Nordic Instrumental Music
For Colleges and Universities
By Title
| Title | Composer Arranger | Ensemble Medium | Country | Publisher_Code | Date | Time | Difficulty | Recommended Level | Comments |
|---|---|---|---|---|---|---|---|---|---|
| S.H.T. | GULLIN, LARS/LARS SJOSTEN | STAGE BAND | Sweden | SMIC | M | C/U | DOUBLES ON FLUTE. SOME TIME AND STYLE CHANGES. | ||
| SA SKIMRANDE VAR ALDRIG HAVET | TAUBE, EVERT/STIG GUSTAFSON | BAND | Sweden | LEMA | 1981 | 3 MIN 15 SEC | E | HS | 2FL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,3TRB,EUP,TBA,PERC,TMP,SB. TAUBE WAS A COMPOSER OF POPULAR SONGS (1890-1976). GOOD TREATMENT OF ONE OF HIS TUNES BY STIG. |
| SAISIR | HEDSTROM, ASE | ORCHESTRA | Norway | NMIC | 1989 | 12 MIN | H | C/U | 2FL,2CL,OB,BSN,2HN,2TRPT,2TRB,TBA,2PERC,PIANO,HARP,STRINGS. CONTEMPORARY HARMONIES & APPROACH FROM ONE OF NORWAY'S LEADING COMPOSERS. SCORE FOR SALE, PARTS RENTAL. |
| SAKKIJARVEN POLKKA | PANULA, JORMA | WOODWIND QUINTET | Finland | ARTEMUSA | CIR 2000 | EST 2+ MIN | M | C/U/HS | FOLK MUSIC ARRANGED BY PANULA. ALL PLAY FOR SOME FUN. GOOD PROGRAM/INCIDENTAL PERFORMANCE MUSIC. PANULA HAS THREE MORE LIKE THIS THAT WE SAW AT FIMIC: JAAKKO KULTA, PELTONIENMEN HINTRIIKIN SURMARSSI AND PARTTENKOLIAASET. ALL EASY TO MEDIUM DIFFICULTY. |
| SALMESYMFONI NO.2, OP. 73 (PSALM SYMPHONY) | KARLSEN, KJELL MORK | BAND WITH CHOIR & ORGAN | Norway | NMIC | 1986 | 28 MIN | H | C/U | PIC,2FL,EbCL,3CL,BCL,OB,BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP,TBA,3PERC,SB,CHOIR,ORGAN. ONE MOVEMENT, A MAJOR WORK. ORGAN PART THIN, CHOIR EASY, BAND HARD. ENDS QUIETLY. |
| SALMETONE - HYMN TUNE | KVANDAL, JOHAN | HORN ALONE | Norway | NORSK | 1985 | 3 MIN 15 SEC | M | C/U | GOOD COMPOSER - HYMN TUNE THAT IS VERY TONAL. |
| SALONGMUSIKK “TRE VOCES” (FLUTE, CLAR ,BSN) | NICOTRA, ALFREDO | WOODWIND TRIO | Norway | NMIC | CIR 1998 | 21 MIN | M | C/U/HS | GOOD MATERIAL FOR THE YOUNG ENSEMBLE. ALL PARTS READILY PLAYABLE BY THE SERIOUS ENSEMBLE. |
| SALVOES | DMITRIEV, SERGEI | SAXOPHONE QUARTET | Sweden | SMIC | 2000 | 5 MIN | M/H | C/U | SS,SA,TS,BS. EASIER THAN SOME OTHERS, BUT STILL DEMANDING. METER CHANGES, SOME RANGE CHALLENGES AND MANY NOTES TO HAVE FUN WITH. THE GOOD C/U GROUP CAN PLAY THIS ONE. |
| SAMBA LA BAMBA | NISKA, PAUL/NACKE JOHANSSON | STAGE BAND | Finland | FiMIC | 4 MIN | M | C/U/HS | SAMBA STRAIGHT AHEAD! | |
| SAMBA SAMBUCA | NEERGAARD, NIELS | BRASS QUINTET | Denmark | LIBRA | 2001 | EST 3+ MIN | E/M | C/U/HS | USUAL INSTRUMENTATION OR SUB TRB FOR HN AND Eb TUBA FOR Bb TUBA. NICE MATERIAL. WATCH FOR THE TRICKY SAMBA RHYTHMIC PATTERN. |
| SARAH SUITE FOR CELLO & PIANO | LINJAMA, JAAKKO | CELLO & PIANO | Finland | FAZER | 1970 | EST 12 MIN | H | C/U | THREE MOVEMENTS. 3 IS A CHALLENGE. 2 IS A CRADLE SONG IN 11/4. MOVEMENTS CAN STAND ALONE. |
| SAREK FOR KAMMERORKESTER | BJORKLUND, TERJE | STRING ORCHESTRA | Norway | NMIC | 1989 | EST 8 MIN | M | C/U | MS IS NOT AS GOOD AS ONE WOULD LIKE, BUT THIS IS A PLAYABLE WORK. SOME CONTEMPORARY HARMONY AND RHYTHMICALLY STRAIGHT AHEAD. SCORE FOR SALE, PARTS RENTAL. |
| SARJA JOUSIORKESTERILLE | WESSMAN, HARRI | STRING ORCHESTRA | Finland | FiMIC | EST 10 MIN | M/H | C/U | FOUR SHORT ACCESSIBLE MOVEMENTS WITH NO SURPRISES. RENTAL ONLY. | |
| SARJA KLARINETILLE JA PIANOLLE | KUOSMA, KAUKO | CLARINET & PIANO | Finland | FiMIC | 1981 | M | C/U | 1. RAGTIME 2. WALTZ 3. BLUES 4. TANGO. NOT ALL RECITALS NEED BE BORING! GOOD SCORE & WORK. | |
| SARKASTINEN TANSSI NO 1 (SARCASTIC DANCE) | VILEN, ASKO | BAND | Finland | ELVIS | 1986 | 7 MIN | E/M | C/U/HS | 2FL,3CL,BCL,OB,BSN,2AS,TS,BS,4HN,2COR,3TRPT,2TRB,3EUP,2TBA,PERC. ENJOYABLE MUSIC WITH CHANGING METERS AND STYLES AS IT GOES! |
| SARKASTINEN TANSSI NO 2 (SARCASTIC DANCE) | VILEN, ASKO | BAND | Finland | STM | 1988 | 7 MIN | M | C/U/HS | PIC,2FL,3CL,BCL,OB,BSN,2AS,TS,BS,4HN,2COR,2TRPT,3TRB,2EUP,TBA, 3PERC. SLIGHTLY DIFFERENT THAN THE ELVIS PUBLICATION. 'TONGUE-IN-CHEEK' MUSIC. CHANGES TEMPO & TIME SIG. CLARINET CADENZA. |
| SAVITAIPALE REGGAE-SAVITAIPALEEN POLKKA | JOHANSSON, MARKKU | BAND | Finland | ELVIS | 1982 | E/M | C/U/HS | 2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,2TS,BS,4HN,2COR,3TRPT,4TRB,3EUP,2TBA,2PERC,(HNS IN Eb). SOLO FOR FLUGELHORN AND A GOOD PLAYER. FINNISH FOLK SONG. BAND PARTS QUITE EASY. PIANO SCORE ONLY. | |
| SAX APPEAL | DEAK, CSABA | SAXOPHONE QUARTET | Sweden | SMIC | 1999 | EST 8 MIN | H | C/U | SS,AS,TS,BS. COMPOSER WRITES - WE PAY ATTENTION. THE MUSIC IS HARD, MAYBE TOO DIFFICULT FOR MOST C/U STUDENT GROUPS, BUT GET ACQUAINTED WITH THE WORK AND THIS COMPOSER. HE STRUCTURES DIFFICULT PASSAGES SO THAT WITH SOME ATTENTION THEY BECOME PLAYABLE. |
| SAXOFILIA | CHRISTENSEN, SIMON | SAXOPHONE(TENOR) & ORCHESTRA | Denmark | SAMFUNDET | CIR 2000 | 7 MIN 30 SEC | H | C/U | CTRPT,2TRB,PERC,PO,2VLN,VIOLA,CELLO,STRBASS. DANISH COMPOSERS ARE THINKING OF THE BEST MUSICIANS WHEN THEY WORK. THIS FINE SCORE IS NO EXCEPTION, BENT NOTES, CONTEMPORARY HARMONY AND THE NEED FOR AN EXCEPTIONAL PIANIST. |
| SAXOFONCONCERTINO | THEORIN, HAKAN | SAXOPHONE(ALTO) & BAND | Sweden | SMIC | 1987 | 12 MIN | E/M | C/U/HS | FL,EbCL,3CL,BCL,OB,BSN,2AS,TS,BS,3HN,3TRPT,3TRB,EUP,TBA,PERC,CBSN. A WELL SCORED WORK PLAYABLE BY A GOOD HS SAXOPHONIST. THE ACCOMPANIMENT IS ALSO INTERESTING. |
| SAXOFONKVARTETT | BERG, OLAV | SAXOPHONE QUARTET | Norway | NMIC | 1988 | 11 MIN 20 SEC | M/H | C/U | SATB. A GOOD SCORE IN THREE MOVEMENTS. SOME RHYTHMIC CHALLENGES. |
| SAXOFONKVARTETT | RIDDERSTROM, BO | SAXOPHONE QUARTET | Sweden | SMIC | 1984 | 10 MIN | H | C/U | ALLEGRO, MODERATO, CADENZA, ANDANTE CON MOTO, CADENZA, ALLEGRO MOLTO. IN MS FOR S, A, T, & B SAXOPHONES. |
| SAXOPHONE CONCERTO | KRUSE, BJORN | SAXOPHONE(TENOR) & ORCHESTRA | Norway | FROST | 1991 | 20 MIN | H | C/U | PIC,2FL,2OB,EH,2CL,BCL,2BSN,CBSN,4HN,4TRPT,3TRB,TBA,4PERC.HARP,PIANO(CELESTA),STRINGS. THIS IS FOR A VIRTUOSO SAXOPHONE PLAYER AND FINE ORCHESTRA. SOLOIST HAS SOME IMPROVISING WITH ACCOMPANIMENT AND A CADENZA TO IMPROVISE. |
| SAXOPHONE CONCERTO | ROEMER, HANNE | SAXOPHONE(TENOR) & ORCHESTRA | Denmark | DKF | 1986 | EST 20+ MIN | M/H | C/U | 2FL,CL,OB,BSN,2TRPT/FLG,TRB,2PERC,HARP,STRINGS AND BASS PLAYING WITH PIANO AND DRUM SET. THREE MOVEMENTS: PRIORITIES, POSTPONED UNTIL TOMORROW, EVERYDAY I BELIEVE IN SOMETHING DIFFERENT. TITLES TELL YOU SOMETHING: SWING, JAZZ, IMPROVE, ETC. FUN AND PLAYABLE! |
| SAXOPHONE CONCERTO NO. 1 IN C MINOR | GUNAROPULOS, YRJO | SAXOPHONE(ALTO) & ORCHESTRA | Finland | FiMIC | 1935/2005 | 22 MIN | M/H | C/U | 2FL(PIC),2OB,2CL,2BSN,2HN,2TRPT,TRB,3PERC.STRINGS. MOVEMENTS: MODERATO, POCO ADAGIO, MODERATO. RECONSTRUCTED FROM ORIGINAL BY JARI ESKOLA. NOTICE THAT WE RATED IT M/H. THIS IS VERY PLAYABLE MATERIAL IN A VERY GOOD SCORE. |
| SAXOPHONE MARMALADE | MADSEN, TRYGVE | SAXOPHONE QUARTET | Norway | MUSIKK-HUSET | 1997 | EST 9:00 MIN | M | C/U/HS | SS,AS,TS,BS. MOVEMENTS: POCO ADAGIO/ALLEGRO, MODERATO, POCO ADAGIO/ALLEGRO. NOT ALL NORDIC SAX QUARTETS ARE TOUGH -- TIS ONE IS RELATIVELY EASY AND A SOLID ADDITION TO THE HS, EARLY COLLEGE MATERIAL. ALWAYS CHECK OUT THIS COMPOSER FOR PLAYABLE MUSIC. |
| SAXOPHONE QUARTET | BERGE, HAKON | SAXOPHONE QUARTET | Norway | NMIC | 2000 | EST 9+ MIN | H | C/U | SS,AS,TS,BS. ANOTHER FINE EXAMPLE OF THE NORDIC SAXOPHONE LITERATURE. CHALLENGING IN ALL THE WAYS IT CAN BE! BUT,FOR THE OUTSTANDING PLAYERS, YOU NEED THIS ONE OR ONE LIKE IT FROM THE NORDIC COUNTRIES. |
| SAXOPHONE QUARTET | GRIMSSON, LARUS H. | SAXOPHONE QUARTET | Iceland | ITM | 1992 | 7 MIN 30 SEC | M/H | C/U/HS | SS,AS,TS,BS. A FAST MOVING, LOT OF NOTES PIECE. SOME MIXED METER LATER ON . THIS SHOULD BE FUN! |
| SAXOPHONE QUARTET | VAKKILAINEN, ARI | SAXOPHONE QUARTET | Finland | FiMIC | 2004 | EST 6+ MIN | M/H | C/U | SS.AS.TS,BS. LOTS OF INDIVIDUAL PART MOVEMENT AND MODERN HARMONY. INDIVIDUAL PARTS NOT HARD, BUT PUTTING IT TOGETHER WILL TAKE SOME REHEARSAL TIME. |
| SAXOPHONE QUARTET 2 | EYSER, EBERHARD | SAXOPHONE QUARTET | Sweden | SMIC | 1986 | 15 MIN | H | C/U | SATB. TWO MOVEMENTS OF WORTHY MUSIC FROM A FINE COMPOSER. CHALLENGING. |
| SAXOPHONE QUARTET 3.(BAGATELLES) | EYSER, EBERHARD | SAXOPHONE QUARTET | Sweden | SMIC | 1987 | 11 MIN 30 SEC | M/H | C/U | S.A.T.B FOUR MOVEMENTS OF CHALLENGING BUT PLAYABLE MUSIC. |
| SAXOPHONE QUARTET 4 (DELICIAE SCANIENSES) | EYSER, EBERHARD | SAXOPHONE QUARTET | Sweden | SMIC | 1987 | 14 MIN | M/H | C/U | S.A.T.B SEVEN MOVEMENTS OF STRAIGHT AHEAD MATERIAL. GOOD INTRODUCTION TO A FINE COMPOSER. |
| SAXOPHONE QUARTET 5.(DIVERTIMENTO) | EYSER, EBERHARD | SAXOPHONE QUARTET | Sweden | SMIC | 1989 | 17 MIN | M/H | C/U | S.A.T.B SIX MOVEMENTS OF PLAYABLE MUSIC FROM A GOOD COMPOSER. 1.VIGNETTA VENEZIANA 2.BALLATA 3.FUGHETTA 4.SERENADE 5.THE BARD 6.ANTHEM |
| SAXOPHONE QUARTET NO. 1 UNDA ARCTICA | JOHANSEN, BERTIL PALMAR | SAXOPHONE QUARTET | Norway | NMIC | 1995 | 15 MIN | H | C/U | SS,AS,TS,BS. LIKE THE OTHER NORDIC SAX QUARTETS THIS OFFERS A CHALLENGE, PERHAPS A LITTLE EASIER THAN SOME OF THE OTHERS, SO WHY NOT START HERE? |
| SAXOPHONIA | KOCH, ERLAND VON | SAXOPHONE QUARTET & BAND | Sweden | DORN PUBLICATIONS | 1976 | 18 MIN | M | C/U/HS | PIC,2FL,2CL,BCL,2OB,2BSN,AS,TS,BS,2TRPT,2TRB,EUP,TBA,3PERC,TMP,SB,SS. THREE MOVEMENTS COMPOSED FOR THE RASCHER QUARTET. NO SURPRISES. |
| SCANDINAVIAN MUSIC | LUNDQUIST, TORBJORN IWAN | BRASS QUINTET | Sweden | SMIC | 1978 | 8 MIN | H | C/U | MANY CHANGES OF METER, MODEST RANGES. BASED ON MATERIAL FROM "ARKTIS", A WORK FOR BAND. |
| SCENARIER | NIELSEN, SVEND HVIDTFELT | WOODWIND QUINTET | Denmark | WHANSEN | 2002 | 12 MIN | H | C/U | SEVEN SHORT MOVEMENTS THAT CAN STAND ALONE. FLUTE DOUBLES PIC. HIGH LEVEL MATERIAL THAT IS VERY INTERESTING TO STUDY FOR THE ADVANCED ENSEMBLE. |
| SCHERZO | AGUSTSSON, HERBERT H | WIND ENSEMBLE | Iceland | ITM | 1984 | E/M | C/U | 2CL,2OB,2BSN,TRPT,2HN. RELATIVELY SHORT WORK IN TRIPLE METER. HIGH TESSITURA FOR OBOES. PARTS MOVE ALONG! | |
| SCHERZO | BJORKLUND, PER | SAXOPHONE(ALTO) & WOODWIND QUINTET | Sweden | LEMA | 1982 | 6 MIN | M | C/U/HS | METER-MIXED METER. NOT A SAXOPHONE SOLO - A SEXTET! |
| SCHERZO | HANSEN, THORVALD | TRUMPET & PIANO | Denmark | WHANSEN | EST 2 MIN | E | C/U/HS | A MOVING 6/8 SOLO FOR CORNET OR FLUEGELHORN. RANGE TO A. | |
| SCHERZO CONCRETO, OP 58 | LEIFS, JON | ORCHESTRA | Iceland | ITM | 1964 | 5 MIN | M | C/U | PIC,FL,CL,OB,BSN,TRB,TBA,EH,VIOLA,CELLO. NOTE THE INSTRUMENTATION! A NICE CONCERT FEATURE FROM A FINE COMPOSER. PROGRAMMATIC ASPECTS. |
| SCHERZO, OP 58 | ROIKJER, KJELL | BRASS QUINTET | Denmark | WHANSEN | 1971 | 7 MIN | E/M | C/U | ABA - A IS ENERGETIC IN 3/4, B IS POCO MENO IN 3/4, VERY PLAYABLE. |
| SCI-FI | TAKALO, ARTTU | BAND | Finland | FiMIC | 2006 | EST 1O+ MIN | M/H | C/U | PIC,2FL,2OB,EbCL,3CL,BCL,2BSN,2AS,TS,BS,3TRPT,4HN,3TRB,EUP,TBA,4PERC. MOVE: EMPORER (ANDANTE QUASI FESTIVO), BATTLE (ALLEGRO MOLTO). SCORE IS PASSABLE MS, PARTS PRINTED. A POPULAR COMPOSER OF FINNISH BAND MUSIC -- SEE HIS ‘THE WASTELANDS AND ‘SYMPHONY’ - BETTER MS! |
