Two works by ERKKI-SVEN TÜÜR (Estonia, 1959)
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[#371] Aug 31, 2026
Estonia | 1984 | Wind Quintet | Grade 6 | 5'41" | Chamber winds
Premiered by Jaan Tamm Wind Quintet
on May 25,1985 in Tallinn, Estonia
Architectonics I is available for purchase at Fennica Gehrman
Happy Hour for UBC is available for purchase at Notebutikken Norway
Architectonics I for Wind Quintet, by Estonian composer Erkki-Sven Tüür is our Composition of the Week.
Architectonics I was written in 1984 and first performed on May 25, 1985, in Tallinn, Estonia, by the Jaan Tamm Wind Quintet, who had commissioned the piece.
Architectonics I is the first work in a series of compositions for different chamber ensembles that share the same title. Published by Fennica Gehrman, it is scored for classical wind quintet and has a duration of approximately five minutes.
Happy hour for UBC, for Concert Band « I remember marching music from the opening ceremonies of our local song festival, my only personal and emotional link to the genre. I was 7 years old. I marched and I liked it very much! While writing this march I was not thinking in terms of "how to be seriously and fundamentally innovative in the marching music scene". It was simply great fun to do. The march is dedicated to UBC (Uisge Beatha Club), an Estonian whisky club which is actually a group of friends (architects, musicians, artists, scientists etc.) who all have something in common - such as their creative attitude and a very specific sense of humour. »
Program Notes by Erkki-Sven Tüür
Erkki-Sven Tüür studied percussion and flute at the Tallinn Georg Ots Music High School (1976–1980) and composition with Prof. Jaan Rääts at the Tallinn Conservatoire (1980–1984). He also took private lessons from Prof. Lepo Sumera in Tallinn and developed his skills in the field of electronic music in Karlsruhe. In 1979, Tüür founded the progressive rock ensemble In Spe, where he was engaged as composer, flautist, keyboardist and frontman (vocalist) until 1983. Since 1992, Tüür is a freelance composer, his works are primarily commissioned by world-renowned performers and are frequently premiered abroad before reaching the home public. His music is being played regularly by the best symphony orchestras and outstanding soloists worldwide in the most prestigious concert halls. Berliner Philharmoniker, Royal Concertgebouw Orchestra, Tonhalle Orchester Zürich, London Philharmonic Orchestra, Orchestrede Paris, Philharmonia Orchestra, Wiener Symphoniker and many other renowned orchestras and ensembles have commissioned him to compose new works.
The main characteristic feature of Tüür’s music is an intense energetic transformative dimension. The intuitive and rational approach is synthesized into a complete organic system. Instrumental music makes up the main body of Tüür’s work. He is the author of ten symphonies, a number of works for symphony and string orchestra, thirteen instrumental concertos, a wide variety of chamber music and an opera.
As a composer, Tüür wishes to stimulate the creative energy of the listener. “Music has to have everything - overwhelming power, illuminating light, endless gentleness and the deepest darkness. Fury, pain, remorse. Everything that makes us human. And the tender touch of redeeming love.”
In September 2007, Tüür was the composer-in-residence of Auftakt Festival organized by the Frankfurt Alte Oper in Germany, in which a symposium on Erkki-Sven Tüür’s music was held. The symposium lectures were published in 2008 when the German publisher Schott Music released the book Schwarze Milch und bunte Steine (edited by Hans-Klaus Jungheinrich). Tüür was the featured composer of 1998 Musica Nova Helsinki, 2002 Vale of Glamorgan Festival (UK) and 2003 Klangspuren Schwaz (Austria). In July 2008, Tüür was the composer-in-residence of the Davos Festival in Switzerland, and in October 2015, Tüür was the composer-in-residence of the Brno International Music Festival Moravian Autumn. In August 2016 he was the composer-in-residence of Moritzburg Festival, in June 2017 of Spannungen Festival in Heimbach and in July 2019 of Fjord Classics in Norway. 2019/2020 he held the position of Creative Chair of Tonhalle Orchester Zürich.
From 1991 to 2011, Erkki-Sven Tüür was one of the artistic directors of the International New Music Festival NYYD, he also holds an honorary doctorate from the Estonian Academy of Music. He has received the annual Estonian Music Prize (1987, 1988), the Estonian Culture Prize (1997), the Great Bear Prize (1996, 1997), the Baltic Assembly Culture Prize (1998), the Order of the White Star - 2nd Class (2000), the Annual Prize of the Estonian Music Council (2003) and the Annual Prize of the Endowment for Music of the Cultural Endowment of Estonia thrice: in 2003 for the CD "Exodus"; in 2005 for the artistic direction of the NYYD international contemporary music festivals and in 2007 for an outstandingly creative year. In 2009, Erkki-Sven Tüür received the title of Citizen of the Year. In 2014, Tüür was awarded the Culture Prize of the Republic of Estonia for his Clarinet Concerto Peregrinus ecstaticus and the orchestral work De Profundis. Peregrinus Ecstaticus was also awarded prize "The Young Musicians Favorite Choice" of the Foundation of Prince Pierre of Monaco in 2015. In the same year, Tüür was given the Christoph und Stephan Kaske Stiftung's prize in Munich. In 2018, Solastalagia for piccolo and symphony orchestra was awarded the new composition award Au-tasu by LHV Bank. In 2019, Tüür received Annual Award of the Cultural Endowment of Estonia for the fruitful creative year 2018 (Symphony No. 9 Mythos, Violin Concerto No. 2 and Solastalgia). Erkki-Sven Tüür was given the title of Choral Composer of the Year 2020 by Estonian Choral Association.
Albums with music by Erkki-Sven Tüür have been released by ECM, Ondine, Warner, and EMI Virgin. The albums Magma (Virgin Classics) and Seventh Symphony & Piano Concerto (ECM) have been nominated for the Gramophone Award. Mythos (Alpha Classics) received DIAPASON D'OR DE L'ANNÉE 2020 in France.
from Wise Music Classical’s webpage
Other works for winds include :
• Architectonics IV (for e-violin, bassoon, barytone saxophone and synthesizer) (1990)
• Lamentatio (for saxophone quartet) (1995)
• Mare Lacrimarum for Bigband and Chamber Orchestra (2022)
More on Erkki-Sven Tüür:
