | NELSON, DANIEL | VIOLIN & ORCHESTRA | Sweden | SMIC | 1997 | 20 MIN | M/H | C/U | FL,CL,BSN,PO,STRINGS. THREE MOVEMENTS IN FAST-SLOW-FAST FORMAT. EVERYONE WORKS, ESPECIALLY THE SOLOIST. A GREAT SCORE AND SHOULD WORK FOR THE C/U ADVANCED VIOLINIST WITH THE SCHOOL ORCHESTRA. SEE OTHER WORKS BY THIS COMPOSER IN THE SMIC ONLINE CATALOG. |
| ASPECTS ON A MIDSUMMER NIGHT | NISSILA, ALLAN | TUBA & BAND | Sweden | SMIC | 1994 | 3 MIN 30 SEC | M | C/U/HS | 3FL(PIC),2OB,4CL,2BSN,AS,TS,BS,4HN,2CNT,2TPT,3TRB,EUP,PERC. STRAIGHT AHEAD PIECE AS A FIRST SOLO FOR THE ASPIRING TUBA PLAYER. RANGE TO C ABOVE THE STAFF. THIS COMPOSER GREAT FOR THIS TYPE OF WORK. PLAYABLE! ALSO SUGGEST FOR EUPHONIUM. |
| AT MESSILA MANOR | LUOLAJAN-MIKKOLA, VILHO | OBOE & PIANO | Finland | ARTEMUSA | CIR 2000 | EST EST 10+ MIN | M | C/U | MOVEMENTS: SPRING IN THE AIR (VIVACE), EARLY MORNING (COMMODO AD LIB ), CLOUDLESS SKY (ALLEGRO ASSAI), EVENING ON THE TERRACE (MODERATO). TITLES SHOULD NOT HAMPER PLAYING THE MOVEMENTS ALONE. NICE SCORE AND MUSIC. |
| AT SPILLE I SKOVEN (MUSIC MAKING IN THE FOREST) | JERSILD, JORGEN | WOODWIND QUINTET | Denmark | WHANSEN | 1951 | EST 12 MIN | M/H | C/U | THREE MOVEMENTS WITH A LOT OF ACTION. I GIOCOSO, 2 PASTORALE, 3 VIVO. |
| AT THE PALACE GATES, OP 68A | SALLINEN, AULIS | ORCHESTRA | Finland | NOVELLO | 1999 | 6+ MIN | H | C/U | 2FL(PIC),2OB,2CL(BCL),2BSN,4HN,2BbTRPT,2TRB,3PERC,HARP,STRINGS. FOR HIRE. TAKEN FROM HIS OPERA, ‘THE PALACE’. GOOD WORK TO ACQUAINT C/U ORCHESTRAS WITH THIS WELL KNOWN COMPOSERS WORK USUALLY PLAYED BY PROFESSIONALS. SCORE IS MS. |
| AUBADE - NOTTURNO PER 10 CELLI | LARSSON, HAKAN | CELLO ENSEMBLE | Sweden | SMIC | 2001 | 10 MIN | H | C/U | YES, TEN CELLOS! AND, THEY MUST BE VERY GOOD PLAYERS. EVERYONE GETS IN THE ACT. THERE AR A NUMBER OF CELLO ENSEMBLE PIECES IN THE SMIC LIBRARY NEEDING A VARIETY OF NUMBERS OF CELLOS. |
| AUBE ET SERENA | TOMASSON, JONAS | FLUTE & HARPSICHORD | Iceland | ITM | 9 MIN 35 SEC | M/H | C/U | RECITAL PIECE FOR COLLEGE STUDENTS. WELL CONSTRUCTED. | |
| AUDA | KOCH, ERLAND VON | BRASS QUINTET | Sweden | PEER | 1981 | 10 MIN | M | C/U | THREE MOVEMENTS THAT CAN STAND ALONE. ITS STRAIGHT AHEAD. |
| AUTUMN | NORDAL, JON | CLARINET & ORCHESTRA | Iceland | ITM | 2000 | EST 15+ MIN | H | C/U | 2FL,2OB,CL,BCL,2BSN,2HN,2TRPT,2TRB,2PERC,HARP,PIANO,STRINGS. MAY WORK OUT EASIER THAN IT LOOKS IN THE SCORE. CHANGING METER AND LOTS OF OPEN SPACE FOR THE SOLOIST. |
| AVES CLARINETISTAE | KOPISTO, MARKKU | CLARINET QUARTET | Finland | ELVIS | 1991 | EST 8 + MIN | E/M | C/U/HS | FOUR Bb CLARINETS WORKING EASIER MATERIAL IN FIVE MOVEMENTS: ANDANTE, ADAGIO, ADAGIO, ANDANTE, LARGHETTO. ALL PARTS PLAYABLE AND GOOD MATERIAL FOR THE YOUNG CLARINETISTS. |
©1991, 2007 Mark Lammers
This Edition ©2005, 2007 WASBE — Content used with permission