| SCORPION DANCE | OLAFSSON, KJARTAN | CLARINET & PIANO | Iceland | ITM | 1986 | 6 MIN | M | C/U | CONTEMPORARY SOUNDS AND APPROACH. PIANIST MUST BE GOOD! |
| SCOUTING (MARCH) | MODEER, HJALMAR/BIRGER JARL | BAND | Sweden | LEMA | 1985 | 3 MIN 15 SEC | E/M | HS/JHS | SIX FLATS, ALLA BREVE MARCH, CAN BE PLAYED BY THE SMALL INCOMPLETE BAND. MARCH SIZE. STANDARD INSTRUMENTATION. |
| SEA ROOM | LUNDQUIST, TORBJORN IWAN | TUBA & PIANO | Sweden | SMIC | 1976 | 16 MIN | H | C/U | ALSO AVAILABLE FOR HORN. OPTIONAL STRING PARTS AVAILABLE. |
| SEARCH FOR SANDRA | SVEINSSON, GUNNAR R | JAZZ ENSEMBLE | Iceland | ITM | 1983 | M | C/U | TS, DRUMS, SB, GUITAR, MARIMBA, PIANO. LATIN SWING HEAD WITH CHANGES. | |
| SEARCHING | PAPE, ANDY | CLARINET ALONE | Denmark | WHANSEN | 2001 | 6 MIN 30 SEC | H | C/U | FOR A OR Bb CLARINET. THIS IS IMAGINATIVE, COMPLICATED AND FUN! THE CLARINET USES BODY MOTION TO ENHANCE THE MUSIC. ALL WILL ENJOY! CHECK OUT WHAT THIS COMPOSER WRITES! |
| SED EST TANTI | STEFANSSON, FINNUR TORFI | ORCHESTRA | Iceland | ITM | 2002 | 10 MIN | H | C/U | 2FL,2OB,EH,2CL,BCL,2BSN,CBSN,4HN,2TRPT,2TRB,TBA,2PER,STRINGS. A NICE SCORE THAT IS PLAYABLE WITH SOME CONCENTRATED EFFORT. TIME CHANGES AND NEED FOR PRECISE RHYTHMS. |
| SED SPES EST | SLETTHOLM, YNGVE | BAND | Norway | NMIC | 1982 | 14'30" | M/H | C/U/HS | PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,AS,TS,BS,4HN,3COR,3TRPT,3TRB,EUP, TBA,4PERC,TMP,SSAX,(I TRPT IN D,2 IN Bb). NO PERFORMANCE PROBLEMS. LONG ONE MOVEMENT BUT INTERESTING ENOUGH TO SUSTAIN ITSELF. |
| SEEDS OF LIGHT | PALMER, CATHARINA | STRING ORCHESTRA | Sweden | SMIC | 1999 | 9 MIN | H | C/U | LOT OF DIVISI, FEATURES A SOLO FIRST AND SECOND VIOLINIST. A SOLID AND WELL CONSTRUCTED SCORE WITH ENOUGH PROBLEMS TO KEEP THE C/U ORCHESTRA INTERESTED. |
| SEGNALE SOLENNE | DANIELSSON, CHRISTER | BRASS ENSEMBLE | Sweden | GEHRMANS | 1987 | 1 MIN 15 SEC | E | C/U/HS | 2TRPT,2HN,3TRB,TUBA. PARTS ARE MADE FOR LYRES. SLOW TEMPO. |
| SENSOMMER, OP 10 | SORENSEN, ERLING INGEMANN | TUBA & STRING ORCHESTRA | Denmark | DMIC | 1981 | 10 MIN | M | C/U | GOOD WORKABLE RANGE FOR THE TUBA. IN SEVERAL SECTIONS PLAYED ATTACCA. STRING PARTS QUITE EASY. |
| SERENAD | KEMPE, HARALD | OBOE & PIANO | Sweden | SMIC | 1945 | 11 1/2 MIN | M | C/U/HS | 1. MARCIETTA, 2. ARIA, 3. CANZONETTA QUASI MINUETTO, 4. MARCIA BURLESKA. MOVEMENTS CAN STAND ALONE. STRAIGHT AHEAD MATERIAL. |
| SERENAD FOR STRAKAR | HALLNAS, EYVIND | STRING ORCHESTRA | Sweden | SMIC | 2006 | 3 MIN 50 SEC | M | C/U | SOME DIVISI, BUT A VERY PLAYABLE SCORE. A NICE, SHORT WORK FOR THE STRINGS. |
| SERENAD FOR STRAKORKESTER, OP 2 | JOHANSSON, BENGT | STRING ORCHESTRA | Finland | FiMIC | 1945 | M/H | C/U | THREE MOVEMENTS IN A SHORTER WORK. WELL LAID OUT IN TRADITIONAL STYLE. RENTAL ONLY. | |
| SERENADE | BORRESEN, HAKON | HORN & PIANO | Denmark | SAMFUNDET | 1943 | 14 MIN | E/M | C/U/HS | THREE MOVEMENTS OF VERY ACCESSIBLE MUSIC FOR THE STUDENT RECITAL. LYRICAL ALTHOUGH THERE ARE A LOT OF NOTES. |
| SERENADE | BREVIK, TOR | STRING ORCHESTRA | Norway | NMIC | 1959 | EST 8 MIN | M | C/U | FOUR MOVEMENTS WITH SOME DIVISI. 2ND MOVEMENT IS ALL PIZZICATO TRADITIONAL SOUNDS. |
| SERENADE FOR FAGOTT OG STRYKEORKESTER. | VEA, KETIL | BASSOON & STRING ORCHESTRA | Norway | VEANOVA | 1995/1999 | E/M | C/U | AN EASY PIECE WITH CONTEMPORARY HARMONIES THAT CAN GET SOMEWHAT DENSE. FINE SCORE. | |
| SERENADE FOR THE WOODWIND QUINTET, OP 26 | LUNDE, IVAR JR | WOODWIND QUINTET | Norway | SHAWNEE | 1980 | 9 MIN | M/H | C/U | THREE MOVEMENTS, MIXED METER, VARIED TEMPOS. GOOD INSTRUCTIONS IN THE SCORE FOR PERFORMANCE. |
| SERENADE FOR TRUMPET AND STRINGS | VEA, KETIL | TRUMPET & STRING ORCHESTRA | Norway | VEANOVA | 2002 | EST 3 MIN | M | C/U/HS | PLAYS BY THE FINE HS OR BETTER SOLOIST WHO CAN SING A SONG ON THE INSTRUMENT. RANGE TO B. NICE! |
| SERENADE, OP 31 | STENHAMMAR, WILHELM | ORCHESTRA | Sweden | SUECIA | 1936 | EST 25 MIN | H | C/U | 2FL,2CL,2OB,2BSN,4HN,2TRPT,3TRB,2PERC,TMP,EH,STRINGS. FIVE MOVEMENTS AND ONE OF THIS COMPOSERS BEST WORKS. SCORE FOR SALE, PARTS RENTAL. |
| SERENADE, OP 48 | MADSEN, TRYGVE | BRASS QUINTET | Norway | MUSIKK-HUSET | 1988 | EST 8 MIN | M | C/U/HS | TRPTS IN C WITH A GOOD SCORE, COMPOSER, AND PLAYABLE MUSIC. |
| SERENADE, OP 52 | MADSEN, TRYGVE | STRING TRIO | Norway | MUSIKK-HUSET | 1987 | EST 7 MIN | M | C/U | THREE MOVEMENTS(FSF), TRADITIONAL STYLE AND SOUNDS. VERY PLAYABLE. FOR VIOLIN, VIOLA, & CELLO. |
| SERENADE, OPUS 42 | VALEN, FARTEIN | WOODWIND QUINTET | Norway | LYCHE | 1947 | 10 MIN | M/H | C/U | ONE MOVEMENT WITH ALL PARTS HAVING SOMETHING TO SAY. |
| SERENADI TRUMPETILLE (SERENADE FOR TRUMPET & SO) | WESSMAN, HARRI | TRUMPET & STRING ORCHESTRA | Finland | FiMIC | 1976 | 4 MIN | M | C/U/HS | ONE MOVEMENT PLAYABLE BY THE STRONG, YOUNG PLAYER. STRING PARTS NOT HARD. THE TRUMPET PART SINGS ON THIS ONE. RENTAL ONLY. |
| SERENATA MONELLESEA | MADSEN. TRYGVE | WOODWIND TRIO | Norway | MUSIKK-HUSET | 1980 | 13 MIN | H | C/U | FLUTE, OBOE AND BASSOON. A CHALLENGE FROM A GOOD COMPOSER. |
| SERENATA PER CINQUE | EKLUND, HANS | BRASS QUINTET | Sweden | SMIC | 1979 | EST 9-10 MIN | M | C/U | FOUR MOVEMENTS OF STRAIGHT AHEAD MATERIAL. GOOD SCORE. |
| SERENATA PER FAGOTTO E ARCHI | KARLSEN, KJELL MORK | BASSOON & STRING ORCHESTRA | Norway | NMIC | 2001 | 16 MIN | H | C/U | SCORE IS IN FAIR MS. WE LIKE THIS COMPOSER SO WORTH THE EFFORT. A LOT OF NOTES FOR THE SOLOIST, BUT MOSTLY REASONABLE RANGE. C/U MATERIAL. |
| SERPENT | DAFGARD, JORGEN | BASSOON ALONE | Sweden | SMIC | 2001 | 4 MIN. | M/H | C/U | THREE CONNECTED SECTIONS IN TENOR AND BASS CLEF. MARKED RUBATO GIVING THE PLAYER OPPORTUNITIES TO MAKE THE MOST OF THE NOTES. CAN BE QUITE LYRICAL. |
| SEVEN FOLK SONGS FROM ICELAND | HALLGRIMSSON, HALFLIDI | CELLO & PIANO | Iceland | RICORDI | 1986 | E | HS/JHS | EASY MATERIALS FOR THE YOUNG STUDENT. | |
| SEVEN SHORT INVENTIONS, OP 11 | AGUSTSSON, HERBERT H | CLARINET & BASSOON | Iceland | ITM | 1964 | 10 MIN | M/H | C/U | FUN FOR THE STUDIO OR RECITAL. |
| SEXTETT | MADSEN, TRYGVE | BRASS QUINTET & PIANO | Norway | MUSIKK-HUSET | 1986 | 13 MIN | H | C/U | A FINE NORWEGIAN COMPOSER AND SCORE. |
| SEXTETT | STEFANSSON, FJOLNIR | STRING SEXTET | Iceland | ITM | 1983 | 5 MIN 50 SEC | M/H | C/U | FL, CL, BSN, HN, VLN, CELLO. BEAUTIFUL SCORE WITH PLAYABLE RHYTHMIC PROBLEMS. NEEDS A CONDUCTOR. |
| SHAZAM | RABE, FOLKE | TRUMPET ALONE | Sweden | REIMERS | 1984 | 6 MIN | H | C/U | A MUSICAL CHALLENGE AND WELL WORTH THE EFFORT. FROM A VERY CREATIVE COMPOSER. |
| SHIMMERING BLUE - FLUTE CONCERTO NO. 1 | MARTINSSON, ROLF | FLUTE & ORCHESTRA | Sweden | SMIC | 2005 | 25 MIN | H | C/U | 2FL(PIC),2OB(EH),2CL(BCL),2BSN(CBSN),2HN,2TRPT,TRB,PERC,STRINGS. ONE LONG MOVEMENT WITH MUSIC FOR THE MOST PRACTICED PLAYERS AS SOLOIST AND ORCHESTRA MUSICIANS. NICE USE OF VIBRAPHONE. HARMON MUTES IN THE TRUMPETS. |
| SHLAG UNS NOCH LIEFDO | HELWEG, KIM | TUBA & PIANO | Denmark | DKF | 1993/97 | EST 12 MIN | H | C/U | THE RANGE IS HIGH AND LOW, OUTSIDE OF THAT PROBLEM THIS IS PLAYABLE SOLO. PIANO PART NEEDS A GOOD PLAYER. THIS IS ADVANCED, CONTEMPORARY MATERIAL! THREE MOVEMENTS: ALLEGRO ENERGICO, ADAGIO, SCHERZOFINALE. (TRANSLATION MAY BE, ‘HIT ME AGAIN LIEFDO’) |
| SIGMA | SLETTHOLM, YNGVE | BAND | Norway | NMIC | 1980 | M/H | C/U | SS,AS,TS,BS,4HN,2COR,3TRPT,3TRB,2EUP,2TBA,5PERC,TMP. NOTE THE INSTRUMENTATION. LOTS OF PERCUSSION. SOME RHYTHMIC TRICKINESS AND SOME NONTRADITIONAL NOTATION. IT PLAYS! | |
| SIGNALER | GRAHN, ULF | BRASS QUARTET | Sweden | SMIC | 1968 | 7+MIN | E/M | C/U | SIX MOVEMENTS, 4, 5 & 6 USE NONTRADITIONAL TECHNIQUES. 1, 2 & 3 ARE QUITE EASY BUT HAVE UNUSUAL RHYTHMS & SOUNDS. |
| SILJA (CECILIA) | MASSON, ASKELL | PERCUSSION ENSEMBLE | Iceland | ITM | 1972 | 11 MIN | M/H | C/U | VERY CLEAR NONTRADITIONAL NOTATION. 3 PERSONS PLAYING MANY INSTRUMENTS. |
| SINE NOMINE | WEIS, FLEMMING | ORCHESTRA | Denmark | SAMFUNDET | 1978 | 14 MIN | M/H | C/U | 2FL, 2CL, 2OB, 2BSN, 2HN, TMP, STRINGS. GOOD SCORE OF PLAYABLE MUSIC. CONTEMPORARY HARMONIES. |
| SINFONIA | SIGURBJORNSSON, HRODMAR INGI | ORCHESTRA | Iceland | ITM | 2002 | 20 MIN | H | C/U | PIC,2FL,2OB,3CL,3BSN,5HN,3TRPT,3TRB,5PERC, AN UNUSUAL THREE MOVEMENT SCORE THAT WILL TAKE A LITTLE STUDY BECAUSE OF THE WAY THE COMPOSER LAYS IT OUT. BUT THIS IS PLAYABLE BY STRONG C/U ENSEMBLES. |
| SINFONIA CONCERTANTE FOR KAMMERORKESTER | HOFFDING, FINN | ORCHESTRA | Denmark | SAMFUNDET | 1934 | M/H | C/U | FL,CL,OB,BSN,HN,PIANO, STRINGS. THREE MOVEMENTS, STRAIGHT AHEAD, ACCESSIBLE, PLAYABLE, GOOD SCORE. | |
| SINFONIA DA CAMERA | KOKKONEN, JOONAS | STRING ORCHESTRA | Finland | FiMIC | 1964 | H | C/U | FOUR MOVEMENTS FOR 7 VIOLINS, 2 VIOLAS, 2 CELLOS AND STRING BASS. SOLID SCORE FOR GOOD COLLEGE STRINGS. RENTAL ONLY. | |
| SINFONIA DA CHIESA | ROMAN, JOHAN HELMICH/ANDERS OHRWALL | STRING ORCHESTRA | Sweden | GEHRMANS | 1987 | 3 MIN 30 SEC | M | C/U/HS | FINE COMPOSER AND SCORED WELL, STRINGS PLUS CEMBALO AND OPTIONAL OBOES AND BASSOON. |
| SINFONIA DA CHIESA, OP 38 | SKOLD, YNGVE | ORCHESTRA | Sweden | SMIC | 1938 | H | C/U | PIC,2FL,2CL,2OB,2BSN,2HN,2TRPT,TRB,TMP,ORGAN,STRINGS. FOUR MOVEMENTS IN A GOOD SCORE AND PLAYABLE. RENTAL ONLY. | |
| SINFONIA DEL MARE, OP 97 | NYSTEDT, KNUT | ORCHESTRA | Norway | NORSK | 1983 | 13 1/2 MIN | M | C/U/HS | PIC,4FL,3CL,BCL,3OB,3BSN,6HN,4TRPT,3TRB,TBA,5PERC,TMP,CBSN,PIANO, STRINGS. COMPOSED FOR A SELECT YOUNG PEOPLES ENSEMBLE. SCORE FOR SALE, PARTS RENTAL. |
| SINFONIA DI SOFFIATORI NR 3 | TVEITT, GEIRR | BAND | Norway | WARNER/CHAPPELL | 2001 | EST 7 MIN | H | C/U | PIC,2FL,2OB,3CL,BCL,2BSN,2AS,TS,BS,3TRPT,4HN,3TRB,EUP,TBA,STBS,HARP,4PERC. LARGE SYMPHONIC BAND. THERE ARE OTHER WORKS HARDER, BUT THE FEW SPOTS THAT ARE DIFFICULT WILL MAKE IT INTERESTING FOR AUDIENCE, PERFORMER AND CONDUCTOR. |
| SINFONIA ESPANSIVA, OP 27 | NIELSEN, CARL | ORCHESTRA | Denmark | ENGSTROM & SODRING | 1968 | 32 MIN | H | C/U | PIC,3FL,3CL,3OB,2BSN,CBSN4HN,3TRPT,3TRB,TBA,TMP,STRINGS. FOUR MOVEMENTS OF UNUSUAL DIMENSIONS. NORDIC SOUNDS & PLAYABLE BY THE BEST C/U AND/OR COMMUNITY ENSEMBLES. SCORE FOR SALE, PARTS RENTAL. |
| SINFONIA I, OP 40 | OLSEN, POUL ROVSING | ORCHESTRA | Denmark | SAMFUNDET | 1967 | 18 MIN | M/H | C/U | PIC,2FL,2CL,2OB,2BSN,2HN,TRPT,PERC,HARP,STRINGS. THREE MOVEMENTS WITH IMPORTANT HARP PART. MOSTLY STRAIGHT AHEAD WITH A FEW SURPRISES. GOOD SCORE. |
| SINFONIA II | ALMILA, ATSO | BAND | Finland | FiMIC | 2003 | 25 MIN | H | C/U | 2FL(PIC),OB,EbCL,2CL,BCL,BSN,AS,TS,3HN,3TRPT,3TRB,EP,TBA,2PERC. ALL SECTIONS CONNECTED. A MAJOR WORK BY A MAJOR COMPOSER FOR WINDS. NOTE THE INSTRUMENTATION. NO BIG PROBLEMS - JUST A LONG PIECE. |
| SINFONIA IV | KOKKONEN, JOONAS | ORCHESTRA | Finland | SCHIRMER | 1911 | 21 MIN | H | C/U | 3FL,AFL,2CL,BCL,2OB,EH,2BSN,CBSN,4HN,3TRPT,3TRB,PERC,TMP,HARP,STRINGS. THREE MOVEMENTS THAT CAN STAND ALONE. SOME CLUSTERS AND CONTEMPORARY SOUNDS. |
| SINFONIA TRAGICA, OP 22 | SAIKKOLA, LAURI | ORCHESTRA | Finland | FiMIC | 1976 | 30 MIN | H | C/U | 2FL,2CL,2OB,2BSN,4HN,2TRPT,3TRB,TBA,TMP,HARP,STRINGS. RENTAL ONLY. |
| SINFONIA, A-DUR | ROMAN, JOHAN HELMICH | STRING ORCHESTRA | Sweden | BUSCH | 1740 | 8 MIN | M/H | C/U | NEEDS A CONTINUO INSTRUMENT. THREE MOVEMENTS(FSF). EXCELLENT BAROQUE MATERIAL. REVISED HERE BY LENNART HEDWALL. |
| SINFONIETTA | EIRIKSDOTTIR, KAROLINA | ORCHESTRA | Iceland | ITM | 1985 | 14 MIN 35 SEC | M/H | C/U | 2FL,2CL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,PERC,CBSN,HARP,STRINGS. FOUR MOVEMENTS WITH CONTEMPORARY SOUNDS & APPROACH, CL & VLN CADENZAS. FINE COMPOSER & GOOD MUSIC. |
| SINFONIETTA | KENTISH, OLIVER | STRING ORCHESTRA | Iceland | ITM | 1998 | 30 MIN | M/H | FOUR MOVEMENTS. SOME TRICKY SECTIONS, BUT THIS SHOULD PLAY BY GOOD C/U ENSEMBLES. | |
| SINFONIETTA | NUORVALA, JUHANI | STRING ORCHESTRA | Finland | LOVE | 1997/98 | 16 MIN. | H | C/U | ANDANTE, TRANQUILLO, ALLEGRO. FOR THE MOST ACCOMPLISHED STRING ORCHESTRA. ALL THE RHYTHMIC PROBLEMS YOU WANT IN A CONTEMPORARY HARMONIC SETTING. MUSIC FOR RENT. |
| SINFONIETTA DI SOFFIATORI,OP 203 | TVEITT, GEIRR | BAND | Norway | NORSK | 1962 | EST 15 MIN | M/H | C/U/HS | PIC,2FL,EbCL,4CL,OB,BSN,AS,TS,BS,4HN,2COR,3TRPT,3TRB,EUP,2TBA,TMP,2TENHN,SSAX,(HNS IS Eb). FIVE MOVEMENTS, WITH GOOD VARIETY OF KEYS AND TEMPOS. MOVEMENTS CAN STAND ALONE. |
| SINFONIETTA FOR WIND ORCHESTRA | AHMAS, HARRI | BAND | Finland | FiMIC | 2002 | 26 MIN | H | C/U | PIC,2FL,2OB,2BSN,EbCL,3CL,BCL,2AS,TS,BS,PIANO,3CTRPT,4HN,3TRB,EUP,2TBA,4PERC. MOVEMENTS: PRELUDI, EL SUR FOR MR. LUIS PASQUET, FINALE. LOADED WITH THINGS TO WORK OUT, BUT ALL ARE POSSIBLE. IDEAL FOR THE LARGE C/U BAND. |
| SINFONIETTA IN FORMA DI SONATA DA CHIESA, OP 51 | FERNSTROM, JOHN | ORCHESTRA | Sweden | SMIC | 1934 | EST 14 MIN | H | C/U | FL,2CL,OB,BSN,2HN,2TRPT,TRB,STRINGS. FOUR MOVEMENTS IN A FINE SCORE OF VERY PLAYABLE MUSIC. FOR RENTAL ONLY. |
| SINFONIETTA NO. 4 | JALAVA, LASSE | STRING ORCHESTRA | Finland | FiMIC | 2002 | 15 MIN | M/H | C/U | MOVEMENTS: ADAGIO, ANDANTE, INTRODUCTION & FINALE. SO WELL SCORED! FOR THE MOST PART QUITE TONAL. GOOD C/U MATERIAL AND THE ADVANCED HS ENSEMBLE. |
| SINFONIETTA, OP 11 | BOLDEMANN, LACI | STRING ORCHESTRA | Sweden | SMIC | EST 12 MIN | M/H | C/U | THREE MOVEMENTS THAT CAN STAND ALONE. WORK OUT FOR STRINGS. NO COMPLICATIONS. RENTAL ONLY. | |
| SISU | LINKOLA, JUKKA | BAND | Finland | FiMIC | 1999 | H | C/U | PIC,2FL,2OB,2BSN,EbCL,3CL,BCL,CALCL,2AS,TS,BS,4HN,3COR,3TRB,EUP,TBA,STBS,PIANO,4PERC. COMMISSIONED BY THE CONCORDIA COLLEGE BAND. MUCH CHANGE OF METER AND PLENTY NOTES TO PLAY FROM THIS EXCELLENT COMPOSER | |
| SISU | LUNDQUIST, TORBJORN IWAN | PERCUSSION ENSEMBLE | Sweden | SUECIA | 1989 | 8 MIN | M/H | C/U/HS | RECORDED BY KROUMATA. SIX PLAYERS PLAYING MANY INSTRUMENTS. GOOD SCORE AND WORK. |
| SIX ICELANDIC FOLK SONGS | PALSSON, HELGI | VIOLIN & PIANO | Iceland | ITM | 1962 | E/M | C/U/HS | NICE FOLK MUSIC FOR THE COMPETENT VIOLINIST OF ANY AGE. | |
| SIX ICELANDIC FOLK SONGS | SIGURBJORNSSON, THORKELL | FLUTE, VIOLIN & CELLO | Iceland | ITM | 1988 | M | C/U | PLAYED IN ONE MOVEMENT. NO EXTREME PROBLEMS AND PLAYABLE WITH REASONABLE PREPARATION. | |
| SIX ICELANDIC FOLK SONGS | SIGURBJORNSSON, THORKELL | VIOLA & PIANO | Iceland | ITM | 1969 | 11 MIN 40 SEC | M | C/U | SIX SHORT WORKS THAT CAN SING. |
| SIX MOVEMENTS | EIRIKSDOTTIR, KAROLINA | STRING QUARTET | Iceland | ITM | 1983 | 8 MIN | M | C/U | SHORT MOVEMENTS OF CONTRASTING STYLE THAT CAN BE CHALLENGING AS WELL AS SENSITIVE AND MUSICAL. |
| SIX PARTITAS | LEWKOVITCH, BERNHARD | BRASS QUINTET | Denmark | WHANSEN | 1988 | EACH 8-9 MIN | M | C/U | SIX COMPOSITIONS BASED UPON "AUS TIEFER MOT", "JESU MEINE FREUDE", "NUN DANKET ALLE GOTT", "O LAMM GOTTES UNSHELDIG", "VATER UNSER IMHIMMELREICH", "NUN BITTEN WIR DEN HEIL GEN GEIST". |
| SIX PIECES POUR HAUTBOIS ET CORDES | GRIPPE, RAGNAR | OBOE & STRING ORCHESTRA | Sweden | SMIC | 1989 | CA 6 1/2 MIN | M | C/U/HS | THE SIX SECTIONS ARE ATTACCA. PLAYABLE MUSIC IN A CLEAN SCORE. RENTAL ONLY. |
| SIX VARIATIONS ON A SORMLANDSK VALLVISA | LUNDIN, DAG | TUBA ALONE | Sweden | SMIC | 1994 | 8 MIN 30 SEC. | M/H | C/U | IN GOOD MS. THEME AND 6 VARIATIONS. RANGE TO C ABOVE THE STAFF. WILL TAKE MUSICIANSHIP AS WELL AS TECHNIQUE TO MAKE THIS HAPPEN. ENJOY! |
| SIX VARIATIONS OVER EGET TEMA | BENTZON, NIELS V. | FLUTE & PIANO | Denmark | WHANSEN | 1943 | H | C/U | WELL PUT TOGETHER AND PLAYABLE. | |
| SKANSEN-SVIT | LUNDKVIST, PER | BAND | Sweden | SUECIA | 1985 | 13 MIN | M | C/U/HS | PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,2COR,3TRPT,3TRB, EUP,2TBA,PERC,TMP,SB. FOLK LIKE, IN THREE MOVEMENTS. WELL SCORED FOR FULL BAND AND PLAYABLE. |
| SKELETON KEYS IN THE RAIN | MARMORSTEIN, DAN | CELLO ALONE | Denmark | DKF | 1995 | EST 9+MIN | H | C/U | BASS, TREBLE AND TENOR CLEFS, DOUBLE STOPS, AND ENOUGH NOTES TO KEEP ALL INTERESTED. |
| SKJAERGARDSVARIASJONER (CL, HN, BSN) | NORDHAGEN, SIG | WOODWIND TRIO | Norway | NMIC | CIR 2000 | 10 MIN | M | C/U/HS | GOOD COMPOSER WITH MUSIC THAT CAN BE PLAYED BY THE YOUNGER PLAYER BUT INTERESTING FOR THOSE MORE ADVANCED. NICE LOOKING SCORE. |
| SKOG III | HULTQVIST, ANDERS | STRING ORCHESTRA | Sweden | SMIC | 1992/93 | EST 5+ MIN | M | C/U/HS | NO SURPRISES, JUST PLAY THE NOTES. ACCESSIBLE TO THE GOOD HS STRING PLAYER AND GOOD ENOUGH FOR EVERYONE. ALSO SEE HIS SKOG I AND II. ALL THREE WOULD MAKE A NICE SUITE. |
| SKOROGOWORKA | GRANDERT, JOHNNY | BAND | Sweden | NORDISKA | 1973 | 7 MIN | H | C/U | PIC,3FL,3CL,BCL,3OB,2BSN,AS,2TS,BS,5HN,5TRPT,4TRB,3TBA,3PERC,TMP, EH,CBSN. NONTRADITIONAL NOTATION IN A LARGE SCORE. RECOMMENDED BY SWEDISH CONDUCTORS. SCORE FOR SALE, PARTS RENTAL. |
| SKOVSYMFONI IN D DUR NO 3, OP 30 | GLASS, LOUIS | ORCHESTRA | Denmark | SAMFUNDET | 1925 | M/H | C/U | 2FL,2CL,2OB,2BSN,4HN,2TRPT,3TRB,TBA,TMP,STRINGS. FOUR MOVEMENTS OF PLAYABLE, STRAIGHT AHEAD MATERIAL IN A FINE SCORE REPRESENTATIVE OF THE 1920'S. SCORE FOR SALE OR RENTAL, PARTS RENTAL. | |
| SKUMRINGSTONE, OP 64 NR 2 | OLSEN, SPARRE | HORN ALONE | Norway | NORSK | 1979 | EST 1 1/2 MIN | E/M | C/U/HS | LYRICAL PIECE FOR HORN ALONE WITH RANGE TO G. |
| SKUNKY FUNK | AHLIN, SVEN | BRASS QUINTET | Sweden | SMIC | 1993 | 12 MIN | H | C/U | THREE MOVEMENTS: SKUNKY FUNK, LANGUISH IN A RED MOOD AND IN OTHER WORDS. HARD MUSIC THAT IS FUN TO WORK OUT AND FOR THE AUDIENCE. JUST DO WHAT THE TITLES TO THE MOVEMENTS TELL YOU TO DO! |
| SLOTTS-SVIT, OP 82B | SAGVIK, STELLAN | BAND | Sweden | SMIC | 1981 | H | C/U | PIC,4CL,2BSN,2AS,TS,2HN,3TRPT,3TRB,TBA,2PERC. 5 SHORT MOVEMENTS BUT CHECK THE INSTRUMENTATION. VERY HIGH TESSITURA FOR TROMBONE I. | |
| SMALL PIECES FOR BRASS ENSEMBLE | JORGENSEN, EMTOFT & ANDRESEN | BRASS QUARTET | Denmark | DANISH BRASS | 1986 | 9 MIN | E | C/U/HS | EIGHT VERY SHORT PIECES, PLAYABLE WITH ANY COMBINATION OF BRASS INSTRUMENTS, I.E. 4 TRPTS, 4 TRBS. |
| SMORREBROD | KOIVISTOINEN, EERO | STAGE BAND | Finland | FiMIC | EST 6+MIN | M/H | C/U/HS | MEDIUM FAST SWING. GOOD SCORE. ENSEMBLE AND SOLO BACKGROUNDS ARE GOOD. | |
| SOFT MACHINE | BROEDSGAARD, ANDERS | PERCUSSION ALONE | Denmark | WHANSEN | 1995 | 8 MIN | H | C/U | FUN FOR THE ADVANCED C/U PERCUSSIONIST. DIAGRAM IS INCLUDED ON HOW TO SET UP ALL OF THE INSTRUMENTS TO MAKE THIS SOLO WORK. A SOW OFF PIECE FOR RECITAL! |
| SOIREE DANSANTE | LILLEBJERKA, SIGMUND | OBOE & PIANO | Norway | NOTON | 1992 | EST 7 MIN | M/H | C/U/HS | MOVEMENTS: ALLEGRO MODERATO, MODERATO, MODERATO CON ESPRESSIONE, ALLEGRO. LIKE A SONATA OR SONATINE FOR THE YOUNGER OR LESS EXPERIENCED PLAYER. |
| SOLAR PLEXUS, OP. 191 | SAGVIK, STELLAN | FLUTE ALONE | Sweden | SMIC | 2000 | 30 MIN. | H | C/U | 11 SHORT MOVEMENTS WITH MANY CHALLENGES. A FINE COMPOSER WITH MUSIC THAT IS INTERESTING FOR THE PLAYER AS WELL AS THE AUDIENCE. |
| SOLGUD-SYMFONIEN, OP.81 | TVEITT, GEIRR | ORCHESTRA | Norway | NMIC | 1997/99 | M/H | C/U | 3FL(PIC),2OB(EH),2CL(BCL),2BSN(CBSN),4HN,3TRPT,3TRB,TBA,2PERC,HARP,STRINGS. THIS VERSION WAS RECONSTRUCTED BY KAARE DYVIK HUSBY. THREE MOVEMENTS IN TRADITIONAL HARMONIES AND RHYTHMS. TVEITT (1908-1981) IS WELL THOUGHT OF BY CONDUCTORS IN NORWAY. | |
| SOLITUDE FOR SOLO BASSOON | MARTTINEN, TAUNO | BASSOON ALONE | Finland | FiMIC | 1999 | EST 3+ MN | M/H | C/U | BASS AND TENOR CLEFS. MARKED, LENTO RUBATO - TIME TO MAKE MUSIC. GOOD LOOKING SCORE. |
| SOLO VIII | AHO, KALEVI | EUPHONIUM ALONE | Finland | FENNICA | 2003 | 9 MIN | H | C/U | THIS IS A WORK FOR THE PRACTICE ROOM -- AFTER CONSIDERABLE TIME THE BEST PLAYER MIGHT PLAY THIS FOR A RECITAL TO SHOW OFF -- IT IS THAT KIND OF WORK. BASS & TENOR CLEF, RANGE UP AN DOWN, RHYTHM! |
| SOLOBRIDGE | MARTINSSON, ROLF | TRUMPET ALONE | Sweden | SMIC | 1998 | 4 MIN. | H | C/U | THIS IS THE CADENZA FROM THE COMPOSER’S CONCERTO NO. 1 OP 47 COMPOSED FOR HAKEN HARDENBERGER. BRING YOUR BEST STUFF -- HARD, CHALLENGING. |
| SOMETIMES I FEEL LIKE A MOTHERLESS CHILD | LINDBERG, NILS(TRADITIONAL) | STAGE BAND | Sweden | NORDISKA | 1985 | M | C/U/HS | VOCALIST NEEDS A GOOD EAR, MUCH WORK WITHOUT BACKUP. NICE CHART. | |
| SOMMARMUSIK FOR SAXOFONKVARTETT | KARKOFF, INGVAR | SAXOPHONE QUARTET | Sweden | SMIC | 2004 | 9 MIN 30 SEC | E/M | C/U/HS | SS,AS,TS,BS. THREE CONNECTED MOVEMENTS. PLAYABLE MUSIC BY MOST YOUNG QUARTETS. NO SPECIAL PROBLEMS. |
| SON VENT | BACH, ERIK | WOODWIND QUINTET | Denmark | EDITION EGTVED | 1974 | 14 MIN | M/H | C/U | TWO MOVEMENTS THAT ARE QUITE TRADITIONAL. LOTS OF PLAYABLE NOTES! |
| SONAATTI | VILEN, ASKO | SAXOPHONE(ALTO) & PIANO | Finland | FiMIC | 1976 | EST 7-8 MIN | M/H | C/U | THREE MOVEMENTS. MS IS NOT GREAT, BUT A GOOD COMPOSER AND SOME WORTHWHILE MUSIC. |
| SONAATTI KLARINETILLE JA PIANOLLE | MONONEN, SAKARI | CLARINET & PIANO | Finland | FiMIC | 1973 | EST 10 MIN | H | C/U | FOUR MOVEMENTS WITH RHYTHMIC INTEREST AND CONTEMPORARY SOUNDS. |
| SONAT FOR CELLO OCH PIANO | ENGSTROM, TORBJORN | CELLO & PIANO | Sweden | SMIC | 1996 | 7 MIN 30 SEC | M/H | C/U | MOVEMENTS: INQUIETO, VOCALISE, FEROCE, LENTO. NEEDING NEAR PROFESSIONAL STANDING TO PLAY THIS WELL. BASS AND TENOR CLEF, PLAY THE FULL RANGE OF THE INSTRUMENT AND OTHER CHALLENGES. BUT, THERE IS MUSIC HERE. |
| SONAT FOR EN UNG VIOLINIST | LUNDIN, DAG | VIOLIN & PIANO | Sweden | SMIC | 1999 | EST 12 MIN | M | C/U/HS | CLEAN MS. COMPOSER SPECIALIZES IN THIS TYPE OF LITERATURE FOR DEVELOPING PERFORMER. FOUR MOVEMENTS OF INTERESTING MATERIAL WITH NO PARTICULAR SET OF PROBLEMS. SEARCH OF THE SMIC LIBRARY FOR MORE OF THIS COMPOSERS COMPOSITIONS FOR ALL INSTRUMENTS. |
| SONAT FOR HORN | ANDERSSON, B TOMMY | CELLO & PIANO | Sweden | SMIC | 1985 | M/H | C/U | THREE MOVEMENTS OF STRAIGHT AHEAD MATERIAL. PIANO PART IS HARD. COMPOSER ALSO SUGGESTS FOR CELLO. | |
| SONAT FOR HORN | ANDERSSON, B TOMMY | HORN & PIANO | Sweden | SMIC | 1985 | M/H | C/U | THREE MOVEMENTS OF STRAIGHT AHEAD MATERIAL. PIANO PART IS HARD. | |
| SONAT FOR HORN OCH PIANO, OP 7 | SYLVAN, SIXTEN | HORN & PIANO | Sweden | SMIC | 1963 | M / | C/U/HS | THREE MOVEMENTS OF A WELL SCORED WORK FOR RECITAL, CONTEST OR CONCERT. | |
| SONAT FOR OBOE OCH PIANO | MELLNAS, ARNE | OBOE & PIANO | Sweden | SMIC | M/H | C/U | THREE MOVEMENTS FROM A GOOD COMPOSER. | ||
| SONAT FOR SOLO VIOLIN | TUBIN, EDUARD | VIOLIN ALONE | Sweden | SUECIA | 1962 | M/H | C/U | RECITAL OR STUDIO MATERIAL IN A GOOD SCORE. | |
| SONAT FöR TROMBON OCH PIANO, OP 81b | FRUMERIE, GUNNAR DE | TROMBONE & PIANO | Sweden | GEHRMANS | 1988 | 23 MINUTES | H | C/U | ORCHESTRA SCORE & PARTS AVAILABLE. COMPOSED FOR CHRISTIAN LINDBERG, EXPECT A CHALLENGE. |
| SONAT NR 2 | ROSENBERG, HILDING | VIOLIN & PIANO | Sweden | NORDISKA | 1941 | H | C/U | THREE MOVEMENTS FROM A GOOD COMPOSER AND STRAIGHT AHEAD. | |
| SONAT, OP 1 | ALFVEN, HUGO | VIOLIN & PIANO | Sweden | LUNDQUIST | H | C/U | FOUR MOVEMENTS FROM THE EARLY WORKS OF A LEADING SWEDISH COMPOSER FROM EARLY 20TH CENTURY. | ||
| SONAT, OP 27b | ATTERBRG, KURT | HORN & PIANO | Sweden | SMIC | 1930 | H | C/U | ORIGINALLY FOR CELLO. HORN PART ADAPTED BY DOMENICO CECCAROSSI IN 1955. A MAJOR WORK & WORTH WHILE MUSIC. | |
| SONATA | AHLBERG, GUNNAR | FLUTE & PIANO | Sweden | SMIC | 1987 | 13 MIN 20 SEC | M/H | C/U | ONE MOVEMENT MARKED MODERATO TEMOROSO. RHYTHMIC CHALLENGES. |
| SONATA | BASHMAKOV, LEONID | BASSOON ALONE | Finland | FiMIC | 1976 | H | C/U | FINE COMPOSER AND COMFORTABLE CHALLENGE. | |
| SONATA | ENGLUND, EINAR | CELLO & PIANO | Finland | FAZER | 1982 | EST 15+MIN | H | C/U | FOUR MOVEMENTS FROM A GOOD COMPOSER. A SCORE WITH NO SURPRISES JUST A LOT OF WORK! |
| SONATA | ENGLUND, EINAR | VIOLIN & PIANO | Finland | FAZER | 1979 | EST 20+MIN | H | C/U | FOUR MOVEMENTS THAT CAN STAND ALONE. WELL CONSTRUCTED PIECE WITH MODEST CHALLENGE. LONG BUT INTENSE. CONTEMPORARY HARMONIES AND STYLE. |
| SONATA | GLASER, WERNER WOLF | OBOE & PIANO | Sweden | SMIC | 1986 | M/H | C/U/HS | FOUR MOVEMENTS, THREE QUITE SLOW AND SUSTAINED. ALL CAN STAND ALONE. | |
| SONATA | GLASER, WERNER WOLF | SAXOPHONE(ALTO) & PIANO | Sweden | SMIC | 1986 | 15 MIN | M/H | C/U | THREE MOVEMENTS THAT ARE IDEAL FOR THE COLLEGE RECITALIST. A COMFORTABLE CHALLENGE. |
| SONATA | HELGASON, HALLGRIMMUR | VIOLIN & PIANO | Iceland | ITM | 1965 | M | C/U/HS | THREE MOVEMENTS THAT ARE PLAYABLE, MUSICAL AND STRAIGHT AHEAD. FITS TOGETHER NICELY. | |
| SONATA | KNOPH, JOACHIM | OBOE & PIANO | Norway | 2L | 2001 | 16 MIN | H | C/U | MOVEMENTS: MODERATO, TRANQUILLO, ALLEGRO DECISO. SOME MIXED METER, BUT MOSTLY STRAIGHT AHEAD MATERIAL AND PLAYABLE BY THE GOOD V/U STUDENT. GO TO THE WEB SITE TO DOWNLOAD THIS MATERIAL: WWW.2L.NO. |
| SONATA | KOKKONEN, JOONAS | CELLO & PIANO | Finland | FAZER | 1977 | H | C/U | THREE MOVEMENTS THAT CAN STAND ALONE. WELL LAID OUT WITH PLAYABLE CHALLENGES AND ACCESSIBILITY. | |
| SONATA | KOSTIAINEN, PEKKA | CLARINET & PIANO | Finland | FAZER | 1977 | EST 12+ MIN | M/H | C/U | MOVEMENTS: ADAGIO CANTABILE, ALLEGRO ASSAI, ADAGIO SOSTENUTO. SOME MIXED METER AND TRICKINESS IN THE LAST MOVEMENT. OTHERWISE, THIS PLAYS OUT WELL IN CONTEMPORARY HARMONY FOR THE C/U RECITALIST. |
| SONATA | MADSEN, TRYGVE | EUPHONIUM & PIANO | Norway | MUSIKK-HUSET | 1997 | EST 7 MIN | M/H | C/U/HS | MOVEMENTS: INTRADA (ALLEGRO MODERAT0), INTERMEZZO (POCO ADAGIO), FINALE (ALLEGRO). RANGE TO HIGH Bb. THIS COMPOSER SPECIALIZES IN MATERIAL THAT IS VERY USEFUL IN THE SCHOOL SITUATION. SEE MANY OTHER TITLES BY THIS COMPOSER FOR MOST INSTRUMENTS |
| SONATA | MADSEN, TRYGVE | TRUMPET & PIANO | Norway | MUSIKK-HUSET | 1994 | EST 9 MIN | M/H | C/U/HS | USUAL 3 MOVEMENTS. NO RANGE CHALLENGES. ENOUGH NOTES TO KEEP THE PLAYER ALERT AND THE AUDIENCE INTERESTED. THIS IS GOOD RECITAL MATERIAL AS ARE A LOT OF THIS COMPOSERS WORKS. |
| SONATA | MADSEN, TRYGVE | STRING BASS & PIANO | Norway | MUSIKK-HUSET | 1995 | ST 15+ MIN | M/H | C/U | MOVEMENTS: INTRADA (MODERATO), SCHERZO (ALLEGRETTO), THEMA CON METAMRFOSI (POCO ADAGIO - MODERATO CON MOTO). MADSEN DOES IT FOR ALL 0F THE INSTRUMENTS. PLAYABLE MATERIAL SO VERY USEFUL BY THE C/U SERIOUS STUDENT. |
| SONATA | NORDAL, JON | VIOLIN & PIANO | Iceland | ITM | EST 5+MIN | M/H | C/U | USUAL THREE MOVEMENTS(FSF). LYRICAL, STRAIGHT AHEAD, NO PROBLEMS. | |
| SONATA | PLAGGE, WOLFGANG | TRUMPET & PIANO | Norway | MUSIKK-HUSET | 2002 | EST 8+ MIN | H | C/U | TRUMPET IN C. ADVANCED RECITAL MATERIAL. SOME DIFFICULT PIANO PASSAGES. UNUSUAL ENDING. |
| SONATA | SALMENHAARA, ERKKI | CELLO & PIANO | Finland | FAZER | 1972 | M | C/U | USUAL THREE MOVEMENTS THAT CAN STAND ALONE. COLLEGE RECITAL AND STUDY MATERIAL THAT IS STRAIGHT AHEAD. | |
| SONATA | STEFANSSON, FINNUR TORFI | VIOLIN & PIANO | Iceland | ITM | 1985 | 9 MIN 30 SEC | H | C/U | ONE MOVEMENT MARKED ADAGIO. FREQUENT METER CHANGES. |
| SONATA | SVEINSSON, GUNNAR R | CLARINET & PIANO | Iceland | ITM | 1960 | 11 MIN | E/M | C/U/HS | THREE MOVEMENTS WITH A GOOD LOOKING SCORE. MOVEMENTS CAN STAND ALONE. NO PROBLEMS. |
| SONATA | SVEINSSON, GUNNAR R | JAZZ ENSEMBLE | Iceland | ITM | 1982 | M/H | C/U | SS, AS, DRUMS, SB, MARIMBA, VIBES. THREE MOVEMENTS: 1.FUGHETTA (ALTO SAX ALONE), 2.ELEGIE (SOPSAX, VIBES, BASS & DRUMS), 3.ETUDE (AS, MARIMBA, BASS & DRUMS). 1 PLAYER FOR VIBES & MARIMBA, 1 PLAYER FOR SS & AS. | |
| SONATA | WESSMAN, HARRI | HORN & PIANO | Finland | FiMIC | 1988 | EST 10 MIN | M/H | C/U | TWO MOVEMENTS WITH MODEST RANGE REQUIREMENTS. (TO C ONCE AND LOW A FEW TIMES.) |
| SONATA | WESSMAN, HARRI | VIOLIN ALONE | Finland | FAZER | 1988 | EST 9 MIN | H | C/U | THREE MOVEMENTS, LAST TWO ATTACCA. DIFFICULT PIECE, BUT NO SURPRISES. |
| SONATA (SONATA FANTASIA) | MASSON, ASKELL | PERCUSSION ENSEMBLE | Iceland | ITM | 1981 | 10 MIN | M | C/U/HS | FOR TUNED PERCUSSION INSTRUMENTS, GOOD SCORE. |
| SONATA A 14 | BALDVINSSON, TRYGGVI M. | BRASS ENSEMBLE | Iceland | ITM | 2002 | 15 MIN | M/H | C/U | 4CTRPT,4HN,4TRB,2TBA. DIVIDED CHOIR ALA GABRIELI. EXCELLENT COMPOSER FOR WINDS - WELL LAID OUT AND PLAYABLE BY MANY! GOOD MATERIAL! |
| SONATA ARCTICA, OP 27 | HAEGELAND, EILERT M. | BRASS QUINTET | Norway | NMIC | 1988 | 11 MIN | M | C/U | FOUR MOVEMENTS THAT ARE UNCOMPLICATED AND STRAIGHT AHEAD. |
| SONATA AUTONNALE | HEDWALL, LENNART | CLARINET ALONE | Sweden | SUECIA | 1991 | EST 9 MIN | H | C/U | INTRODUCTION, THEME AND FIVE VARIATIONS FOLLOWED BY AN EPILOGUE. RANGE TO G AN OCTAVE ABOVE THE STAFF. OPPORTUNITY TO SHOW FINGER FACILITY, EMOTION, MUSICALITY. A BIG CHALLENGE FROM A FINE COMPOSER. |
| SONATA CLASSICA | LUNDIN, DAG | STRING BASS & PIANO | Sweden | SMIC | 2001 | EST 6 MIN | M | C/U | FOUR MOVEMENTS: INTRADA, SCHERZO, SERENATA, RONDINO. IN AN AREA WHERE THERE IS A SHORTAGE OF MATERIAL FOR THE UNDERGRADUATE STRING BASS PLAYER ,THIS SELECTION SHOULD BE OF GREAT VALUE. NO SURPRISES, STRAIGHT AHEAD AND MAKE MUSIC! |
| SONATA CONCERTANTE | GAATHAUG, MORTEN | TUBA & BRASS QUINTET | Norway | NMIC | 1991/92 | 19 MIN | H | C/U | MOVEMENTS: ALLEGRO, ANDANTE MOLTO MODERATO, MOLTO ALLEGRO ALL PLAYED ATTACCA. RANGE TO G FOR THE TUBA. MAY BE SUCCESSFUL WITH EUPHONIUM ON THE SOLO PART. DIFFICULT! |
| SONATA DEL CLARON LATINO | NICOTRA, ALREDO | BASS CLARINET & PIANO | Norway | NMIC | 1997 | 12 MIN | M/H | C/U | MOVEMENTS: QUASI FANTASIA, RONDO LATINO, LIED SONATE, FINALE LATINO. PLAYABLE AND A GOOD ADDITION TO THE BASS CLARINET LITERATURE. |
| SONATA DUO CONCERTANTE | LUNDIN, DAG | CLARINET & PIANO | Sweden | SMIC | 1996 | 29 MIN | M/H | C/U | 4 MOVEMENTS THAT CAN STAND ALONE: APPASSIONATO,SCHERZO, CANZONETTA, GIOCOSO. PLAYABLE MUSIC FOR THE ADVANCED STUDENT CLARINETIST. A GOOD COMPOSER AND COMPOSITION FOR THE SENIOR RECITAL. MOSTLY STRAIGHT AHEAD, BUT OPPORTUNITIES FOR MUSICALITY. |
| SONATA ELEGICA | HAUG, HALVOR | CELLO ALONE | Norway | NORSK | 1981 | 10 MIN | M | C/U | THREE MOVEMENTS OF GOOD MATERIAL FROM A FINE COMPOSER. PARTS LAY OUT WELL FOR THE INSTRUMENTS. |
| SONATA FOR ALTO SAXOPHONE & PIANO | MADSEN, TRYGVE | SAXOPHONE(ALTO) & PIANO | Norway | MUSIKK-HUSET | 1994 | EST 12 MIN | M/H | C/U/HS | MOVEMENTS: THEME AND VARIATIONS, AIR, FINALE-ALLEGRO. THIS COMPOSER WORKS FOR THE C/U STUDENT. THE PARTS ARE ALWAYS PLAYABLE AND THE ACCOMPANIMENTS REASONABLE. NOTE THAT HE ALSO HAS SONATAS FOR SOPRANO, TENOR AND BARITONE SAXOPHONE. |
| SONATA FOR ALTO SAXOPHONE IN ONE MOVEMENT,OP 49 | LUNDE, IVAR JR | SAXOPHONE(ALTO) & PIANO | Norway | NMIC | 1973 | EST 11 MIN | M/H | C/U | MANY NOTES, BUT RHYTHMICALLY STRAIGHT AHEAD. COLLEGE RECITAL MATERIAL. FLOWS. |
| SONATA FOR BASSOON AND PIANO | VAKKILAINEN, ARI | BASSOON & PIANO | Finland | FiMIC | 2004 | EST 7+MN | H | C/U | CLEFS NEEDED. RHYTHMIC THINGS TO WORK OUT, MODERN SETTINGS, NEED A GOOD PIANIST. UPPER DIVISION C/U STUDENT. |
| SONATA FOR CLARINET | BRUK, FRIDRICH | CLARINET ALONE | Finland | BRUK | 1991 | EST 8+ MIN | M/H | C/U | MOVEMENTS: MODERATO, SCHERZOSO, ALLEGRO. NO PARTICULAR PROBLEMS, NOTES AND STRAIGHT AWAY. EASIER THAN SOME. |
| SONATA FOR CLARINET AND PIANO | THORARINSSON, JON | CLARINET & PIANO | Iceland | ITM | 1969 | 12 MIN 10 SEC | M | C/U/HS | PLAYABLE, GOOD ADDITION TO THE REPERTOIRE FOR COLLEGE AND HIGH SCHOOL STUDENTS. 3 MOVEMENTS - GIVE MOZART A LITTLE REST! |
| SONATA FOR DOUBLEBASS SOLO, OP 82 | HOLMBOE, VAGN | STRING BASS ALONE | Denmark | WHANSEN | 1962 | EST 4 1/2 MIN | M | C/U | THREE MOVEMENTS OF STRAIGHT AHEAD MATERIAL EXCELLENT FOR THE C/U STUDENT. |
| SONATA FOR FLUTE & PIANO | KLEIBERG, STALE | FLUTE & PIANO | Norway | NORSK | 1999.2003 | EST 10+ MIN | H | C/U | TWO MOVEMENTS, THE FIRST IS HIGHLY RUBATO WITH FREQUENT CHANGES OF TEMPO ENDING WITH A STRICT TEMPO EXCHANGE WITH THE PIANO. 2ND MOVEMENT IS MORE RHYTHMIC. NEED AN EXCELLENT, UNDERSTANDING AND SENSITIVE PIANIST! GREAT ADDITION TO THE LITERATURE. |
| SONATA FOR FLUTE AND PIANO | CRUSELL, BERNHARD HENRIK | FLUTE & PIANO | Finland | FAZER | 1990 | EST 12+ MIN | M/H | C/U/HS | ARRANGED FOR THIS COMBINATION BY TIMO HONGISTO FROM THE OPUS 8 FOR FLUTE QUARTET BY CRUSELL. TRADITIONAL HARMONIES AND WELL SCORED. GOOD HS CONTEST OR EARLY C/U RECITAL. MOVEMENTS. |
| SONATA FOR FLUTE AND PIANO | EDLUND, LARS | FLUTE & PIANO | Sweden | NORDISKA | 1986 | 13 MIN 5 SEC | H | C/U | GOOD SCORE AND PLAYABLE BUT YOU WILL WORK! |
| SONATA FOR FLUTE AND PIANO, OP. 13 | GAATHAUG, MORTEN | FLUTE & PIANO | Norway | NORSK | 1985 | 17 MIN 30 SEC | H | C/U | A MAJOR WORK WITH INTERESTING PIANO ACCOMPANIMENT. |
| SONATA FOR FLUTE SOLO | BACK, SVEN-ERIK | FLUTE ALONE | Sweden | WHANSEN | 1959 | 13 MIN | H | C/U | THREE MOVEMENTS OF CHALLENGE BY A FINE COMPOSER. LOTS OF NOTES! |
| SONATA FOR FLUTES AND PIANO, OP. 21 | MADSEN, TRYGVE | FLUTE(2) & PIANO | Norway | MUSIKK-HUSET | 1978 | H | C/U | STRAIGHT AHEAD MUSIC WITH NO SURPRISES. WORKS. | |
| SONATA FOR HORN AND PIANO | VAKKILAINEN, ARI | HORN & PIANO | Finland | FiMIC | 2005 | EST 10+ MIN | H | C/U | TO B ABOVE THE STAFF AND HE LIKES THE LOW NOTES! LOTS OF NOTES TO PLAY IN A CONTEMPORARY SETTING. LAID OUT WELL AND PLAYS FOR THE C/U ADVANCED STUDENT. |
| SONATA FOR HORN AND PIANO, OP. 24 | MADSEN, TRYGVE | HORN & PIANO | Norway | MUSIKK-HUSET | 1979 | H | C/U | HARD BUT USEABLE AT ADVANCED LEVEL. | |
| SONATA FOR OBOE AND PIANO | MORTENSEN, OTTO | OBOE & PIANO | Denmark | WHANSEN | 1953 | EST 6+ MIN | M | C/U/HS | MOVEMENTS: MODERATO, ALLEGRO VIVACE. FROM AN EARLIER TIME AND VERY PLAYABLE, IDEAL FOR CONTEST OR RECITAL. LOT OF NOTES BUT QUITE TRADITIONAL. |
| SONATA FOR RAINER | BASHMAKOV, LEONID | PERCUSSION ENSEMBLE | Finland | FiMIC | 1970 | CA 12 MIN | H | C/U | FOUR MOVEMENTS THAT CAN STAND ALONE. 2-5 PERSONS PLAYING AT ONE TIME. BOTH TUNED & NON-TUNED INSTRUMENTS. |
| SONATA FOR TRUMPET & PIANO | KARLSEN, KJELL MORK | TRUMPET & PIANO | Norway | NORSK | 1980 | H | C/U | FOUR MOVEMENTS: 1 ALLEGRO, 2 SERENADE, 3 MARCH, 4 IMPROVISATION - FINALE. DOUBLE TONGUE, VARIETY OF STYLES, MUSICALITY, GOOD PIECE. | |
| SONATA FOR TRUMPET AND PIANO | WESSMAN, HARRI | TRUMPET & PIANO | Finland | LOVE | 1991 | ST 9+ MIN | M | C/U/HS | MOVEMENTS: ALLEGRO, ADAGIETTO, PRESTO. TRUMPET IN C. RANGE TO HIGH C, BUT LIMITED USE OF THE HIGH RANGE. GOOD COMPOSITION FOR THE C/U STUDENT. SEE OTHER WORKS BY THIS COMPOSER FOR BRASS INSTRUMENTS. |
| SONATA FOR TUBA AND PIANO | WESSMAN, HARRI | TUBA & PIANO | Finland | FiMIC | 1995 | EST 11+ MIN | M/H | C/U | MOVEMENTS: ALLEGRO, ANDANTE, VIVACE. NOT AS HARD AS SOME, IDEAL FOR THE GOOD C/U SERIOUS STUDENT FOR RECITAL. PIANO PART ACCOMPANIES AND STAYS OUT OF THE WAY. EXCELLENT COMPOSER FOR THIS LEVEL OF MATERIAL. |
| SONATA FOR TUBA AND PIANO, OP. 34 | MADSEN, TRYGVE | TUBA & PIANO | Norway | MUSIKK-HUSET | 1980 | H | C/U | HIGH TESSITURA, WRITTEN FOR THE F TUBA, BUT POSSIBLE ON THE BBb INSTRUMENT. | |
| SONATA FOR VIOLA & PIANO | MAGNUSSON, THORDUR | VIOLA & PIANO | Iceland | ITM | 2004 | ST 10+ MIN | H | C/U | THERE MAY BE A PROBLEM GETTING THIS WORKED OUT TOGETHER. LOT OF MIXED METER AND MOOD. PLENTY TO WORK ON TO MAKE MUSIC. |
| SONATA FOR VIOLINCELLO SOLO, OP 101 | HOLMBOE, VAGN | CELLO ALONE | Denmark | WHANSEN | 1969 | EST 15 MIN | H | C/U | FOUR MOVEMENTS (3 & 4 ATTACCA). GOOD CHALLENGE FOR THE SERIOUS C/U PLAYER. NO UNUSUAL DEMANDS, JUST A LOT OF NOTES. |
| SONATA HUMANIATA | NAESSEN, RAY | CLARINET & PIANO | Sweden | SMIC | 2001 | EST 8 MIN | M | C/U | A COMPOSER WHO’S WORKS WOULD BE PLAYED MUCH MORE IF BETTER MS. HE UNDERSTANDS C/U TYPE STUDENTS. THIS ONE FOR YOUR SECOND YEAR COLLEGE PLAYER. NO SURPRISES OR SPECIAL DEMANDS. THE MUSIC WORKS! FOUR MOVEMENTS IN THE USUAL CONTRASTING TEMPOS AND STYLES. |
| SONATA II | BYSTROM, THOMAS | VIOLIN & PIANO | Finland | FAZER | 1972 | EST 6+MIN | E/M | C/U/HS | LATE 18TH CENTURY COMPOSER. THREE MOVEMENTS FOR RECITAL AND STRAIGHT AHEAD. HE ALSO HAS A SONATA I. |
| SONATA IX | TOMASSON, JONAS | STRING QUARTET | Iceland | ITM | M | C/U | FOUR SHORT MOVEMENTS THAT ARE RHYTHMICALLY CENTERED - YOU WILL NEED TO COUNT! | ||
| SONATA LEVATA | NAESSEN, RAY | TRUMPET & PIANO | Sweden | SMIC | 2000 | 17 MIN. 30 SEC. | M/H | C/U | TRUMPET IN C. MS IS NOT GOOD, BUT THE COMPOSER IS! THESE THREE MOVEMENTS SHOULD BE WORTH THE EFFORT IN SPITE OF THE MS. SOME MIXED METER. RANGE TO C#. |
| SONATA NO 2 "FINNISH" | BUJANOVSKI, VITALI | HORN ALONE | Finland | FAZER | 1984 | EST 10+MIN | H | C/U | THREE MOVEMENTS THAT CAN STAND ALONE. RHYTHMIC & MELODIC COMPLEXITY WITH MODEST RANGE DEMANDS. |
| SONATA NO 2 FOR CELLO & PIANO | WESSMAN, HARRI | CELLO & PIANO | Finland | FiMIC | 1979 | EST 18-20 MIN | M/H | C/U | THREE MOVEMENTS OF A MAJOR WORK BY A FINE COMPOSER. THIS DESERVES SERIOUS ATTENTION. |
| SONATA NO.2 (VINTERBILDER - WINTER PICTURES) | HEDWALL, LENNART | BASSOON ALONE | Sweden | SMIC | 1992 | 13 MIN. | M/H | C/U | IN LEGIBLE MS. FOUR MOVEMENTS. USES THE FULL RANGE OF THE INSTRUMENT WITH REASONABLE MOVEMENT. NEED A SERIOUS COLLEGE/UNIVERSITY STUDENT TO MAKE IT WORK, BUT THE EFFORT WILL BE WORTH IT. GOOD COMPOSER! |
| SONATA PER FLAUTO SOLO | ROSENBERG, HILDING | FLUTE ALONE | Sweden | SUECIA | 1965 | H | C/U | TWO MOVEMENTS FROM ONE OF SWEDEN'S LEADING COMPOSERS OF THE RECENT PAST. | |
| SONATA PER VIOLINO SOLO NR 1 | ROSENBERG, HILDING | VIOLIN ALONE | Sweden | SUECIA | 1921 | CA 4-5 MIN | H | C/U | TWO MOVEMENTS OF RECITAL MATERIAL FROM A FINE COMPOSER. |
| SONATA PER VIOLINO SOLO NR 3 | ROSENBERG, HILDING | VIOLIN ALONE | Sweden | SUECIA | 1963 | H | C/U | CHALLENGING AND PLAYABLE FOR RECITAL OR STUDY. | |
| SONATA SCURA | FREDRIKSSON, LENNART | STRING ORCHESTRA | Sweden | SMIC | 1988/2005 | 16 MIN 30 SEC | H | C/U | ON THE HIGH END OF STRING ORCHESTRA MATERIAL, MIXED METER, LOTS OF DIVISI, NOTES. ALL IN A FINE SCORE IN FOUR MOVEMENTS. |
| SONATA SVICKEL | MALMLOF-FORSSLING, CARIN | FLUTE ALONE | Sweden | SMIC | M | C/U | MEDIUM LENGTH AND DIFFICULTY WITH NO SURPRISES. | ||
| SONATA V | TOMASSON, JONAS | CELLO & ORGAN | Iceland | ITM | 1973 | M | C/U | ACCESSIBLE PIECE THAT CAN WORK ON FOR A NUMBER OF INSTRUMENTS. SUGGEST EUPHONIUM AND/OR TROMBONE. | |
| SONATA XIII | RYDMAN, KARI | FLUTE ENSEMBLE | Finland | FiMIC | 1978 | EST 7-8 MIN | M | C/U/HS | SIX FLUTES IN ENSEMBLE. TWO MOVEMENTS. MOST OF IT CAN BE PLAYED BY A CHOIR OF FLUTES. |
| SONATA XIII | TOMASSON, JONAS | STRING TRIO | Iceland | ITM | 1977 | 8 MIN 18 SEC | M | C/U | CLEAN SCORE, WELL CRAFTED. |
| SONATA XIX | TOMASSON, JONAS | CLARINET(BASS) & PIANO | Iceland | ITM | M | C/U/HS | SIX MOVEMENTS THAT CAN BE VERY USEFUL FOR RECITAL AND STUDY. | ||
| SONATA XVII | TOMASSON, JONAS | HORN, TUBA & PIANO | Iceland | ITM | 1987 | M/H | C/U | SIX MOVEMENTS OF FUN IN AN UNUSUAL COMBINATION. NOT ALL MOVEMENTS HAVE TO BE PLAYED FOR FORMAL PERFORMANCE. | |
| SONATA, OP 110 | BENTZON, NIELS VIGGO | CELLO ALONE | Denmark | WHANSEN | 1956 | 20 MIN | H | C/U | THREE LARGE MOVEMENTS, ONLY THE BEST SHOULD APPLY! GOOD COMPOSER, BIG CHALLENGE. |
| SONATA, OP 134 NO 1 | FONGAARD, BJORN | VIOLIN & PIANO | Norway | LYCHE | 1981 | 12 MIN | H | C/U | CONTEMPORARY STYLE AND SOUND WITH A FEW UNUSUAL DEMANDS ON THE PERFORMER. NEEDS FINE PIANIST AND DEDICATION TO DETAIL. |
| SONATA, OP 18 | HANSEN, THORVALD/KETIL CHRISTENSEN | TRUMPET & PIANO | Denmark | DANISH BRASS | 1984 | EST 6 MIN | M | C/U/HS | SUGGESTS CORNET. RANGE TO C, BUT OSSIA PART. ONE MOVEMENT FOR CONTEST OR RECITAL. |
| SONATA, OP 22 | SOMMERFELDT, OISTEIN | VIOLIN & PIANO | Norway | NORSK | 1972 | EST 8 MIN | M | C/U | THREE MOVEMENTS ATTACCA. SOME RHYTHMIC COMPLEXITY AND TIME CHANGES. WELL LAID OUT FOR STUDY AND RECITAL. |
| SONATA, OP 23 | RUNOLFSSON, KARL O | TRUMPET & PIANO | Iceland | ITM | 1962 | 10 MIN | M | C/U/HS | THREE MOVEMENTS(FSF), MODEST RANGE DEMANDS, SOME MIXED METER. FINE SCORE AND PLAYABLE. |
| SONATA, OP 26 | RAUTAVAARA, EINOJUHANI | BASSOON & PIANO | Finland | FAZER/WEINBERGER | 1970 | H | C/U | ONE MOVEMENT WITH MULTI-PHONICS AND GOOD INSTRUCTIONS. FINE COMPOSER. | |
| SONATA, OP 33 | MADSEN, TRYGVE | VIOLA & PIANO | Norway | MUSIKK-HUSET | 1987 | M/H | C/U | USUAL THREE MOVEMENTS AND MOSTLY LYRICAL WITH OPPORTUNITIES TO SHOW TECHNIQUE. GOOD COMPOSER. | |
| SONATA, OP 47 | BENTZON, NIELS VIGGO | HORN & PIANO | Denmark | WHANSEN | 1950 | EST 12 MIN | H | C/U | THREE MOVEMENTS, REASONABLE RANGE REQUIREMENTS. RHYTHMICALLY COMPLICATED, BUT ACCESSIBLE. RECITAL MATERIAL. |
| SONATA, OP 73 | BENTZON, NIELS VIGGO | TRUMPET & PIANO | Denmark | WHANSEN | 1970 | EST 10 MIN | M/H | C/U/HS | THREE MOVEMENTS FOR TRUMPET IN Bb. MODEST RANGE, GOOD RHYTHMIC WORK OUT AND MANY NOTES TO SHOW YOU ARE A SKILLED PERFORMER |
| SONATA, OP 88 | PLAGGE, WOLFGANG | HORN & PIANO | Norway | MUSIKK-HUSET | 2000 | 21 MIN | H | C/U | 3 MOVEMENTS. RANGE TO B ABOVE STAFF. GOOD PIANIST NEEDED. A MAJOR OFFERING, IDEAL FOR SENIOR OR GRADUATE RECITAL. SEE OTHER WORKS BY THIS COMPOSER FOR HORN AND PIANO AS WELL AS OTHER INSTRUMENTS AT: WWW.2L.NO. DOWNLOAD THE MUSIC. |
| SONATA, OP. 23 | MADSEN, TRYGVE | CLARINET & PIANO | Norway | MUSIKK-HUSET | 1981 | 15 MIN | H | C/U | GOOD ADDITION TO THE LITERATURE FOR ADVANCED LEVEL STUDENTS. |
| SONATE | ARNESTAD, FINN | STRING BASS ALONE | Norway | NMIC | 1980 | 15 MIN | M/H | C/U | THREE MOVEMENTS. UPPER REGISTER & TENOR CLEF IN 1ST MOVE. MANY FLOWING NOTES IN 2ND. 3RD STARTS ADAGIO AND ENDS VIVO. GOOD COLLEGE STUDENT MATERIAL. |
| SONATE | BJERRE, JENS | CELLO ALONE | Denmark | SAMFUNDET | 1947 | EST 12 MIN | H | C/U | FIVE MOVEMENTS THAT CAN STAND ALONE IN A GOOD WORK OUT FOR CELLO ALONE. NO SPECIAL TECHNIQUES, JUST MANY NOTES. FREE, NO BAR LINES. |
| SONATE | LINDE, BO | VIOLIN & PIANO | Sweden | BUSCH | 1972 | 25 MIN | H | C/U | THREE MOVEMENTS THAT ARE A COMFORTABLE MUSICAL AND TECHNICAL CHALLENGE. |
| SONATE | PETERSON-BERGER, WILHELM | VIOLIN & PIANO | Sweden | LUNDQUIST | 1887 | M/H | C/U | FOUR MOVEMENTS IN ROMANTIC STYLE. VERY PLAYABLE WORK. | |
| SONATE | TUBIN, EDUARD | SAXOPHONE(ALTO) & PIANO | Sweden | SMIC | 1951 | M/H | C/U/HS | THREE MOVEMENTS FOR COLLEGE RECITAL THAT PLAYS OUT WELL. | |
| SONATE | WEIS, FLEMMING | CLARINET & PIANO | Denmark | SAMFUNDET | 1928 | 12 MIN | M | C/U | THREE MOVEMENTS FOR CLARINET IN A. RECITAL PIECE WITH MODEST CHALLENGE. |
| SONATE FOR BASSOON AND PIANO, OP25 | MADSEN, TRYGVE | BASSOON & PIANO | Norway | MUSIKK-HUSET | 1987 | H | C/U | A SOLID COMPOSER, A GOOD SCORE AND MATERIAL FOR COLLEGE STUDENTS. | |
| SONATE FOR CELLO OG KLAVER, OP 68 | KJELDAAS, ARNLJOT | CELLO & PIANO | Norway | NMIC | 1987 | M | C/U | THREE MOVEMENTS(FSF) OF MATERIAL FOR COLLEGE RECITALS. NO PROBLEMS. | |
| SONATE FOR KLAVIER UND VIOLINE | KUULA, TOIVO(1883-1918) | VIOLIN & PIANO | Finland | FAZER | EST 11+MIN | M/H | C/U | TRADITIONAL THREE MOVEMENTS IN 19TH CENTURY STYLE. MANY NOTES TO LOOK AFTER! | |
| SONATE FOR KONTRABAS OG KLAVER | SAVERY, FINN | STRING BASS & PIANO | Denmark | SAMFUNDET | 1970 | 13 MIN | M/H | C/U | ONE MOVEMENT OF NICE MATERIAL COMFORTABLE FOR THE C/U SERIOUS STUDENT. NEEDS A GOOD PIANIST. |
| SONATE IN C - DUR, OP 18 | HOJSGAARD, ERIK | CELLO ALONE | Denmark | SAMFUNDET | 1980 | 16 MIN | H | C/U | THREE MOVEMENTS OF VERY CHALLENGING MATERIAL. ADVANCED CELLISTS ONLY! |
| SONATE MED STEVTONER | HAEGELAND, EILERT M. | CLARINET & ORGAN | Norway | NMIC | 1995/96 | 12 MIN | M | C/U/HS | MOVEMENTS: INTRODUKSJON, VIVACE, MEDITASJON, RONDO RAPSODICA, RECITAL MUSIC, NOT NECESSARILY CHURCH MATERIAL. PLAYABLE BY THE GOOD HS STUDENT. |
| SONATE NO 1, OP 2 | HOLMBOE, VAGN | VIOLIN & PIANO | Denmark | SAMFUNDET | 1935 | M/H | C/U | THREE MOVEMENTS OF STANDARD, STRAIGHT AHEAD MATERIAL EXCELLENT FOR THE C/U STUDENT. | |
| SONATE PATETICO NR 2 | FABRICIUS, JACOB C (B.1949) | CELLO ALONE | Denmark | ENGSTROM & SODRING | 1987 | EST 12 MIN | H | C/U | FOUR MOVEMENTS OF A MAJOR SOLO WORK WITH MANY NOTES, CLEFS, STOPS, ETC. YOU MUST BE COMPETENT! |
| SONATE, OP 19 | STENHAMMAR, WILHELM | VIOLIN & PIANO | Sweden | SMIC | SMIC | M | C/U/HS | THREE MOVEMENTS FROM A FINE EARLY 20TH CENTURY COMPOSERS. FOR RECITAL OR STUDY. | |
| SONATE, OP 25 | HOLM, MOGENS WINKEL | WOODWIND QUINTET | Denmark | WHANSEN | 1965 | 18 MIN | H | C/U | NONTRADITIONAL NOTATION WITH GOOD INSTRUCTIONS. PLAYERS WORK FROM A FULL SCORE - FIVE SCORES INCLUDED. |
| SONATE, OP 49 | MADSEN, TRYGVE | CELLO & PIANO | Norway | MUSIKK-HUSET | 1986 | H | C/U | MADSEN WRITES THINGS THAT WORK WELL MUSICALLY AND FOR PEDAGOGICAL PURPOSES. | |
| SONATE, OP 71 | HOLMBOE, VAGN | FLUTE ALONE | Denmark | DMIC | 1957 | EST 9 MIN | H | C/U | FOUR MOVEMENTS FROM A FINE COMPOSER. NO MAJOR PROBLEMS AND WORTHY. |
| SONATE, OP 9 | NIELSEN, CARL | VIOLIN & PIANO | Denmark | WHANSEN | EST 12 MIN | M/H | C/U | THREE MOVEMENTS(F-S-F) IN A MAJOR. THE NORDIC SOUND IN A STUDIO - RECITAL PIECE. STRAIGHT AHEAD MATERIAL. | |
| SONATE, OP. 22 | MADSEN, TRYGVE | OBOE & PIANO | Norway | MUSIKK-HUSET | 1979 | H | C/U | COLLEGE OR ADVANCED PLAYERS ONLY! | |
| SONATE,OP 45 | KVANDAL, JOHAN | VIOLIN ALONE | Norway | NORSK | 1978 | EST 6 MIN | M/H | C/U | TWO MOVEMENTS OF A COMFORTABLE CHALLENGE FOR THE SOLO VIOLIN. DOUBLE-STOPS, HARMONICS AND ENOUGH NOTES TO KEEP INTEREST. |
| SONATIINI, OP. 10 | LINDHOLM, HERBERT | CLARINET ALONE | Finland | FiMIC | 1990 | 6 MIN | H | C/U | MOVEMENTS: RECITANDO, ALLEGRO. NOTES WELL MANAGED BY A COMPOSER WHO KNOWS THE CLARINET. CAN BE PRACTICE STAND MATERIAL OR RECITAL. |
| SONATIN | LARSSON, LARS-ERIK | VIOLIN & PIANO | Sweden | GEHRMANS | 1984 | M/H | C/U | THREE MOVEMENTS. IDEAL FOR THE COLLEGE RECITAL OR CONCERT. | |
| SONATIN | STORM, STAFFAN | FLUTE & ORGAN | Sweden | SMIC | 2001 | 12 MIN | M | C/U/HS | THREE MOVEMENTS WITH MODERATELY GOOD MANUSCRIPT. THIS IS VERY PLAYABLE MUSIC THAT SHOULD ALSO BE PLAYABLE WITH PIANO ACCOMPANIMENT. |
| SONATIN FROM FJORTON SOLOSTYCKE NO. 8 | LUNDIN, DAG | TROMBONE & PIANO | Sweden | SMIC | 2003 | EST 7 MIN | M | C/U/HS | THREE MOVEMENTS IN GOOD MS. VERY PLAYABLE MUSIC WITH NO RANGE PROBLEMS. PIANO ACCOMPANIMENT IS AT THE SAME LEVEL. HS OR EARLY COLLEGE MATERIAL. |
| SONATIN, OP 1 | WIREN, DAG | CELLO & PIANO | Sweden | SUECIA | 1945 | EST 8 MIN | M/H | C/U | ONE MOVEMENT IN THREE PARTS(FSF). MOSTLY TENOR CLEF. COMFORTABLE CHALLENGE FOR COLLEGE STUDENT. |
| SONATINA | ANDERSEN, EJVIN | TROMBONE & PIANO | Denmark | WHANSEN | 1968 | H | C/U | WORTHWHILE ADDITION TO THE REPERTOIRE. | |
| SONATINA | BERG, OLAV | BASSOON & PIANO | Norway | SCHOTT | 1995 | EST 9 MIN | H | C/U | ONE LONG, HARD SONG! GRADUATE/PROFESSIONAL LEVEL FOR BOTH INSTRUMENTS. A GOOD COMPOSER WITH IDEAS THAT WILL CHALLENGE, BUT ALSO REWARD. |
| SONATINA | SAIKKOLA, LAURI | CELLO & PIANO | Finland | FiMIC | 1969 | EST 10 MIN | M/H | C/U | TWO MOVEMENTS. 2ND IS A THEME AND VARIATIONS. MANY KEYS USED. |
| SONATINA | SAIKKOLA, LAURI | VIOLA & PIANO | Finland | FiMIC | 1969 | EST 10 MIN | M | C/U/HS | THREE MOVEMENTS AND EXCELLENT FOR RECITAL AND STUDY. STRAIGHT AHEAD MATERIAL. |
| SONATINA 2A | BIBALO, ANTONIO | WOODWIND QUINTET | Norway | WHANSEN | 1971 | 11 MIN | H | C/U | THREE MOVEMENTS ALL HIGHLY COMPLEX RHYTHMICALLY. CONTEMPORARY HARMONY AND DIFFICULT. |
| SONATINA DIVERTANTE, OP 16A | FORSMAN, JOHN VAINOE | FLUTE & PIANO | Denmark | BARENREITER | 1955 | EST 8 MIN | M | C/U | THREE MOVEMENTS, STUDENT RECITAL MATERIAL, MANY NOTES BUT STRAIGHT AHEAD. |
| SONATINA FOR BASS TROMBONE AND PIANO | LUND, GUDRUN | TROMBONE(BASS) & PIANO | Denmark | LUND | 2000 | EST 5+MIN | M | C/U | MOVEMENTS: MODERATO MAESTOSO, ALLEGRETT0 MISTERIOSO, A DIALOGUE, ALLEGRO CON BRIO. RANGE TO A, PLAYABLE BY TENOR TRB WITH F ATTACHMENT. SOME MIXED METER AND SOME FUN EXTRAS. SOME DENSE HARMONIES IN THE PIANO AND LOTS OF NOTES FOR BOTH IN 3RD MOVE. |
| SONATINA, NO 1, OP 35 | SAIKKOLA, LAURI | VIOLA & PIANO | Finland | FiMIC | 11 MIN | M/H | C/U | TWO MOVEMENTS USING A NUMBER OF KEYS AND MOSTLY STRAIGHT AHEAD. | |
| SONATINA, OP 57 | SKOLD, YNGVE | FLUTE & PIANO | Sweden | SUECIA | 1961 | 17 MIN | M | C/U/HS | FOUR MOVEMENTS THAT CAN STAND ALONE. LOTS OF NOTES BUT STRAIGHT AHEAD AND PLAYABLE. CONCERT OR RECITAL MATERIAL. |
| SONATINE | KENTISH, OLIVER | OBOE & PIANO | Iceland | ITM | 1999 | EST 10+ MIN | M/H | C/U | CONTEMPORARY SETTING AND PLAYABLE. NOT ALL NOTES WILL QUITE FIT, BUT THIS WILL PLAY BY THE C/U STRONG STUDENT. |
| SONATINE | KOSTIAINEN, PEKKA | VIOLA & PIANO | Finland | FAZER | 1980 | 11 MIN | H | C/U | A LOT OF WORK IN ONE MOVEMENT. NO SURPRISES. |
| SONATINE FOR WOODWIND QUINTET | KOPPEL, ANDERS | WOODWIND QUINTET | Denmark | WHANSEN | 2002 | 17 MIN | H | C/U | MOVEMENTS: MODERATO, ANDANTE SOSTENUTO, ALLEGRO CON BRIO. WILL TAKE A HIGH LEVEL ENSEMBLE TO PERFORM IN ORDER FOR THE NOTES TO MAKE MUSIC. IT LOOKS QUITE EASY FOR A WHILE THEN SOME DIFFICULTY. NICE SCORE. |
| SONATINE NR.1 | COATES, ROBERT | CLARINET & PIANO | Norway | NOTON | 1990 | EST 6+ MIN | E | HS/JHS | GOOD MATERIAL FOR THE YOUNG CLARINET PLAYER FOR CONTEST OR EARLY SOLO OFFERING. COATES HAS A NR. 2 IN THE NOTON CATALOG WHICH ALSO HAS MANY MATERIALS FOR THE HS AND JHS SOLOIST AND ENSEMBLE. |
| SONATINE OVER EN FOLKETONE FRA ETNE | KARLSEN, KJELL MORK | FLUTE & PIANO | Norway | NORSK | 1992 | EST 8 MIN | M/H | C/U | MOVEMENTS: ALLEGRO,BICINIUM OSTINATO E CHORALE, FUGE. COMPOSER SUGGEST THAT THE WORK CAN BE PLAYED BY FLUTE AND ORGAN. SOME MIXED METER. GOOD ACCOMPANIST NEEDED. |
| SONATINE, OP 19 | MADETOJA, LEEVI | VIOLIN & PIANO | Finland | FAZER | 1967 | EST 6 MIN | M | C/U | THREE MOVEMENTS. I & 2 ARE QUITE LYRICAL WHILE 3 IS A `PERPETUUM MOBILE'. LOTS OF NOTES FOR A RECITAL CLOSER. TRADITIONAL SOUNDS AND STYLE. |
| SONETTO, OP 53. | RAUTAVAARA, EINOJUHANI | CLARINET & PIANO | Finland | FAZER | 1985 | EST 8+ MIN | H | C/U | MIXED METER, OTHER RHYTHMICS OBSTACLES, BUT WORTH EFFORT FROM ONE OF FINLAND’S BEST COMPOSERS. |
| SONG | SJOBERG, JOHAN-MAGNUS | TRUMPET & ORGAN | Sweden | SMIC | 1997 | 7 MIN. | E/M | C/U/HS | TRUMPET IN Bb. SLOW SINGING MATERIAL IN A COMFORTABLE RANGE. THREE SHORT CADENZAS. |
| SONG FOR SUNDAY | HYTONEN, TIMO | SAXOPHONE(SOPRANO) & BAND | Finland | BLOSARI | 1995 | 3 MIN 50 SEC | E/M/H | C/U/HS | PIC,FL,OB,AS,TS,BS,3HN,3TRPT,3TRB,EUP,TBA,PERC,DRUM SET. COMPOSER: “A JAZZ BALLAD FOR SOPRANO SAXOPHONE OR FLUGELHORN”. NOT AT ALL HARD FOR THOSE WHO KNOW HOW TO PLAY A JAZZ BALLAD. GREAT FOR THE SUNDAY IN THE PARK. |
| SONG OF THE PINES | HAUG, HALVOR | STRING ORCHESTRA | Norway | NMIC | 1987 | 11 MIN 30 SEC | E/M | C/U/HS | ONE MOVEMENT FROM A GOOD COMPOSER. SOME DIVISI AND WORTHY OF ATTENTION. SCORE FOR SALE, PARTS RENTAL. |
| SONG OF THE SWEDISH FISHERMAN | HALLANDER, SVERKER | BAND | Sweden | GEHRMANS | 1979 | E/M | HS/JHS | PIC,FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,2TS,BS,4HN,2COR,2TRPT, 4TRB,EUP,2TBA,3PERC,TMP,EbCOR,3 VALVE TRB-OPT. SHORT PLAYABLE PIECE WITH A WELL CRAFTED SCORE. | |
| SONG TO THE SPRING FROM LITEN SVIT | WIKLUND, ADOLF | ORCHESTRA | Sweden | SUECIA | 19447 | 7 MIN | H | C/U | 2FL,2CL,2OB,2BSN,4HN,2TRPT,3TRB,PERC,TMP,HARP, STRINGS. GOOD HARP NEEDED, STRING PARTS A CHALLENGE. NOT EASY, BUT WELL LAID OUT AND A POTENTIAL MUSIC MAKER. SCORE FOR SALE, PARTS RENTAL. |
| SONNET | KENTISH, OLIVER | VIOLIN & PIANO | Iceland | ITM | 2000 | 9 MIN | M/H | C/U | THE VIOLIN WILL SING ON THIS ONE WITH A NICE ACCOMPANIMENT. MAINLY SLOW TEMPOS. |
| SONORA | MELIN. STEN | TRUMPET & PIANO | Sweden | SMIC | 1985 | 4 MIN | H | C/U | PROVOCATIVE, DIFFICULT, AN ANTIDOTE TO THE BAROQUE FOR THE PICCOLO TRUMPET IN Bb. RHYTHMICALLY FREE. |
| SOUNDING BRASS, OP 10 | AHLIN, SVEN | TROMBONE QUARTET | Sweden | SMIC | 1986 | 6 MIN | H | C/U | ONE ON A PART - NO DOUBLES. RHYTHMICALLY CHALLENGING, BUT PLAYABLE. GOOD USE OF SLIDE AND F-ATTACHMENTS. |
| SOUVENIR, OP 79 NR 1 | SIBELIUS, JEAN | VIOLIN & PIANO | Finland | FAZER | 1922 | EST 3 MIN | M/H | C/U | ROMANTIC PIECE FOR THE MATURE MUSICIAN. |
| SPARKS (SINDUR) | MASSON, ASKELL | PERCUSSION ENSEMBLE | Iceland | ITM | 1989 | 25 MIN | H | C/U | FOUR MOVEMENTS FOR 4 PLAYERS. MOVEMENTS CAN STAND ALONE. A GOOD SCORE FOR MANY PERCUSSION INSTRUMENTS. |
| SPEECH, OP 12 | AHLIN, SVEN | TROMBONE QUARTET | Sweden | SMIC | 1987 | 4+MIN | M/H | C/U | ONE ON A PART - NO DOUBLES. UNUSUAL NOTATION, BUT EASILY UNDERSTOOD. REASONABLE TESSITURAS. GOOD MATERIAL & PLAYABLE! MUTES. |
| SPEL MED HOGA KLUBBOR | JEVERUD, JOHAN | PERCUSSION ENSEMBLE | Sweden | SMIC | 1992 | 7 MIN 30 SEC | M/H | C/U | SIX PLAYERS, MANY INSTRUMENTS. IN A GOOD MS. GOOD INSTRUCTIONS IN THE SCORE. EASIER THAN SOME AND PLAYABLE. NO SURPISES. |
| SPENNINGENS LAND (THE LAND OF SUSPENSE) | NYSTEDT, KNUT | ORCHESTRA | Norway | LYCHE | 1949 | 9 MIN | M/H | C/U | PIC,2FL,2OB,2CL,BCL,2SN,3TRPT,3TRB,TBA,2PERC,STRINGS. A FREQUENTLY PLAYED WORK IN THE NORDIC COUNTRIES BY A WELL RESPECTED COMPOSER. PLAYABLE BY MOST C/U ORCHESTRAS AND SOME VERY GOOD HS ENSEMBLES. ALSO SEE HIS ‘THE SEVEN SEALS’. |
| SPIL - RUM - ROCK VIGNET | SAVERY, FINN | CELLO ALONE | Denmark | SAMFUNDET | CIR 2000 | EST 10+ MIN | H | C/U | THE MOVEMENTS ARE AS LISTED IN THE TITLE OF THE WORK. A LITTLE SWING TYPE THING IN FIRST MOVE. SECOND IS LIKE A BALLAD AND THE LAST - A LITTLE ROCK. THE TITLES DO NOT MAKE IT EASY - JUST INTERESTING! |
| SPIL FOR ULIGE PARTNERE, OP 58 | LUND, GUDRUN | FLUTE & STRING BASS | Denmark | DMIC | 1981 | 16 MIN | M | C/U/HS | FOUR MOVEMENTS OF FUN FOR TWO UNLIKELY DUETISTS! |
| SPIN | AAGAARD-NILSEN, TORSTEIN | BRASS QUINTET | Norway | NMIC | 2000 | 4 MIN 30 SEC | M/H | C/U | RHYTHMIC FUN. MIXED METER AND SPIN! TRPTS IN C. NICE USE OF DYNAMICS. |
| SPRINT | BALDVINSSON, TRYGGVI M. | ORCHESTRA | Iceland | ITM | 2006 | EST. 5+ MIN | E/M | C/U/HS | FL,2OB,2CL,2BSN,2HN,STRINGS. PLAYABLE BY A GOOD HS ENSEMBLE. STRONG WW’S NEEDED. OVERTURE STYLE WORK WITH RHYTHMIC INTEREST. EXCELLENT SCORE. |
| STAMPEDE | MELLNAS, ARNE | SAXOPHONE QUARTET | Sweden | REIMERS | 1985 | 7 MIN | M/H | C/U | ONE MOVEMENT WITH INTERESTING RHYTHMIC PROBLEMS. COMPOSED FOR THE RASCHER QUARTET. A FEW UNUSUAL DEMANDS ON THE PERFORMERS. PERFORMANCE SCORE FOR SALE. |
| STATEMENT | KRUSE, BJORN | SAXOPHONE QUARTET | Norway | NMIC | 1975 | 10 MIN | M | C/U | SATB. TWO MOVEMENTS, SOME FREE FORM WITH EASY ACCESS AT START OF MOVEMENT 2. NICE 7/8 SECTION IN 2. |
| STEMMA | TOMASSON, HAUKUR | ORCHESTRA | Iceland | ITM | 1997 | 9 MIN | H | C/U | 3FL(PIC),3OB(EH),3CL,3BSN(CBSN),4HN,3TRPT,3TRB,TBA,PIANO/CELESTA,HARP,3PERC,STRINGS. A LARGE ORCHESTRA WITH A FEW PROBLEMS TO SOLVE. NEED FINE PERCUSSIONISTS! LARGE STRING SECTION FOR DIVISI. |
| STILLEBEN | SCHAATHUN, ASBJORN | CELLO & PIANO | Norway | WHANSEN | 1991/99 | 9 MIN | M/H | C/U | MIXED METER, NEED CLEFS, IN A WELL CONSTRUCTED SCORE THAT SHOULD PLAY OUR READILY FOR THE C/U STUDENT WITH SOME WORK. |
| STORMSKARS MAJA | MARTENSON, LASSE | ORCHESTRA | Finland | MÅRTENSONG | 1976 | EST 7 MIN | M | C/U/HS | 2FL,2CL,OB,BSN,3HN,3TRPT,3TRB,PERC,PIANO,GUITAR,STRINGS. ARRANGED FOR FINNISH TELEVISION PROGRAM. LIGHT MUSIC FOR THE POPS CONCERT. RENTAL ONLY. |
| STRAIGHT FLUSH IN A FUNNY GAME, OP 6 | BACH, ERIK | WOODWIND QUINTET | Denmark | EDITION EGTVED | 1970 | 6-7 MIN | M | C/U | FIVE SHORT MOVEMENTS(NO 5 IS 10 SECONDS). A LITTLE FUN FOR THE CARD PLAYING WW PERFORMERS. |
| STRAIGHT OUT | ERIKSON, AKE | BRASS QUINTET | Sweden | SMIC | 1987 | 8 MIN | M | C/U | STRAIGHT AHEAD AND PLAYABLE! MUTES, NO SURPRISES. A GOOD LOOKING WORK. SCORE FOR SALE, NO PARTS. |
| STRAKKVARTETT NR 1 (1940) | UDDEN, AKE | STRING QUARTET | Sweden | SUECIA | 1967 | 24 MIN | H | C/U | WELL CONSTRUCTED 4 MOVEMENT WORK. NOTES FOR EVERYONE, BUT STRAIGHT AHEAD. IT WORKS! |
| STRAKKVARTETT NR 1, OP 31 | LARSSON, LARS-ERIK | STRING QUARTET | Sweden | MUSIKALISKA KONSTFORENINGEN | 1956 | M/H | C/U | THREE MOVEMENTS. IDEAL FOR THE COLLEGE RECITAL OR CONCERT. | |
| STRAKKVARTETT NR 2, OP 14 | STENHAMMAR, WILHELM | STRING QUARTET | Sweden | SUECIA | 1968 | EST 15 MIN | H | C/U | FOUR MOVEMENTS AND PLAYABLE BY A COMPETENT COLLEGE ENSEMBLE. LOTS OF STRAIGHT AHEAD WORK. |
| STRAKKVARTETT, OP 17 | MELCHERS, H M | STRING QUARTET | Sweden | SUECIA | 1945 | M/H | C/U | FOUR MOVEMENTS OF STRAIGHT AHEAD MATERIAL. QUITE TRADITIONAL IN STYLE. | |
| STRAKKVARTETT, OP 32 | HALLNAS, HILDING | STRING QUARTET | Sweden | SUECIA | 19449 | EST 12-15 MIN | M/H | C/U | THREE MOVEMENTS FROM A FINE COMPOSER WITH STRAIGHT AHEAD MATERIAL AND MUSICAL INTEREST. |
| STRANGASPEL (PLAY FOR STRINGS) | BUCHT, GUNNAR | STRING ORCHESTRA | Sweden | SUECIA | 1965 | 4 MIN 40 SEC | H | C/U | GOOD SCORE WITH SOUND SURPRISES AND RHYTHMIC CHALLENGES. SCORE FOR SALE, PARTS RENTAL. |
| STREETDANCE | MARCUSSEN, KJELL | SAXOPHONE QUARTET | Norway | NMIC | CIR 2001 | EST 10 MIN | E/M/H | C/U/HS | SS,AS,TS,BS. MOVEMENTS: FUNKY, BALLADE, METALBOOGIE. HIS IS MUSIC FOR THE YOUNGER GROUP, BUT FUN FOR ALL. PLAYABLE, BUT THE BARI SAX WILL HAVE TO CONCENTRATE ON THE RHYTHM IN THE FIRST MOVEMENT WHICH IS HE HARDEST MOVEMENT FOR ALL. |
| STRING QUARTET 1956 | NORDHEIM, ARNE | STRING QUARTET | Norway | WHANSEN | 1972 | 18 MIN | M/H | C/U | THREE MOVEMENTS: 1. IS MOST DIFFICULT TECHNICALLY, 2. IS RHYTHMICALLY ACTIVE, 3. IS SUSTAINED AND MUTED. |
| STRING QUARTET I | SIGTRYGGSSON, ERIKUR ARNI | STRING QUARTET | Iceland | ITM | 1999 | EST 10+ MIN | H | C/U | NICE USE OF TENSION AN RELEASE IN THIS WELL CONSTRUCTED QUARTET. THERE ARE A FEW RHYTHMIC THINGS TO WORK ON, BUT PLAYABLE BY THE GOOD C/U ENSEMBLE. |
| STRING QUARTET III | AHO, KALEVI | STRING QUARTET | Finland | FAZER | 1978 | EST 10 MIN | H | C/U | SECTIONS ATTACCA MAKING ONE MOVEMENT. RHYTHMIC CHALLENGES, IE. 11/16, 13/16 AND OTHER MIXED METER THINGS. STILL PLAYABLE! |
| STRING QUARTET NO 1 | RAUTAVAARA, EINOJUHANI | STRING QUARTET | Finland | FAZER | 1952 | M/H | C/U | THREE MOVEMENTS THAT ARE ACCESSIBLE FROM A FINE COMPOSER. | |
| STRING QUARTET NO 2 | RUDERS, POUL | STRING QUARTET | Denmark | WHANSEN | 1983 | 11 MIN | H | C/U | TWO MOVEMENTS OF CONTEMPORARY SOUNDS & APPROACH. |
| STRING QUARTET NO 2, OP 20 | BROMAN, STEN | STRING QUARTET | Sweden | SUECIA | 1933 | EST 15 MIN | M/H | C/U | ONE MOVEMENT, 3/4 ALL THE WAY AND IT MOVES ALONG. NO SURPRISES, JUST STRAIGHT AHEAD. |
| STRING QUARTET NO 3, OP 18 | RAUTAVAARA, EINOJUHANI | STRING QUARTET | Finland | FAZER/WEINBERGER | 1967 | EST 7 MIN | H | C/U | ONE MOVEMENT, NOT EASY BUT ACCESSIBLE. |
| STRING QUARTET NO. 3 | SAVERY, FINN | STRING QUARTET | Denmark | SAMFUNDET | 1990 | 20 MIN | M/H | C/U | THE THREE MAJOR SECTIONS ARE PLAYED ATTACCA. THE M/H DIFFICULTY NOTED SIMPLY MEANS LESS DIFFICULT THAN MANY DANISH COMPOSERS WORKS. SOME NICE PEDAL POINT AND THE REPEATED OSTINATI IN THE FIRST & LAST SECTIONS PROVIDE INTEREST. IN A GOOD MS. |
| STRING QUARTET NO. II | MOGENSEN, ERIK JULIUS | STRING QUARTET | Iceland | ITM | 2001 | 17 MIN | M/H | C/U | IN DECENT MS. SOME MIXED METER AND A FEW RHYTHMIC PROBLEMS, BUT THIS SHOULD PLAY BY THE C/U GROUP OR ANY STRING QUARTET . |
| STRING QUARTET NO.1, OP 5 | EGGE, KLAUS | STRING QUARTET | Norway | LYCHE | 1971 | EST 17 MIN | M | C/U | FOUR MOVEMENTS WITH 3 & 4 ATTACCA. SOME HARMONIC SURPRISES BUT A VERY PLAYABLE PIECE. |
| STRING QUARTET NR 1 | BERGH, SVERRE | STRING QUARTET | Norway | LYCHE | 1983 | M | C/U | FOUR MOVEMENTS. 2 IS A ROMANZA AND 4 PASSACAGLIA & FUGUE. STRAIGHT AHEAD MUSIC THAT SHOULD PLAY OUT WELL. | |
| STRING QUARTET NR 1 | TULINDBERG, ERIK | STRING QUARTET | Finland | FAZER | 1964 | EST 12 MIN | E/M/ | C/U | FOUR MOVEMENTS, NO SCORE, FINE FOR THE YOUNG OR BEGINNING STRING QUARTET OF COMPETENT PLAYERS. HE HAS ALSO COMPOSED 6 OTHER STRING QUARTETS IF YOU LIKE THIS ONE. |
| STRING QUARTET VI, OP 124 | BENTZON, NIELS VIGGO | STRING QUARTET | Denmark | WHANSEN | 1961 | H | C/U | THREE MOVEMENTS(F-S-F), GOOD SCORE, GOOD COMPOSER, HARD, BUT PLAYABLE WITH FEW SURPRISES. | |
| STRING QUINTET | BERGH, SVERRE | STRING QUINTET | Norway | LYCHE | 1983 | 12 MIN | M | C/U | THREE MOVEMENTS. 1. ADAGIO,IMPETUOSO 2. ALLA MARCIA 3. VARIANTS. VERY PLAYABLE MUSIC. |
| STRUCTURES | LINKOLA, JUKKA | STAGE BAND | Finland | FiMIC | 1987 | 14 MIN | H | C/U | A CONCERT JAZZ PIECE. LIKE THREE MOVEMENTS. LOTS OF GOOD TIGHT ENSEMBLE AND IMPROVISATIONAL SOLOS. |
| STRYGEKVARTET NR 2 | SAVERY, FINN | STRING QUARTET | Denmark | SAMFUNDET | 1983 | 29 MIN | M/H | C/U | THREE MOVEMENTS THAT CAN STAND ALONE. STRAIGHT AHEAD MATERIAL IN A WELL CRAFTED WORK. |
| STRYGEKVARTET NR 6 | WEIS, FLEMMING | STRING QUARTET | Denmark | SAMFUNDET | 1977 | 11 MIN | M/H | C/U | IN MOVEMENTS BUT ALL ATTACCA. SOME METER CHANGING, ACCESSIBLE FOR THE C/U QUARTET. |
| STRYKEKVARTETT, OP.55 | OLSEN, SPARRE | STRING QUARTET | Norway | MUSIKK-HUSET | 1977 | 23 MIN | H | C/U | HIGH LEVEL PERFORMERS NEEDED. |
| STUDIE FOR ALTFIOL OCH STRAKORKESTER | BLOMBERG, ERIK | VIOLA & STRING ORCHESTRA | Sweden | SMIC | 1996 | 7 MIN | M/H | C/U | MARGINAL MS. THIS IS VERY PLAYABLE MUSIC BY THE YOUNG ASPIRING VIOLIST OR THE ADULT PERFORMER LOOKING FOR SOMETHING NEW. |
| STUDY FOR SOLO SAXOPHONE (TENOR) | MOGENSEN, RENE | SAXOPHONE ALONE | Denmark | DKF | 1994 | EST 6 MIN | H | C/U | MOVEMENTS: PROTAGONIST AND ANTAGONIST, CONFLICT, RESOLUTION. THIS IS NOT EASY MUSIC, BUT THE EXCELLENT MAPPING OF IT ON THE PAGE MAKES IT PLAYABLE. |
| STUDY ON A NORWEGIAN HYMN | AM,MAGNAR | STRING ORCHESTRA | Norway | NORSK | 1977 | CA 9 MIN | M/H | C/U | A WELL PREPARED SCORED. MODEST RHYTHMIC PROBLEMS. |
| SUITA FOR BRASS QUARTET | AGUSTSSON, HERBERT H | BRASS QUARTET | Iceland | ITM | 1969 | 11 MIN | E/M | C/U | 2TRPT,HN,TRB. 7 SHORT MOVEMENTS THAT ARE WELL SCORED AND PLAYABLE. |
| SUITE | BRAEIN, EDVARD FLIFLET | STRING ORCHESTRA | Norway | LYCHE | 1947 | CA 6 MIN | E/M | C/U/HS | THREE FOLK-LIKE MOVEMENTS WITH DIVISI ALL THE WAY BUT VERY ACCESSIBLE. |
| SUITE | NORDHEIM, ARNE | CELLO ALONE | Norway | WHANSEN | 1997 | 25 MIN | H | C/U | 5 MOVEMENTS FOR THE MOST ADVANCED STUDENT OR PROFESSIONAL CELLIST. NORDHEIM IS ONE OF NORWAY’S MOST ADVANCED COMPOSERS USING ADVANCED TECHNIQUES AND ALWAYS CHALLENGING. DMA RECITAL? |
| SUITE BOULOGNE | LINDE, BO | ORCHESTRA | Sweden | SMIC | 1966 | 12 MIN 40 SEC | M/H | C/U | PIC,FL,CL,OB,BSN,HN,TRPT,TRB,PERC,PIANO, STRINGS. SIX SHORT MOVEMENTS OF PLEASING MUSIC FOR THE LISTENER AND PERFORMER. RENTAL ONLY. |
| SUITE FOR 2 FLUTES | SEVAG, OYSTEIN | FLUTE DUET | Sweden | LYCHE | 1981 | EST 6 MIN | H | C/U | NOT ALL THE 5 MOVEMENTS ARE DIFFICULT. LOTS OF NOTES, BUT NO SURPRISES. |
| SUITE FOR 5 WINDS | HALL, PAULINE | WOODWIND QUINTET | Norway | LYCHE | 1952 | 15 MIN | M/N | C/U | FIVE SHORT, PLAYABLE MOVEMENTS. |
| SUITE FOR BASSOON SOLO, OP 21 | HEINIO, MIKKO | BASSOON ALONE | Finland | JASEMUSIIKKI | 1976 | EST 6-7 MIN | H | C/U | FOUR MOVEMENTS WITH SOME NONTRADITIONAL NOTATION. MULTI-PHONICS. GOOD INTRODUCTION TO CONTEMPORARY MATERIAL. |
| SUITE FOR BLASEKVINTETT | BERG, OLAV | WOODWIND QUINTET | Norway | NMIC | 9 MIN | M | C/U | FOUR MOVEMENTS: 1. LARGO-ALLEGRO 2. DANS 3. SONG WITHOUT WORDS 4. ALLEGRO MODERATO. PLAYS OUT WELL WITH A LITTLE RHYTHMIC FUN. | |
| SUITE FOR BRASS | ARVEHEIM, MATTIAS | BRASS ENSEMBLE | Sweden | BLAS-BASEN | 2002 | EST 8 MIN | M | C/U | MOVEMENTS: KNYPPEL-STINA, THE WALTZ, INTERLUDE, TO YOU. 3 TRP,FLUG,4TRB,TBA. PLAYABLE MUSIC WITH SOME NICE IDEAS. THE THIRD, SHORT MOVEMENT IS FOR ONE TRUMPET, ONE HORN AND ONE TROMBONE AND ATTACCA’S IN TO THE LAST MOVEMENT. |
| SUITE FOR BRASS QUINTET | KEKKONEN, REIJO | BRASS QUINTET | Finland | SULASOL | 2004 | EST 10+ MIN | M | C/U/HS | MOVEMENTS: FANFARE-MAESTOSO, CAROL, BALLADE, VALSE, COUNT DOWN-TRANQUILLO, ALLEGRO. THE ONLY MOVEMENT THAT MAY CONFOUND IS THE BALLADE WHERE THE COMPOSER DOES SOME TRICKY THINGS WITH THE RHYTHM. |
| SUITE FOR BRASS QUINTET | LINKOLA, JUKKA | BRASS QUINTET | Finland | FiMIC | 1985 | EST 11 MIN | M/H | C/U | 1. RAGTIME, 2. LULLABY, 3. MARCH. FUN MUSIC AND SOME NONTRADITIONAL TECHNIQUES AS WELL AS RHYTHMIC COMPLEXITY. |
| SUITE FOR BRASS QUINTET | LUNDE, IVAR JR | BRASS QUINTET | Norway | NMIC | 1971 | EST 12 MIN | M | C/U | SIX SHORT MOVEMENTS THAT CAN STAND ALONE. SOME USE OF MUTES FOR FUN. STRAIGHT AHEAD. |
| SUITE FOR BRASS QUINTET | PASQUET, LUIS | BRASS QUINTET | Finland | FiMIC | 1995 | EST 8+ MIN | M | C/U | PUT UP WITH SOME MESSY MS ON THIS ONE AND YOU WILL BE REWARDED! MOVEMENTS: PRELUDE, SARABANDE AND GIGUE. SOME NICE KENTON SOUNDS IN THE SECOND MOVEMENT. WE HAVE PLAYED THIS MANY TIMES - YOU WILL LIKE! |
| SUITE FOR KONTRABASS OG KLAVER, OP 7 | MADSEN, TRYGVE | STRING BASS & PIANO | Norway | NMIC | 1970 | EST 9 MIN | M | C/U | FOUR SHORT MOVEMENTS. NOTHING TRICKY, JUST STRAIGHT AHEAD. MOVEMENTS CAN STAND ALONE. COLLEGE RECITAL MATERIAL. |
| SUITE FOR ORCHESTRA NO.1, OP.38 | GRIEG, EDVARD/OISTEIN SOMMERFELDT | ORCHESTRA | Norway | NORSK | 1980 | 9 MIN | M/H | C/U | PIC,2FL,2CL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,2PERC,TMP,HARP,STRINGS. THREE MOVEMENTS, WELL SCORED. SCORE FOR SALE, PARTS RENTAL. |
| SUITE FOR STRINGS | SOININEN, ANTTI | STRING ORCHESTRA | Finland | SULASOL | 1998 | EST 12+ MIN | M | C/U/HS | MOVEMENTS: NAPOLEONIN MARSSI, KLAPPA, MENUETT, FINGERPOLSKA, POLKKA. A WELL LAID OUT SCORE WITH JUST A FEW PROBLEMS TO WORK OUT. |
| SUITE FOR SYMPHONIC BAND, OP 12 | ANDERSEN, KJELL MAGNE | BAND | Norway | NMIC | 2002 |
18 MIN | M/H | C/U/HS | PIC,2FL,OB,BSN,2CL,BCL,AS,TS,BS,3COR,2TRPT,4HN,3TRB,EUP,TBA,STBS,4PERC. MOVE:OVERTURE, ROMANCE, MARCIA FUNEBRE, FUGE. THIS IS STRAIGHT AHEAD MUSIC PLAYABLE BY FINE HS GROUPS AS WELL AS ANY COMPETENT C/U ENSEMBLE. |
| SUITE FOR WIND ORCHESTRA | EEROLA, LASSE | BAND | Finland | FiMIC | 1992 | 16 MIN | H | C/U | 3FL(PIC),2OB,EbCL,3CL,BCL,2AS,TS,BS(BSN),3-4TRPT, 2FLHN, 4HN,3-4TRB,2EUP,2TBA,4PERC. MOVEMENTS: MAESTOSO, MOLTO ADAGIO E SEMPLICE, SCHERZANDO. NOTE THE INSTRUMENTATION AND EXPECT MANY DEMANDS ON THE MUSICIANS. AN EXCELLENT SCORE WAITING TO BE PLAYED --WELL! |
| SUITE FROM THE BALLET KRATT | TUBIN, EDUARD | ORCHESTRA | Sweden | SUECIA | 1980 | 25 MIN | H | C/U | PIC,2FL,2CL,OB,BSN,2HN,2TRPT,2TRB,PERC,TMP,EH,PIANO,STRINGS. THREE SECTIONS THAT CAN STAND ALONE. MUSICAL INTEREST AND VARIETY IN EACH SECTION. SCORE FOR SALE, PARTS RENTAL. |
| SUITE IN ANCIENT STYLE FOR SMALL ORCHESTRA, OP 5b | FRUMERIE, GUNNAR DE | ORCHESTRA | Sweden | SUECIA | 1931 | EST 12 MIN | M | C/U/HS | 2FL,2CL,ACL,BCL,2OB,2BSN,2COR,TRPT,STRINGS. 1. PRELUDIUM 2. SARABANDE 3. GAVOTTE 4. MUSETTE 5. SICILIENNE 6. GIGUE. SHORT MOVEMENTS AND PLAYABLE BY ALL, BUT WORTHY MUSIC. SCORE FOR SALE, PARTS RENTAL. |
| SUITE NO 1 | KRISTINSSON, SIGURSVEINN D | VIOLIN & PIANO | Iceland | ITM | H | C/U | THREE MOVEMENTS THAT HAVE MANY NOTES, YET PLAYABLE AND WORTHY. | ||
| SUITE NO III FOR SYMPHONIC BAND | MADSEN, TRYGVE | BAND | Norway | NMIC | CIR, 1995 | EST. 10 MIN | M/H | C/U/HS | PIC,2FL,OB,EbL,3CL,BCL,BSN,2AS,TS,BS,4HN,4TRPT,4TRB,EUP,TBA,5PERC. MOVE: INTRODUCTION, WALTZ, INTERMEZZO,POLKA, FINALE. COMPOSER HAS MANY TITLES FOR BAND AVAILABLE AT NMIC (ALSO AT MUSIKK-HUSETS FORLAG). WORK IS STRAIGHT FORWARD AND PLAYABLE. IN A READABLE MS. |
| SUITE NO.3 FOR BRASS & PERCUSSION | DANIELSSON, CHRISTER | BRASS & PERCUSSION | Sweden | GEHRMANS | 1984 | 11 MIN 30 SEC | M | C/U | 4TRPT,4HN,4TRB,2TBA,3PERC. ,3 MOVEMENTS, TRADITIONAL SOUNDS AND APPROACH. |
| SUITE NR 1:NI-SI-PLENG, OP 87B | FERNSTROM, JOHN | ORCHESTRA | Sweden | SMIC | 1950 | H | C/U | 2FL,2CL,BCL,OB,2BSN,2HN,2TRPT,TRB,TBA,PERC,TMP,HARP,CELESTA,EH, PIANO,STRINGS. 1. PRELUDE AND ENTRE-DANS 2. ORIENTALISK FEST MUSIK 3. DEN HELIGA FÅGELNS DANS. STRAIGHT AHEAD MUSIC FROM A FINE COMPOSER. RENTAL ONLY. | |
| SUITE NR. 1 | JOHANSEN, BERTIL PALMAR | CELLO ALONE | Norway | NMIC | 2002 | EST 10 MIN | M/H | C/U | 7 SHORT MOVEMENTS WITH SOME NONTRADITIONAL TECHNIQUES IN SOME OF THE MOVEMENTS (EXPLAINED VERY WELL IN THE SCORE). MOST MOVEMENTS COULD STAND ALONE. GOOD WORK! |
| SUITE NR. 2 FOR SOLO CELLO, OP 57 | GAATHAUG, MORTEN | CELLO ALONE | Norway | NMIC | 2002/04 | 17 MIN | M/H | C/U | FOUR DESCRIPTIVE MOVEMENTS. BASS, TENOR CLEF & TREBLE CLEFS. DOUBLE STOPS. A WELL LAID OUT SCORE AND READY FOR PLAY! |
| SUITE OVER NORDLANDSKE TONER | HAEGELAND, EILERT M. | WOODWIND QUINTET | Norway | NMIC | 1996/97 | 15 MIN 30 SEC | M/H | C/U | USUAL INSTR. MOVEMENTS: INNSPILL, SALME, VISE, POLS, BANSULL, UTSPILL. MOVEMENTS CAN STAND ALONE. GOOD MODEST MUSIC WITH NICE SOUNDS. |
| SUITE PER 2 TROMBE, OP 33 | JOHNSEN, HALLVARD | TRUMPET DUET | Norway | MUSIKK-HUSET | 1960 | M | C/U/HS | MODEST WORK FOR STUDIO FUN. | |
| SUITE POUR TROMBONE, OP.22 | JORGENSEN, AXEL | TROMBONE & PIANO | Denmark | WHANSEN | H | C/U | GOOD COMPOSER FOR THE TROMBONE. | ||
| SUITE, OP 20 | SCHMIDT, OLE | FLUTE & STRING ORCHESTRA | Denmark | WHANSEN | 1964 | 13 MIN | H | C/U | FOUR MOVEMENTS: RONDINO, WALTZER, INTERMEZZO, MARCH. STRINGS PLUS HARP AND PERCUSSION(2). MAJOR WORK FOR FLUTE, FRESH, 2OTH CENTURY SOUNDS. SCORE FOR SALE, PARTS RENTAL. |
| SUITE, OP 24 | JOHANSEN, DAVID MONRAD | CELLO & PIANO | Norway | MUSIKK-HUSET | 1969 | 18 MIN | M | C/U | FIVE MOVEMENTS THAT CAN STAND ALONE, STRAIGHT AHEAD MUSIC WITH CHALLENGES IN 5 DIFFERENT STYLES. |
| SUITE, OP 8 | ALMILA, ATSO | TROMBONE & PIANO | Finland | FAZER | 1976 | M/H | C/U/HS | THREE MOVEMENTS. 1 & 2 SING AND 3 MOVES! RANGE TO D. GOOD SCORE AND STRING ORCHESTRA PARTS AVAILABLE FROM FMIC. | |
| SULING - SUNYI | ENGSTROM, TORBJORN | FLUTE(ALTO) ALONE | Sweden | SMIC | 1987 | 4 MIN 30 SEC | M | C/U | GOOD TO ADD SPICE TO A FLUTE RECITAL. NO PERFORMANCE PROBLEMS. |
| SUMARTONAR - A LITTLE SUMMER MUSIC | SIGURBJORNSSON, THORKELL | ORCHESTRA | Iceland | ITM | 2006 | 12 MIN | M/H | C/U/HS | PIC,2FL,2OB,EbCL,CL,BCL,AS,2BSN,CBSN,4HN,3TRPY,3TRB,TBA,3PERC,PIANO,HARP,STRINGS. MOVEMENTS: PLAYGROUND, THE RIGHTNESS, PLAYGROUND II, CIRCUS AND FESTIVITIES. A GET SCORE BY A FINE COMPOSER - EXCELLENT FOR C/U ORCHESTRAS, HS FESTIVALS, ETC. |
| SUMMER ELEGY FOR FLUTE AND STRINGS | BORTZ, DANIEL | FLUTE & STRING ORCHESTRA | Sweden | GEHRMANS | 1983 | 15 MIN | H | C/U | SOLID COMPOSER IN CONTEMPORARY STYLE, SOME NONTRADITIONAL WORK AND A BIG CHALLENGE. SCORE FOR SALE, PARTS RENTAL. |
| SUNSET ON CAPRI | SIMAI, PAVOL | SAXOPHONE AND ORGAN | Sweden | SMIC | 1995 | 15 MIN | H | C/U | ALTO SAX. THIS MAY BE CALLED ESOTERIC, BUT WE LIKE THE SCORE. TONE CLUSTERS ON THE ORGAN WITH ALMOST IMPROV LIKE PASSAGES BY THE NON SUSTAINING PART, THEN STRICT RHYTHM. THIS IS PLAYABLE AND SHOULD BE VERY EFFECTIVE IN A ROOM WITH GOOD ACOUSTICS. |
| SUOMALAINEN RAPSODIA (FINNISH RHAPSODY) | LINNALA, EINO | ORCHESTRA | Finland | FAZER | 1938 | 10 MIN | M/H | C/U/HS | PIC,2FL,2CL,2OB,EH,2BSN,4HN,2TRPT,3TRB,TBA,PERC,TMP,STRINGS. ONE MOVEMENT STRAIGHT AHEAD. PLAYABLE MUSIC WITH MUCH EXCITEMENT. |
| SWARM | HOLMBOE, VAGN | STRING QUARTET | Denmark | WHANSEN | 1992 | EST 15 MIN | H | C/U | ELEVEN SHORT MOVEMENTS THAT CAN STAND ALONE. GOOD WRITING, A CLEAN SCORE AND PLAYABLE BY THE C/U QUARTET. NOT REAL SURPRISES. |
| SWEET JULIE, OP 24 | VIGULF, ROGER ARVE | BAND | Norway | NMIC | 1998 | 8 MIN 15 SEC | H | C/U | 2FL,3CL,BCL,2A,TS,BS,2TRPT,2HN,BARTON(BSN),2TRB,TBA,4PERC. INTERESTING SCORE WITH EFFECTIVE USE OF THE PERCUSSION INSTRUMENTS. WILL TAKE A TALENTED GROUP OF MUSICIANS AND CONDUCTOR TO MAKE THIS GO, BUT IT WILL BE GOOD! |
| SVENSK (NORRBOTTNISK) CONCERTINO, OP 114 | SAGVIK, STELLAN | TROMBONE & STRING ORCHESTRA | Sweden | SMIC | 1983 | 9 MIN | H | C/U | THREE MOVEMENTS. 1ST IS LIKE A CADENZA, 2ND A 3/4 DANS & 3RD 2/4 AND QUICK. SCORE IS MS AND A FEW PROBLEMS WITH LEGIBILITY. FOR RENTAL ONLY. |
| SVENSKA FOLKVISOR OCH DANSER | SODERMAN, AUGUST/STIG GUSTAFSON | BAND | Sweden | LEMA | 1984 | 9 MIN | E/M | HS | PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,3TRB,EUP,TBA, PERC,TMP,SB. 8 SHORT FOLK SONGS AND DANCES OF SWEDEN. EACH CAN STAND ALONE. WELL SCORED AND USEFUL MUSIC. |
| SVEVANDE DJUPNER | AM,MAGNAR | STRING BASS ALONE | Norway | NMIC | 1986 | EST 5 MIN | H | C/U | HARMONICS, SPECIAL TECHNIQUES, SOME NONTRADITIONAL NOTATION. FOR THE VERY ADVANCED PLAYER. |
| SVIT FOR BLASKVINTETT, OP 71 | FRUMERIE, GUNNAR DE | WOODWIND QUINTET | Sweden | GEHRMANS | 1976 | 17 1/2 MIN | H | C/U | 1. INTRODUKTION 2. FUGA 3. SARABAND 4. SICILIANO 5. TARENTELLA. GOOD SCORE - GOOD COMPOSER. |
| SVIT FOR BRASSENSEMBLE | FRIDOLFSON, RUBEN SVIT FOR BRASSENSEMBLE |
BRASS SEXTET | Sweden | SMIC | 1991 | 8 MIN 30 SEC | M | C/U | 2 C TRPT,HN,2TRB,TBA. FOUR SHORT MOVEMENTS IN CLEAN MS. SOME MIXED METER, BUT MOSTLY STRAIGHT AHEAD. SOME INTERESTING HARMONIES. PLAYABLE BY THE C/U STUDENT GROUP. |
| SVIT FOR TVA KLARINETTER | RABE, FOLKE | CLARINET DUET | Sweden | SMIC | 1958 | 5 MIN 10 SEC | M/H | C/U/HS | THREE MOVEMENTS OF VERY INTERESTING AND UNUSUAL MATERIAL FROM A VERY CREATIVE COMPOSER. |
| SVIT, OP 23 | KALLSTENIUS, EDVIN | WIND ENSEMBLE | Sweden | SMIC | 1938 | 12 MIN | M | C/U/HS | 2FL,2CL,2OB,2BSN,2HN,2TRPT,2TRB,TMP. 1 MARSCH, 2 POLONAISE, 3 MARCHFUNEBRE, 4 BURLESK. BEST PLAYED ONE ON A PART. |
| SVIT, OP 53 | JONSSON, JOSEF | BAND | Sweden | SMIC | 1950 | M/H | C/U | 2FL,2CL,2OB,2BSN,2HN,2TRPT,2TRB,PERC,TMP. 1 ALLA MARCIA, 2 ANDANTE ESPRESSIVO, 3 SCHERZO, 4 FUGA. NOTE THE INSTRUMENTATION. STRAIGHT AHEAD MATERIAL AND MOVEMENTS CAN STAND ALONE. NEED STRONG BASSOONS. LIKE A CHAMBER WORK. | |
| SYMFONI 2, OP 69 "DEN FORSVUNDNE" | CHRISTIANSEN, HENNING | ORCHESTRA | Denmark | SAMFUNDET | 1972 | EST 20 MIN | M/H | C/U | PIC,2FL,3CL,BCL,2OB,2BSN,CBSN,4HN,3TRPT,2TRB,TBA,3PERC,TMP,SB. THREE MOVEMENTS: 1. EKSPLOSION 2. HAMMEREN 3.AMSTEDLYKKEVALS. SOLID,STRAIGHT AHEAD MATERIAL FROM A GOOD COMPOSER. SCORE FOR SALE, PARTS RENTAL. |
| SYMFONI NR 5, OP 27 | FERNSTROM, JOHN | ORCHESTRA | Sweden | SMIC | 1934 | EST 20 MIN | M/H | C/U | 2FL,2CL,2OB,2BSN,2HN,2TRPT,3TRB,TBA,PERC,TMP,STRING BASS. THREE MOVEMENTS: VERY QUICK & VERY RHTHMIC, ADAGIO CONSENTIMENTO & ALLEGRO MODERATO. A WELL DEVELOPED SCORE WITH LOTS OF EXCITEMENT IN I & III. RENTAL ONLY. |
| SYMFONI NR 6 | GRANDERT, JOHNNY | BAND | Sweden | SMIC | 1982 | 19 MIN | H | C/U | PIC,4FL,2CL,BCL,3OB,AS,BS,3COR,5TRPT,4TRB,TBA,2PERC,TMP,SB,EH, CBCL,PIANO,CBSN. ONE MOVEMENT WITH CHANGES IN STYLE AND TEMPO QUITE FREQUENT. DENSE HARMONY, CLUSTERS. ONLY THE BEST WILL SURVIVE THIS FINE SCORE! |
| SYMFONISK DANS, OP 17A | SAEVERUD, HARALD | ORCHESTRA | Norway | NORSK | 1947 | 9 MINN | H | C/U | PIC,2FL,2CL,2OB,2BSN,4HN,2TRPT,3TRB,TBA,PERC,TMP,HARP,CELESTE, STRINGS. TRADITIONAL MUSIC BY A FINE COMPOSER. COMFORTABLE FOR THE COMMUNITY AND COLLEGE ORCHESTRAS. SCORE FOR SALE, PARTS RENTAL. |
| SYMPHONI NO 2 | WILHELMI, TOBIAS | ORCHESTRA | Sweden | SMIC | 1927 | EST 25+MIN | H | C/U | 2FL,2CL,2OB,2BSN,4HN,3TRPT,3TRB,PERC,TMP,STRINGS. FOUR MOVEMENTS IN A GOOD SCORE. GREAT FOR COLLEGE OR COMMUNITY ORCHESTRAS. RENTAL ONLY. |
| SYMPHONI NR 3, OP 66 | TARP, SVEND ERIK | ORCHESTRA | Denmark | SAMFUNDET | 1958 | 23 MIN | M | C/U/HS | PIC,2FL,2CL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,PERC,TMP,EH,PIANO OR CELESTE,STRINGS. SECTIONS PLAYED ATTACCA AS ONE MOVEMENT. PLAYABLE, NO SURPRISES OR COMPLICATIONS. CLEAN SCORE. |
| SYMPHONIC DANCES NO. 1 | NILSSON, ANDERS | ORCHESTRA | Sweden | SMIC | 2000 | 11 MIN 30 SEC | H | C/U | 3FL(PIC),3OB(EH),3CL(BCL),2BSN,CBSN,4HN,3TRPT,3TRB,TBA,4PERC,PIANO,HARP,STRINGS. CONTEMPORARY SETTING, SO EXPECT SOME NEW THINGS, BUT IT ALL WRKS IN THIS STRONG SCORE AND IDEALLY SUITED FOR THE GOOD C/U ENSEMBLE. |
| SYMPHONIE FUR BLASER UND SCHLAGZEUG | ROSENBERG, HILDING | BAND | Sweden | NORDISKA | 1966 | 18 MINMIN | H | C/U | PIC,2FL,CL,BCL,OB,BSN,3TRPT,3TRB,2PERC,TMP,EH,CBSN. SPECIAL INSTRUMENTATION! A HARD ONE MOVEMENT WORK WITH SOME RHYTHMIC CHALLENGES. ONE OF SWEDEN'S MOST NOTED COMPOSERS. |
| SYMPHONIE NR 2 | MAROS, MIKLOS | BAND | Sweden | SMIC | 1979 | 14 MIN | H | C/U | PIC,3FL,4CL,BCL,3OB,4HN,4TRPT,4TRB,TBA,4PERC. THREE MOVEMENTS - NOTE THE INSTRUMENTATION. NICE PERCUSSION WRITING. SOME NONTRADITIONAL TECHNIQUES. |
| SYMPHONY FOR STRINGS, OP 26 | NYSTEDT, KNUT | STRING ORCHESTRA | Norway | LYCHE | 1950 | 20 MIN | M | C/U/HS | THREE MOVEMENTS(FSF) GOOD MUSIC FROM A FINE COMPOSER JUST WAITING TO BE PERFORMED! |
| SYMPHONY FOR STRINGS, OP 43 | NORDGREN, PEHR HENRIK | STRING ORCHESTRA | Finland | FAZER | 1978 | H | C/U | FOUR MOVEMENTS OF STRAIGHT AHEAD MUSIC REQUIRING MATURE MUSICIANSHIP. LOTS OF DIVISI. | |
| SYMPHONY NO 1 | RAUTAVAARA, EINOJUHANI | ORCHESTRA | Finland | FAZER/PAN | 1955 | 17 MIN | H | C/U | PIC,2FL,2CL,2OB,2BSN,4HN,3TRPT,2TRB,TBA,2PERC,TMP,STRINGS. TWO MOVEMENTS WITH SOME MIXED METER AND WORTH THE EFFORT. SCORE FOR SALE OR RENTAL, PARTS RENTAL. |
| SYMPHONY NO 3 | RAUTAVAARA, EINOJUHANI | ORCHESTRA | Finland | FAZER/PAN | 1961 | 30 MIN | H | C/U | 2FL,2CL,2OB,2BSN,2HN,2TRPT,3TRB,TBA,TMP,STRINGS. FOUR MOVEMENTS IN A MAJOR WORK. FOR ONLY THE BEST C/U ENSEMBLES. SCORE FOR SALE OR RENTAL, PARTS RENTAL. |
| SYMPHONY NO 7, OP 83 | BENTZON, NIELS VIGGO | ORCHESTRA | Denmark | WHANSEN | 1952 | 27 MIN | H | C/U | PIC,2FL,2CL,BCL,2OB,EH,2BSN,4HN,3TRPT,3TRB,TBA,PERC,TMP,HARP, CELESTE,STRINGS. A ONE MOVEMENT WORK THAT IS HARD BUT PLAYABLE BY THE GOOD C/U AND COMMUNITY ORCHESTRA. GOOD COMPOSER-GOOD WORK. SCORE FOR SALE, PARTS RENTAL. |
| SYMPHONY NO. 2 | DEAK, CSABA | BAND | Sweden | SMIC | 2001 | 18 MIN | H | C/U | 3FL(DL PIC,AFL),OB,EH,2BSN,EbCL,3CL,BCL,CBCL,SS,AS,TS,BS,4TRPT,4HN,3TRB,EUP,2TBA,STBS,4PERC. LIKE ONE MOVEMENT WITH SECTIONS OF CONTRASTING MATERIAL. PAY ATTENTION TO THIS COMPOSER! THE MUSIC IS HARD, BUT LOGICAL. MUSIC OF TODAY! BE SURE TO LOOK AT OTHER THINGS IN THE SMIC CATALOG BY DEAK. |
| SYMPHONY NO.1 | HAUG, HALVOR | ORCHESTRA | Norway | NORSK | 1981/82 | 32 MIN | H | C/U | PIC,2FL,2OB,EH,2CL,BCL,2BSN,CBSN,4HN,3TRPT,3TRB,TBA,3PERC,CELEST,HARP,STRINGS. MOVEMENTS: POCO ADAGIO, ENERGICO, SOSTENUTO, (ONLY 3). SOME NONTRADITIONAL TECHNIQUES, MAINLY USUAL HARMONIES. |
| SYN (SIGHT)(VISION) | NORGARD, PER | BRASS QUINTET | Denmark | WHANSEN | 1988 | 8 MIN | H | C/U | EUPHONIUM INSTEAD OF TUBA. PLUNGERS & OTHER MUTES. CORNETS CALLED FOR WITH SWITCH TO TRUMPET IN F AND Bb. NORGÅRD WRITES INTERESTING BUT NOT EASY MUSIC. |
©1991, 2007 Mark Lammers
This Edition ©2005, 2007 WASBE — Content used with permission